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Howard Nemerov

 

(born March 1, 1920, New York, N.Y., U.S. — died July 5, 1991, University City, near St. Louis, Mo.) U.S. poet. He attended Harvard University and served as a pilot in World War II before teaching at various colleges, including Bennington. His verse, marked by irony and self-deprecatory wit, is often about nature; it appears in several volumes beginning with The Image and the Law (1947) and including Collected Poems (1977, Pulitzer Prize, National Book Award). His fiction includes The Homecoming Game (1957) and A Commodity of Dreams and Other Stories (1960). He was poet laureate of the U.S. (1988 – 90). His sister Diane Arbus was a notable photographer.

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Biography: Howard Nemerov
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The American writer Howard Nemerov (1920-1991) was recognized for his novels, short stories, criticism, nonfiction, drama, and satiric poetry, as well as for being the third poet laureate of the United States.

Howard Nemerov was born on March 1, 1920, in New York City. His parents were David and Gertrude (Russek) Nemerov. David, his father, served as president and chairman of the board of Russeks, a now defunct but once prestigious retail store, where he earned the reputation of "Merchant Prince." The elder Nemerov's talents and interests extended to art connoisseurship, painting, and philanthropy - talents and interests undoubtedly influential upon his son.

Young Howard was raised in a sophisticated New York City environment where he attended the Society for Ethical Culture's Fieldstone School. Graduated in 1937 as an outstanding student and second string team football fullback, he commenced studies at Harvard University where, in 1940, he was Bowdoin Essayist and, in 1941, earned the Bachelor of Arts degree.

Upon graduation at the age of 21 he joined a Royal Canadian unit of the U.S. Army Airforce, serving as a pilot throughout World War II. After training in both Canada and England, he flew coastal command missions over the North Sea and was discharged in 1945 at the rank of first lieutenant. Prior to discharge he married Margaret Russel, on January 26, 1944.

Returning from the war, he and his wife spent a year in New York where he finished work on his first book of poetry. Nemerov then turned to college teaching - a profession he found compatible with his writing career. He served on the faculties of Hamilton College in Clinton, New York (1946-1948); Bennington College in Bennington, Vermont (1948-1966); Brandeis University in Waltham, Massachusetts (1966-1969); and in 1969 joined the faculty of Washington University in St. Louis, Missouri. During this time Howard and Margaret parented three sons: David, Alexander, and Jeremy.

During the years 1963 and 1964, Nemerov served as consultant in poetry to the Library of Congress, where later he held the post of poet laureate of the United States (1988-1990). Nemerov became a member of the American Academy of Arts and Letters in 1977. In 1978 he was recipient of both the Pulitzer Prize in Arts and Letters and the National Book Award for his Collected Poems.

The early promise of Nemerov's first book of verse, The Image and the Law (1947), was satisfyingly fulfilled in his later publication of poems, War Stories (1987), which provides a kindly light on the bleak landscape of contemporary American poetry. Nemerov persisted in a gentle irony which satirizes as much through self-deprecation as indictment of others, a kind of collective guilt and redemption exquisitely expressed in his 1980 poem "The Historical Judas," whose name" … shall surely live/To make our meanness look like justice in/All histories commissioned by the winners."

Transcending mere polemic, Nemerov's poetic argument with history captivates, by virtue of his humor and humanism. Composing in narrative, meditative, lyrical, satirical, and a variety of other forms, Nemerov's poems are profoundly concerned with the individual perception of nature, and human history as a part of nature - a concern which might be intellectually ponderous were it not for the comic relief provided by his native wit. But Nemerov is a poet, not a philosopher, and his poetic wit disperses accusations of academic philosophical waxing with a whip woven of puns, slang, and irony.

