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I Heart Huckabees

 
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I Heart Huckabees

  • Director: David O. Russell
  • AMG Rating: starstarstar
  • Genre: Comedy
  • Movie Type: Absurd Comedy, Ensemble Film
  • Themes: Obsessive Quests, Crisis of Faith, Private Eyes
  • Main Cast: Jason Schwartzman, Isabelle Huppert, Dustin Hoffman, Lily Tomlin, Jude Law
  • Release Year: 2004
  • Country: US
  • Run Time: 106 minutes
  • MPAA Rating: R

Plot

Five years after achieving commercial and critical success with his film Three Kings, director and screenwriter David O. Russell returns to the more idiosyncratic territory of his earlier work with this intelligent and offbeat comedy. Bernard and Vivian Jaffe (Dustin Hoffman and Lily Tomlin) are a married couple who run an existential detective agency where they sift through the lives of their clients in order to discover the source of their angst. The Jaffes' latest client is Albert Markovski (Jason Schwartzman), an environmental activist who has a very large rock and a great deal on his mind; their study of Albert's problems lead Bernard and Vivian to Brad Stand (Jude Law), a public relations executive with a chain of successful variety stores, Huckabees. While publicly allying himself with Albert's environmental initiatives, behind the scenes Brad is running roughshod over responsible land management with little care for the consequences. When Brad learns he's being watched by the Jaffes, he hopes to co-opt them by hiring them himself; however, the plan has unexpected consequences when their questioning leads Brad's girlfriend, well-scrubbed model Dawn (Naomi Watts), into reassessing her life and relationships. Meanwhile, Albert finds himself joining forces with Tommy (Mark Wahlberg), a firefighter and fellow environmentalist who has been having second thoughts about Bernard and Vivian's ideas and methods after a long-term investigation and has since fallen under the spell of nihilist poet and philosopher Caterine Vauban (Isabelle Huppert). ~ Mark Deming, All Movie Guide

Review

David O. Russell's second film, the woefully underrated comedy Flirting With Disaster, was a comedy about a man searching for his identity that he defined by his family. Russell's I Heart Huckabees actually has the same basic conflict at its center, but instead of defining identity through family, the film follows characters who are trying to define themselves in terms of the universe. Although these topics have obsessed philosophers and others since the beginning of thought, Russell pares these weighty issues down to one central question: Is everything in the world connected, or is everything in the world separate? Dustin Hoffman, in a character based on the influential Robert Thurman, personifies the "everything is connected" school of thought. His performance as the rumpled existential detective has a childlike wonder mixed with the confidence that comes with wisdom. It is an engaging performance that deserves a better character. The same is true of all the actors. The performers are working hard, and are watchable, but they all seem to play characters that are concepts rather than three-dimensional people. While the plot points in the film feel configured by the writer to prove a point rather than to illuminate character, the actual dialogue sparkles with intelligence, wit, and silliness. Flirting With Disaster and Three Kings both had strong social and political themes but never sacrificed character in order to make those points. The individual scenes in I Heart Huckabees all work well, getting laughs and distilling complicated theories into easy-to-understand nuggets, but for the first time in his impressive career, Russell has overwritten a script. For a film that seeks to teach life lessons, Huckabees needs a bit more real life. ~ Perry Seibert, All Movie Guide

