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I Am Legend

 
Movies:

I Am Legend

  • Director: Francis Lawrence
  • AMG Rating: starstarstar
  • Genre: Science Fiction
  • Movie Type: Sci-Fi Horror, Creature Film
  • Themes: Post-Apocalypse, Mutants, Plagues and Epidemics
  • Main Cast: Will Smith, Alice Braga, Charlie Tahan, Salli Richardson-Whitfield, Willow Smith
  • Release Year: 2007
  • Country: US
  • Run Time: 100 minutes
  • MPAA Rating: PG13

Plot

Adapted from acclaimed author Richard Matheson's influential novelette of the same name, Constantine director Francis Lawrence's I Am Legend follows the last man on Earth as he struggles to survive while fending off the infected survivors of a devastating vampiric plague. A brilliant scientist who raced to discover a cure for the man-made virus as humanity came crumbling down all around him, Robert Neville (Will Smith) was inexplicably immune to the highly contagious superbug. Now the entire population of New York City -- and perhaps the world -- has been transformed into carnivorous bloodsuckers that fear the light and live solely to spread their contagion to any remaining living creature that crosses their path. It's been three years since civilization came to an end, and the loneliness has taken a devastating toll on Neville. By day he scours the city for food and supplies while sending out desperate radio messages in hopes that someone might respond, and by night he attempts to find a way to reverse the effects of the virus by experimenting with his own blood. But time is running out for Neville as the legions of infected watch his every move from the safety of the shadows, waiting for the perfect moment to strike. They, too, long to learn the secret that lurks in Neville's blood, though they will have to take caution while attempting to procure it because Neville will sooner die attempting to slay every last one of them than willingly giving up a single drop. Previously adapted for the screen in the 1964 Vincent Price frightener The Last Man on Earth and the 1971 Charlton Heston action film The Omega Man, Matheson's novelette also served as the inspiration for George A. Romero's groundbreaking zombie classic Night of the Living Dead. ~ Jason Buchanan, All Movie Guide

Review

There have been so many attempts to get it right, but now 50 years after the fact, it's beginning to seem as if Richard Matheson's landmark 1954 novella may simply be unfilmable. Sure, the long-in-development I Am Legend is a serviceable action-horror flick when all is said and done, but the reality is that fans hoping for a faithful adaptation -- as the title would suggest -- will have to put their expectations on hold if they hope to enjoy this dodgy but passable take on the oft-told tale. Truth is that a large part of the story is deeply psychological as it hones in on the gradual mental breakdown of a man left completely alone in the world, a concept that few would deny is better suited to the written page than the silver screen. No doubt Will Smith does a commendable job of conveying the scientist-turned-vampire slayer's inner torment as he chats up mannequins like they're old friends and goads his dog on to eat vegetables, but it's when the film starts to stray from its origins that it becomes a bit generic and uninvolved. On the one hand, there isn't as much action here as there is in The Omega Man, but on the other, it doesn't come anywhere near to rivaling the brooding quality of The Last Man on Earth -- rendering it more of a tantalizing, middle-of-the-road misfire than an outright failure.

The year is 2012, and apparently the Mayan calendar was spot on. Three years ago, scientists smugly proclaimed to the world that they had defeated cancer by harnessing the power of the measles virus, but the celebrations quickly ceased when New Yorkers became infected with a mysterious plague that transformed them into rampaging, primal versions of their former selves. Somehow, famed military scientist Robert Neville was immune to the infection, and now he works around the clock to find a cure. While the light-sensitive former humans that stalk the moonlit streets aren't exactly vampires in the traditional sense (they don't have fangs and a well-aimed bullet will suffice should one find themselves fresh out of wooden stakes), they still possess superhuman strength and they'll stop at nothing to savor a fleshy treat. Aside from the absolute core details of Matheson's story, screenwriters Mark Protosevich and Akiva Goldsman have jettisoned nearly all of the engaging particulars that made Neville the tormented man that he became after he watched the world die, instead opting to focus almost entirely on the inevitable showdown between big daddy bloodsucker and the benevolent scientist who only wants to cure him. Gone is Neville's best-friend-turned-vampire who sadistically taunts him from the darkness after the sun goes down, and the slow, torturous death of his family is replaced with a urgent scene of New York City being evacuated that, despite effectively capitalizing on post-9/11 fears of urban paranoia and biological terrorism, denies the character the vivid suffering and agony that so richly molded him on the written page. These changes make for a more cinematic approach to be sure, but unfortunately they're changes that come at the sacrifice of two essential components to Neville's character.

When it was first announced that Will Smith would be assuming the role of Neville, fans of the story were understandably skeptical -- visions of the I, Robot star cracking wise as he dispenses with the undead leaving many to fear the worst. Truth is, Smith is just about dead on in his portrayal of the aging but virile protagonist: the specks of grey in his hair and the tired look in his eyes hinting at the weariness that comes with thinking he is the last man on Earth, and the aforementioned conversations with inanimate human stand-ins serving well to highlight the dementia that would likely follow. Unfortunately, the shortcomings of the script are to blame for the lack of rich dimensions that would make the character work. Visually speaking, viewers previously bowled over by the striking imagery on display in director Francis Lawrence's ambitious feature debut Constantine will likely find I Am Legend a bit of a let down as well -- quite a surprise considering that Oscar-winning cinematographer Andrew Lesnie (The Lord of the Rings trilogy and the two Babe films) was guiding the lens.

