- Worship of idols.
- Blind or excessive devotion to something.
[Middle English idolatrie, from Old French, from Latin īdōlolatrīa, from Greek eidōlolatreiā : eidōlon, idol; see idol + latreiā, service.]
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[Middle English idolatrie, from Old French, from Latin īdōlolatrīa, from Greek eidōlolatreiā : eidōlon, idol; see idol + latreiā, service.]
The subject of idolatry was raised as a religious polemic, a monotheistic appraisal of the polytheism. Idolatry is concerned with the rather ubiquitous belief among indigenous cultures that images of gods can become a repository of divine power, one development of animism, in which all of nature was imbued with supernatural forces. The sympathetic magic of images depended upon the image being a proper representation of the god, and also being installed through a special invocatory ceremony. Although the early Judaic commandment not to worship graven images implied a new separate form of worship, the statement that the Jewish god was "a jealous god" implied that Pagan images possessed some power but that it would be of rival demonic gods as distinct from the monotheism of Moses.
The belief in the power of images is also related to the designation of special sacred places—particularly striking natural locations or buildings such as tabernacles, synagogues, and churches where the presence of God might be enhanced. The very structure of churches and cathedrals utilized architecture to reinforce this belief, while rituals created a mental and emotional structure to invoke divine presence. Allied to the use of rituals are the geometrical shapes of mandalas, used as an aid in meditation.
In the history of Christianity, the Judaic commandment prohibiting images, in the face of their almost universal appeal, caused great controversies in relation to the use of icons (flat stylized picture of the saints), as opposed to statues of Christ and/or the Virgin Mary in churches, one major element in the division of Roman Catholics and Eastern Orthodox Christians. The sixteenth-century Protestant reformers banned images in their churches, and only in recent decades have they returned, but only as decorative art.
The Catholic view is that such representations are not actually worshiped, but are simply an aid for intercession with divine power, that it is a more intangible god that is worshiped. However, the concept of God as a father figure, and the tangible representations of Jesus Christ merely remove imagery to a mental and spiritual level, for which an image is a support.
Moreover, in some countries, the "veneration" of images closely approaches actual "worship," as for example, the famous "Child of Prague" image of the Carmelites Church of Our Lady of Victories in the former Czechoslovakia (a statue actually brought from Spain in the sixteenth century). This statue has become known in many countries and venerated by thousands of people, in the belief that it can render favors on those who pray to it. Interestingly enough, the robes of this image are changed regularly in accordance with the ecclesiastical calendar. This custom of dressing images is also widely practiced at the present day temples through India, indicating that customs and beliefs relating to images are common to many traditions.
Worship associated with ancient pagan Mother Goddesses has much in common with Christian adoration of the Virgin Mary. Some comparative religionists would go so far as to claim that these are but different forms of one primal maternal force in nature. Similarly the concept of a divine savior, born of a virgin and crucified for the atonement of human sin, is also found in some Pagan religions.
The belief that images might become actual centers of divine power is still common in different religions. In Hindu temples, images are installed with special ceremonies to invoke divinity, and subsequently treated as living entities. The installation ceremonies mark an important point in the opening of a temple for public worship. In Swaminarayan temples, for example, the installation of an image requires a ritual in which, at the high point, a mirror is held in front of the deity's eyes, so that the power may not blind observers; the mirror is said to be cracked by this force.
In Roman Catholicism, miracles continue to be associated with statues of Christ and the Virgin Mary. Such miracles involve statues that move, weep, or shed blood. In the phenomenon of stigmata, an intensely devout individual or a saint may become, in effect, a living statue upon which the wounds of Christ are physically reproduced—the marks of scourging, wounds on the shoulder and side, the bruising of wrist, and bleeding hands.
Even in modern times, there are claims of moving statues of the Virgin Mary, notably at the village of Ballinspittle, in Ireland.
Sources:
Abbott, John. The Keys of Power: A Study of Indian Ritual and Belief. London: Methuen, 1932. Reprint, New Hyde Park, N.Y.: University Books, 1974.
Bevan, Edwyn Robert. Holy Images; An Inquiry Into Idolatry and Image—Worship in Ancient Paganism and in Christianity. London: George Allen, 1940.
Breasted, J. H. Religion and Thought in Ancient Egypt. London: Hodder & Stoughton, 1912.
Graves, Kersey. The World's Sixteen Crucified Saviors. Boston, Mass., 1875. Reprint, New Hyde Park, N.Y.: University Books, 1971.
Hastings, James, ed. Encyclopaedia of Religion and Ethics. 12 vols. Edinburgh: James Clark, 1908.
