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Huitzilopochtli

 
World Mythology Dictionary: Huitzilopochtli

(American mythology)

The only deity of purely Aztec origin, Huitzilopochtli, ‘blue humming-bird on the left’, was a god of war. At the outset of their conquest of the Mexican plateau, Huitzilopochtli addressed his fellow Aztec chiefs thus: ‘My mission and my task is war…. I have to watch and join issue with all manner of nations, and that without mercy.’ After the foundation of Tenochtitlan in 1325, the greatest temple of this island city was dedicated to this wilful war god.

Huitzilopochtli was believed to be the sun, the young warrior who was born each day, who defeated the stars of the night, and who was aided in his western death and resurrection by the souls of warriors. Moreover, his symbols of authority—the humming bird and fire—correspond with the attributes of Xochipilli, the lord of flowers and the guardian of souls. Both deities are intimately linked with notions of rebirth. In the sixteenth century, too, the Franciscan historian Bernardino de Sahagun noted that on the feast of Huitzilopochtli ‘the priests offered to the idol flowers, incense, and food, and adorned it with wreaths and garlands of flowers’. But on other occasions the war god received offerings of a more bloody nature. Along with the flayed god Xipetotec, continues Sahagun, he was given sacrifices of all prisoners—‘men, women, and children. The owners of prisoners handed them over to the priests at the foot of the temple, and they dragged them by the hair, each one his own, up the steps.’ Having killed them, extracted their hearts, flayed the corpses, and dismembered their limbs, the priests sent portions of the flesh to the ruler and the nobility to eat. The native historian Ixtililxochitl explains the continuous military activities of the Aztecs as a method of obtaining prisoners for sacrifice to their voracious gods. These ritual killings, of course, fermented the political antagonism that they were intended to prevent.

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Dictionary: Hui·tzi·lo·poch·tli   ('tsə-lō-pōch'tlē) pronunciation
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n. Mythology
The tutelary deity of the Aztecs and a manifestation of the sun god Tezcatlipoca.

[Nahuatl : huizilin, hummingbird + opochtli, left-hand side.]


Britannica Concise Encyclopedia: Huitzilopochtli
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Aztec sun and war god. He was usually portrayed as a hummingbird or as a warrior with a helmet of feathers and a turquoise snake staff. His animal disguise was the eagle. His mother was an earth goddess, his brothers stars in the sky, and his sister a moon goddess. Some myths presented him as the divine leader of the tribe during the long migration that brought the Aztecs to the Valley of Mexico. The 15th month of the ceremonial year was dedicated to him, and human sacrifices were made in his honour, in keeping with the belief that he needed human blood and hearts as daily nourishment.

For more information on Huitzilopochtli, visit Britannica.com.

 
Columbia Encyclopedia: Huitzilopochtli
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Huitzilopochtli (wē'tsēlōpōcht'), chief deity of the Aztec, god of war. He is said to have guided the Aztecs during their migration from Aztlán. Usually represented in sculptured images as hideous, he was the object of human sacrifice, particularly of war prisoners. He was also god of the sun, and it was believed that he was born each morning from the womb of Coatlicue, goddess of earth. His temple at Tenochtitlán was a great architectural achievement of pre-Columbian America.


Wikipedia: Huitzilopochtli
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Huitzilopochtli, as depicted in the Codex Telleriano-Remensis.

In Aztec mythology, Huitzilopochtli, also spelled Uitzilopochtli (Classical Nahuatl: Huitzilopōchtli [witsiloˈpoːtʃtɬi] "Hummingbird of the South (on the Left)", or "Left-Handed Hummingbird", huitzilin being Nahuatl for hummingbird), was a god of war, a sun god, and the patron of the city of Tenochtitlan. He was also the national god of the Mexicas of Tenochtitlan.

Contents

Genealogy

Huitzilopochtli in human form in the Codex Telleriano-Remensis.

Huitzilopochtli's mother was Coatlicue, and his father was a ball of feathers (or, alternatively, Mixcoatl). His sister was Malinalxochitl, a beautiful sorceress, who was also his rival. His messenger or impersonator was Paynal.

In one of the recorded creation myths, Huitzilopochtli is one of the four sons of Ometeotl, he made the first fire from which a half sun was created by Quetzalcoatl.

The legend of Huitzilopochtli is recorded in the Mexicayotl Chronicle. His sister, Coyolxauhqui, tried to kill their mother because she became pregnant in a shameful way (by a ball of feathers). Her offspring, Huitzilopochtli, learned of this plan while still in the womb, and before it was put into action, sprang from his mother's womb fully grown and fully armed. He then killed his sister Coyolxauhqui and many of his 500 brothers. He tossed his sister's head into the sky, where it became the moon, so that his mother would be comforted in seeing her daughter in the sky every night. He threw his other brothers and sisters into the sky, where they became the stars.[1]

History and myth

Huitzilopochtli, as depicted in the Codex Borbonicus.