Objectively reviewing a film based on a book is a tricky endeavor, especially when the book is one as influential as I Am Legend. Some argue that to compare the filmed version to the written word is unfair, given that both mediums have their obvious benefits and drawbacks. But when one can walk into their nearest bookstore and see copies of Matheson's original story on the shelves adorned with the poster for the film, a curious gray area is created that's difficult to overlook. This is not "Now a Bantam Book!" territory; I Am Legend is an undisputed classic of the sci-fi genre, and to ignore the role that the book played in influencing a film that boldly proclaims that recognizable title (as no adaptation before has) is extremely difficult if not impossible for anyone who has read and loved the story. When the screenwriters go so far as to actually change the meaning of the title, to retain it for the screen version seems insincere almost to the point of insult. So, is Lawrence's I Am Legend the supposedly faithful adaptation that fans have been teased and taunted with for over a decade? Sadly, no. In the end, I Am Legend is a neutered but decently entertaining version of that familiar tale, a mildly invigorating action-horror entry that's just tense enough to keep audiences from checking their watches, but not memorable enough to warrant any sort of severe damnation or serious discussion -- that is, unless you've read the book. ~ Jason Buchanan, All Movie Guide

Cast

Darrell Foster - Mike (Military Escort); April Grace - TV Personality; Dash Mihok - Alpha Male; Joanna Numata - Alpha Female; Abbey - Sam; Kona - Sam; Samuel Glen - Jay (Military Driver); James McCauley - Male Evacuee; Martin Ireland - Woman Evacuee; Pedro Mojica - Sergeant; Anthony Mazza - Evacuation Cop; Steve Cirbus - Military Police; Calista Hill - Little Girl Evacuee; Gabriella Hill - Little Girl Evacuee; Madeline Hill - Little Girl Evacuee; Adhi Sharma - Military Scanning Tech; Tyree Simpson - Evacuation Cop #2; Blake Lange - Coast Guard Ground Crew Member; Alexander DiPersia - Male Evacueee #2; Abraham Sparrow - Male Evacuee #3; Patrick Fraley - President; Caitlin McHugh - Special Blond Model; Deborah Collins - Civilian; Exo - Infected; Lynná Davis - Infected; Moses Harris, Jr. - Infected; Eric Jenkins - Infected; Heather Lang - Infected; Katherine Brook - Infected; Anika Ellis - Infected; Kennis Hawkins - Infected; Reed Kelly - Infected; Drew Leary - Infected; Vince Cupone - Infected; John Grady - Infected; Marc Inniss - Infected; Grasan Kingsberry - Infected; Asa Liebmann - Infected; Deborah Lohse - Infected; Luke Miller - Infected; Okwui Okpokwasili - Infected; Paradox Pollack - Infected; Hollie K. Seidel - Infected; Mark Steger - Infected; Anthony Vincent - Infected; Jon-Paul Mateo - Infected; Courtney Munch - Infected; Erin Owen - Infected; Will Rawls - Infected; Hannah Sim - Infected; Charlie Sutton - Infected; Greg Wattkis - Infected; Ian McLaughlin - Infected; Kim Murphy - Infected; Victor Paguia - Infected; William Schultz - Infected; Eric Spear - Infected; David Hamilton Thomson - Infected; Mike Patton - Creature Voices