Tylor, E. B. Primitive Culture. 2 vols. London: John Murray, 1871.
Science can purify religion from error and superstition. Religion can purify science from idolatry and false absolutes.
— Pope John Paul II (1920-), pope 1978, born in Poland, from James Reston, Galileo, A Life, HarperCollins, NY, 1994, p 461.
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Idolatry is a major sin in the Abrahamic religions regarding image. It is usually defined as worship of any cult image, idea, or object, as opposed to the worship of a God. In religions where such activity is not considered as sin, the term "idolatry" itself is absent. Which images, ideas, and objects, constitute idolatry, and which constitute reasonable worship, is a matter of contention with some religious authorities and groups using the term to describe certain other religions apart from their own.
The word idolatry comes (by haplology) from the Greek word eidololatria, a compound of eidolon, "image" or "figure", and latreia,
"worship". Although the Greek appears to be a loan translation of the Hebrew phrase avodat elilim, which is attested in rabbinic
literature (e.g., bChul., 13b, Bar.), the Greek term itself is not found in the Septuagint, Philo, Josephus, or in other
Hellenistic Jewish writings. It is also not found in Greek literature. In the New
Testament, the Greek word is found only in the letters of Paul, 1 Peter, 1 John, and Revelation, where it has a derogatory meaning. Hebrew terms for idolatory include avodah zarah
(foreign worship) and avodat kochavim umazalot (worship of planets and constellations).
According to the Bible, idolatry originated in the age of Eber,[citation needed] though some interpret the text to mean in the time of Serug; traditional Jewish lore traces it back to Enos, the second generation after Adam. Image worship existed in the time of Jacob, from the account of Rachel taking images along with her on leaving her father's house, which is given in the book of Genesis. According to Genesis Rabba, Abraham's father, Terah, was both an idol manufacturer and worshipper. It is recounted in both traditional Jewish texts and in the Quran that when Abraham discovered the true God, he destroyed his father's idols (See Terah for story).
The commandments in the Hebrew Bible against idolatry forbade the beliefs and practices of pagans who lived amongst the Israelites at the time, especially the religions of ancient Akkad, Mesopotamia, and Egypt.
Some of these religions, it is claimed in the Bible, had a set of practices which were prohibited under Jewish law, such as sex rites, cultic male and female prostitution, passing a child through a fire to Molech, and child sacrifice.
There is no one section that clearly defines idolatry; rather there are a number of commandments on this subject spread through the books of the Hebrew Bible, some of which were written in different historical eras, in response to different issues. Taking these verses together, idolatry in the Hebrew Bible is defined as either:
In a number of places the Hebrew Bible makes clear that God has no shape or form, and is utterly incomparable; thus no idol, image, idea, or anything comparable to creation could ever capture God's essence. For example, when the Israelites are visited by God in Deut. 4:15, they see no shape or form. Many verses in the Bible use anthropomorphisms to describe God, (e.g. God's mighty hand, God's finger, etc.) but these verses have always been understood as poetic images rather than literal descriptions. This is reflected in Hosea 12:10 which says, “And I have spoken unto the prophets, and I have multiplied visions, and by the hand of the prophets I use similes.”
The Bible records a struggle between the prophet's attempt to spread pure monotheism, and the tendency of some people, especially rulers such as Ahab to accept or to encourage others into polytheistic or idolatrous beliefs. The patriarch Abraham was called to spread the true knowledge of God, but the prophetic books still reflect a continuing struggle against idolatry. For example, the Biblical prophet Jeremiah complains: "According to the number of thy cities are thy gods, O Judah" (2:28).
The Bible has many terms for idolatry, and their usage represents the horror with which they filled the writers of the Bible [Adherents of Jewish faith maintain that the Torah is the literal and eternally binding word of G-d]. Thus idols are stigmatized "non-God" (Deut. 32:17, 21 [1]; Jer. 2:11 [2]), "things of naught" (Lev. 19:4 et passim [3]), "vanity" (Deut. 32), "iniquity" (1 Sam. 15:23 [4] ), "wind and confusion" (Isa. 41:29 [5]), "the dead" (Ps. 106:28 [6]), "carcasses" (Lev. 26:30; Jer. 16:18), "a lie" (Isa. 44:20 et passim [7]), and similar epithets.
