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Actor:

Howard Cosell

  • Born: Mar 25, 1920 in Winston-Salem, North Carolina
  • Died: Apr 23, 1995
  • Occupation: Actor
  • Active: '70s-'80s
  • Major Genres: Comedy, Drama
  • Career Highlights: Saturday Night Live: Howard Cosell, The Mike Douglas Show: June 1, 1972
  • First Major Screen Credit: The Mike Douglas Show: June 1, 1972 (1972)

Biography

Howard Cosell was not an actor, but rather a lawyer-turned-sportscaster who became one of the great characters of the 1970s and 1980s. His loud, nasally commentary on sporting events, particularly football, often bordered on the obnoxious, making him the sportscaster Americans loved to hate. He translated his popularity to the big screen, often parodying his public persona in cameo appearances. A native of Winston-Salem, NC, born Howard Cohen, Cosell worked as a sports and entertainment attorney after receiving his law degree from New York University Law School. In 1953, Cosell entered television after he inaugurated a show in which Little League baseball players would interview their Major League heroes. That year, he began a part-time career as an announcer for various sporting goods on the ABC radio and television networks. He found the work to his liking and, in 1956, abandoned his law practice to become a full-time commentator. Cosell would remain with ABC until his retirement in 1992. His most famous gig was as an anchor on the network's showing of Monday Night Football from 1970 to 1983. He made his first film appearance playing himself in Woody Allen's Bananas (1971). He would appear in another Allen film, Broadway Danny Rose, 13 years later. On television, Cosell attempted to break away from sportscasting with the short-lived Saturday Night Live With Howard Cosell, a live variety show produced by the head of the ABC sports department. Obviously out of his league, he gamely attempted to host the show's uneasy blend of comedy, sports, and musical acts (in one episode, Cosell himself tried croaking out a tune, with help from pal Andy Williams), but the concept of the show was too broad, audiences didn't watch, and it was mercifully cancelled. Between 1983 and 1985, Cosell had greater success hosting Sportsbeat. ~ Sandra Brennan, All Movie Guide

 
 
Biography: Howard Cosell

Despite obvious drawbacks - a nasal Brooklyn accent, an obvious toupé, and a propensity for prolix pronouncements - American sportscaster Howard Cosell (1920 - 1995) changed the face - and voice - of sports broadcasting forever, replacing bland, sycophantic, sanitized commentary with hard-nosed observations and often-unpopular stands on principle. "History will reflect that Howard Cosell was easily the dominant sportscaster of all time," wrote colleague Al Michaels in the foreword to Cosell's book "What's Wrong with Sports", "and certainly the most famous." Cosell was "a broadcasting pioneer who changed the way people listen to and watch sports," recalled ABC radio sports director Shelby Whitfield in "People" magazine. In his book "I Never Played the Game", Cosell summed himself up in his typically self-aggrandizing style: "I'm one helluva communicator."

Born Howard William Cohen on March 25, 1920, in Winston-Salem, North Carolina, Cosell was the son of Isidore and Nellie Cohen. "For the record," Cosell noted in Cosell, "Cosell - once spelled with a K - is the family name.… As a Polish refugee, my grandfather had been unable to make his name clear to a harried immigration inspector. The official simply compromised on Cohen and waved him through."

Isidore Cohen, an accountant for a clothing company, moved his family to Brooklyn shortly before Howard turned three. He aspired to a middle-class existence, but, like millions of others, struggled - often unsuccessfully - to provide for his family when the Depression hit and jobs dried up. "I remember the electricity being turned off in our house for nonpayment of rent and my dad fighting with the janitor to try and get it turned back on," Cosell recalled. Always on the ragged outer edges of prosperity, Cohen wanted the security of a profession for his son.

Entered Law Profession to Honor Family Request

Howard's intelligence was apparent early on, his mother claiming that he started talking at age nine months. An excellent student, he attended Brooklyn public schools, including P.S. 9 and Alexander Hamilton High School, where he wrote a sports column for the school newspaper called "Speaking of Sports" - he later gave the same title to his radio program. He went on to New York University, where he earned a degree in English literature and a membership in Phi Beta Kappa. Bowing to his parents wishes, he then earned a law degree at the same university, editing NYU's law review and passing the bar exam at age twenty-one. "I'd never really wanted to become a lawyer," he told Playboy interviewer Lawrence Linderman. "I guess the only reason I went through with it was because my father worked so hard to have a son who'd be a professional."