Nemerov's quarrel with the world resounds with the lesson that humanity does not learn from history, but is seemingly doomed to repeat mistakes of the past. The importance of hope itself becomes ironic at the hands of the poet, as notice is made of the contradictions between the facts of history and the fictions of human aspiration. Sharing the collective guilt of the humorist, Nemerov's irony is sometimes too light an instrument for the dispatch of the sorrows of the human condition. Nemerov was perhaps a bit too accepting of man's inevitable fate; but neither is he a Pangloss (incurable optimist) nor a rager against the night.

Nemerov's poetic vision, his perceptual struggle with illusion and reality through a mysterious roseate but dark glass, never descended from poetic flight to epistemological speculation - not even on that most dangerous killing ground of political poetry. In versatile blank verse, Nemerov was at his best, conjuring the poetic experience out of a sense elusive world.

In spite of his other endeavors as editor, critic, and nonfiction writer, Nemerov was a master at throwing the magic switch between the prose and poetic modes of composition. Facile accusations of academicality, intellectuality, and ideationality against his poetry pale in confrontation with the poetic imagery of his 1967 poem "The May Dancing." Another 1967 poem, "Learning by Doing," mildly reminiscent of Frost's "Birches," is fraught with imagery, as is his 1989 publication "Landscape With Self Portrait."

If, in both his earlier and later works, his historical imagery is mistaken for history per se, the fault is not his. Nemerov pointed out clearly that: "The reason we do not learn from history is/Because we are not the people who learned the last time." Knowledge is not inherited, but must be earned by each new generation. Today's history lesson derives from yesterday's characters; events and ideas become image and metaphor in poetic time; time mellows metaphor into symbol and myth.

All too lazy an age has wrongfully castigated Nemerov for his technical knowledge of poetry, his use of form, and his foundation in tradition. In essence, his versification virtues are mistakenly deemed vices; his own historical poetic derivation is unrecognized by those ignorant of that poetic history; his artistic order is minimized as mere orderliness by the disorderly - and still, a well turned scherzo refreshes, and craft and art are still the best of friends.

On July 5, 1991, Howard Nemerov died of cancer at his home in University City, Missouri.

Further Reading

Additional information on Howard Nemerov and his work can be found in Edward Hungerford, editor, Poets in Progress (1962); Howard Nemerov, Poetry and Fiction: Essays. New Brunswick, N 43. Reflexions on Poetry & Poetics (1972); and Raymond Smith, "Nemerov and Nature: 'The Stillness in Moving Things," SoR (January 1974). Selections from Nemerov's poetry, short fiction, and essays were published by the University of Missouri Press in A Howard Nemerov Reader (1991).

Additional Sources

Nemerov, Howard., Journal of the fictive life, Chicago: University of Chicago Press, 1981.

 
Columbia Encyclopedia: Howard Nemerov
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Nemerov, Howard (nĕm'ĕrôf), 1920-91, American poet, novelist, and critic, b. New York City, grad. Harvard, 1941; brother of photographer Diane Arbus. He taught at Bennington College for many years and was associated with Washington Univ. in St. Louis from 1969 until his death. Nemerov's witty and often gloomy poetry ranges in tone from light to deeply philosophical; collections include The Image and the Law (1947), The Next Room of the Dream (1964), Collected Poems (1977; Pulitzer Prize), By Al Lebowitz's Pool (1979), Inside the Onion (1984), and War Stories (1987). He was poet laureate of the United States (1988-90). His fiction deals largely with moral dilemmas, as in The Melodramatists (1949).

Bibliography

See his Selected Poems (2003), ed. by D. Anderson; studies by B. Duncan, ed. (1971) and J. Bartholomay (1972).