Credit

Howard Cummings - Art Director, Patricia Woodbridge - Art Director, Bill Skinner - Art Director, Sony Pictures Imageworks - Animator, Atsushi Sato - Character Animation, Joe Mandia - Character Animation, Robert McIntosh - Character Animation, Nicole Herr - Character Animation, Partick Osborne - Character Animation, Keith Paciello - Character Animation, Joshua Beveridge - Character Animation, Benjamin Cinelli - Character Animation, Kevin Freeman - Character Animation, Scott Fritts - Character Animation, Clarence Robello - Character Animation, Brian Scott - Character Animation, Eric Lees - Character Animation, Steve Pierre Gordon - Character Animation, Dave Hardin - Character Animation, Matthew J. Munn - Character Animation, Michael Mumbauer - Character Animation, Rob MacKenzie - Character Animation, Stephen Buckley - Character Animation, John Bunt - Character Animation, Ken King - Character Animation, Haron Maxwell - Character Animation, John Meehan - Character Animation, J.R. Salazar - Character Animation, Mike Scott - Boom Operator, Kathleen Chopin - Casting, Dr. Thomas Aaragan - Consultant/advisor, Dr. Bill Bellini - Consultant/advisor, Dr. Bob Benjamin - Consultant/advisor, Dr. Keith Black - Consultant/advisor, Dr. George Bonnano - Consultant/advisor, Dr. Darin Carroll - Consultant/advisor, Dr. Alan Counter - Consultant/advisor, Dr. Nancy Cox - Consultant/advisor, Dr. Joseph Derisi - Consultant/advisor, Dr. Donald Ganem - Consultant/advisor, Donna Garland - Consultant/advisor, Dr. Julia Gerberding - Consultant/advisor, William Gimson - Consultant/advisor, Dr. Stuart Grassian - Consultant/advisor, Michael Hauge - Consultant/advisor, Dr. Joan Kavanaugh - Consultant/advisor, Dr. Richard Klomp - Consultant/advisor, Dr. Tom Ksiazek - Consultant/advisor, Dr. Kathryn Madden - Consultant/advisor, Peter Meineck - Consultant/advisor, Dr. Joel Montgomery - Consultant/advisor, Dr. Steve Ostroff - Consultant/advisor, Dr. Ann Pellegrini - Consultant/advisor, Dr. Paul Rota - Consultant/advisor, Dixie Snider - Consultant/advisor, Dr. Terry Tumpey - Consultant/advisor, Chris Vogler - Consultant/advisor, Nathan Wolfe - Consultant/advisor, Tracy Torme - Co-producer, Jeffrey Wetzel - Co-producer, Michael Kaplan - Costume Designer, Robert Mata - Costume Designer, Jeffrey Wetzel - First Assistant Director, Francis Lawrence - Director, Vic Armstrong - Second Unit Director, Wayne Wahrman - Editor, Michael Tadross - Executive Producer, Erwin Stoff - Executive Producer, Bruce Berman - Executive Producer, Dana Goldberg - Executive Producer, Hal Gaba - Executive Producer, Brian B. Badie - Hair Styles, Pierce E. Austin - Hair Styles, Paul Kramer - Location Manager, Robert T. Striem - Location Manager, James Newton Howard - Composer (Music Score), Winston Quitasol - Composer (Music Score), Sarah Mattes - Composer (Music Score), Judy Murdock - Makeup, Gloria Grant - Makeup, Christien Tinsley - Makeup Special Effects, Mike Marino - Makeup Special Effects, Bruce MacCallum - Camera Operator, David Thompson - Camera Operator, Naomi Shohan - Production Designer, Andrew Lesnie - Cinematographer, Erwin Stoff - Producer, Akiva Goldsman - Producer, David Heyman - Producer, Neal H. Moritz - Producer, James Lassiter - Producer, Joel Iwataki - Recording, Alan Meyerson - Recording, Eddie Delena - Recording, Mike Maggi - Special Effects, Jeff Brink - Special Effects, Charlie Simunek - Special Effects, Frank Barranca - Special Effects, Joel Iwataki - Sound Mixer, Alan Meyerson - Sound Mixer, Eddie Delena - Sound Mixer, Jeremy Peirson - Sound/Sound Designer, John Cenatiempo - Stunts, Dennis Scott - Stunts, Frank Ferrara - Stunts, Jeffrey Lee Gibson - Stunts, Peter Hock - Stunts, Terry Jackson - Stunts, Mark Chadwick - Stunts, Brian Smyj - Stunts, Douglas Crosby - Stunts, David Lomax - Stunts, Joey Box - Stunts, Paul Sklar - Stunts, Blaise Corrigan - Stunts, Jodi Michelle Pynn - Stunts, Victor Chan - Stunts, Craig Jensen - Stunts, Randolph Le Roi - Stunts, Robert Alonzo - Stunts, Jill Brown - Stunts, Keith Siglinger - Stunts, Bob Colletti - Stunts, Glen Yrigoyen - Stunts, William Cote - Stunts, Scott Armstrong - Stunts, Stephen Pope - Stunts, Peter Epstein - Stunts, Tina McKissick - Stunts, Shawnna Thibodeau - Stunts, Cheryl Lewis - Stunts, Ray Abbott - Stunts, Christiana Blain - Stunts, Wayne Cerullo - Stunts, Angelina Cruz - Stunts, Erik M. Solky - Stunts, Darren Cerullo - Stunts, Mark Aaron Wagner - Stunts, Kevin Scott - Stunts, Jared Burke - Stunts, Nicole Callender - Stunts, Carmel Macklin - Stunts, Stephen Mann - Stunts, Paul Marini - Stunts, Jeremy Sample - Stunts, Aaron Vexler - Stunts, Caroline Vexler - Stunts, Chris Place - Stunts, Thomas Place - Stunts, Ákos Schenek - Stunts, James Armstrong - Stunts, Nina Almond Armstrong - Stunts, Mike Burke - Stunts, Aja Frary - Stunts, Shane Geraghty - Stunts, Gabriel Ryan Hansen - Stunts, Peter Klein - Stunts, Todd Rentchler - Stunts, Jason Silvis - Stunts, D.J. Surgent - Stunts, Vic Armstrong - Stunts Coordinator, Cort Hessler III - Stunts Coordinator, Wendy Armstrong - Stunts Coordinator, Samuel Glen - Technical Advisor, Michael Tadross - Unit Production Manager, Justin Moritt - Unit Production Manager, Joyce Hooper Corrington - Screen Story, Akiva Goldsman - Screenwriter, Mark Protosevich - Screenwriter, Brian Pearson - Second Unit Director Of Photography, Janek Sirrs - Visual Effects Supervisor, Jim Berney - Visual Effects Supervisor, Greg Liegey - Visual Effects Supervisor, John Thomas - Sound Effects Editor, James Morioka - Sound Effects Editor, Jason W. Jennings - Sound Effects Editor, Steve Berens - Animal Trainer/Wrangler, Susan R. Hanson - Animal Trainer/Wrangler, Berens' Animals of Distinction - Animal Trainer/Wrangler, Ron Gress - Matte Artist, Ting Lo - Matte Artist, Jon Hanzelka - Model Effects, Brandon Harr - Model Effects, Carol McConnaughey - Publicist, Matt Corrigan - Creature Effects, John Lee - CGI Effects, Matthew Cordner - CGI Effects, Aaron McComas - CGI Effects, Carolyn Uy - CGI Effects, Todd Boyce - CGI Effects, Andy Gauvreau - CGI Effects, Joseph Pepper - CGI Effects, Steve Blakey - CGI Effects, Jay Banks - CGI Effects, John Michael Courte - CGI Effects, John Hughes - CGI Effects, Michael Lafave - CGI Effects, Scott Palleiko - CGI Effects, Eric Sanford - CGI Effects, Bjorn Zipprich - CGI Effects, Patrick Tatopoulos - Creature Design, Gregor Tavenner - First Assistant Camera, Bobby Mancusso - First Assistant Camera, George Patsos - Key Grip, Dani Morrow - Layout, David Weizer - Layout, David Oldon - Music Editor, Joshua Levinson - Post Production Supervisor, Terry Ellen Ladin - Production Coordinator, Drew Tidwell - Production Coordinator, Jenny Fulle - Production Supervisor, Martin Lasowitz - Properties Master, Rick Kline - Re-Recording Mixer, Skip Lievsay - Re-Recording Mixer, Jeremy Peirson - Re-Recording Mixer, Ana Maria Quintana - Script Supervisor, Peter Soldo - Second Assistant