Cast

Mark Wahlberg - Tommy Corn; Naomi Watts - Dawn Campbell; Angela Grillo - Angela Franco; Kevin Dunn - Marty; Denis Hayes - Orrin Spence; Tippi Hedren - Mary Jane Hutchinson; John Rothman - Corporate Board; Talia Shire - Mrs. Silver; Jean Smart - Mrs. Hooten; Keith Barrett - Maitre'd; Janet Grillo - Boy's Mother; Robert Lambert - Daryl; George Meyer - Formal Couple; Bob Gunton - Mr. Silver; Kamala Lopez-Dawson - Molly Corn; Saïd Taghmaoui - Translator; Shawn Michael Patrick - Fireman; Shania Twain - Herself; Patrick Walsh - Fireman; Altagracia Guzman - Mrs. Echevarria; Isla Fisher - Heather; Maria Semple - Formal Couple; Richard Appel - Josh; Jake Muxworthy - Tim; Ger Duany - Mr. Nimieri; Darlene Hunt - Darlene; Benny Hernandez - Davy; Jake Hoffman - Valet; Benjamin Nurick - Harrison; Pablo Davanzo - Bobby; Matthew Muzio - Construction Worker; Ashley A. Fondrevay - Frosh Girl; Lisa Guzman - Frosh Girl; Scott Wannberg - Bik Schottinger; Sydney Zarp - Cricket; Jonah Hill - Bret; Matthew Grillo-Russell - Boy at Mancala Hour; Adam Clinton - Security Guard; Antonio Evans - Security Guard; Kimberly Cutter - Corporate Board; Saige Ryan Campbell - Caitlin Corn; Kaied Hussan - Turkish Man; Chuck Saftler - Dexicorp Attorney; James J. Mccoy - Medic; Jerry Schumacher - Corporate Man; Julie Ann Johnson - Lady in Gown; Jeannie Epper-Kimack - Lady in Gown