Huitzilopochtli was a tribal god and a legendary wizard of the Aztecs. Originally he was of little importance to the Nahuas, but after the rise of the Aztecs, Tlacaelel reformed their religion and put Huitzilopochtli at the same level as Quetzalcoatl, Tlaloc, and Tezcatlipoca, making him a solar god. Through this, Huitzilopochtli replaced Nanahuatzin, the solar god from the Nahua legend. Huitzilopochtli was said to be in a constant struggle with the darkness and required nourishment in the form of sacrifices to ensure the sun would survive the cycle of 52 years, which was the basis of many Mesoamerican myths. While popular accounts claim it was necessary to have a daily sacrifice[citation needed], sacrifices were only done on festive days. There were 18 especially holy festive days, and only one of them was dedicated to Huitzilopochtli.

Every 52 years, the Nahuas feared the world would end as the other four creations of their legends had. Under Tlacaelel, Aztecs believed that they could give strength to Huitzilopochtli with human blood and thereby postpone the end of the world, at least for another 52 years.

The Great Temple of Tenochtitlan was dedicated to Huitzilopochtli and Tlaloc because they were considered equals in power. Sixteenth century Dominican Friar Diego Durán wrote, "These two gods were always meant to be together, since they were considered companions of equal power." [2] The Templo Mayor actually consisted of a pyramidal platform, on top of which were twin temples. The left one was Huitzilopochtli's, and the right one was Tlaloc's.

According to Miguel León-Portilla, in this new vision from Tlacaelel, the warriors that died in battle and women who died in childbirth would go to serve Huitzilopochtli in his palace (in the south, or left). From a description in the Florentine Codex, Huitzilopochtli was so bright that the warrior souls had to use their shields to protect their eyes. They could only see the god through the arrow holes in their shields, so it was the bravest warrior who could see him best. From time to time, those warriors could return to earth as butterflies or hummingbirds.

Tenochtitlan mythic origins

The Aztec emperor Chimalpopoca in Huitzilopochtli costume, from the Codex Xolotl.

There are several legends and myths of Huitzilopochtli. According the Aubin Codex, the Aztecs originally came from a place called Aztlan. They lived under the ruling of a powerful elite called the "Azteca Chicomoztoca". Huitzilopochtli ordered them to abandon Aztlan to find a new home. He also ordered them never to call themselves Aztec; instead they should be called "Mexica." Huitzilopochtli guided them through a long journey. For a time, Huitzilopochtli left them in the charge of his sister Malinalxochitl, who, according to legend, founded Malinalco, but the Aztecs resented her ruling and called back Huitzilopochtli. He put his sister to sleep and ordered the Aztecs to leave the place. When she woke up and realized she was alone, she became angry and desired revenge. She gave birth to a son called Copil. When he grew up, he confronted Huitzilpochtli, who had to kill him. Huitzilopochtli then took his heart and threw it in the middle of Lake Texcoco. Many years later, Huitzilopochtli ordered the Aztecs to search for Copil's heart and build their city over it. The sign would be an eagle perched on a cactus, eating a precious serpent. The Aztecs finally found the eagle, who bowed to them, and they built a temple in the place, which became Tenochtitlan.

There are different versions of this encounter, but generally the eagle is told to have been eating a snake. This image is seen on the flag of Mexico.

Iconography

In art and iconography, Huitzilopochtli was represented as a hummingbird (or with just the feathers of such on his head and left leg), a black face, and holding a scepter shaped like a snake and a mirror. In the great temple his statue was decorated with cloth, feathers, gold, and jewels, and was hidden behind a curtain to give it more reverence and veneration.

According to legend, the statue was supposed to be destroyed by the soldier Gil González de Benavides, but it was rescued by a man called Tlatolatl. The statue appeared some years later during an investigation by Bishop Zummáraga in the 1530s, only to be lost again. There is speculation that the statue still exists in a cave somewhere in the Anahuac valley.

Calendar

An imaginative European depiction of an Aztec shrine. The idol of Huitzilopochtli is seated in the background. (1602)

Father Duran gave us the description of the festivities for Huitzilopochtli. Panquetzaliztli (7 December to 26 December) was the Aztec month dedicated to Huitzilopochtli. People decorated their homes and trees with paper flags; there were ritual races, processions, dances, songs, prayers, and finally human sacrifices. This was one of the more important Aztec festivals, and the people prepared for the whole month. They fasted or ate very little; a statue of the god was made with amaranth (huautli) seeds and honey, and at the end of the month, it was cut into small pieces so everybody could eat a little piece of the god. Because of its similarities to the Catholic mass, after the conquest the amaranth cultives were outlawed, while some of the festivities were subsumed into the Christmas celebration.

