In 1987 Holly Hunter appeared in Raising Arizona (with Nicolas Cage) and Broadcast News, and was suddenly a movie star. Proving she could do more than rapid-fire dialogue and comedy, Hunter nabbed the 1994 Oscar for her performance in The Piano (1993, directed by Jane Campion). Since then she has appeared in a variety of movies, including Copycat (1995, with Sigourney Weaver), Crash (1996, based on the novel by J. G. Ballard), Living Out Loud (1998) and as George Clooney's wife in O Brother, Where Art Thou? (2000). She earned her fourth Oscar nomination in 2004 for her supporting performance in Thirteen (2003), then switched gears to be the voice of the mom (Helen/Elastigirl) in the animated feature The Incredibles (2004). Hunter has also worked in televsion, notably as tennis great Billie Jean King in When Billie Beat Bobby (2001) and as the star of the 2007 series Grace.
Hunter is married to Janusz Kaminski, the Oscar-winning cinematographer of Schindler's List (1993, directed by Steven Spielberg).
Career Highlights: The Piano, Living Out Loud, Once Around
First Major Screen Credit: Broadcast News (1987)
Biography
One of the most versatile and charismatic actresses that Hollywood has to offer, Holly Hunter has made a name for herself with smart, strong portrayals of dependably eccentric women. Born March 20, 1958, in Conyers, GA, Hunter was raised on a farm as the youngest of seven children. With the encouragement of her parents, she began acting at a young age, landing her first starring role as Helen Keller in a fifth grade play. Hunter went on to receive theatrical training at Pittsburgh's Carnegie Mellon University, after which she moved to New York to pursue her acting career. Following her off-Broadway debut in 1981, the fledgling actress enjoyed a serendipitous twist of fate in the form of being stuck in a stalled elevator with playwright Beth Henley. The chance meeting led to a collaboration between the two women, first with the stage production of The Miss Firecracker Contest and then with Hunter's 1982 Broadway debut, Crimes of the Heart.
Meanwhile, Hunter had made her onscreen debut in the 1981 horror flick The Burning, a film remarkable both for its high schlock quotient and its casting of a similarly obscure young actor named Jason Alexander. After moving to Los Angeles in 1982, Hunter appeared in some made-for-TV movies before being cast in a supporting role in 1984's Swing Shift. The same year, she had her first collaboration with Ethan Coen and Joel Coen in Blood Simple, making something of a limited appearance as a voice on an answering machine recording. More obscure film and television work followed until 1987, when thanks to a starring role in the Coens' Raising Arizona and her Academy Award-nominated turn in Broadcast News, Hunter finally got her share of the limelight. The praise she received led to more acclaimed work in 1989; the actress won raves for her parts in three different films: the screen adaptation of Henley's Miss Firecracker; Steven Spielberg's Always, a romantic drama with Richard Dreyfuss; and the made-for-TV docudrama Roe vs. Wade.
Following her second collaboration with Dreyfuss in Once Around (1991), Hunter once again garnered a wealth of critical appreciation for her work in three 1993 films, two of which resulted in her being nominated for Academy Awards as both Best Supporting Actress and Best Actress in that same year. Hunter's performance in The Firm won her a nomination for the former and her portrayal of a mute Scottish woman entangled in a treacherous affair with Harvey Keitel in Jane Campion's The Piano won her the latter. Unfortunately, over the next couple of years, Hunter found herself starring in vehicles that ranged from underrated to dreadful, with Home for the Holidays (1995) at one end of the spectrum and the thriller Copycat (also 1995) at the other. Her work in David Cronenberg's Crash (1996) did win her strong notices, but it was swallowed by the controversies surrounding the film, and her appearance as a sardonic angel in A Life Less Ordinary suffered a similar fate. However, the actress rebounded the following year with her portrayal of a recently divorced New Yorker in Richard LaGravenese's Living Out Loud. Starring alongside Danny DeVito, Queen Latifah, and Martin Donovan, Hunter won overwhelmingly positive reviews for her performance, convincing critics and audiences alike that she was back in the saddle again. Hunter rounded out the 1990s with a minor role in the indie drama Jesus' Son and as a housekeeper torn between a grieving widower and Kiefer Sutherland's little-seen character-driven drama Woman Wanted (1999).