Director, Conrad V. Brink - Special Effects Coordinator, David Thompson - Steadicam Operator, Barry Wetcher - Still Photographer, Skip Lievsay - Supervising Sound Editor, Mike Chambers - Visual Effects Producer, Lisa Maher - Visual Effects Producer, Crys Forsyth-Smith - Visual Effects Producer, Byron Wilson - ADR Editor, Thomas J. O'Connell - ADR Mixer, Jen Day - Art Department Assistant, Joseph K. IV Kepple - Art Department Assistant, Rob Muia - Art Department Assistant, Michael Riolo - Art Department Assistant, Barbara Matis - Assistant Art Director, Larry M. Gruber - Assistant Art Director, Peter Baran - Assistant Art Director, Dan Kuchar - Assistant Art Director, Elizabeth Shelton - Assistant Costumer Designer, Marian Moon Toy - Assistant Costumer Designer, Bill Almeida - Assistant Chief Lighting Technician, Damon Gordon - Assistant Location Manager, Marcellin Sterner - Assistant Location Manager, Graham Walker Goetz - Assistant Location Manager, Adam Baer - Assistant Location Manager, Michael Jortner - Assistant Properties, Todd Harris - Assistant Sound Editor, P.K. Hooker - Assistant Sound Editor, Gus Magalios - Best Boy Grip, Sonny Rea - Best Boy Grip, Mo Flam - Chief Lighting Technician, Joseph S. Alfieri - Construction Coordinator, Barbara J. Hause - Costumes Supervisor, Marissa Kaplan - DGA Intern, Byron Wilson - Dialogue Editor, Keith Bunting - Dolly Grip, Michael Yurich - Dolly Grip, Meredith Jacobson Marciano - Extra Casting, Randy Bricker - First Assistant Editor, John Roesch - Foley Artist, Allyson Moore - Foley Artist, Christopher Flick - Foley Editor, Ryan Juggler - Foley Editor, Mark Selemon - Greensman, Lawrence Amanuel - Greensman, Jeff Debell - Greensman, Penelope L. Laughman - Key Costumer, Cici Campbell - Key Hairstylist, Toy R. Van Lierop - Key Make-up, Gerald A. Detitta - Leadman, Tommy Bernard - Personal Assistant, Jadi McCurdy - Personal Assistant, Darren Johnson - Personal Assistant, Erin Palin - Personal Assistant, Casey Madigan - Personal Assistant, Jon Shaw - Personal Assistant, Roslyn Aronowitz - Personal Assistant, Jana Babatunde-Bey - Personal Assistant, Paul Cabbad - Personal Assistant, Carlos Constanzo - Personal Assistant, Kenny Daniels - Personal Assistant, Dave Fleming - Personal Assistant, Vincent Giarratano - Personal Assistant, Jamal Hill - Personal Assistant, Pedro Honess - Personal Assistant, Mitchell Kase - Personal Assistant, Kim Lisner - Personal Assistant, Ryan McDonald - Personal Assistant, K.C. McMahon - Personal Assistant, Nicole Means - Personal Assistant, Davin Michaels - Personal Assistant, Andy Mower - Personal Assistant, Karin Nowicki - Personal Assistant, Kamal Robinson - Personal Assistant, Day Ryan - Personal Assistant, Ralph "Bam" Saunders - Personal Assistant, Jeff Solano - Personal Assistant, Patrick Stegall - Personal Assistant, Cary Stuart - Personal Assistant, Joe Wehmeyer - Personal Assistant, Tina Yeh - Personal Assistant, Charbel Youssef - Personal Assistant, Frank Zurich - Personal Assistant, Anamarie Gonzaga - Production Accountant, David M. Dunlap - Second Assistant Camera, Rebecca Venezia - Second Assistant Camera, Scott Tinsley - Second Assistant Camera, Julian Delacruz - Second Assistant Camera, Wayne Paul - Second Assistant Camera, Joseph Aspromonti - Second Second Assistant Director, Cat Crosby - Set Dresser, Rick Nelson - Set Dresser, Kevin Brink - Set Dresser, Dylan Sheridan - Set Dresser, Rob Bushow - Set Dresser, Peter Clores - Transportation Captain, Steven R. Hammond - Transportation Captain, Christina Schaich - Transportation Coordinator, Sony Pictures Imageworks - Visual Effects, CIS Hollywood - Visual Effects, George De Titta, Jr. - Set Decorator, Richard Matheson - Book Author, Brendan O'Brien - Cable Person, Tomkats, Inc. - Craft Service/Catering, Henry's International Cuisine - Craft Service/Catering, Mary Jo Lang - Foley Mixer, Wes Benton - Motion Control Camera, Matt Madden - Motion Control Camera, Candice Alger - Motion Control Camera, Rich Suchevits - Motion Control Camera, Greg Philyaw - Motion Control Camera, Carol Madrigal - Motion Control Camera, Pawel Biel - Motion Control Camera, Jennifer Davis - Motion Control Camera, Giant Studios - Motion Control Camera, Justin Madden - Motion Control Camera, Sarah Mattes - Motion Control Camera, Molly Bennet - Production Secretary, Natalie Damico - Production Secretary, Tod A. Maitland - Production Sound Mixer, Bob Broder - Set Medic/First Aid, Nils Johnson - Video Assist, May Kuckro - Visual Effects Editor, Kevin J. Jolly - Visual Effects Editor, Bronwyn Shields - Visual Effects Editor, Pacific Title - Title Design, Amiee Clark - Art Department Coordinator, Joel Dougherty - First Assistant Sound Editor, Janette Vecchiarelli - Assistant to the Director, Tim Monick - Dialect Coach, Gary Glushon - Producer's Assistant, Max Boyer - Producer's Assistant, Marasan Festoff - Producer's Assistant, Cira Sims - Producer's Assistant, Joe Jackman - Compositor, Walter F. Hyneman - Compositor, Enrique Munoz - Compositor, Matthew George Rampias - Compositor, Dan Lavender - Compositor, Chad Belteau - Compositor, Blaine Kennison - Compositor, Donny Rausch - Compositor, John Sasaki - Compositor, Sharmishtha Sohoni - Compositor, Lisa Deaner - Compositor, Doug Forrest - Compositor, Todd B. Mesher - Compositor, Fish Essenfeld - Compositor, Laide Agunbiade - Compositor, Serena Naramore - Compositor, Christia Boudman - Compositor, Tony Diep - Compositor, Rick Shick - Compositor, Bonjin Byun - Compositor, Grady Campbell - Compositor, Amy Christensen - Compositor, Robert W. Crain - Compositor, Nika Dunne - Compositor, Patrick Finley - Compositor, Frederick Gaudreau - Compositor, Harry Gundersen - Compositor, Todd T. Hara - Compositor, T. Karthik - Compositor, Rita Kunzler - Compositor, Joosten Kuypers - Compositor, Christine J. Lo - Compositor, Pavan Kumar Potluri - Compositor, Jonathan S. Swartz - Compositor, Marko Vukovic - Compositor, Nancey S. Wallis - Compositor, Piotrek Krawczyk - Compositor, Robb Gardner - Compositor, Steven Hansen - Compositor, Ryan Rogers - Compositor, P. Balaji - Rotoscope Artist, Ravi Ram Bhimaraju - Rotoscope Artist, Dhiraj Brahma - Rotoscope Artist, Marcus Carter - Rotoscope Artist, Kimberly Headstrom - Rotoscope Artist, M. Jegan - Rotoscope Artist, S. Gopi Krishna - Rotoscope Artist, M. Shanmugasundaram - Rotoscope Artist, Ian Doss - Matchmove Artist, Eric Peterson - Matchmove Artist, P. Balaji - Painter (digital), Ravi Ram Bhimaraju - Painter (digital), Dhiraj Brahma - Painter (digital), Marcus Carter - Painter (digital), Kimberly Headstrom - Painter (digital), M. Jegan - Painter (digital), S. Gopi Krishna - Painter (digital), M. Shanmugasundaram - Painter (digital), Regina Graves - Assistant Set Decorator, Christine Mayer - Assistant Set Decorator, John William Corrington - From Screenplay by, Joyce Hooper Corrington - From Screenplay by, Takahide Kawakami - Second Unit Second Assistant Director