Before he could settle into a practice, however, World War II intervened and Cosell enlisted in the U.S. Army. Following a pattern he would often repeat, he began as a private and left four and a half years later as a major. After his discharge, Cosell tried to forgo the legal future his parents had ordained for him by auditioning as a radio announcer at WOR. The station flatly rejected him, saying his nasal Brooklyn-inflected voice made him completely unsuitable for radio.

Cosell returned to the law in 1946, opening an office in Manhattan. His practice included many sports and entertainment figures, among them Willie Mays, and it came about that he was asked to oversee the incorporation of Little League Baseball in New York. This brought Cosell to the attention of ABC Radio, which asked him to host a fifteen-minute Saturday-morning show in which Little Leaguers interviewed sports pros. Cosell took the ball and ran with it, getting far more than the network had expected - in one episode New York Yankee baseball player Hank Bauer aired his beefs with team manager Casey Stengel. Nearly 20 years later Cosell was still chuckling about it, telling Linderman: "We made news with that show!"

ABC then signed Cosell to do ten five-minute weekend sports broadcasts, paying him the below-scale sum of $250 a week for the privilege. Lugging a 30-pound tape recorder on his back, Cosell took every interview he could get. As he recalled in Cosell, "There was nothing being done in depth, a total absence of commentary and little in the way of actuality." He wanted to change the status quo: "I was infected with my desire, my resolve, to make it in broadcasting. I knew exactly what I wanted to do, and how." Determined to succeed, Cosell quit his $30,000-a-year law practice.

Out on a Limb for Broadcast Excellence

In 1961 Cosell began his daily Speaking of Sports broadcasts for ABC News, a radio staple that ran until 1992. Each show began with Cosell's familiar staccato delivery, which Dave Kindred of the Sporting News described as "to voices what the Grand Canyon is to ditches.… 'HELLO AGAIN, EVERYBODY, THIS IS HOWARD COSELL SPEAKING OF SPORTS.'" Cosell's penchant for polysyllabism prompted Kindred to quote sportswriter Jim Murray, who said Cosell "has the vocabulary of an Oxford don and the delivery of a Dead End kid." Cosell always closed with another of his famous tag lines: "This is Howard Cosell telling it like it is."

Cosell was determined to get into television as well as radio. His less-than-glamorous looks and grating voice, however, made ABC executives equally determined to keep him off the air. Undeterred, he formed a production company and filmed a well-received documentary titled Babe Ruth: A Look behind the Legend. His followup effort was Run to Daylight, a look at Vince Lombardi and the Green Bay Packers that Linderman called "still the most highly acclaimed TV sports documentary ever made." Unable to ignore Cosell's talent, ABC began to include him on their popular Wide World of Sports broadcasts.

In 1962 Cosell met the great boxer Muhammad Ali, then known as Cassius Clay, and began to cover Ali's fights. Thus began a series of interviews and dialogs that brought both fighter and sportscaster into the national limelight for the first time. Dick Heller noted in the Washington Times that Cosell "discovered Muhammad Ali and vice versa - a marriage surely made in athletic heaven." The two developed an enduring friendship, despite the mock arguments that permeated their on-air banter. Their relationship was firmly cemented when Cosell openly supported Ali's name change and entry into the Nation of Islam. Cosell was "angry and finally furious" at those who opposed Ali's decision: "they wanted … another Joe Louis," he wrote in Cosell. "A white man's black man.… Didn't these idiots realize that Cassius Clay was the name of a slave owner? … Had I been black and my name Cassius Clay, I damned well would have changed it!"

Cosell also voiced his disapproval in 1967 when Ali was stripped of his title and convicted of evading the draft after declaring himself a conscientious objector to the Vietnam War. (Ali's conviction was later overturned on procedural grounds by the U.S. Supreme Court.) As Tom Callahan noted in Time magazine, "Cosell knew that Muslim Ali stood on firm legal ground in conscientiously objecting to the draft. But he also felt Ali was right." Cosell was equally vociferous in his support for John Carlos and Tommie Smith when they silently supported the Black Power movement with upraised fists on the medals dais at the 1968 Mexico City Olympics.

