Howard Shore

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Howard Shore

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Biography

In true Hollywood fashion, composer Howard Shore's "overnight" success with his intensely emotional, yet subtly unnerving score for the epic fantasy film The Lord of the Rings: The Fellowship of the Ring was, in fact, the culmination of a wildly diverse 20-plus-year career. Born in Toronto, Canada, on October 18, 1946, Shore earned his professional degree from the Berklee School of Music in Boston, MA, and shortly thereafter co-founded the Toronto-based rock outfit Lighthouse. This group managed to earn some small amount of success, while providing Shore the opportunity to display his talents as both a performer and a songwriter. His association with Lighthouse was relatively brief, and after he left the band, the young musician began exploring new mediums for his music. Thus, Shore found himself working closely with two fellow Canadians: Lorne Michaels and David Cronenberg. Under Michaels, Shore directed the musical content for the first five seasons of Saturday Night Live, also writing the instantly familiar original theme music. As his association with Saturday Night Live was ending, Shore was hired to compose the score for David Cronenberg's film The Brood. Shore would go on to orchestrate almost all of Cronenberg's following films -- except 1983's The Dead Zone -- while building an impressive and diverse body of work, including scores for such films as Videodrome, Places in the Heart, Dead Ringers, Big, The Silence of the Lambs, Seven, and High Fidelity.

While he received some amount of acclaim for his work after The Brood, Shore would achieve his greatest success with his work on Peter Jackson's highly anticipated adaptation of the J.R.R. Tolkien fantasy novel The Lord of the Rings. The first episode of the trilogy, The Lord of the Rings: The Fellowship of the Ring, proved to be a hit with both moviegoers and his musician peers alike, and Shore went on to earn his first Academy Award nomination and -- more importantly -- his first win. Additionally, Shore composed the music for the second and third installments of The Lord of the Rings trilogy -- The Two Towers and The Return of the King -- which, like the filming of the trilogy, were scored concurrently. Following his achievements with The Lord of the Rings trilogy, Shore moved on to orchestrate two thrillers -- David Fincher's Panic Room and his tenth collaboration with Cronenberg, the late 2002 release Spider -- and the massive Martin Scorsese historical epic Gangs of New York, further displaying his standing as a preeminent film composer and one of the most hotly sought-after technicians in the industry.

In early 2004, while gearing up for Jackson's remake of King Kong, Shore took home his second and third Oscars, one for score and the other for song, when The Lord of the Rings: The Return of the King swept the awards. ~ Ryan Shriver, Rovi
Filmography:

Howard Shore

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Gilda Live

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Saturday Night Live: Lily Tomlin [1]

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The Aviator

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The Lord of the Rings: The Return of the King

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Gangs of New York

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Panic Room

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The Lord of the Rings: The Two Towers

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The Score

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The Lord of the Rings: The Fellowship of the Ring

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High Fidelity

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The Yards

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The Cell

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Esther Kahn

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Gloria

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eXistenZ

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Analyze This

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Dogma

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Cop Land

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The Game

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Looking for Richard

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The Truth About Cats & Dogs

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Before and After

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Striptease

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Crash

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Ransom

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That Thing You Do!

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White Man's Burden

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Seven

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Moonlight and Valentino

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The Client

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Nobody's Fool

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Ed Wood

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Guilty as Sin

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Sliver

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Mrs. Doubtfire

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Philadelphia

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M. Butterfly

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Prelude to a Kiss

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Single White Female

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A Kiss Before Dying

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Naked Lunch

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The Silence of the Lambs

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The Lemon Sisters

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Postcards From the Edge

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Quick Change

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An Innocent Man

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She-Devil

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Signs of Life

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Big

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Dead Ringers

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Moving

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Heaven

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Nadine

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Belizaire the Cajun

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Fire with Fire

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The Fly

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After Hours

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Places in the Heart

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Videodrome

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Scanners

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The Brood

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Composer, conductor, saxophonist

As the creator of scores for more than 50 films, Canadian composer and conductor Howard Shore has led several different musical lives. From the horn player in a sixties rock opera band, to leader of the Saturday Night Live band, to providing the epic musical backdrop to adventures in Middle Earth, Howard Shore has done more than most musicians dream of accomplishing. His award-winning success with the scores for the Lord of the Rings film trilogy echoes what John Williams experienced with his Star Wars scores. Here was a longstanding, well respected film composer who, with the help of a young visionary director, had his themes stamped into the minds of all who watched the films. It would be a challenge to find anyone walking out of a Lord of the Rings film who could not hum Shore's heroic theme for the trilogy. This achievement was the culmination of more than 20 years of film composing and of a life surrounded by music.