Hailing in the new millennium with a memorable performance in the Coen Brothers O Brother, Where Art Thou? (2000), the talented actress took top billing in the same year's television production Harlan County War, a powerful account of labor struggles among Kentucky coal-mine workers. Hunter would continue her small screen streak with a role in When Billy Beat Bobby and as narrator of Eco Challenge New Zealand before returning to film work with a minor role in the 2002 drama Moonlight Mile. The following year found Hunter drawing favorable reviews for her role in the otherwisecritically maligned redemption drama Levity. ~ Rebecca Flint Marx, All Movie Guide
Holly Hunter was born in Conyers, Georgia, the daughter of Opal Marguerite (née Catledge), a housewife, and Charles Edwin Hunter, a farmer and sporting-goods manufacturer's representative.[1] Hunter earned a degree in drama from Carnegie Mellon University in Pittsburgh, after which she moved to New York City and roomed with fellow actress Frances McDormand. Hunter in 2008 described living in The Bronx "at the end of the D [subway] train, just off 205th Street, on Bainbridge Avenue and Hull Avenue. It was very Irish, and then you could go just a few blocks away and hit major Italian".[2] A chance encounter with playwright Beth Henley, when the two were trapped alone in an elevator, led to Hunter's being cast in Henley's plays Crimes of the Heart (succeeding Mary Beth Hurt on Broadway), and Off-Broadway's The Miss Firecracker Contest. "It was like the beginning of 1982. It was on 49th Street between Broadway and Eighth [Avenue] [...] on the south side of the street", Hunter recalled in an interview. "[We were trapped] 10 minutes; not long. We actually had a nice conversation. It was just the two of us".[2]
Hunter made her screen debut in the 1981 horror movie The Burning. After moving to Los Angeles, California in 1982, Hunter appeared in TV movies before being cast in a supporting role in 1984's Swing Shift. That year, she had her first collaboration with the writing-directing-producing team of brothers Ethan Coen and Joel Coen, in Blood Simple, making an uncredited appearance as a voice on an answering-machine recording. More film and television work followed until 1987, when thanks to a starring role in the Coens' Raising Arizona and her Academy Award-nominated turn in Broadcast News, Hunter became a critically acclaimed star. She went on to the screen adaptation of Henley's Miss Firecracker; Steven Spielberg's Always, a romantic drama with Richard Dreyfuss; and the made-for-TV 1989 docudrama about the Supreme Court case Roe v. Wade.
Following her second collaboration with Dreyfuss, in Once Around, Hunter garnered critical appreciation for her work in three 1993 films, two of which resulted in her being nominated for two Academy Awards the same year: Hunter's performance in The Firm won her a nomination as Best Supporting Actress, while her portrayal of a mute Scottish woman entangled in an adulterous affair with Harvey Keitel in Jane Campion's The Piano won her the Best Actress award. Hunter went on to appear in films such as the comedy-drama Home for the Holidays and the thriller Copycat. Her work in David Cronenberg's Crash did win her strong notices,[citation needed], but it was swallowed by the controversies[citation needed] surrounding the film, and her appearance as a sardonic angel in A Life Less Ordinary suffered a similar fate.[citation needed] The following year, she played a recently divorced New Yorker in Richard LaGravenese's Living Out Loud; starring alongside Danny DeVito, Queen Latifah, and Martin Donovan, Hunter won positive reviews for her performance.[citation needed] Hunter rounded out the 1990s with a minor role in the independent dramaJesus' Son and as a housekeeper torn between a grieving widower and Kiefer Sutherland's drama Woman Wanted.
Emmy Award in 1989
Following a supporting role in the Coens' O Brother, Where Art Thou?, Hunter took top billing in the same year's television movieHarlan County War, an account of labor struggles among Kentuckycoal-mine workers. Hunter would continue her small screen streak with a role in When Billie Beat Bobby, playing tennis pro Billie Jean King in the fact-based story of King's famed exhibition match with Bobby Riggs; and as narrator of Eco Challenge New Zealand before returning to film work with a minor role in the 2002 drama Moonlight Mile. The following year found Hunter drawing favorable reviews[citation needed] for her role in the otherwise critically maligned[citation needed] redemption drama Levity. Also in 2003, Hunter had a supporting role in the acclaimed[citation needed] film Thirteen for which she received a Best Supporting Actress Oscar nomination.
For many years, Hunter was in a relationship with actor Arliss Howard. She was married to Polish cinematographerJanusz Kamiński from May 20, 1995 until their divorce on 21 December 2001. Since 2001, she has been in a relationship with American actor Gordon MacDonald, with whom she co-starred in Marina Carr's By the Bog of Cats in a 2001 run at the San Jose Repertory Theater, and later in a 2004 West End production of the same play. In January 2006, Hunter's publicist announced that Hunter had given birth to the couple's twins at the age of 47;[3]Entertainment Weekly later reported that the twins were boys. In a 2009 interview, Hunter stated to TV Guide that she does not discuss the children with media.[4]