Joined Monday Night Football Lineup

Monday Night Football was the brainchild of National Football League commissioner Pete Rozelle and Roone Arledge, Cosell's mentor at ABC. Its debut, on September 21, 1970, featured veteran commentator Keith Jackson, former Dallas Cowboy "Dandy" Don Meredith, and Cosell. Unfortunately, Cosell's open support for Ali unleashed a firestorm of criticism directed at both ABC and Cosell himself. Others were skeptical that anyone who had never played the game could cover it adequately. And there were plenty who raged at his trademark delivery - "the tone of someone describing battles in World War II," claimed Ralph Novak in People - and his pompous verbosity and biting commentary.

Stung but undaunted, Cosell continued to persevere, and by the time Monday Night Football covered the Packers at San Diego, Cosell's popularity began to rebound. His knowledge of the Packers, accumulated during the Lombardi documentary, was impressive, and viewers voted with their television sets: the program began to earn sky-high ratings, much of it due to Cosell. As Cosell quoted the Encyclopedia Britannica 1973 yearbook in his book Cosell: "sportscaster Howard Cosell made pro football addicts of more than 25 million viewers on Monday nights" - despite having "a voice that had all the resonance of a clogged Dristan bottle."

During the 1970s Cosell became a national icon, one survey showing that 96 percent of those questioned recognized his name. Some people loved him, others just loved to hate him. A TV Guide poll of viewers in 1978 named him both the most- and least-liked sportscaster on the air. His trademark style was instantly recognizable and often parodied. He played himself in numerous film and television appearances, including a role in Woody Allen's 1971 film Bananas and a turn as host on Saturday Night Live.

Cosell's hard-edged criticism of certain athletes was well known, but his views on the corporate organizations running professional sports were equally harsh. In I Never Played the Game he accuses baseball's "carpetbagging owners" of taking established teams like the Dodgers and Braves to new cities and lashes out at the sport's iron grip on its players. Cosell also publically applauded Curt Flood's attempt to strike down baseball's reserve clause as a violation of antitrust laws and even testified before Congress in favor of free agency. (The reserve clause was effectively abolished in 1975.) Despite these stands against team owners, so powerful was Cosell's draw that ABC assigned him to Monday Night Baseball as a sportscaster.

Sports Arena Reflected Increased Social, Political Conflicts

Sports and history had a gruesome collision in the summer of 1972 when Palestinian terrorists hijacked the Munich Olympics and murdered eleven Israeli athletes. The tragedy had a searing impact on Cosell. As he recalled in Cosell, it was "the most trying and dramatic … [time] of my life.… I had never felt so intensely Jewish." Although his grandfather had been a rabbi, the family was not religious; Cosell had not even been bar mitzvahed. The Munich massacre, however, led him to a deeper recognition and appreciation of his Jewish heritage, one outgrowth of which was the Cosell Center for Physical Education at the Hebrew University of Jerusalem.

In September 1983 Cosell started another firestorm after innocently commenting on a play by Redskins wide receiver Alvin Garrett. As he recalled in I Never Played the Game, he remarked, "That little monkey gets loose, doesn't he?" after a particularly good run by Garrett, who is black. Despite Cosell's sterling record on racial and civil-rights issues, and his insistence that the remark was not only laudatory but one he used affectionately with his own grandchildren, many were quick to denounce him. Cosell refused to apologize and defended himself against the charge of racism. Despite support from celebrities like Bill Cosby and Willie Mays, furor continued to rage around him. The incident eventually faded, but Cosell was disgusted. He left Monday Night Football two months later, at the end of the season. Nor was he surprised when the show's ratings fell during the 1984 season: "Without me," he claimed in I Never Played the Game, "the nature of the telecasts was entirely altered. I had commanded attention. I had a palpable impact on the show, giving it a sense of moment.… If that sounds like ego, what can I say? I'm telling it like it is."

A year earlier Cosell had turned his back on professional boxing as well. "For almost a quarter of a century, I was ABC's boxing specialist," Cosell explained, going on to add that: "Boxing gave me my first glimpse of media stardom, and I'd be less than honest if I didn't admit that I was gripped by a spellbinding attraction to the sport." He had known for years that "corruption was all around" boxing and its promoters, and he had tried hard to "expose the dirty underbelly of the sport." The Holmes-Cobb fight on November 26, 1982 - a lopsided match-up designed to ensure a Holmes victory - was Cosell's breaking point. The fight, he wrote, was "an unholy mess" and "a bloodbath." Holmes landed twenty-six unanswered blows and inflicted merciless punishment on Cobb, yet the fight was not stopped. Cosell declared then and there that he would never cover another professional boxing match.