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Wikipedia: I Am Legend (film)
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I Am Legend
A man wearing leather clothes and holding a rifle walks  alongside a dog on an empty street. A destroyed bridge is seen in the background. Atop the image is "Will Smith" and the tagline "The last man on Earth is not alone". Below is the film's title and credits.
Theatrical release poster
Directed by Francis Lawrence
Produced by Akiva Goldsman
David Heyman
James Lassiter
Neal H. Moritz
Tracy Torme
Written by Screenplay:
Akiva Goldsman
Mark Protosevich
Novel:
Richard Matheson
Starring Will Smith
Alice Braga
Dash Mihok
Salli Richardson
Willow Smith
Charlie Tahan
Abbey and Kona
Music by James Newton Howard
Cinematography Andrew Lesnie
Editing by Wayne Wahrman
Studio Village Roadshow Pictures
Weed Road Pictures
Overbrook Entertainment
Distributed by Warner Bros. Pictures
Release date(s) December 14, 2007
Running time Theatrical cut:
100 min.
Alternate cut:
105 min.
Country United States
Australia
Language English
Budget $150,000,000
Gross revenue $585,349,010[1]

I Am Legend is a 2007 science fiction-disaster film directed by Francis Lawrence and starring Will Smith. It is the third feature film adaptation of Richard Matheson's 1954 novel of the same name, following 1964's The Last Man on Earth and 1971's The Omega Man.[2] Smith plays virologist Robert Neville, who is immune to a vicious man-made virus originally created to cure cancer. He works to create a remedy while living in Manhattan in 2012, a city inhabited by animalistic victims of the virus. The film's plot is an example of a zombie apocalypse story, except that the zombies are vampires.

Warner Bros. began developing I Am Legend in 1994, and various actors and directors were attached to the project, though production was delayed due to budgetary concerns related to the script. Production began in 2006 in New York City, filming mainly on location in the city, including a $5 million scene[3] at the Brooklyn Bridge, the most expensive scene ever filmed in the city at the time. I Am Legend was released on December 14, 2007 in the United States, and opened to the largest ever box office (not counting for inflation) for a non-Christmas film released in the U.S. in December. The film was the seventh highest grossing film of 2007, earning $256 million domestically and $329 million internationally, for a total of $585 million. I Am Legend also received positive reviews, with much praise to Will Smith's performance.

Contents

Plot

In September 2012, U.S. Army virologist, Lieutenant Colonel Robert Neville (Will Smith) is left as the last healthy human in New York City. Three years earlier Doctor Alice Krippin (Emma Thompson) altered the measles virus to create a cure for cancer with a 100% success rate. However, the virus mutated into a lethal airborne strain that spread worldwide and killed 5.4 billion people (90% of humanity). Of the 600 million survivors, only 12 million people possessed a natural immunity to the virus. The rest degenerated into bald, pale, aggressive beings referred to as "Darkseekers",[4] who killed the remaining immune human population. The "Darkseekers", so called for hiding in buildings and dark places during the day due to a painful intolerance to UV radiation, exhibit increased speed, agility, aggression, and strength, as well as higher pulse, metabolism and respiration rates, and increased body temperature. Despite their primal behavior, the Darkseekers seem to retain some basic problem-solving intelligence, animalistic cunning and the capacity to organize themselves.

Neville, who lost his wife Zoe (Salli Richardson) and daughter Marley (Willow Smith) in a helicopter accident during the chaotic evacuation of Manhattan in December 2009, has a daily routine that includes experimentation on captive infected rats to find a cure for the virus and trips through an empty Manhattan to collect supplies from abandoned homes and hunting deer that moved into the city. He also waits each day for a response to his continuous recorded AM radio broadcasts, which instruct any uninfected survivors to meet him at noon at the South Street Seaport. Neville's isolation is broken only by the companionship of his German Shepherd dog Samantha ("Sam"), interaction with mannequins he has set up as patrons of a video store, and recordings of old television broadcasts.

When one of his experiments on rats shows a promising treatment, Neville sets a snare trap and captures an infected woman; as he catches her an enraged male Darkseeker, the Alpha Male of the pack, locks eyes with him and snarls. Back in his laboratory, located in the basement of his heavily fortified Washington Square Park home, Neville attempts to treat the infected woman without success. Later, after finding one of his mannequins in front of Grand Central Terminal, he is caught in a trap and passes out. When Neville finally regains consciousness and manages to get free, it is dusk and he is attacked by a pack of infected dogs set on him by the Alpha Male. Although Neville and Sam manage to kill the dogs, one of the infected dogs bites Sam. Neville takes the wounded Sam back to his lab and attempts to cure her, but she begins to exhibit symptoms and tries to attack Neville, and he is forced to kill her.

The following night, overcome by grief and rage after burying Sam, Neville attacks a group of the infected. Despite killing a large number of Darkseekers, the infected overwhelm Neville and nearly kill him but he is rescued by a pair of immune survivors, Anna (Alice Braga) and a young boy named Ethan (Charlie Tahan), who have heard his AM broadcasts.

Anna and Ethan take the injured Neville back to his home, where Anna explains that they are making their way to a putative survivors' camp in Bethel, Vermont. When Anna claims that their meeting wasn't coincidence but part of God's plan, Neville furiously rants that, given the devastation incurred by the Krippin virus, there can be no God.

Suddenly, the Alpha Male leads a group of infected in an attack on the house, having followed Anna and Neville back the night before. The Darkseekers force Neville, Anna, and Ethan to retreat into the basement laboratory. They seal themselves in a room with the infected woman, where they discover that Neville's treatment is working: the subject has reverted to a more human form. Unfortunately the infected break into the basement, where the Alpha Male begins to crack and break through the acrylic glass separating them by ramming it. The cracks come to resemble the wings of a butterfly, at which point Neville remembers his daughter mentioning a butterfly the night she died. He notices a butterfly tattoo on Anna's neck and takes a sample of the infected female's blood and gives a vial of it to Anna, saying "The cure is in her blood... I think this is why you are here." Neville shuts Anna and Ethan into an old coal chute and shuts them inside, and then uses an M67 hand grenade to kill himself and Darkseekers.