Credit

Seth Reed - Art Director, Alberto Aquino - Boom Operator, Mary Vernieu - Casting, Michael Rooney - Choreography, Mark Bridges - Costume Designer, Mary Ellen Woods - First Assistant Director, David O. Russell - Director, Robert Lambert - Editor, Mike Griffin - Editor, Richard Eberhardt - Editor, Michael Kuhn - Executive Producer, Dara Weintraub - Executive Producer, Bobby Bell - Executive Producer, Jim Maceo - Location Manager, Jon Brion - Composer (Music Score), Creative License - Musical Direction/Supervision, Henry Cline - Camera Operator, Amy Vincent - Camera Operator, Lois C. Weinert - Camera Operator, KK Barrett - Production Designer, Peter Deming - Cinematographer, Scott Rudin - Producer, David O. Russell - Producer, Gregory Goodman - Producer, Lynn Christopher - Set Designer, Tim Walston - Sound/Sound Designer, Michael Kamper - Sound/Sound Designer, Soundelux - Sound Editor, Tom Dewier - Stunts, Sean Graham - Stunts, Joey Box - Stunts, Anne Chatterton - Stunts, Danny Downey - Stunts, Ray Siegle - Stunts, Ben Bray - Stunts Coordinator, Dara Weintraub - Unit Production Manager, David O. Russell - Screenwriter, Jeff Baena - Screenwriter, Brandon Howe - Production Assistant, Amy Lyddy - Production Assistant, Chris Sloan - Production Assistant, Sherry Walsh - Production Assistant, Russell Barrett - Visual Effects Supervisor, Mark Wolfe - Executive in Charge of Production, Paulette Dauber - Unit Publicist, Mark Bourgeois - Additional Editing, Pamela March - Additional Editing, Scott Ressler - First Assistant Camera, David Eubank - First Assistant Camera, Michael La Violette - Gaffer, Gary Louzon - Grip, Mark Vollmer - Grip, Richard Kuhn - Grip, Douglas Dole - Grip, Gene B. Kerry - Grip, Dennis Kuneff - Grip, Cliff Sperry - Grip, Philip M. Sloan - Key Grip, Jonathan Karp - Music Editor, Bill Reichenbach - Musical Performer, Daphne Chen - Musical Performer, Richard Dodd - Musical Performer, Eric Gorfaine - Musical Performer, Leah Katz - Musical Performer, Katie Kirkpatrick - Musical Performer, Sebastian Steinberg - Musical Performer, Jim Walker - Musical Performer, Tim Pedagana - Post Production Supervisor, Mike Hubert - Production Coordinator, Sarah Nuttall - Production Coordinator, Manny Sida - Production Coordinator, Kimberly Rach - Production Supervisor, Sean Mannion - Properties Master, Howard Berger - Prosthetic Makeup Effects, Rick Ash - Re-Recording Mixer, Adam Jenkins - Re-Recording Mixer, Karen Golden - Script Supervisor, Sally Sue Beisel-Lander - Second Assistant Director, Marty Bresin - Special Effects Coordinator, Chris Squires - Steadicam Operator, Bob Gorelick - Steadicam Operator, Claudette Barius - Still Photographer, Kelly Oxford - Supervising Sound Editor, Scott Puckett - Visual Effects Producer, Jonathan Stern - Visual Effects Producer, Sabine Huber - Costume/Wardrobe, Julie Feiner - ADR Editor, Jay Keiser - ADR Editor, Greg Steele - ADR Mixer, Chris Fitzgerald - ADR Recordist, Cale Wilbanks - Art Department Assistant, Guy Morrison - Assistant Location Manager, David De Leon - Assistant Makeup, Karen Bruck - Assistant Properties, Jeanne Kukor - Assistant Properties, Amelia Drake - Assistant Properties, Noel McCarthy - Assistant Properties, Paul Flinchbaugh - Assistant Sound Editor, Eric Sandlin - Best Boy Electric, Paul Wilkowsky - Best Boy Grip, Robert Stover - Buyer, Paul Tilden - Camera Loader, Michelle Baker - Camera Loader, Venus Kanani - Casting Assistant, Shalimar Reodica - Casting Associate, Chris Forster - Construction Coordinator, Paul Lopez - Costumes Supervisor, Christopher Hogan - Dialogue Editor, Tim Kimmel - Dialogue Editor, Laura R. Harris - Dialogue Editor, Tim Collins - Dolly Grip, Ken Sylvester - Electrician, Paul Postal - Electrician, Michael Jenkins - Electrician, Sande Alessi - Extra Casting, Justin C. Green - First Assistant Editor, Ronald White - First Assistant Editor, James Bailey - Foley Artist, Jess Anscott - Greensman, Porfirio Silva - Greensman, Holly Davis - Key Costumer, Marlene Williams - Key Hairstylist, Felicia Linsky - Key Make-up, Grant Samson - Leadman, Michael Lund - Personal Assistant, Eric Weinstein - Personal Assistant, Alexandra Arlango - Personal Assistant, Brad Baena - Personal Assistant, Bobbie Blyle - Personal Assistant, Dustin Thomas Cartmill - Personal Assistant, Kaiser Clark - Personal Assistant, Steve Demko - Personal Assistant, Jules Eggli - Personal Assistant, Eric L. Fersten - Personal Assistant, Austin Formato - Personal Assistant, Ben Jackson - Personal Assistant, Merritt Johnson - Personal Assistant, Annaliese Levy - Personal Assistant, Aimee Nance - Personal Assistant, Jonathan Newhall - Personal Assistant, Benjamin Rigaud - Personal Assistant, Jon Silk - Personal Assistant, Connor Price - Personal Assistant, Jill Tandy - Production Executive, Malcolm Ritchie - Production Executive, Peter Lüke - Production Executive, Lisa Ferguson - Second Assistant Camera, Jodi Lowry-Fisher - Second Second Assistant Director, Christian E. Kastner - Set Dresser, Chamonix Bosch - Set Production Assistant, Fallon Johnson - Set Production Assistant, Nicholas Fitzgerald - Set Production Assistant, Cory Hall - Set Production Assistant, Paulie Stenerson - Set Production Assistant, Gene Serdena - Set Decorator, George Flores - Cable Person, Mateos Deravanessian - Color Timing, Anders Rundblad - Construction Foreman, Michael Mcnerney - Foley Recordist, Mo Henry - Negative Cutter, D. Bassett & Associates - Negative Cutter, Suzanne Lehfeldt - Production Secretary, Dmitri Vigneswaren - Production Secretary, Antonio Evans - Set Medic/First Aid, Dave Fulton - Set Medic/First Aid, Jonas Matz - Set Medic/First Aid, Dale Ettema - Special Effects Foreman, Jeff Bresin - Special Effects Foreman, Mike Boudreau - Swing Gang, Jamie Fleming - Swing Gang, Bobby Pollard - Swing Gang, Michael Glynn - Swing Gang, Caitlin McKenna - Voice Casting, William Eliscu - Graphic Design

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Wikipedia: I Heart Huckabees
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I Heart Huckabees