During his long career, Cosell wrote four books: Cosell, 1973; Like It Is, 1974; I Never Played the Game, 1985; and What's Wrong with Sports, 1991. Like his sports broadcasts, each is filled with unvarnished appraisals of players, teams, and other broadcasters. His third book, in particular, written after he left ABC, contains harsh, even savage, assessments of colleagues such as Roone Arledge, his mentor at ABC, and Monday Night Football alums Frank Gifford and Don Meredith. Ralph Novak, in a review of the book for People, called I Never Played the Game "full of paranoia, condescension and hypocrisy."

When Cosell's beloved wife Emmy died in 1990 after 46 years of marriage, much of the fire seemed to go out of him. He had a cancerous tumor removed from his chest the following year but continued to do his daily radio broadcasts until 1992. Inducted into the American Sportscasters Hall of Fame in 1993, Cosell died of a heart embolism on April 23, 1995, at New York University's Hospital for Joint Diseases in New York City; he was awarded a posthumous Emmy for lifetime achievement the following year.

So powerful was Cosell's legend, however, that the media would not let him go. In 1999 HBO broadcast the cable television documentary Howard Cosell: Telling It like It Is, borrowing Cosell's ubiquitous tag line for its title. TNT aired the movie Monday Night Mayhem in 2002, with John Turturro portraying Cosell. Edward Achorn, writing in the Providence Journal, noted that the film "treats Cosell almost reverently, depicting him, for all his many quirks and faults, as a loyal and loving husband and family man, a quietly generous fellow, a crusader against racial prejudice, a dazzlingly talented professional who happened to be tormented by his insecurities. How many of today's glib sportscasters will stir this kind of attention 20 years from now? It's not going out on a limb to venture the answer: none."

Books

Cosell, Howard, and Mickey Herskowitz, Cosell, Playboy Press, 1973.

Cosell, Howard, and Peter Bonventre, I Never Played the Game, G. K. Hall, 1986.

Cosell, Howard, and Shelby Whitfield, What's Wrong with Sports, Simon & Schuster, 1991.

Periodicals

People, December 9, 1985; May 8, 1995.

Playboy, May 1972.

Providence Journal (Providence, RI), January 15, 2002.

Sporting News, March 27, 1995.

Time, January 6, 1986.

Washington Times, October 31, 1999.

Online

"Put Howard Cosell in the Hall of Fame," Seconds Out,http://www.secondsout.com/usa/column_47595.asp (January 9, 2004).

 
Columbia Encyclopedia: Cosell, Howard
(kōsĕl') , 1920–95, American sports broadcaster, b. Winston-Salem, N.C., as Howard William Cohen. Formerly a lawyer, he began covering sports for the American Broadcasting Company (ABC) in 1956, and was identified especially with ABC's prime-time “Monday Night Football” (1970–84) and as a vocal advocate for Muhammad Ali. Cosell's often abrasive style, marked by his frequent claims to “tell it like it is,” made him one of television's most familiar figures.
 
Quotes By: Howard Cosell

Quotes:

"The ultimate victory in competition is derived from the inner satisfaction of knowing that you have done your best and that you have gotten the most out of what you had to give."

 
Wikipedia: Howard Cosell


Howard Cosell
Born March 25 1918(1918--)
Flag of North Carolina Winston-Salem, North Carolina, U.S.A.
Died April 23 1995 (aged 77)
Flag of New York New York City, New York, U.S.A.

Howard William Cosell, born Howard William Cohen (March 25, 1918April 23, 1995) was an American sports journalist on American television.

Early life

Cosell was born in Winston-Salem, North Carolina and raised in Brooklyn, New York. His parents had wanted him to become a lawyer. He graduated with a bachelor's degree in English from New York University, where he was a member of Pi Lambda Phi. He then went to the New York University School of Law where he earned his JD, and was a member of the NYU Law Review.

Army

Cosell was admitted to the New York state bar in 1941, but when the U.S. entered World War II, Cosell entered the United States Army Transportation Corps, where he was quickly promoted to the rank of major, becoming one of the youngest majors to serve at that time. During his time in the service, he married Mary Abrams in 1944.