Shore studied in Boston at the Berklee School of Music for several years, but it was an encounter he had when he was 14 years old that set him on the path he would follow in his career. At summer camp, Shore and his fellow campers performed sketch comedies and musical acts every Saturday night. One of his fellow campers was none other than future Saturday Night Live creator Lorne Michaels. After Michaels became employed by the Canadian Broadcasting Company (CBC), Shore was also hired on as a songwriter and composer. Soon after this, Shore joined the Toronto jazz and rock group Lighthouse. The group's epic rock opera sound allowed Shore to work with orchestras and learn the basics of conducting. Lighthouse released eight albums before finally disbanding in 1976.

As Howard Shore searched for his next musical venture, he once again found himself working with his fellow ex-camper Lorne Michaels. Michaels was now starting up what would become the legendary NBC-TV sketch comedy show Saturday Night Live. Shore became musical director for the show's first five seasons from 1975-80, which launched the careers of comedians like John Belushi, Bill Murray and Chevy Chase. Shore also composed the show's memorable, and still used, theme music. Shore had no idea the show would become as popular as it did. According to Shore in an interview with Index, NBC told him at the outset, "You'll be on at 11:30 p.m. Nobody is going to watch your show, so whatever you do is fine."

Toward the end of his time with Saturday Night Live, Shore was approached by another old friend, fellow Canadian and film director David Cronenberg. Cronenberg was directing the 1979 horror film The Brood, and had remembered Shore's work with CBC. Shore had never composed music for a film before. "I had studied music for years," said Shore in Index, "and I was only using a very small percentage of my ability on television and radio shows. I had grand dreams of what could be done musically. I guess I was an artist who hadn't really come out yet." Just as Shore had never scored a film before, Cronenberg had never directed a film before. The two became close friends, and a film and music partnership was soon born.

Shore's work for The Brood was met with critical acclaim, and the score led to more outstanding film work. For his film work, Shore mixed musical styles from different eras and parts of the world, and used electronic instruments and sampled sounds. Scores for films as diverse as Seven, High Fidelity, Silence of the Lambs, Ed Wood, and Dogma soon followed. Yet, it wasn't until filmmaker Peter Jackson sought out Shore's talents for the film version of J.R.R. Tolkien's Lord of the Rings fantasy novels that Shore's name became instantly connected with the world of film music. Shore researched the project for months, realizing the enormity of his undertaking—the three films, when shown together, would run for more than twelve hours. Shore handled the daunting task with grace, saying in Index, "Music is just one bar at a time. There are ten bars on a page, and then it's another page. It's a huge task, but you can go at it as efficiently as you can with each bar that you're writing, because you know you are creating a rather large work."

Shore's score for the trilogy's first film, The Fellowship of the Ring, was four hours long by itself. Just as Tolkien and Jackson had created new worlds in their work, so did Shore with the films' scores. From the Celtic-inspired sounds of the Hobbits' homeland to the military march sounds depicting the castle of an evil wizard, Shore's music set the mood perfectly for a fantasy epic. "It was a daunting task," said Shore, in an interview on the CTV website. "This is one of the most loved books, printed in 40 languages. We wanted to make a movie for all of us who love Tolkien. We were fans."

After the completion of the trilogy, Shore had the honor of winning numerous awards for his scores, including an Academy Award for his work on The Fellowship of the Ring and two Oscar Awards for The Return of the King. In early 2004 Shore returned home to Canada, where he conducted the Montreal Symphony performing his Lord of the Rings score. Shore has shown no signs of stopping his climb to the top. He is composing scores for highly anticipated works like director Martin Scorsese's Howard Hughes biography film The Aviator, and Peter Jackson's remake of the original monster film King Kong in 2005. For Shore, it's rather simple. In the CTV website interview he said, "The cinematography, the way the actors move, the way they say their lines, the writing, the editing—all of that tells me immediately what the music needs to be. The movies I choose not to do are the ones that I watch but don't have any feeling for. That does happen. But the good ones are the ones I watch, and when the movie's over I've already got the whole thing. I know exactly what it's going to sound like. The movie just tells it to me."

