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High Plains Drifter

 
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High Plains Drifter

  • Director: Clint Eastwood
  • AMG Rating: starstarstar
  • Genre: Western
  • Movie Type: Revisionist Western, Outlaw (Gunfighter) Film
  • Themes: Mysterious Strangers, Out For Revenge, Lone Wolves
  • Main Cast: James Gosa, Clint Eastwood, Verna Bloom, Marianna Hill, Mitchell Ryan, Jack Ging
  • Release Year: 1973
  • Country: US
  • Run Time: 105 minutes
  • MPAA Rating: R

Plot

"Who are you?" the dwarf Mordecai (Billy Curtis) asks Clint Eastwood's Stranger at the end of Eastwood's 1973 western High Plains Drifter. "You know," he replies, before vanishing into the desert heat waves near California's Mono Lake. Adapting the amorally enigmatic and violent Man With No Name persona from his films with Sergio Leone, Eastwood's second film as director begins as his drifter emerges from that heat haze and rides into the odd lakefront settlement of Lago. Lago's residents are not particularly friendly, but once the Stranger shows his skills as a gunfighter, they beg him to defend them against a group of outlaws (led by Eastwood regular Geoffrey Lewis) who have a score to settle with the town. He agrees to train them in self-defense, but Mordecai and innkeeper's wife Sarah Belding (Verna Bloom) soon suspect that the Stranger has another, more personal agenda. By the time the Stranger makes the corrupt community paint their town red and re-name it "Hell," it is clear that he is not just another gunslinger. With its fragmented flashbacks and bizarre, austere locations, High Plains Drifter's stylistic eccentricity lends an air of unsettling eeriness to its revenge story, adding an uncanny slant to Eastwood's antiheroic westerner. Seminal western hero John Wayne was so offended by Eastwood's harshly revisionist view of a frontier town that he wrote to Eastwood, objecting that this was not what the spirit of the West was all about. Eastwood's audience, however, was not so put off, and an exhibitors' poll named Eastwood a top box-office draw for 1973. ~ Lucia Bozzola, All Movie Guide

Review

High Plains Drifter, Clint Eastwood's first Western behind the camera -- and only his second effort as a director, may owe a lot to his former collaborator Sergio Leone, but it also marks the point at which he begins to come into his own as an artist. The leisurely, dialogue-heavy asides may bog this film down at times, but it's an approach that would bear fruit later in Eastwood's directorial career. But Drifter works quite well even outside the context of Eastwood's other work, thanks to a harsh, wind-swept mysticism all its own. Leone and Eastwood's Man With No Name films helped usher in an era of revisionist Westerns, but with this film Eastwood doubles back, reconnecting those films' dark humor and mysterious loner character (introduced riding ominously through the entire length of a small town) to the realm of folk tale and myth. The script by Shaft author Ernest Tidyman is as unforgiving as its protagonist -- it might be argued that an early rape scene goes too far -- but there's no denying this film's unique appeal. It's a revisionist Western extreme even by the standards of the time. Like the Machiavellian hero who defends it, the film looks upon a superficially idyllic Western setting and finds virtually nothing to like.

~ Keith Phipps, All Movie Guide

Cast

Stefan Gierasch - Mayor Jason Hobart; Jane Aull - Townswoman; Walter Barnes - Sheriff Sam Shaw; Paul Brinegar - Lutie Naylor; Richard Bull - Asa Goodwin; Reid Cruickshanks - Gunsmith; Billy Curtis - Mordecai; Robert Donner - Preacher; Ted Hartley - Lewis Belding; John Hillerman - Bootmaker; Jack Kosslyn - Saddlemaker; Geoffrey Lewis - Stacey Bridges; Russ McCubbin - Fred Short; Belle Mitchell - Mrs. Lake; John Mitchum - Warden; Carl Pitti - Teamster; John Quade - Jake Ross; Dan Vadis - Dan Carlin; Scott Walker - Bill Borders; Anthony James - Cole Carlin; Buddy Van Horn - Marshall Jim Duncan; Chuck Waters - Stableman; Mitch Regan; L. William O'Connell - Barber; James Gosa - Tommy Morris

Credit

Henry Bumstead - Art Director, Jim Fargo - First Assistant Director, Clint Eastwood - Director, Ferris Webster - Editor, Jennings Lang - Executive Producer, Dee Barton - Composer (Music Score), Bruce Surtees - Cinematographer, Robert Daley - Producer, George Milo - Set Designer, James R. Alexander - Sound/Sound Designer, Buddy Van Horn - Stunts, Ernest Tidyman - Screenwriter

Similar Movies

Bad Day at Black Rock; Django; A Fistful of Dollars; The Hired Hand; Joe Kidd; McCabe & Mrs. Miller; Once Upon a Time in the West; Unforgiven; The Wild Bunch; Dust; The Missing; Dogville; Summer Love; Aces N' Eights
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High Plains Drifter

Theatrical release poster
Directed by Clint Eastwood
Produced by Robert Daley
Written by Ernest Tidyman
Dean Riesner
Starring Clint Eastwood
Verna Bloom
Marianna Hill
Billy Curtis
Music by Dee Barton
Cinematography Bruce Surtees
Editing by Ferris Webster
Studio The Malpaso Company
Distributed by Universal Pictures
Release date(s) August 22, 1973
Running time 105 min.
Country United States
Language English

High Plains Drifter is a 1973 Western film, with a hint of the supernatural, directed by Clint Eastwood and starring Eastwood as a mysterious gunfighter who wreaks havoc in a frontier mining town. The film was influenced by the work of Eastwood's two major collaborators Sergio Leone and Don Siegel.[1]

High Plains Drifter was filmed on location on the shores of Mono Lake, California. The screenplay was written by Ernest Tidyman and an uncredited Dean Riesner, with Tidyman authoring the novelization. Dee Barton provided the film's eerie musical score.