Career

After the war, Cosell began practicing law in Manhattan, primarily in union law. Some of his clients were actors, and some were athletes, including Willie Mays. Cosell's own hero in athletics was Jackie Robinson, who served as a personal and professional inspiration to him in his career.

Cosell also represented the Little League of New York, when in 1953 an ABC Radio manager asked him to host a show on New York flagship WABC featuring Little League participants. Cosell hosted the show for three years without pay, and then decided to leave the law field to become a full-time broadcaster. The show marked the beginning of a relationship with WABC and ABC Radio that would last Cosell his entire broadcasting career.

Cosell took his "tell-it-like-it-is" approach when he teamed with the infamous ex-Brooklyn Dodgers pitcher "Big Numba Thirteen" Ralph Branca on WABC-77's pre- and post-game radio shows of the New York Mets in their nascent years beginning in 1962. He pulled no punches in taking members of the hapless expansion team to task.

Otherwise on radio, Cosell did his show, Speaking of Sports, as well as sports reports and updates for affiliated radio stations around the country; he continued his radio duties even after he became prominent on television. Cosell then became a sports anchor at WABC-TV in New York, where he served in that role from 1961 to 1974. He expanded his commentary beyond sports to a radio show entitled "Speaking of Everything".

Cosell rose to prominence covering boxer Muhammad Ali, starting when he still fought under his birth name, Cassius Clay. The two seemed to be friends despite their very different personalities, and complimented each other in broadcasts. In a time when many sports broadcasters avoided touching social, racial, or other controversial issues, and kept a certain level of collegiality towards the sports figures they commented on, Cosell did not, and indeed built a reputation around his catchphrase:

I'm just telling it like it is.

Cosell's style of reporting very much transformed sports broadcasting. Whereas previous sportscasters had mostly been known for color commentary and lively play-by-play, Cosell had an intellectual approach. His use of analysis and context arguably brought television sports reporting very close to the kind of in-depth reporting one expected from "hard" news reporters. (More than once he was called "The Edward R. Murrow of sportscasting."[citation needed] At the same time, however, his distinctive voice (reminiscent of actor W.C. Fields), accent, syntax, and cadence were a form of color commentary all their own.

Cosell earned his greatest enmity from the public when he backed Ali after the boxer's championship title was stripped from him for refusing military service during the Vietnam War. Cosell found vindication several years later when he was the one able to inform Ali that the United States Supreme Court had unanimously ruled in favor of Ali.

In February 1970, he was calling a world heavyweight title bout involving Joe Frazier and Jimmy Ellis for ABC's Wide World of Sports when he made a call that would sound familiar to another boxer just three years later.


Down Goes Ellis! Down Goes Ellis! He is beaten!

Perhaps his most famous call took place in the fight between Joe Frazier and George Foreman in Kingston, Jamaica in 1973. When Foreman knocked Frazier to the mat, Cosell yelled out

Down Goes Frazier! Down Goes Frazier! Down Goes Frazier!

This became one of the most famous lines in sports broadcasting history.[citation needed]

One of Cosell's earliest boxing calls, that seems to have become forgotten[citation needed], came when he was on radio, calling the first Cassius Clay - Sonny Liston fight. When Liston sat on his stool refusing to answer the bell at the start of the seventh round, Cosell started screaming, "Wait a minute! Wait a minute! Sonny Liston's not coming out! Sonny Liston's not coming out! He's out! The winner and new heavyweight champion of the world is Cassius Clay!" At that point, he says[citation needed] that Les Keiter (his announcing partner) is heading up to the center of the ring.

During Cosell's tenure as a sportscaster, he maintained a feuding stance with legendary New York sports writer and columnist Dick Young, who rarely missed an opportunity to denigrate the broadcaster in print.

Howard Cosell in a post-game recap for the first Monday Night Football game in the 1970s.
Enlarge
Howard Cosell in a post-game recap for the first Monday Night Football game in the 1970s.

Monday Night Football/Later career

In 1970, ABC executive producer for sports Roone Arledge hired Cosell to be a commentator for Monday Night Football, the first time that American football was broadcast weekly in prime time. Cosell was accompanied most of the time by ex-football players Frank Gifford and "Dandy" Don Meredith.

Cosell was openly contemptuous of ex-athletes appointed to prominent sportscasting roles solely on account of their playing fame, coining the term "jockocracy" [citation needed] to describe the ever increasing practice. He regularly clashed on-air with Meredith, whose style was in sharp contrast to Cosell's.