Selected discography

With Lighthouse
Lighthouse, RCA, 1969.
Peacing It All Together, RCA, 1970.
Suite Feeling, RCA, 1970.
One Fine Morning, Evolution, 1971.
Thoughts of Movin' On, Evolution, 1972.
Lighthouse Live!, Evolution, 1972.
Sunny Days, Edsel, 1972.
One Fine Light, RCA, 1972.
Can You Feel It, Polydor, 1974.
Good Day, Polydor, 1974.
Sunny Days Again: The Best of Lighthouse, MCA, 1999.

As composer
I Miss You, Hugs and Kisses, Astral, 1978.
The Brood, New World Pictures, 1979.
Scanners, Avco Embassy, 1981.
Silkwood, Rank, 1983.
Videodrome, Universal, 1983.
Places in the Heart, Tri-Star, 1984.
Nothing Lasts Forever, MGM, 1984.
After Hours, Geffen-Warner Brothers, 1985.
Fire with Fire, Paramount, 1986.
The Fly, Twentieth Century-Fox, 1986.
Nadine, Tri-Star, 1987.
Heaven, Island Pictures, 1987
Big, Twentieth Century-Fox, 1988.
Dead Ringers, Twentieth Century-Fox, 1988.
Moving, Warner Brothers, 1988.
Signs of Life, Avenue Entertainment, 1989.
She-Devil, Orion, 1990.
An Innocent Man, Buena Vista, 1990.
Made in Milan, 1990.
The Lemon Sisters, 1990.
Quick Change, Warner Brothers, 1991.
Postcards from the Edge, Columbia, 1991.
Naked Lunch, Twentieth Century-Fox, 1991.
The Silence of the Lambs, Orion, 1991.
A Kiss before Dying, Universal, 1991.
Single White Female, Columbia, 1992.
Prelude to a Kiss, Twentieth Century-Fox, 1992.
Sliver, Paramount, 1993.
Guilty As Sin, Buena Vista, 1993.
M. Butterfly, Warner Bros., 1993.
Mrs. Doubtfire, Twentieth Century-Fox, 1993.
Philadelphia, TriStar, 1993.
Ed Wood, Buena Vista, 1994.
Nobody's Fool, Sogepaq Distribution, 1994.
The Client, Warner Bros., 1994.
Seven, New Line Cinema, 1995.
Moonlight and Valentino, Gramercy, 1995.
White Man's Burden, Twentieth Century-Fox, 1995.
Before and After, Buena Vista, 1996.
The Truth about Cats and Dogs, Twentieth Century-Fox, 1996.
Crash, Fine Line, 1996.
Striptease, Columbia, 1996.
Looking for Richard, Twentieth Century-Fox, 1996.
That Thing You Do!, Twentieth Century-Fox, 1996.
Cop Land, Miramax, 1997.
The Game, Panorama, 1997.
Gloria, Columbia, 1999.
eXistenZ, Dimension Films, 1999.
Analyze This, Warner Bros., 1999.
Dogma, Lions Gate, 1999.
High Fidelity, Buena Vista, 2000.
The Yards, Miramax, 2000.
Esther Kahn, Bac Films, 2000.
The Cell, New Line Cinema, 2000.
Camera, 2000.
The Score, Paramount, 2001.
The Lord of the Rings: The Fellowship of the Ring, New Line Cinema, 2001.
The Colored Star, Warner Bros., 2001.
Spider, 2002.
Panic Room, Tri-Star, 2002.
Gangs of New York, Buena Vista, 2002.
Lord of the Rings: The Two Towers, New Line, 2002.
Lord of the Rings: The Return of the King, New Line, 2003.

Sources
Periodicals
Entertainment Weekly, April 5, 2002; January 10, 2003.
Index, January/February 2001.