Pagan idols are described as being made of gold, silver, wood, and stone. They are described as being only the work of men's hands, unable to speak, see, hear, smell, eat, grasp, or feel, and powerless either to injure or to benefit. (Ps. 135:15-18)
Idols were either designated in Hebrew by a term of general significance, or were named according to their material or the manner in which they were made. They said to have been were placed upon pedestals, and fastened with chains of silver or nails of iron lest they should fall over or be carried off (Isa. 40:19, 41:7; Jer. 10:14; Wisdom 13:15), and they were also clothed and colored (Jer. 10:9; Ezek. 16:18; Wisdom 15:4).
At first the gods and their images were conceived of as identical; but in later times a distinction was drawn between the god and the image. Nevertheless it was customary to take away the gods of the vanquished (Isa. 10:10-11, 36:19, 46:1; Jer. 48:7, 49:3; Hosea 10:5; Dan. 11:8), and a similar custom is frequently mentioned in the cuneiform texts.
Did the idolaters of Biblical times believe that the idols they worshipped were actually gods or spirits, or did they believe that their idols only were representations of said gods or spirits? The Bible does not make this clear, and thus apparently outlaws such practices and beliefs in either form (according to some interpretations).
Yehezkel Kaufman has suggested that when God, the author of the Hebrew Bible, wrote about the accused idolaters He meant it to be understood in its most literal form: according to the Bible, most idolaters really believed that their idols were gods, and holds that an error in assuming that all idolatry was of this type, when in fact in some cases, idols may have only been representations of gods. Kaufman writes that "We may perhaps say that the Bible sees in paganism only its lowest level, the level of mana-beliefs...the prophets ignore what we know to be authentic paganism (i.e., its elaborate mythology about the origin and exploits of the gods and their ultimate subjection to a meta-divine reservoir of impersonal power representing Fate or Necessity.) Their [the Biblical author's] whole condemnation revolves around the taunt of fetishism."
However, Kaufman holds that in some places idolaters worshipped gods and spirits that existed independently of idols, and not the forms of the idols themselves. For instance, in a passage in 1 Kings 18:27 [8], the Hebrew prophet Elijah challenges the priests of Baal atop of Mount Carmel to persuade their god to perform a miracle, after they had begun to try to persuade the Jews to take up idolatry. The pagan priests beseeched their god without the use of an idol, which in Kaufman's view, indicates that Baal was not an idol, but rather one of the polytheistic gods that merely could be worshipped through the use of an idol.
Orestes Brownson asserts that the pagans in the Hebrew Bible did not literally worship the objects themselves, so that the issue of idolatry is really concerned with whether one is pursuing a false god or the true God.[citation needed] Brownson may have been correct,[1] However, Brownson's theory contradicts the understanding of the Ancient Hebrews, whose culture was contemporary with others that practiced "idol worship." The Book of Daniel, Chapter 14,[2] illustrates the Hebrew understanding. In Daniel 14, Cyrus, king of the Persians, worships two deities, a deity named Bel and a dragon. Daniel 14 characterizes the king and some of the Babylonians as believing, literally, that Bel and the dragon are living gods:
Judaism strongly prohibits any form of idolatry, and holds that idolatry is not limited to the worship of a statue or picture itself, but also includes worship of the Almighty Himself with the use of mediators and/or any artistic representations of God. According to this understanding, even if one directs his worship to the Almighty Himself and not to a statue, picture, or some other created thing, but yet he uses a created thing as a representation of the Almighty in order to assist in his worship of the Almighty, this is also considered a form of idolatry. In fact, Maimonides explains in chapter 1 of Hilkhot Avodat Kokhavim (Avoda Zarah) in the Mishneh Torah that this is one of the ways that idolatry began.
While such greats of Jewish history as Rabbi Saadia Gaon, Rabbi Bahya ibn Paquda, and Rabbi Yehuda Halevi all elaborated on proper monotheism and the issues of idolatry, without a doubt Rabbi Moshe ben Maimon (Maimonides) was the most thorough of them all in his elucidation of monotheism and the problems of idolatry. This is seen in his work known as the Mishnah Torah, in the Guide for the Perplexed, as well as in the various shorter writings he composed. In the Mishnah Torah, intended to be a complete compilation of Talmudic law, the theme of proclaiming the Unity of the Creator and eradication of idolatry is not limited to the sections specified for these topics. Rather, it permeates every section of the this work as the purpose and foundation of the entire Torah. In the Guide for the Perplexed, Maimonides so clarifies his understanding of monotheism and idolatry that in its light even certain Jewish communities of his time, and today, become suspect of idolatry. This was the core reason for his controversy, even more so than the issue of philosophy.