The Cosell-Meredith dynamic helped make Monday Night Football a success; it frequently was the number one rated program in the Nielsen ratings. Cosell's inimitable style distinguished Monday Night Football from previous sports programming, and ushered in an era of more colorful broadcasters and 24/7 TV sports coverage.

Olympics

Along with Monday Night Football, Cosell worked the Olympics for ABC. He played a key role on ABC's coverage of the Palestinian terror group Black September's mass murder of Israeli athletes in Munich at 1972; providing reportage directly from the Olympic Village (his image can be seen and voice heard in Steven Spielberg's film about the terror attack). In 1976 Summer Games in Montreal, Cosell was the main voice for boxing. He performed the sportscasting duties for Sugar Ray Leonard's victorious gold medal winning bout.

"The Bronx is Burning"

Game 2 of the 1977 World Series took place in blustery Yankee Stadium on October 12, 1977. An hour or so before game time, a fire started in Public School Number 3, an abandoned elementary school a few blocks from the ball park. By the time the game began at 8 p.m., the building was fully involved and the fire had gone to five alarms. A helicopter-mounted camera lingered on the scene for a few seconds and Cosell, who was calling the series for ABC, intoned in a weary voice, "There it is, ladies and gentlemen, The Bronx is burning."

Cosell misidentified the building as a tenement, many of which had indeed burned down in recent years as landlords fled the borough and burned their buildings for the insurance money. Cosell's comment seemed to capture the widespread sensibility that New York was on the skids and in a permanent state of decline. Author Jonathan Mahler abridged the quote using it as the title for his 2005 book on New York in 1977, Ladies and Gentlemen, The Bronx is Burning. ESPN produced a 2007 mini-series based on the book called The Bronx is Burning.

Lennon's death

At 9:30 p.m. on December 8, 1980, during a game between the Miami Dolphins and the New England Patriots, Cosell stunned millions by announcing the murder of John Lennon live while performing his regular commentating duties on Monday Night Football:


This, we have to say it, remember this is just a football game, no matter who wins or loses. An unspeakable tragedy, confirmed to us by ABC News in New York City: John Lennon, outside of his apartment building on the West Side of New York City, the most famous, perhaps, of all The Beatles, shot twice in the back, rushed to Roosevelt Hospital, dead ... on ... arrival.

Lennon had appeared on Monday Night Football during the December 9, 1974 telecast and was interviewed for a short breakaway segment by Cosell.

Non-sports related appearances

Cosell's colorful personality and distinctive nasal voice were featured to fine comedic effect in a sports-themed episode of the ABC TV series The Odd Couple, as well as in the Woody Allen film Bananas. Such was his celebrity that while he never appeared on the show, Cosell's name was frequently used as an all-purpose answer on the popular 1970s game show Match Game.

Cosell's national fame was further boosted in the fall of 1975 when Saturday Night Live with Howard Cosell aired late Saturday nights on ABC. The show was similar in many ways to a show NBC had launched, NBC's Saturday Night, which would later become the far more well-known Saturday Night Live. Despite bringing a young comedian, Billy Crystal, to national prominence, the show was canceled after three months. Cosell later hosted the 1984-1985 season finale of Saturday Night Live.

Beginning in 1976, Cosell hosted the series of specials known as Battle of the Network Stars. The two-hour specials pitted stars from each of the three broadcast networks against each other in various physical and mental competitions. Cosell hosted all but one of the nineteen specials, including the final one airing in 1988.

Controversy

Criticism of Boxing

Cosell denounced professional boxing in 1982 during a brutal bout between Larry Holmes and a clearly out-matched Randall "Tex" Cobb. This is controversial because he was an establishment figure acting and talking ahead of the curve in this regard. Late in the fight, Cosell famously asked the rhetorical question,

I wonder if that referee is [conducting] an advertisement for the abolition of the very sport that he is a part of?

A few months later, after the infamous fight in Las Vegas, between Ray "Boom Boom" Mancini and Duk Koo Kim, during which Kim was fatally injured, major boxing reforms were implemented, the most important of which allows referees to stop clearly one-sided fights early in order to protect the health of the fighters. Hitherto, only the "ring" physician had had such authority. Another change was the reduction of championship bouts to 12 rounds by the WBC. The WBA and WBO did the same in 1988 with the IBF doing so in the following year.