Online
"Howard Shore," All Music Guide, http://www.allmusic.com">http://www.allmusic.com (February 26, 2004).
"Howard Shore," Internet Movie Database, http://www.imdb.com (February 26, 2004).
Howard Shore Official Website, http://www.howardshore.com (February 26, 2004).
"Lighthouse," All Music Guide, http://www.allmusic.com">http://www.allmusic.com (February 25, 2004).
"Toronto-born composer wins two Golden Globes," CTV, http://www.ctv.ca/servlet/ArticleNews/story/CTVNews/1075125160980_18// (February 26, 2004).
  • Genres: Soundtrack

Biography

Howard Shore has composed the scores for over 50 films, including The Silence of the Lambs, Philadelphia, After Hours, and Seven. His collaborations with David Cronenberg have resulted in scores for the films The Brood, Scanners, Videodrome, The Fly, Dead Ringers, Naked Lunch, M. Butterfly, and Crash, spanning a nearly 20-year period by the year 2001. Shore's formal education came at the Berklee School of Music in Boston. From 1969-1972 he recorded with the group Lighthouse. He was one of the original creators of Saturday Night Live and served as its musical director from 1975-1980. In 2000, Shore began work on one of the most expansive projects of his career when he signed on to produce scores for film adaptations of the Lord of the Rings series. He spent a year just working on the first film, using Tolkien's texts and drawing from eighth and ninth century music sources to try to evoke the books' magical worlds. Upon the completion of the Lords series in 2001, Shore created the scores for several Hollywood blockbusters including Panic Room (2002), Aviator (2005), A History of Violence (2005), The Departed (2006), and The Last Mimzy (2007). ~ Stacia Proefrock, Rovi
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Howard Shore

Shore in New York on October 7, 2010
Background information
Birth name Howard Leslie Shore
Born (1946-10-18) October 18, 1946 (age 65)
Toronto, Ontario, Canada
Genres Classical, Orchestra, Film Score
Occupations composer, orchestrator, conductor, music producer
Years active 1978–present
Website howardshore.com

Howard Leslie Shore (born October 18, 1946) is a Canadian composer, notable for his film scores. He has composed the scores for over 80 films, most notably the scores for The Lord of the Rings film trilogy, for which he won three Academy Awards. He is also a consistent collaborator with director David Cronenberg, having scored all but one of his films since 1979.

He has also composed a few concert works including one opera, The Fly, based on the plot (though not his score) of Cronenberg's 1986 film premiered at the Théâtre du Châtelet in Paris on 2 July 2008.,[1] a short piece Fanfare for the Wanamaker Organ and the Philadelphia Orchestra, and a short overture for the Swiss 21st Century Symphony Orchestra.

Shore is a three-time winner of the Academy Award, and has also won three Golden Globe Awards and four Grammy Awards. He is the uncle of film composer Ryan Shore.[2] Shore serves on the Board of Trustees at his alma mater, Berklee College of Music.[3]

Contents

Early life and career

Shore was born in Toronto, Ontario, Canada, the son of Bernice (née Ash) and Mac Shore.[4] He studied music at Berklee College of Music in Boston after graduating from Forest Hill Collegiate Institute. From 1969 to 1972, he performed with the group Lighthouse. In 1970 he was the music director of Lorne Michaels and Hart Pomerantz's short-lived TV program The Hart & Lorne Terrific Hour. Shore wrote the music for Canadian magician Doug Henning's magical/musical Spellbound in 1974, and he was the musical director for Lorne Michaels' hugely influential late-night NBC comedy show Saturday Night Live from 1975 to 1980, appearing in many musical sketches, including Howard Shore and His All-Nurse Band, and dressed as a beekeeper for a John Belushi/Dan Aykroyd performance of the Slim Harpo classic I'm a King Bee. Shore also suggested the name for The Blues Brothers to Dan Aykroyd and John Belushi.

Film scoring

1979–2000

Shore's first film score was to David Cronenberg's first major film The Brood (1979). He would go on to score all of Cronenberg's subsequent films, with the exception of The Dead Zone (1983), which was scored by Michael Kamen. The first film he scored that was not directed by Cronenberg was Martin Scorsese's After Hours.

Following After Hours, he scored The Fly (1986), again directed by Cronenberg. Two years later, he composed the score to Big (1988), directed by Penny Marshall and starring Tom Hanks. He then scored two more of David Cronenberg's films: Dead Ringers (1988) and Naked Lunch (1991).

During 1991, Shore composed the score for the highly acclaimed film The Silence of the Lambs, starring Jodie Foster and Anthony Hopkins, and directed by Jonathan Demme. He received his first BAFTA nomination for the score. The film became the third (and most recent) to win the five major Academy Awards (Best Picture, Best Director, Best Screenplay, Best Actor, and Best Actress). Shore is the only living composer to have scored a "Top Five" Oscar winning film.