Works: Works by Howard Nemerov
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(1920-1991)

1947The Image and the Law. Nemerov's first collection presents the conflict between the "poetry of the eye" and the "poetry of the mind." Nemerov, a New York City native, was a pilot during World War II, and would teach at Bennington, Brandeis, and Washington University.
1949The Melodramatists. Nemerov's first novel is a satiric portrait of a Boston family's frustrated search for meaning in their lives.
1950Guide to the Ruins. Nemerov's second collection is praised by reviewer Milton Crane as the "work of an original and sensitive mind, alive to the thousand anxieties and agonies of our age."
1954Federigo; or, the Power of Love. Nemerov's second novel concerns a bored husband who creates an alter ego and inadvertently makes his fantasies a disturbing reality.
1955The Salt Garden. Many critics regard this volume as the first of Nemerov's poetic maturity, establishing his characteristic lyrical meditations on nature and the transience of existence, in acclaimed works such as "The Goose Fish," "The Lives of Gulls and Children," "Elegy of Last Resort," and "Fables of the Moscow Subway."
1957The Homecoming Game. Nemerov's third and final novel is a comedy about a professor who fails a star football player on the eve of an important game. The writer's most conventional work and biggest success, it would be dramatized by Howard Lindsay and Russel Crouse as Tall Story in 1959.
1958Mirrors and Windows. Nemerov's fourth collection continues his emphasis on nature first evident in The Salt Garden (1955).
1959A Commodity of Dreams. Nemerov's only story collection prompts critical praise, including Warren Beck's comment that "This volume presents further evidence that Nemerov is one of the most gifted writers of his generation, with strong poetic imagination, a searching view of human behavior, and a way of storytelling that is at once rich, deliberate, urbane, and subtle."
1963Poetry and Fiction: Essays. The first collection of Nemerov's well-respected critical essays would be followed by Figures of Thought (1978) and New and Selected Essays (1985).
1967The Blue Swallows. Nemerov wins the first Theodore Roethke Memorial Award for this collection. The poet's increasing interest in nature evokes comparisons with Robert Frost.
1972Reflections on Poetry and Poetics. Nemerov provides technical analysis of the poetical works of William Butler Yeats, T. S. Eliot, James Dickey, and others, as well as reflections on the critical process and the state of modern poetry.
1977Collected Poems. Nemerov wins both the National Book Award and the Pulitzer Prize for this retrospective volume, which prompts reviewer Victor Howes to declare that "Here he is with all his runes about him. Nemerov at full length, an important contemporary poet".

Quotes By: Howard Nemerov
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Quotes:

"For a Jewish Puritan of the middle class, the novel is serious, the novel is work, the novel is conscientious application -- why, the novel is practically the retail business all over again."

"Obvious enough that generalities work to protect the mind from the great outdoors; is it possible that this was in fact their first purpose?"

"The only way out is the way through, just as you cannot escape from death except by dying. Being unable to write, you must examine in writing this being unable, which becomes for the present -- henceforth? -- the subject to which you are condemned."

Wikipedia: Howard Nemerov
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Howard Nemerov

Born 29 February 1920(1920-02-29)
New York City, New York, USA
Died 5 July 1991 (aged 71)
University City, Missouri, USA
Occupation Poet
Nationality United States

Howard Nemerov (29 February 1920 – 5 July 1991) was American poet, twice appointed Poet Laureate Consultant in Poetry to the Library of Congress from 1963 to 1964, and again from 1988 to 1990.[1] He received the National Book Award, Pulitzer Prize for Poetry, and Bollingen Prize for The Collected Poems of Howard Nemerov. He was brother to photographer Diane Nemerov Arbus and father to art historian Alexander Nemerov, Professor of the History of Art and American Studies at Yale University.

Contents

Biography

Born in New York City, his parents were David Nemerov and Gertrude. His younger sister was the photographer Diane Arbus. The elder Nemerov's talents and interests extended to art connoisseurship, painting, philanthropy, and photography — talents and interests undoubtedly influential upon his son. Young Howard was raised in a sophisticated New York City environment where he attended the Society for Ethical Culture's Fieldston School. Graduated in 1937 as an outstanding student and second string team football fullback, he commenced studies at Harvard University where, in 1940, he was Bowdoin Essayist and he received bachelor's degree at this university. Throughout World War II, he served as a pilot, first in the Royal Canadian Air Force and later the U. S. Army Air Forces. He married in 1944, and after the war, having earned the rank of first lieutenant, returned to New York with his wife to complete his first book.