The "little monkey" incident

Cosell drew criticism during one Monday Night Football telecast in September 1983, for stating "look at that little monkey go," when he referred to a play by receiver Alvin Garrett of the Washington Redskins regarding a run after a reception. While some saw "little monkey" as a racial slur, others who knew Cosell were quick to point out that he used this term routinely in an approving way to describe quicker, smaller players of all ethnicities. Among the evidence adduced to support this claim is video footage of a 1972 preseason game, between the New York Giants and the Kansas City Chiefs, during which Cosell refers to Mike Adamle, a 5-foot-9-inch, 197-pound caucasian male, as a "little monkey."

Perhaps due to the strain of this controversy, Cosell left Monday Night Football shortly before the start of the 1984 NFL season, claiming that the NFL had "become a stagnant bore."[citation needed] His duties were then reduced to only baseball, horse racing, and a sports news program called Sportsbeat. Howard Cosell never got a chance to commentate a Super Bowl, as by the time ABC finally got into the Super Bowl rotation with Super Bowl XIX, Cosell was already gone from Monday Night Football.

I Never Played the Game and reaction

After writing the book I Never Played the Game, which chronicled his disenchantment with fellow commentators on Monday Night Football, among other things, he was taken off scheduled announcing duties for the 1985 World Series (Tim McCarver subsequently took his spot) and was released by ABC television shortly thereafter. In I Never Played the Game Cosell coined the word "jockocracy" to describe how athletes were given announcing jobs that they had not earned.

In his later years, Cosell briefly hosted his own television talk show, Speaking of Everything, authored his last book What's Wrong With Sports, and continued to appear on radio and television, becoming more outspoken about his criticisms of sports in general.

Later life

Cosell was the 1995 recipient of the Arthur Ashe Courage Award.

After his wife of 46 years, Mary Edith Abrams Cosell, known as "Emmy", died in the fall of 1990, Cosell appeared in public less and less until his passing away in 1995 from a heart embolism at Beth Israel Medical Center in New York City.

Cultural references

Two brothers... One speaks no English, the other learned English from watching Wide World of Sports. So you tell me... Which is better, speaking no English at all, or speaking Howard Cosell?

Cosell's voice was provided by legendary impressionist Rich Little. Little would later appear as himself on the episode "Raging Bender" of the animated series Futurama as a wrestling announcer, modeling his speaking style on Cosell's.

  • Cosell plays himself in two episodes of the television series The Odd Couple starring Jack Klugman and Tony Randall. Always seen battling with Klugman's character Oscar Madison, he once referred to Felix Unger (Randall's character) as an "inane drone." Translation according to Felix: "a dull bee."
  • Cosell was the butt of many jokes on mid-1970s game show hit, Match Game.
  • In an episode of the Warner Bros./Fox Kids Network 1991 weekday Beetlejuice cartoon, the pilot weekday episode featured a bodybuilding contest with "Howard Grossnell" as the commentator.
  • The feature film Ali features Jon Voight as Howard Cosell to a very close degree, enough to earn him an Academy Award nomination.
  • Cosell appears as himself in the 1971 film Bananas with Woody Allen. He played a sportscaster covering the assassination of a foreign leader at the start of the film and the consummation of Allen's character's marriage at the end. (He was said to be uneasy about doing that role, fearing it would be distasteful, but Allen was persuasive).
  • Cosell had a cameo of sorts in Allen's 1973 film Sleeper. Awakening 200 years in the future, Allen's character is shown a clip of a Cosell commentary, and asked to confirm whether watching clips like these were a form of punishment for wrongdoers. He confirms it.
  • The TNT feature film Monday Night Mayhem is about Cosell and the genesis of Monday Night Football on ABC in 1970. Cosell is portrayed by John Turturro.
  • Through the use of body doubles and old sound clips Cosell was able to help "call" the three fictitious games produced by NFL Films for their 1999 Matchup of the Millennium series.

Quotation

"Sports is human life in microcosm." Howard Cosell

External links


Persondata
NAME Cosell, Howard William
ALTERNATIVE NAMES Cohen, Howard William
SHORT DESCRIPTION American sportscaster
DATE OF BIRTH March 25, 1918
PLACE OF BIRTH Winston-Salem, North Carolina
DATE OF DEATH April 23, 1995
PLACE OF DEATH New York, New York

 
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