During 1993, he composed the scores for M. Butterfly (another collaboration with Cronenberg), Philadelphia (his second collaboration with Jonathan Demme), and Mrs. Doubtfire, directed by Chris Columbus. The latter two films were highly successful; Philadelphia winning Tom Hanks his first Oscar.

Shore scored another three films in 1994: The Client, Ed Wood, and Nobody's Fool. Ed Wood is notable for being one of the two films directed by Tim Burton that did not feature a score by Danny Elfman.

Shore continued to score numerous films from 1995–2001, including two David Fincher films, Seven (1995) and The Game (1997); also, he collaborated on two films with Cronenberg along with Tom Hanks' directorial debut, That Thing You Do!. Shore composed the score for the 2000 film The Cell.

2001–2005

Shore at LOTR press conference at Wellington, New Zealand in 2003.

Shore's major success came in 2001 with his score to The Lord of the Rings: The Fellowship of the Ring, the first film in the highly acclaimed The Lord of the Rings trilogy. The news that Shore would score the trilogy surprised some, since he was primarily associated with dark, ominous films and had never scored an epic of this scale. However, the score was hugely successful and won Shore his first Oscar, as well as a Grammy Award, and nominations for a Golden Globe and a BAFTA.

The following year, Shore composed the scores to Panic Room, Gangs of New York (replacing Elmer Bernstein), and The Lord of the Rings: The Two Towers, the second film in the trilogy. The latter two films were both nominated for the Academy Award for Best Picture, although neither won. Shore's score for The Two Towers was deemed ineligible for submission to the Academy, due to a new rule that disallowed the submission of scores which contained themes from previous work. This rule proved very unpopular, due to the fact that had it been present in earlier years, it would have invalidated various other sequel scores (such as Star Wars and Indiana Jones) from being nominated. As a result the Academy dispensed with this rule for future years. Shore did, however, receive a BAFTA nomination for Gangs of New York.

In 2003 he composed the score for the final film in The Lord of the Rings trilogy, The Lord of the Rings: The Return of the King. The film was the most successful film in the trilogy and the most successful of the year. Shore won his second Oscar for Best Original Score, as well as a third for Best Original Song for "Into the West", which he shared with Fran Walsh and Annie Lennox. The film was nominated for, and won a total of eleven Academy Awards, a record for the number of Oscars won by a single film, and a record that only two other films—Titanic (1997) and Ben-Hur (1959)—have matched. Shore also won his first Golden Globe, his third and fourth Grammy (the fourth for Best Song), and was nominated for a third BAFTA. The scores of The Lord of the Rings became one of the most successful film scores ever written, and the biggest success in Shore's career.

In 2004, Shore again collaborated with Martin Scorsese, scoring his epic film The Aviator. He won a second Golden Globe for the score, becoming the second composer to have won consecutive Golden Globes in the Original Score category. He also received his sixth Grammy nomination, and his fifth BAFTA nomination.

He collaborated again with David Cronenberg in 2005 to score A History of Violence, starring Viggo Mortensen. The film was a success and received two Oscar nominations. In 2006, he collaborated for the fourth time with Martin Scorsese, this time to score The Departed. The film was highly successful and won four Oscars, including a long awaited win for Scorsese, and Best Picture.

Although Shore was originally commissioned to compose the soundtrack for King Kong (indeed, he had already recorded most of the music), he was later replaced by James Newton Howard due to "differing creative aspirations for the score" on his and the filmmakers' parts. This was a mutual agreement between himself and Peter Jackson. Despite this, Shore has a cameo near the end of King Kong as the conductor of the pit orchestra in the theater, performing portions of Max Steiner's score to the original 1933 version of the film.

2006–present

In 2007, he composed the music for Soul of the Ultimate Nation, an online multiplayer video game. The soundtrack is notable for being the first video game soundtrack to feature Lydia Kavina on the theremin. During 2007 he also composed the scores to The Last Mimzy, and Eastern Promises, the latter of which was another collaboration with David Cronenberg and earned Shore his fourth Golden Globe nomination. In 2008 he scored Doubt, starring Meryl Streep and directed by John Patrick Shanley. The film was a success, earning five Oscar nominations.

In 2010, Shore composed the score to the third installment in the highly popular Twilight film series, following Carter Burwell and Alexandre Desplat, who scored the first and second films, respectively. He also replaced John Corigliano to score Edge of Darkness, starring Mel Gibson.