In short, the proper Jewish definition of idolatry is to do an act of worship toward any created thing, to believe that a particular created thing is an independent power, or to make something a mediator between ourselves and the Almighty. These laws are codified in the Mishneh Torah, mainly in the section called Hilkhot Avodat Kokhavim (Avodah Zarah) - The Laws of Strange Worship (Idolatry). It is considered a great insult to God to worship one of His creations instead of Him or together with Him. According to the Noahide Laws, the 7 laws which Jews believe to be binding on the non-Jewish world, the non-Israelite nations are also forbiddon to worship anything other than the Absolute Creator. One can find this in Hilkhot Melakhim u'Milhhamotehem (Laws of Kings and their Wars) chapter 9 in the Mishneh Torah. Judaism holds that any beliefs or practices which significantly interferes with a Jew's relationship with God may, at some point, be deemed idolatry.
The Christian view of idolatry may be divided into two general categories. The Catholic and Orthodox view (not necessary limited to the Eastern Orthodox or Oriental Orthodox communion, and sometimes further complicated when you add Anglicans and Methodists into the equation) and the Fundamentalist view. The Puritan Protestant groups adopted a similar view to Islam, denouncing all forms of religious objects whether in three dimensional or two dimensional form. The problem springs from differences in interpretation of the Decalogue commonly known as the Ten Commandments. "You shall have no other gods before me. You shall not make for yourself a graven image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth; you shall not bow down to them or serve them; for I the Lord your God am a jealous God, visiting the iniquity of the fathers upon the children to the third and the fourth generation of those who hate me, but showing steadfast love to thousands of those who love me and keep my commandments." (RSV Exodus 20:3-6).
It would appear that both Orthodox and Protestant views of idolatry condemn idolatry as it is practiced in non-Christian religions. The Catholic missionary Saint Francis Xavier referred to Hinduism as idolatry, and Protestant Christian apologetics makes similar claims about various non-Christian religions.
The Roman Catholic and particularly the Orthodox Churches cite St. John of Damascus'
work "On the Divine Image" to defend the use of icons. He wrote in direct response to the iconoclastic controversy that begun in
the eighth century by the Byzantine emperor Leo III and continued by his successor
Christian theology requires proselytizing, the spreading of the faith by gaining converts by use of trained missionaries. This often caused hostile relationships with pagan religions and other Christian groups who used images in some manner as part of religious practice.
Fundamentalist Protestants often accuse Catholic and Orthodox Christians of Traditionalism, Idolatry, Paganism and Iconolatry since they do not "cleanse their faith" of the use of images.
Catholic and Orthodox Christians use religious objects such as Crosses, Icons, incense, the Gospel, Bible, candles and religious vestments. Icons are mainly in two and rarely in three dimensional form. These are in dogmatic theory venerated as objects filled with God's grace and power -- (therefore Eastern Orthodoxy declares they are not "hollow forms" {see idol} and hence, not idols). Evidence for the use of these, they claim, is found in the Old Testament and in Early Christian worship (see Wikipedia article under heading "Icons").
The offering of veneration in the form of latreía (the veneration due God) is doctrinally forbidden by the Orthodox
Church; however veneration of religious pictures or
In Orthodox apologetics for icons, a similarity is asserted between icons and the manufacture by Moses (under God's commandment) of The Bronze Snake, which was, Orthodoxy says, given the grace and power of God to heal those bitten by real snakes. "And Moses made a serpent of brass, and put it upon a pole, and it came to pass, that if a serpent had bitten any person, when he beheld the serpent of brass, they lived"(Numbers 21:9). Another similarity is declared with the Ark of the Covenant described as the ritual object above which Yahweh was present (Numbers 10:33-36); or the burning bush which, according to Exodus, allowed God to speak to Moses; or the Ten Commandments which were the Word of God "Dabar Elohim" in tablet form. These inanimate objects became a medium by which God worked to teach, speak to, encourage and heal the Hebrew faithful.
Veneration of icons through latreía was codified in the Seventh Ecumenical Council during the Byzantine Iconoclast controversy, in which St. John of Damascus was pivotal. Icon veneration is also practiced in the Catholic Church, which accepts the declarations of the Seventh Ecumenical Council, but it is practiced to a lesser extent, since Catholics today do not usually prostrate and kiss icons, and the Second Vatican Council enjoined moderation in the use of images. Eastern Rite Catholic Churches still use icons in their Divine Liturgy however.
Most Protestant groups avoid the use of images in any context suggestive of veneration. Protestantism from its beginnings treated images as objects of inspiration and education rather than of veneration and worship. Occasionally icons may be seen among some "high" church communities such as Anglicans, but they are not viewed or used in the same manner described in Orthodox doctrine, and their presence sometimes causes controversy.