Theatrical release poster
Directed by David O. Russell
Produced by David O. Russell
Scott Rudin
Written by David O. Russell
Jeff Baena
Starring Jason Schwartzman
Dustin Hoffman
Lily Tomlin
Jude Law
Naomi Watts
Mark Wahlberg
Isabelle Huppert
Music by Jon Brion
Cinematography Peter Deming
Editing by Robert K. Lambert
Distributed by Fox Searchlight
Release date(s) October 1, 2004 (limited)
October 22, 2004 (wide)
Running time 106 min.
Country United States
Germany
Language English
French
Spanish
Budget $22 million
Gross revenue $12,784,713

I Heart Huckabees,[1] also known as I Love Huckabees,[2] and written as i ♥ huckabees, is a 2004 comedy film from Fox Searchlight. It was produced and directed by David O. Russell, who co-wrote the screenplay with Jeff Baena. The film reunites Russell with actor Mark Wahlberg; they had previously worked together on the 1999 film Three Kings. The film also reunites Russell with actress Lily Tomlin; they had previously worked together on the 1996 film Flirting with Disaster.

Contents

Plot

Albert Markovski (Schwartzman) is a young man who heads the local chapter of an environmental group, the "Open Spaces Coalition." One of their current projects is an attempt to stop the building of a new Huckabees store, a chain of "big-box" department stores akin to Wal-Mart or Target (Mike Huckabee was the governor of Arkansas, Wal-Mart's home state, at the time of the film's release). Albert is a rival of Brad Stand (Law), a shallow power executive at Huckabees. Brad infiltrates Open Spaces and charismatically displaces Albert as the leader. Dawn Campbell (Watts) is Brad's live-in girlfriend and the face and voice of Huckabees; she appears in all of the store's commercials.

After seeing the same conspicuous stranger three times, Albert contacts two existential detectives, Bernard and Vivian Jaffe (Hoffman and Tomlin). The detectives offer Albert their optimistic brand of existentialism—they name it universal interconnectivity (this has some tenets of romantic or even transcendentalist philosophies)—and spy on him, ostensibly to help him solve the coincidence. Bernard and Vivian introduce Albert to Tommy Corn (Wahlberg), an obsessively anti-petroleum firefighter. Tommy is assigned to Albert as his Other.

Tommy grows dissatisfied with the Jaffes, feeling that they are not helping him. Seeking out other possibilities, Tommy ends up abandoning and undermining the Jaffes by introducing Albert to Caterine Vauban (Huppert), a former student of the Jaffes who espouses a seemingly opposing nihilistic/absurdist philosophy. She teaches them to disconnect their inner beings from their daily lives and their problems, to synthesize a non-thinking state of "pure being." Being lifted from their troubles, they wish to keep that feeling forever, yet she tells them that it is inevitable to be drawn back to the human drama, and to understand that the core truth of that drama is misery and meaninglessness.

Meanwhile, in Brad's further attempts to undercut Albert, he and Dawn also meet and are influenced by Bernard and Vivian. However, his plan backfires when the detectives probe Dawn and him, causing Dawn to reject her superficial iconic status as a beautiful model and him to realize that his whole ascent in the corporate ladder is meaningless, as he has lived his whole life just trying to please others and not himself.

All the storylines collide when Brad's house is on fire. Tommy comes to put the fire out which has incidentally trapped Dawn inside, and in the process of saving her, the two fall in love. Meanwhile, Brad despairs at the destruction of his house, the symbol of his material success. Albert attains a sort of enlightenment when he synthesizes the two opposing outlooks of the Jaffes and Vauban to realize the cosmic truth of everything. By way of sympathy for Brad, who is now just as dejected and hopeless as Albert was at the beginning of the movie, Albert understands that he and Brad are no different, that everything really is inextricably connected, but that these connections necessarily arise from the often senselessly painful reality of human existence.

In an interview with the Suicide Girls website, director David Russell said in response to the question "How do you describe I Heart Huckabees?":

Here’s how I described it to the people who financed the movie. Dustin Hoffman and Lily Tomlin are existential detectives who you could hire to investigate the meaning of your life. They are formal, they wear suits, they are Paris-trained and their clients include Jude Law, Naomi Watts, Jason Schwartzman and Mark Wahlberg. Their nemesis is Isabelle Huppert. Hilarity ensues.[3]

Cast

Supporting characters

Reception

The film opened October 1, 2004 with a $73,044 per screen average in New York and Los Angeles[citation needed]. Critical opinion for the film was mixed. The film was rated 61% "fresh" on Rotten Tomatoes. Some critics were displeased with the overabundance of existential subject matter and an unfocused script,[4] while others celebrated its strong performances (especially Mark Wahlberg as Tommy Corn) and originality.[5]

Despite some harsh reviews, the film has drawn a cult following since its initial release and has performed well in DVD sales.[citation needed] Worldwide box office taken in for the film is $20,072,172 as of June 2009.