Nemerov then began teaching, first at Hamilton College and later at Bennington College, Brandeis University, and finally Washington University in St. Louis, where he was Edward Mallinckrodt Distinguished University Professor of English and Distinguished Poet in Residence from 1969 until his death in 1991. Nemerov's numerous collections of poetry include Trying Conclusions: New and Selected Poems, 1961-1991 (University of Chicago Press, 1991); The Collected Poems of Howard Nemerov (1977), which won the Pulitzer Prize, the National Book Award, and the Bollingen Prize; The Winter Lightning: Selected Poems (1968); Mirrors and Windows (1958); The Salt Garden (1955); and The Image of the Law (1947). His novels have also been commended; they include The Homecoming Game (1957), Federigo: Or the Power of Love (1954), and The Melodramatists (1949).

Nemerov received many awards and honors, among them fellowships from The Academy of American Poets and The Guggenheim Foundation, a National Endowment for the Arts grant, the National Medal of Arts, the Bollingen Prize for Poetry, and the first Aiken Taylor Award for Modern American Poetry.[2]

Nemerov served as poetry consultant to the Library of Congress in 1963 and 1964, as a Chancellor of the Academy of American Poets beginning in 1976, and as poet laureate of the United States from 1988 to 1990. In 1990 he was inducted into the St. Louis Walk of Fame. Nemerov died of cancer in 1991 in University City, Missouri. The Howard Nemerov Sonnet Award was instituted in 1994 to honor him, and by 2008 about 3000 sonnets were entered annually in the associated competition.[3]

Poetry

Nemerov's work is formalist. He has written almost exclusively in fixed forms and meter. While he is known for his meticulousness and refined technique, his work also has a reputation for being witty and playful. He is compared to John Hollander and Philip Larkin.

"A Primer of the Daily Round" is his most frequently anthologized poem, and highly representative of Nemerov's poetic style. It is an archetypal Elizabethan sonnet, demonstrative of the prosodic creativity for which Nemerov is famous.

Bibliography

Poetry

  • The Image of the Law (1947)
  • The Salt Garden (1955)
  • Mirrors and Windows (1958)
  • The Blue Swallows (1967)
  • The Winter Lightning: Selected Poems (1968)
  • The Collected Poems of Howard Nemerov (1977) ISBN 9780226572598
  • Sentences (1980) ISBN 9780226572628
  • War Stories: Poems about Long Ago and Now (1987) ISBN 9780226572437
  • Trying Conclusions: New and Selected Poems, 1961-1991 (1992) ISBN 9780226572635
  • Grace to be Said at the Supermarket

Prose

  • The Melodramatists (1949)
  • Federigo: Or the Power of Love (1954)
  • The Homecoming Game (1957)
  • Journal of the Fictive Life (1965) ISBN 9780226572611

References

  1. ^ "Poet Laureate Timeline: 1961-1970". Library of Congress. 2008. http://www.loc.gov/poetry/laureate-1961-1970.html. Retrieved 2008-12-19. 
  2. ^ Staff writers (18 January 1987). "Nemerov First Winner Of Taylor Poetry Prize". http://query.nytimes.com/gst/fullpage.html?res=9B0DE5D7173EF93BA25752C0A961948260. Retrieved 2009-01-19. 
  3. ^ Juster, Mike (October 2008). "So you want to win a Nemerov?". 14by14 (6). http://www.14by14.com/Issue6/SoYouWanttoWinaNemerov.html. Retrieved 2009-03-25. 

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Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Biography. © 2006 through a partnership of Answers Corporation. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Works. The Chronology of American Literature, edited by Daniel S. Burt. Copyright © 2004 by Houghton Mifflin Company. Published by Houghton Mifflin Company. All rights reserved.  Read more
Quotes By. Copyright © 2008 QuotationsBook.com. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Howard Nemerov" Read more