Anna and Ethan escape to Vermont and locate the survivors' colony, where Anna hands over the cure. Before the credits roll Anna claims that the survivors are Neville's legacy, as Neville became a legend for finding a cure.

Alternate ending

The tone of the film's ending was altered before the film's release, especially the stand-off between Neville and the infected in his laboratory. Visual effects supervisor Janek Sirrs recounts the original ending starting with the stand-off: "At that point, Neville's - and the audience's - assumptions about the nature of these creatures are shown to be incorrect. We see that they have actually retained some of their humanity. There is a very important moment between the Alpha Male and Neville. The Alpha Male slapped his hand on the glass and smeared it revealing a butterfly shaped imprint." Neville realizes that the Alpha Male is identifying the infected woman he was experimenting on by a butterfly tattoo, and that the Alpha Male wants her back. Demonstrating that he will cease fighting and return her, Neville is allowed to approach them, with the Alpha Male ordering the infected not to touch him. Neville brings the Alpha Female back to consciousness, still infected due to him having removed the cure, and the Alpha Male embraces her; Travis Schaub stated, "Then, when Neville finally turns the Alpha Female over to the Alpha Male, there is this little love moment between the two of them." Neville and the Alpha Male then exchange stares; Neville apologizes to them, which the Alpha Male acknowledges before the infected leave. He then looks at the photos of the infected he has experimented on and killed, and he realizes that he is the monster of their legends: the infected think of him as someone who hunts down and kills their people. The original final shot follows Neville, Anna, and Ethan as they cross the remnants of the George Washington Bridge in the hope of finding other survivors, accompanied by a recording from Anna telling possible survivors that there is hope, and Neville knows the compounds of the cure, meaning he can recreate it and help humanity survive and rebuild, thus establishing his legend. [5]

Cast

Production

Development

The late 1990s brought a reemergence of the science fiction horror genre.[6] In 1995, Warner Bros. began developing the film project, having owned the rights to Richard Matheson's 1954 novel I Am Legend since 1970[7] and The Omega Man. Mark Protosevich was hired to write the script after the studio was impressed with his spec script of The Cell. Protosevich's first draft took place in the year 2000 in San Francisco, California, and contained many similarities with the finished film, though the darkseekers (Called 'Hemocytes') were civilized to the point of the creatures in The Omega Man and Anna was a lone morphine addict; as well as the fact that there was a Hemocyte character named Christopher who joined forces with Neville. Warner Bros. immediately put the film on fast track, attaching Neal H. Moritz as producer.[6]

Actors Tom Cruise, Michael Douglas,[8] Mel Gibson[6] had been considered to star in the film,[8] using a script by Protosevich and with Ridley Scott as director; however, by June 1997 the studio's preference was for actor Arnold Schwarzenegger, and in July, Scott and Schwarzenegger finalized negotiations,[9] with production slated to begin the coming September,[8] using Houston as a stand-in for the film's setting of Los Angeles.[10] Scott had Protosevich replaced by a screenwriter of his own choosing, John Logan, with whom he spent months of intensive work on a number of different drafts. The Scott/Logan version of I Am Legend was a bold, artistic mash of scifi action and psychological thriller, without dialogue in the first hour and with a sombre ending.[6] The creatures in Logan's Legend were similar to the darkseekers of the finished film in their animalistic, barbarian nature. The studio, fearing its lack of commercial appeal and merchandising potential, began to worry about the liberties they had given Scott - then on a negative streak of box office disappointments - and urged the production team to reconsider the lack of action in the screenplay. After an "esoteric" draft by writer Neal Jimenez, Warner Bros. reassigned Protosevich to the project, reluctantly working with Scott again.[6]

In December 1997, the project was called into question when the projected budget escalated to $108 million due to media and shareholder scrutiny of the studio in financing a big-budget film.[11] Scott rewrote the script in an attempt to reduce the film's budget by $20 million,[12] but in March 1998, the studio canceled the project due to continued budgetary concerns,[13] and quite possibly to the box office disappointment of Scott's last three films, 1492: Conquest of Paradise, White Squall and G.I. Jane.[6] Likewise, Schwarzenegger's recent films at the time (Eraser and Warner Bros. own Batman & Robin) underperformed, and the studio's latest experiences with big budget sci-fi movies Sphere and The Postman were negative as well.[6] In August 1998, director Rob Bowman was attached to the project,[14] with Protosevich hired to write a third all new draft, far more action-oriented than his previous versions,[6] but the director (who reportedly wished for Nicolas Cage to play the lead) moved on to direct Reign of Fire[15] and the project did not get off the ground.

In March 2002, Schwarzenegger became the producer of I Am Legend, commencing negotiations with Michael Bay to direct and Will Smith to star in the film.[16] Bay and Smith were attracted to the project based on a redraft that would reduce its budget.[17] However, the project was shelved due to Warner Bros. president, Alan F. Horn's dislike of the script.[18] In 2004, Akiva Goldsman was asked by head of production Jeff Robinov to produce the film.[19] In September 2005, director Francis Lawrence signed on to helm the project, with production slated to begin in 2006. Guillermo del Toro was originally approached to direct by Smith but turned it down in order to direct Hellboy II: The Golden Army.[20] Lawrence, whose film Constantine was produced by Goldsman, was fascinated by empty urban environments. He said, "Something's always really excited me about that... to have experienced that much loss, to be without people or any kind of social interaction for that long."[19]

Goldsman took on the project as he admired the second I Am Legend film adaptation, The Omega Man.[21] A rewrite was done to distance the project from the other zombie films inspired by the novel,[16] as well as from the recently released 28 Days Later.[21] A forty-page scene-by-scene outline of the film was developed by May 2006. When delays occurred on Will Smith's film Hancock, which was scheduled for 2007, it was proposed to switch the actor's films. This meant filming would have to begin in sixteen weeks: production was green lit, using Goldsman's script and the outline.[19] Elements from Protosevich's script were introduced, while the crew consulted with experts on infectious diseases and solitary confinement.[21] Rewrites continued throughout filming, because of Smith's improvisational skills and Lawrence's preference to keep various scenes silent.[19] The director had watched Jane Campion’s film The Piano with a low volume so as to not disturb his newborn son, and realized that silence could be very effective cinema.[22]

