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Hermann Muthesius

 
Art Encyclopedia: Hermann Muthesius

(b Grossneuhaus, 20 April 1861; d Berlin, 26 Oct 1927). German architect, architectural historian, theorist and critic. He worked with Ende & B?ckmann, one of the leading architectural firms in Berlin, who employed him in Tokyo (1887-91), where he designed a Gothic Revival German church. On his return to Germany he joined the Ministry of Public Works and was appointed technical attach? (1896-1903) to the German Embassy in London. In England he studied the work of the English country-house architects from about 1870: the earlier figures, Philip Webb and R. Norman Shaw, and his own contemporaries C. F. A. Voysey, Edwin Lutyens and W. R. Lethaby. He published several accounts of his investigations of English architectural culture, most notably the three-volume Das englische Haus (Berlin, 1904-05). This detailed study, which considers the house, and architecture in general, as an expression of the society of which it is a part, expressed Muthesius's enthusiasm for England and his belief that the immediate future belonged to this style of building. It was much admired in England, but its effect in Germany was to provoke controversy; even in the 1920s a copy was still kept locked away from students of the Technische Hochschule, Berlin. Although keen to promote an awareness of the functional and practical in architecture, Muthesius did not go so far as to see the form of a house as merely the result of fulfilling functional needs. He never denied that the architect was an artist, motivated by the desire to give a convincing visual expression. Indeed his admiration went to artistically minded architects, such as Lutyens and Charles Rennie Mackintosh, who became a close friend, rather than to the more severely rational, such as Voysey.

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Modern Design Dictionary: Hermann Muthesius
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(1861-1927)

Muthesius was an important link between the Arts and Crafts Movement in Britain and progressive design circles in early 20th-century Germany. He had been appointed as architectural attaché to the German Embassy in London in 1896 and came into contact with a number of leading British designers such as Charles Rennie Mackintosh and Walter Crane. He researched widely into British architecture and design, publishing many articles on the British arts and crafts in the periodical Dekorative Kunst, his studies culminating in the three-volumed Das englische Haus (1904-5). After returning to Germany in 1903 he was entrusted with the responsibility for art and design education at the Prussian Ministry of Trade and Industry. He was appointed as the first chair of the Applied Arts at Berlin Commercial University in 1907 and sought to promote better standards of design in German industry through greater stress on quality, modernity, and aesthetic excellence. He was also a founder member of the Deutscher Werkbund (DWB) in 1907 and continued to promote a radical agenda for design reform. He was committed to the adoption of standardized forms that were compatible with economic, modern mass-production techniques although this position was heavily opposed by fellow DWB member Henry van de Velde who believed that individual artistic creativity was being stifled at the expense of economic, industrial, and political interests. This debate about standardization came to the fore at the Werkbund exhibition in Cologne in 1914. At around this time, like a number of other designers associated with the DWB, he was commissioned to design interiors for German transatlantic liners. During the First World War Muthesius took on a more overtly nationalist stance, arguing that due to Germany's enforced freedom from dependency on foreign influences there was greater opportunity for commitment to a modern German style. He continued to work for the Ministry of Trade and Industry until 1926. Shortly before he died in 1927 he was critical of the DWB's Weissenhof housing exhibition in Stuttgart, seeing it as driven by formalist rather than functionalist principles.

Wikipedia: Hermann Muthesius
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Adam Gottlieb Hermann Muthesius (20 April 1861 - 29 October 1927), known as Hermann Muthesius, was a German architect, author and diplomat, perhaps best known for promoting many of the ideas of the English Arts and Crafts movement within Germany and for his subsequent influence on early pioneers of German architectural modernism such as the Bauhaus.

Elena-Klinik in Harleshausen, a district of Kassel, main building originally built by Hermann Muthesius as a villa, from south, 2004-12-24

Contents

Life and career

Early life

Muthesius was born in 1861 in the village of Gross Neuhausen near Erfurt and received early training from his father, who was a builder. After a period of military service and two years studying philosophy and art history at Frederick William University in Berlin, he enrolled to study architecture at Charlottenburg Technical College in 1883, while also working in the office of Reichstag architect Paul Wallot.