According to the Ramirez Codex, in Tenochtitlan circa sixty prisoners were sacrificed at the festivities. Sacrifices were reported to be made in other Aztec cities, including Tlatelolco, Xochimilco, and Texcoco, but the number is unknown, and no currently available archeological findings confirm this.

For the reconsecration of Great Pyramid of Tenochtitlan in 1487, dedicated to Tlaloc and Huitzilopochtli, the Aztecs reported that they sacrificed about 20,400 prisoners over the course of four days. While accepted by some scholars, this claim also has been considered Aztec propaganda. There were 19 altars in the city of Tenochtitlan where these sacrifices would have taken place at a breakneck speed. Certainly, the priests would have been very busy to supply that amount of slaughter.

See also

Notes

  1. ^ Huitzilopochtli
  2. ^ (Diego Durán, Book of Gods and Rites)

References

Andrews, J. Richard (2003). Introduction to Classical Nahuatl (revised edition ed.). Norman: University of Oklahoma Press. ISBN 0-8061-3452-6. OCLC 50090230. 
Boone, Elizabeth Hill (1989). Incarnations of the Aztec Supernatural: The Image of Huitzilopochtli in Mexico and Europe. Transactions of the American Philosophical Society, vol. 79 part 2. Philadelphia, PA: American Philosophical Society. ISBN 0-87169-792-0. OCLC 20141678. 
Brinton, Daniel G.; (Ed.) (1890) (Project Gutenberg EBook #14993, online reproduction). Rig Veda Americanus. Sacred Songs of the Ancient Mexicans, with a Gloss in Nahuatl. Brinton's Library of Aboriginal American Literature, No. VIII. Philadelphia: D.G. Brinton. OCLC 6979651. http://www.gutenberg.org/etext/14993. (English) (Nahuatl)
Carrasco, David (1982). Quetzalcoatl and the Irony of Empire: Myths and Prophecies in the Aztec Tradition. Chicago, IL: University of Chicago Press. ISBN 0-226-09487-1. OCLC 0226094871. 
Díaz del Castillo, Bernal (1963) [1632]. The Conquest of New Spain. Penguin Classics. J. M. Cohen (trans.) (6th printing (1973) ed.). Harmondsworth, England: Penguin Books. ISBN 0-14-044123-9. OCLC 162351797. 
Miller, Mary; and Karl Taube (1993). The Gods and Symbols of Ancient Mexico and the Maya: An Illustrated Dictionary of Mesoamerican Religion. London: Thames & Hudson. ISBN 0-500-05068-6. OCLC 27667317. 
Quiñones Keber, Eloise (1995). Codex Telleriano-Remensis: Ritual, Divination, and History in a Pictorial Aztec Manuscript. Michel Besson (illus.). Austin: University of Texas Press. ISBN 0-292-76901-6. OCLC 29600936. 
Read, Kay Almere (1998). Time and Sacrifice in the Aztec Cosmos. Bloomington: Indiana University Press. ISBN 0-253-33400-4. OCLC 37909790. 
Read, Kay Almere; and Jason J. González (2002). Handbook of Mesoamerican Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs of Mexico and Central America. Oxford and New York: Oxford University Press. ISBN 0-19-514909-2. OCLC 77857686. 
Sahagún, Bernardino de (1950–82) [ca. 1540–85]. Florentine Codex: General History of the Things of New Spain, 13 vols. in 12. vols. I-XII. Charles E. Dibble and Arthur J.O. Anderson (eds., trans., notes and illus.) (translation of Historia General de las Cosas de la Nueva España ed.). Santa Fe, NM and Salt Lake City: School of American Research and the University of Utah Press. ISBN 0-87480-082-X. OCLC 276351. 
Spence, Lewis (1913). The Myths of Mexico and Peru (online reproduction ed.). London: G.G. Harrap and Co. OCLC 710093. http://www.sacred-texts.com/nam/mmp/index.htm. Retrieved 2008-05-14. 
Taube, Karl A. (1993). Aztec and Maya Myths (4th University of Texas printing ed.). Austin: University of Texas Press. ISBN 0-292-78130-X. OCLC 29124568. 
Wimmer, Alexis (2006). "Dictionnaire de la langue nahuatl classique" (online version, incorporating reproductions from Dictionnaire de la langue nahuatl ou mexicaine [1885], by Rémi Siméon). http://sites.estvideo.net/malinal/nahuatl.page.html.  (French) (Nahuatl)


External links


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World Mythology Dictionary. A Dictionary of World Mythology. Copyright © Arthur Cotterell 1979, 1986, 2003. All rights reserved.  Read more
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