Shore's 2011 projects are A Dangerous Method, continuing his long-term collaboration with director David Cronenberg. He also composed the score to Martin Scorsese's Hugo, his fifth collaboration with the director, which earned him a sixth Golden Globe nomination and fourth Oscar nomination.

Shore's future projects include Robert Sigl's The Spider[5] and Peter Jackson's The Hobbit,[6] which is currently in production. He is also set to compose the music to Sinatra,[7] and The Rise of Theodore Roosevelt,[8] both of which are being directed by Martin Scorsese and are due for release in 2013.

Conducting and performing

Since 2004, he has toured the world conducting local orchestras in the performance of his new symphonic arrangement of his highly acclaimed Lord of the Rings scores. The new work is entitled The Lord of the Rings: Symphony in Six Movements. There are two movements for each of the movies, and an intermission between the second and third (or first and second, in some cases) movements. The concert presentation of the symphony also includes projected still images relating the music being performed to scenes from the films. Recently, however, Shore has been busy with other projects, leaving other conductors including Markus Huber, Alexander Mickelthwaite, and John Mauceri to lead the orchestras. April 24, 2008 marked the North American Live to Projection debut of Fellowship of the Ring, with the score performed live by the Winnipeg Symphony Orchestra, conducted by Ludwig Wicki. Wicki also conducted the Filene Center Orchestra at the Wolf Trap Farm Park in Vienna, Virginia on May 21 and 22, 2008 in the U.S. premiere of the Fellowship of the Ring Live to Projection. September 16, 2010 Shore conducted the RSO Vienna (Vienna Radio Symphony Orchestra) which performed "In Dreams from The Fellowship of the Ring" at Hollywood in Vienna in Vienna, Austria.

Television

  • Shore was commissioned by Macy's to write a Fanfare for the Store's 150th anniversary featuring the Philadelphia Orchestra and the Wanamaker Organ, the world's largest playing pipe organ. The work was debuted in the Grand Court of Macy's Philadelphia Store on September 27, 2008 in a concert that drew reviews from most of the major East Coast newspapers.
  • With John Lurie, Shore wrote the theme song for Late Night with Conan O'Brien. The theme was carried over to The Tonight Show when O'Brien succeeded Jay Leno as host.

Radio

  • Shore narrates a one-hour CBC Radio documentary/soundscape on music in thriller/suspense film genres also including references to radio dramas and other media. The episode was called "Unsettling Scores"[9] and premiered on the program called Inside the Music.

Awards

Shore has received four Academy Award nominations, winning three, two for Best Original Score, for The Lord of the Rings: The Fellowship of the Ring (2001), and The Lord of the Rings: The Return of the King (2003). He also won the Oscar for Best Original Song for "Into the West" from Return of the King. He received his fourth nomination for his work on Hugo.

Shore has also received six Golden Globe nominations, winning three consecutive awards for Best Original Score and Best Original Song - "Into the West" for The Lord of the Rings: The Return of the King (2003) and The Aviator (2004), making him the only the second composer (after Alan Menken) to have received consecutive Golden Globe Awards for Best Original Score. He also won three consecutive Grammy Awards for Best Score for each of the Lord of the Rings films, and received a second award in 2003 for the song "Into the West" from "Return of the King" in the category of Best Song. He has also received five BAFTA nominations, but has not won.

On June 11, 2007, Shore was awarded an Honorary Doctor of Letters Degree from York University in Toronto for "his sweeping artistic vision".[10]

Shore has also been honored with awards from The National Board of Review, Recording Academy Honors, The Broadcast Film Critics, Chicago Film Critics, Genie Award, World Soundtrack Award, New York's Gotham Award, and The Saturn Award for Science Fiction.

Shore is the first recipient of the Film & TV Music Award for Best Score for a Science Fiction Feature Film for The Last Mimzy.

On September 16, 2010 he was awarded with the Max Steiner Film Music Achievement Award by the City of Vienna at the yearly film music gala concert Hollywood in Vienna.[11]

Filmography

See also

References

External links


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Copyrights:

Mentioned in

Ransom [Original Score] (1996 Album by James Horner)
Hidden Treasures of Film Music (1998 Album by Various Artists)
M. Butterfly (1993 Album by Howard Shore)
eXistenZ (1999 Album by Howard Shore)