Casting

Will Smith signed on to play Robert Neville in April 2006.[23] He said he took on I Am Legend because he felt it could be like "Gladiator [or] Forrest Gump—these are movies with wonderful, audience-pleasing elements but also uncompromised artistic value. [This] always felt like it had those possibilities to me."[21] The actor found Neville to be his toughest acting challenge since portraying Muhammad Ali in Ali (2001). He said that "when you're on your own, it is kind of hard to find conflict." The film's dark tone and exploration of whether Neville has gone insane during his isolation meant Smith had to restrain himself from falling into a humorous routine during takes.[24] To prepare for his role, Smith visited the Centers for Disease Control and Prevention in Georgia. He also met with a person who had been in solitary confinement and a former prisoner of war.[25] Smith compared Neville to Job, who lost his children, livelihood and health. Like the Book of Job, I Am Legend studies the questions, "Can he find a reason to continue? Can he find the hope or desire to excel and advance in life? Or does the death of everything around him create imminent death for himself?"[16] He also cited an influence in Tom Hanks' performance in Cast Away (2000).[21]

Abbey, a three-year-old German Shepherd dog, played Neville's dog Sam. Another dog, Kona, was used for scenes where Neville plays fetch with his companion, as Abbey refused to perform these scenes.[26] The rest of the supporting cast consists of Salli Richardson as Zoe, Robert's wife,[27] and Alice Braga as a survivor named Anna.[27] Willow Smith, Will Smith's daughter, makes her film debut as Marley, Neville's daughter.[28] Emma Thompson has an uncredited role as Dr. Alice Krippin, who appears on television explaining her vaccine for cancer that mutates into the virus.[29] Singer Mike Patton provided the guttural screams of the infected "hemocytes," and Dash Mihok provided the character animation for the "Alpha Male" infected. There were several filler characters with uncredited roles in old news broadcasts and flashbacks, such as the unnamed President's voice, and the cast of The Today Show.

Filming

The Brooklyn Bridge served as a location in I Am Legend, at which there was a $5 million scene filmed, the most expensive scene to date in New York City.

Akiva Goldsman decided to move the story from Los Angeles to New York City to take advantage of locations that would more easily show emptiness.[7] Goldsman explained, "L.A. looks empty at three o'clock in the afternoon, [but] New York is never empty . . . it was a much more interesting way of showing the windswept emptiness of the world."[24] Warner Bros. initially rejected this idea because of the logistics,[19] but Francis Lawrence was determined to shoot on location, to give the film a natural feel that would benefit from not shooting on soundstages. Lawrence went to the city with a camcorder, and filmed areas filled with crowds. Then, a special effects test was conducted to remove all those people. The test had a powerful effect on studio executives.[22] Michael Tadross convinced authorities to close busy areas such as the Grand Central Terminal viaduct, several blocks of Fifth Avenue and Washington Square Park.[19] The film was shot primarily in the anamorphic format, with flashback scenes shot in Super 35.[30]

Filming began on September 23, 2006.[31] The Marcy Avenue Armory in Williamsburg was used for the interior of Neville's home,[24] while Greenwich Village was used for the exterior.[16] Other locations include the Tribeca section of Lower Manhattan, the aircraft carrier Intrepid, the Kingsbridge Armory in the Bronx and St. Patrick's Cathedral.[7] Weeds were imported from Florida and were strewn across locations to make the city look like it had overgrown with them.[19] The closure of major streets was controversial with New Yorkers. Will Smith said, "I don't think anyone's going to be able to do that in New York again any time soon. People were not happy. That's the most middle fingers I've ever gotten in my career."[16]

A bridge scene was filmed for six consecutive nights in January on the Brooklyn Bridge to serve as a flashback scene in which New York's citizens evacuate the city. Shooting the scene consumed $5 million of the film's reported $150 million budget, which was likely the most expensive shot in the city to date. The scene, which had to meet requirements from fourteen government agencies, involved 250 crew members and 1,000 extras, including 160 National Guard members.[32][33] Also present were several Humvees, three Stryker armored vehicles, a 110-foot (34 m) cutter, a 41-foot (12 m) utility boat, and two 25-foot (7.6 m) Response Boat Small craft, as well as other vehicles including taxis, police cars, fire trucks, and ambulances.[34] Filming concluded on March 31, 2007.[31]

Reshoots were conducted around November 2007. Lawrence noted, "We weren't seeing fully rendered shots until about a month ago. The movie starts to take on a whole other life. It's not until later that you can judge a movie as a whole and go, 'Huh, maybe we should shoot this little piece in the middle, or tweak this a little bit.' It just so happened that our re-shoots revolved around the end of the movie."[35]

Effects

A week into filming, Francis Lawrence felt the infected (referred to as "Dark Seekers" or "hemocytes" in the script), who were being portrayed by actors wearing prosthetics, were not convincing. His decision to use computer-generated imagery (CGI) resulted in an increased budget and extended post-production, although the end results were not always well-received.[36][37] The concept behind the infected was that their adrenal glands were open all of the time and Lawrence explained, "They needed to have an abandon in their performance that you just can’t get out of people in the middle of the night when they’re barefoot. And their metabolisms are really spiked, so they’re constantly hyperventilating, which you can’t really get actors to do for a long time or they pass out."[19] The actors remained on set to provide motion capture.[24] "The film's producers and sound people wanted the creatures in the movie to sound somewhat human, but not the standard," so Mike Patton, lead singer of Faith No More, was engaged to provide the screams and howls of the infected.[38]

In addition, CGI was used for the lions and deer in the film, and to erase pedestrians in shots of New York. Workers visible in windows, spectators and moving cars in the distance were all removed. In his vision of an empty New York, Lawrence cited John Ford as his influence: "We didn't want to make an apocalyptic movie where the landscape felt apocalyptic. A lot of the movie takes place on a beautiful day. There's something magical about the empty city as opposed to dark and scary that was the ideal that the cast and crew wanted."[21]

Release

I Am Legend was originally slated for a November 21, 2007 release in the United States and Canada,[39] but was delayed to December 14, 2007.[40] The film opened on December 26, 2007 in the United Kingdom,[41] and the Republic of Ireland having been originally scheduled for January 4, 2008.[24]

In December 2007, China banned the release of American films in the country,[42] which is believed to have delayed the release of I Am Legend. Will Smith spoke to the chairman of China Film Group about securing a release date, later explaining, "We struggled very, very hard to try to get it to work out, but there are only a certain amount of foreign films that are allowed in."[25]

