Representative Albums: "Happy Frame of Mind," "Voyage of Discovery," "Up & Down"
Representative Songs: "Wadin'," "On the Spur of the Moment," "Headin' South"
Biography
Horace Parlan has overcome physical disability and thrived as a pianist despite it. His right hand was partially crippled by polio in his childhood, but Parlan's made frenetic, highly rhythmic right hand phrases part of his characteristic style, contrasting them with striking left-hand chords. He's also infused blues and R&B influences into his style, playing in a stark, sometimes somber fashion. Parlan has always cited Ahmad Jamal and Bud Powell as prime influences. He began playing in R&B bands during the '50s, joining Charles Mingus' group from 1957 to 1959 following a move from Pittsburgh to New York. Mingus aided his career enormously, both through his recordings and his influence. Parlan played with Booker Ervin in 1960 and 1961, then in the Eddie "Lockjaw" Davis-Johnny Griffin quintet in 1962. Parlan played with Rahsaan Roland Kirk from 1963 to 1966, and had a strong series of Blue Note recordings in the '60s. He left America for Copenhagen in 1973, and gained international recognition for some stunning albums on Steeplechase, including a pair of superb duet sessions with Archie Shepp. He also recorded with Dexter Gordon, Red Mitchell, and in the '80s Frank Foster and Michal Urbaniak. He also has recorded extensively for SteepleChase, Enja, and Timeless. ~ Ron Wynn, All Music Guide
Noted for his contributions to the classic Charles Mingus recordings Mingus Ah Um and Blues & Roots, Parlan often bridges the divide between the chordal sophistication of the bop idiom and the African-American "roots."
His later work, notably a series of duos with the tenor saxophonist Archie Shepp, including the album Goin' Home, display a sturdy architecture reminiscent of gospel music.
As a child, Parlan was stricken with polio, resulting in the partial crippling of his right hand. The handicap, though, has contributed to his development of a particularly "pungent" left-hand chord voicing style, while comping with highly rhythmic phrases with the right.