Following completion of his studies Muthesius spent three years in Tokyo as an employee of a German construction firm, where he saw his first building completed—a German Evangelical church—and travelled extensively across Asia. He returned to Germany in 1891 where he spent periods working as a public architect and as the editor of a construction journal.

London

In 1896 Muthesius was offered a position as cultural attaché at the German Embassy in London, from where he was to study report on the ways of the British. He focused the next six years investigating and residential architecture and domestic lifestyle and design, ending with a three volume report published as Das englische Haus. Although his subjects were wide-ranging, he was particularly interested in the philosophy and practices of the English Arts and Crafts movement, whose emphasis on function, modesty, understatement, individuality and honesty to materials he saw as alternatives to the ostentatious historicism and obsession with ornament in German nineteenth century architecture, and whose efforts to bring a sense of craftsmanship to industrial design he saw as a significant national economic benefit. He visited Glasgow to investigate the innovative work of the Glasgow School exemplified by the designs of Charles Rennie Mackintosh.

As well as his official reports, Muthesius also developed a career as an author, communicating his ideas and observations in an influential series of books and articles that saw him become a significant cultural figure in Germany, culminating in his most famous work Das englische Haus ("The English House"), published in 1904. He wrote about the Willow Tearooms for an issue of Dekorative Kunst published in 1905 almost entirely devoted to A Mackintosh Tea Room in Glasgow, saying that "Today any visitor to Glasgow can rest body and soul in Miss Cranston's Tea Rooms and for a few pence drink tea, have breakfast and dream that he is in fairy land." At the same time he lamented Mackintosh's unrewarded struggle to "hold up the banner of Beauty in this dense jungle of ugliness."

The "Muthesius Affair" and the Deutscher Werkbund

Muthesius returned to Germany in 1904 and established himself as an architect in private practice, while retaining a role as an official advisor to the Government of Prussia. Over the next two decades he designed a series of houses throughout Germany, drawing upon and cementing the principles and practices expounded in his famous book.

By this time Muthesius was widely recognised as an admirer of English culture, but this also laid him open to accusations of divided loyalties. In 1907 he was accused by the Fachverband für die wirtschaftlichen Interessen des Kunstgewerbes ("Association for the Economic Interests of the Arts and Crafts") of criticising the quality of German industrial products in a lecture in Berlin. The resulting controversy saw several influential designers and industrialists withdraw from the association and set up the Deutscher Werkbund, explicitly aimed at bringing the highest standards of design to mass-produced output.

The Deutscher Werkbund was a major influence on the early careers of Le Corbusier, Walter Gropius and Mies van der Rohe, but although Muthesius was in many ways its spiritual father and served as its chairman from 1910 until 1916, he had little sympathy with the emerging early-modernism, considering both Art Nouveau and the later designs of the Bauhaus to be just as much superficial styles as those of the nineteenth century.

Muthesius was one of the major architects who built Germany's first Garden City, Hellerau, a suburb of Dresden, founded in 1909. Its foundation was closely related with the activities of the Deutscher Werkbund, too. Among the many employees of Muthesius was the German Socialist city planner Martin Wagner, who applied the lessons of the garden city to Berlin on a huge scale, from 1924 to about 1932.

Later career

Muthesius continued designing houses and writing about domestic architecture until 1927, when he died in a road accident after a site visit in Berlin.

Major Built Works

  • Bernhard house, Berlin-Wilmersdorf, (1906)
  • Cramer house, Berlin-Zehlendorf, (1913)

Major Publications

  • Stilarchitektur und Baukunst ("Style-architecture and Building-art") (1902)
  • Das englische Haus ("The English House") (1904)
  • Wie baue ich mein Haus (" How do I build my house") (1915)

External links


 
 
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Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
Modern Design Dictionary. A Dictionary of Modern Design. Copyright © 2004, 2005 by Oxford University Press. All rights reserved.  Read more
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