Very conservative Protestant groups avoid any use of religious images, even for inspiration or instruction, as incitement to what they view as idolatry.
According to the Quran, idolatry (Arabic: shirk) is the most serious sin. It is the only sin that is not forgiven by God[Qur'an 4:48]. In Islam the creation of imagery itself as well as its worship would amount to a sin or mocking God's creations.[3]. Some Iranians are more apt to use representation of religious figures in art, but these are never worshipped.
Sikhism discourages idol worship. Icons of the gurus are common at homes but not used at the place of worship and in a similar use to Protestant Christianity.[citation needed]
"The religion of the Veda knows no idols," says Max Müller.[4]
The use of sacred icons in Hindu worship has often been considered as a form of idolatry by members of Abrahamic religions. However, these images (Skt. murti) are understood by Hindus themselves as being symbolic representations of various divine attributes of the Supreme Being (Brahman), which is ultimately beyond all names and forms.[Bhagavad-Gita, Chapters VIII through XII] Hindu iconography employs a rich language of symbols, and images are constructed to exacting proportions in an effort to convey particular religious truths. The multiple heads or limbs often seen in Hindu art, for example, would be intended to represent divine omniscience and omnipotence, whereas the use of an animal icon would seek to represent particular abstract qualities associated with that animal such as wisdom, agility or power. Gestures (mudra) of the hand or the holding of a certain object are also heavily weighted with meaning. Each individual icon thus becomes to the Hindu worshipper a complex statement of faith and every detail may be a focus of meditation and spiritual insight.
From a historical perspective, image worship (Murti-PujA) is a relatively recent development within the Hindu tradition, with the oldest extant images of the classical Pauranik deities dating from the Gupta period (c. 3rd to 7th centuries CE). In the Vedic era that preceded this, worship was primarily centred around the open-air fire altar (yajna-kunda) and no physical representations of the divine were used. A verse in the Yajur-veda (32.3) reads, “Of Him there is no likeness (pratima), whose glory is infinite”. The Upanishads, which form the philosophical ‘conclusions’ (vedAnta) of the Vedas, repeatedly stress the formlessness and unimaginable nature of God, and advise the aspirant to realise the divine presence inwardly. However, during the early centuries of the common era, possibly in imitation of rival Buddhist and Jain worship practises, the personal adoration of sacred icons in temples became the focus of religious life, and the ancient fire sacrifice came to occupy a less central role, offered at the performance of life sacraments (saṃskāra) or orthodox Vedic rites. Reformist movements in the 18th - 19th centuries such as the Brahmo Samaj and Arya Samaj were highly critical of image worship and called for a return to the ancient Vedic and Upanishadic teachings.
The use of icons in worship continues to be an issue of contention between Hindus and members of Abrahamic religions, whose scriptural texts often fulminate against idolatry. An understanding of the meaning inherent in these practises and the philosophical monotheism that underlies the apparent 'pantheon' of gods would do much in the way of promoting interreligious tolerance and dialogue.
False idol, interpreted literally, is a phrase meaning a cult image or object considered idolatrous from the perspective of the speaker. For example, Moses has been said to have considered the golden calf a false idol upon his return with the tablets of stone, as described in Exodus.
The sometimes negative connotations of "idol" can make "false idol" sound like a tautological figure of speech.
This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)
Dansk (Danish)
n. - afgudsdyrkelse, tilbedelse
Nederlands (Dutch)
verafgoding
Français (French)
n. - idolâtrie
Deutsch (German)
n. - Vergötterung, Götzenverehrung
Ελληνική (Greek)
n. - (θρησκ.) ειδωλολατρία
Português (Portuguese)
n. - idolatria (f)
Русский (Russian)
идолопоклонство, обожание
Español (Spanish)
n. - idolatría
Svenska (Swedish)
n. - avguderi, idoldyrkan
中文(简体) (Chinese (Simplified))
偶像崇拜, 盲目的崇拜, 邪神崇拜
中文(繁體) (Chinese (Traditional))
n. - 偶像崇拜, 盲目的崇拜, 邪神崇拜
한국어 (Korean)
n. - 우상숭배, 맹목적숭배, 심취
日本語 (Japanese)
n. - 偶像崇拝, 盲目的崇拝, 心酔
العربيه (Arabic)
(الاسم) الوثنيه
עברית (Hebrew)
n. - עבודת-אלילים, פולחן
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