Marketing

A tie-in comic from DC Comics and Vertigo Comics has been created, I Am Legend: Awakening.[43] The project draws upon collaboration from Bill Sienkiewicz, screenwriter Mark Protosevich, and author Orson Scott Card. The son of the original book's author, Richard Christian Matheson, also collaborated on the project. The project will advance from the comic to an online format in which animated featurettes (created by the team from Broken Saints) will be shown on the official website.[44]

In October 2007, Warner Bros. Pictures in conjunction with the Electric Sheep Company launched the online multiplayer game I Am Legend: Survival in the virtual world Second Life. The game is the largest launched in the virtual world in support of a film release, permitting people to play against each other as the infected or the uninfected across a replicated 60 acres (240,000 m2) of New York City.[45] The studio also hired the ad agency Crew Creative to develop a website that would be specifically viewable on the iPhone.[46]

Box office

I Am Legend grossed $77,211,321 on its opening weekend in 3,606 theaters, averaging $21,412 per venue, and placing it at the top of the box office. This set a record for highest grossing opening for a film for the month of December.[47] As of May 11, 2008, the film has grossed $256,393,010 in North America and $584,015,483 worldwide.[1] The film was the 6th highest grossing movie of 2007 in North America, and as of July 2009 stands among the top 50 all-time highest grossing films both domestically and worldwide.[1]

Home release

The film was released on DVD on March 18, 2008 in two editions: a one-disc release, including the movie with four animated comics ("Death As a Gift", "Isolation", "Sacrificing the Few for the Many", and "Shelter"), and other DVD-ROM features; and a two-disc special edition that includes all these extras, an alternative theatrical version of the movie with an alternate ending,[48] and a digital copy of the film.[49] On the high-definition end, the movie has been released on the Blu-ray Disc format and HD DVD format along with the DVD release; with the HD-DVD version being released later on April 8, 2008.[50] Both HD releases include all the features available in the two-disc DVD edition.[50] The film also received a three-disk Ultimate Collector's Edition was released on December 9, 2008.[51]

The film has sold 7.04 million DVDs and earned $126.2 million in revenue, making it the sixth best-selling DVD of 2008.[52] However, Warner Bros was reportedly "a little disappointed" with the film's performance on the DVD market.[53]

Critical reception and awards

Reviews were mostly favorable.[54] The consensus among favorable reviews was that Will Smith's performance overcame questionable special effects.[55] A. O. Scott wrote that Will Smith gave a "graceful and effortless performance" and also noted the "third-act collapse". He felt that the movie "does ponder some pretty deep questions about the collapse and persistence of human civilization".[56] Dana Stevens of Slate wrote that the movie lost its way around the hour mark, noting that "the Infected just aren't that scary."[29] NPR critic Bob Mondello noted the film's subtext concerning global terrorism and that this aspect made the film fit in perfectly with other, more direct cinematic explorations of the subject.[57] Richard Roeper gave the film a positive review on the television program At the Movies with Ebert & Roeper, commending Will Smith as being in "prime form", also saying there are "some amazing sequences" and that there was "a pretty heavy screenplay for an action film."[58] On the negative side, the film has been criticized for diverging from Matheson's novel, especially in its portrayal of a specifically Christian theme.[59] Much of the negative criticism has concerned the film's third act,[36][37][60] some critics favoring the alternative ending in the DVD release.[48]

Popular Mechanics published an article on December 14, 2007[61] addressing some of the scientific issues raised by the film:

  1. the rate of deterioration of urban structures, infrastructure, and survival of fauna and flora
  2. the plausibility of a retrovirus spreading out of control as depicted in the film. (The measles virus depicted in the film, however, is not a retrovirus, but is in fact a part of the Paramyxovirus family.)
  3. the mechanics of the Brooklyn Bridge's destruction

The magazine solicited reactions from Alan Weisman, author of The World Without Us, virologist W. Ian Lipkin, M.D., and Michel Bruneau, Ph.D., comparing their predictions with the film's depictions. The article raised the most questions regarding the virus' mutation and the medical results, and pointed out that a suspension bridge like the Brooklyn Bridge would likely completely collapse rather than losing only its middle span. Neville's method of producing power using gasoline-powered generators seemed the most credible: "This part of the tale is possible, if not entirely likely," Popular Mechanics editor Roy Berendsohn says.

I Am Legend earned four nominations for the Visual Effects Society Awards,[62] and was also nominated for Outstanding Performance by a Stunt Ensemble at the Screen Actors Guild Awards,[63] Outstanding Film and Actor at the Image Awards,[64] and Best Sound at the Satellite Awards. In June 2008, Will Smith won a Saturn Award for Best Actor.[65] Will Smith also won the MTV Movie Awards for Best Male Performance.[66]

Differences from the novel

The movie follows the plot of the novel closely, although there are a few noticeable differences:

  • In the book, Neville is a relatively uneducated white man, as opposed to Will Smith's portrayal of a certified virologist.
    • Neville does not focus on finding a cure in the book-it becomes more of a way to pass time. He dedicates himself to killing vampires living close to him, and staying alive as long as he can.
  • In the movie, Neville needs to get home before dark so that the vampires can't discover where he lives. In the novel, the vampires know where Neville lives, but can't come too close to his house because of his effective use of garlic.
  • There are no pure-human survivors besides Neville. The book describes a group of people infected with the virus, but slowing its effects using a combination of medication and blood.
    • In the novel, Anna is actually a woman named Ruth, a survivor who is infected with the virus. She is sent to spy on Neville by others like herself.
  • Neville never actually owns a dog. In the novel, he finds a stray, and takes weeks to convince it that he is harmless. The dog dies soon after Neville finally brings it into his home.
  • In the book, Neville's wife and daughter die from the virus. Later, his wife comes back in order to drink Neville's blood.[67]

Prequel

Francis Lawrence confirmed that there will be a prequel and that Will Smith will be reprising his role. He stated that this movie would reveal what happens to Neville before the infected take over New York. D. B. Weiss has been recruited to write the script, while Lawrence would direct "if we figure out the story". Smith stated the film would have Neville and his team going from New York City to Washington, D.C. and back again, as they made their last stand.[68] The film will again explore the premise of what it's like to be alone, as Lawrence explained, ". . . the tough thing is, how do we do that again and in a different way?"[69] The film is slated for release in 2011.[70][71]

Bibliography

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