Contents

Plot

The story depicts the efforts of a small mining town to defend itself against a group of rogue gunfighters with the help of a mysterious outsider (Eastwood), referred to as the Stranger. Having betrayed both their marshal and the gunfighters, the town reveals its timidity and corruption when they hire the Stranger to protect them.

As the film begins, the Stranger rides into the fictional mining town of Lago, in a setting similar to the Arizona territory. When he enters the saloon, he is followed by three gun-toting men who taunt him. He then goes to the barbershop, but the men continue to follow and ridicule him. When one man swivels him around in the barber's chair, he shoots them dead.

Panorama of Lago as the stranger approaches the town at the beginning of the film.

Impressed with this performance, a dwarf named Mordecai (Curtis) befriends the Stranger. Then an attractive townswoman named Callie Travers (Hill) bumps into him in the street and insults and badgers him. When she slaps him, he drags her into the livery stable and rapes her. Next, he goes to the hotel and rents a room. When he lies down to sleep, he remembers a scene in which a man is brutally whipped. It is revealed later in the film that Marshal Jim Duncan was whipped to death by gunfighters Stacey Bridges (Lewis), Dan Carlin (Vadis), and Cole Carlin (James) while the people of Lago looked on. Only Sarah Belding (Bloom), wife of hotelier Lewis Belding (Hartley), made any attempt to rescue Marshal Duncan. Various indications throughout the film suggest that the Stranger is some sort of reincarnation or embodiment of Duncan's spirit.

The next day, Sheriff Shaw (Barnes) tells the stranger he will not be charged for killing the three men. Meanwhile, the townsmen discuss Bridges and the Carlin brothers, who are due to be released from prison that day. The town double-crossed the three gunfighters after they killed Duncan, who had discovered that the Lago Mining Company was operating on government land, and the men are expected to seek vengeance against the town. Since the men slain by the Stranger were the mining company's new protectors, the townsmen decide to hire the Stranger as their replacement.

The Stranger riding into town.

Presenting the job offer to the Stranger, Shaw explains that the three gunfighters were caught stealing gold from the mining company, although he admits the gold was poorly protected, suggesting that the company's managers may have framed the men. The Stranger declines the job until Shaw tells him he can have anything he wants. Accepting these terms, the Stranger indulges in the town's products and services, makes Mordecai both sheriff and mayor, has the entire town painted red, and paints the word "HELL" on the "LAGO" sign just outside of town.

While the Stranger trains the townspeople to defend themselves, Bridges and the Carlin brothers are released from prison and make their way to Lago. They begin on foot but kill three other men on the way and take their horses.

At this point, the townsmen begin quarreling about the Stranger. A group of men try to kill him, but he escapes and kills most of them. After Belding inadvertently divulges his complicity in the attack, the Stranger drags Belding's wife Sarah into the Beldings's room and she sleeps with him willingly.

Lago is painted red and the name changed to Hell before the gunfighters return.

In the morning, the Stranger rides out to meet the gunfighters, has a brief shootout with them, and returns to Lago. With the town painted red, townsmen with rifles stationed on rooftops, and a picnic and welcoming banner set up for the gunfighters, the Stranger mounts his horse and rides out the back end of town. When the gunfighters arrive, they encounter almost no resistance at all, and by nightfall they have the townspeople collected in the saloon with the rest of the town in flames. However, the Stranger kills the gunfighters one by one, whipping and strangling Cole Carlin, hanging Dan Carlin, and gunning down Bridges. In the only act of courage taken by any of the townspeople, Mordecai shoots Belding after Belding points his rifle at the Stranger's back. The next day, the Stranger rides out of the ruined town as Mordecai carves a headstone for Duncan's grave.

Cast

Production notes

Lago (Mono Lake).
  • Eastwood had an entire town built on the shores of Mono Lake for the project.
  • Filming was completed in only six weeks.
  • Eastwood has noted that the graveyard set featured in the film's finale had tombstones reading "Sergio Leone" and "Don Siegel," intended as a comical tribute to the two directors.[1]
  • The character of Marshal Duncan was played by stuntman Buddy Van Horn, a long-time stunt coordinator for Clint Eastwood, in order to create some ambiguity as to whether he and the Stranger are one and the same.
  • During an interview on Inside the Actors Studio, Eastwood commented that earlier versions of the script made the Stranger the dead marshal's brother. He favored a less explicit and more supernatural interpretation, however, and excised the reference[citation needed], although the Italian, Spanish, French and German dubbings retain it.

See also

References

Other source

  • Guérif, François (1986). Clint Eastwood, p. 94. St Martins Pr. ISB

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