Marketing

In an advertising campaign for the film, four fictional websites were created. They were portrayed as if they were actual websites involving the characters and organizations featured in the movie. Each website had a link called "Disclaimer" at the bottom that leads to FOX Searchlight's official website for the film. Websites were rendered inactive a few months after the film's release, each now redirecting to FOX Searchlight's website.

  • The Huckabees Corporation (archive): The "official" website for the chain of Huckabees stores. Featured the store history, announcements, three television ads featuring Dawn Campbell and a banner promoting the Huckabees collaboration with the Open Spaces Coalition.
  • Open Spaces Coalition (archive): This website described the importance of the marshlands Albert Markovski is trying to protect, ways of aiding the cause. The site also contained poetry written by Markovski and downloadable flyers.
  • Jaffe & Jaffe, Existential Detectives (archive): The website promoting the Jaffes' detective agency. It explained the methodology of the detectives, had two case studies and an online questionnaire.
  • Caterine Vauban (archive): The website of Caterine Vauban, author of "If Not Now". The site contained reviews and excerpts from the book.

Soundtrack

Jon Brion provided the score and seven original songs for the film. His unique methods for writing previous film scores (Punch-Drunk Love, Eternal Sunshine of the Spotless Mind) involved very close collaboration with the director. Through this process, David O. Russell was able to sit in the same room with Brion and watch an early cut of the film. Russell described what he wanted to portray and Brion would compose music to Russell's descriptions. The process can be seen on a featurette on the film's special edition DVD.

David O. Russell, while working with Brion, had come across Brion's first solo album, Meaningless. Russell has mentioned that Brion's album asks similar questions to the ones Russell was trying to ask with I Heart Huckabees. In particular, Russell notes that the questions on Meaningless are closer to the questions directed from Caterine Vauban's negative and dark point of view.

Many cues in the film were used with a Chamberlin, a keyboard instrument from the 1950s that replicates instrumental sounds using recorded tape.

An audio segment from the film was used in the song 'This Time Last Year' by English Post-rock band Maybeshewill on their 2009 album 'Sing the Word Hope In Four Part Harmony.'

Visual effects

The home-grown visual effects for this film were done on three Macintosh G5 systems by Russell Barrett, Scott Puckett and Joe Kastely.

Tension during filming

In March 2007, two videos were leaked onto YouTube revealing major on-set arguments between David O. Russell and Lily Tomlin. The first video is footage of a scene in a car containing Tomlin, Dustin Hoffman and Isabelle Huppert in the front of the car with Mark Wahlberg and Naomi Watts in the back seat. Russell cannot be heard, but Tomlin is repeatedly shouting angrily at Russell's direction. At one point, Tomlin attempts to get out of the car; at another, she tells Watts and Hoffman to "shut the fuck up".[6] The other actors in the scene remain mostly silent throughout the video, except Hoffman, who suggests they carry on shooting the scene. The car scene was never used in the final film.

In the second video,[7] a scene is being filmed in the Jaffe detective offices. Tomlin, Hoffman and Jason Schwartzman are present. Russell gives Tomlin direction until Tomlin criticizes Russell's directing style. The video is then cut to moments later when Russell rises from the floor and shoves props off of the desk Tomlin is acting behind. Russell shouts obscenities at Tomlin, storming off the set, only to come back a short while later. The argument between the two briefly continues until Russell exits the set again, knocking over a coat rack on his way out.

When the Miami New Times asked Tomlin about the videos during an interview for her upcoming performance at the Carnival Center for the Performing Arts, she responded, “I love David. There was a lot of pressure in making the movie—even the way it came out you could see it was a very free-associative, crazy movie, and David was under a tremendous amount of pressure. And he’s a very free-form kind of guy anyway.”[8]

See also

References

External links


 
 
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