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Iggy Pop

 
Who2 Biography: Iggy Pop, Rock Musician
 
Iggy Pop
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  • Born: 21 April 1947
  • Birthplace: Muskegon, Michigan
  • Best Known As: Legendary rock 'n' roll dervish

Name at birth: James Newell Osterburg

Iggy Pop was the front man for the rock band The Stooges (1967-74); his on-stage antics (including self-mutilation) and raw sound made him a hero for punk rockers a decade later. In the 1970s he collaborated with David Bowie on such songs as "Nightclubbing" and "Lust for Life," and in 1982 he published his autobiography, I Need More. He resurfaced in rock music in 1986 with his first hit single, "Real Wild Child."

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Artist: Iggy Pop
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Iggy Pop

Similar Artists:

Influenced By:

Followers:

Performed Songs By:

David Alexander, Eric Schermerhorn, Ricky Gardiner, Scott Asheton, Ron Asheton, Carlos Alomar

Worked With:

Scott Thurston, Tony Sales, Hunt Sales

Formal Connection With:

Relationship With:

  • Born: April 21, 1947, Muskegon, MI
  • Active: '60s, '70s, '80s, '90s, 2000s
  • Genres: Rock
  • Instrument: Vocals
  • Representative Albums: "Lust for Life," "The Idiot," "Nude & Rude: The Best of Iggy Pop"
  • Representative Songs: "Lust for Life," "The Passenger," "China Girl"

Biography

There's a reason why many consider Iggy Pop the godfather of punk -- every single punk band of the past and present has either knowingly or unknowingly borrowed a thing or two from Pop and his late-'60s/early-'70s band, the Stooges. Born on April 21, 1947, in Muskegon, MI, James Newell Osterberg was raised by his parents in a trailer park close to Ann Arbor, in nearby Ypsilanti. Intrigued by rock & roll (as well as such non-musical, monotonous, and mechanical sounds as his father's electric razor and the local automobile assembly plants in Detroit), Osterberg began playing drums and formed his first band, the Iguanas, in the early '60s. Via the Rolling Stones, Osterberg discovered the blues and formed a similarly styled outfit, called the Prime Movers, upon graduating from high school in 1965. When a brief stint at the University of Michigan didn't work out, he moved to Chicago instead, where he played drums alongside the city's bluesmen.

His heart remained with rock & roll, however, and shortly after returning to Ann Arbor, Osterberg decided to form a rock band. This time, he would leave the drums behind and be the frontman, taking inspiration from the likes of the Velvet Underground's Lou Reed and the Doors' Jim Morrison. He tried to find the right musicians who shared his same musical vision: to create a band whose music would be primordial, sexually charged, aggressive, and repetitive (using his early electric razor/car plant memories for reference). In 1967, he hooked up with an old acquaintance from his high school days, guitarist Ron Asheton, who also brought along his drummer brother Scott and bassist Dave Alexander, thus forming the Psychedelic Stooges. Although it would take a while for their sound to gel -- they experimented with such non-traditional instruments as empty oil drums, vacuums, and other objects before retuning to their respective instruments -- the group fit in perfectly with such other high-energy Detroit bands as the MC5, becoming a local attraction.

It was around this time that the group shortened its name to the Stooges, and Osterberg changed his own stage name to Iggy Pop. With the name change, Pop became a man possessed on-stage, going into the crowd nightly to confront members of the audience and working himself into such a frenzy that he would be bleeding by the end of the night from various nicks and scratches. Elektra Records signed the quartet in 1968, issuing their self-titled debut a year later and a follow-up effort, Fun House, in 1970. Although both records sold poorly upon release, they've since become rock classics, and can be pointed to as the official catalyst for what later became punk rock.

The Stooges were dropped from their record company in 1971 due to the public's disinterest and the group's growing addictions to hard drugs. Pop's continuous death-defying acts also worried the label, whose decision to drop the band led to the Stooges' breakup the same year. One of the band's more celebrated fans, David Bowie, tracked down Pop and convinced the newly clean and sober singer to restart his career. Pop enlisted guitarist James Williamson (who was briefly a second guitarist for the Stooges before their breakup) and, after the pair signed to Bowie's Mainman management company and relocated to England, eventually reunited with the Asheton brothers, with Ron moving from the six-string guitar to the bass.

Signed by Columbia Records and hoping to follow in Bowie's footsteps toward a major commercial breakthrough, the Stooges penned another punk classic, the brutally explosive Raw Power. Pop's plan for the Stooges' third release was equally brutal; he wanted to create a record that would be so powerful, so sonically over-the-top, that it would physically hurt the listen as it poured forth from the speakers. Although the resulting album wasn't quite that extreme, it came fairly close, with Bowie lending his own contributions as the album's producer. Once again, the album sank without a trace. By 1974, Pop and most of the Stooges had fallen back into the world of heavy drugs, and with their star fading, the band called it quits for a second (and final) time.

After spending a brief spell homeless on the streets of Hollywood, during which time there was an unsuccessful attempt to form a band with Pop and former Doors keyboardist Ray Manzarek, Iggy Pop checked himself into the Neuropsychiatric Institute in Los Angeles. During his stay at the hospital, Pop made an attempt at writing and recording some new tunes with Williamson, but when no labels expressed interest, the two went their separate ways. (Completed demos of the sessions would surface on the Kill City release in 1977; they would also appear on the 2005 compilation Penetration, which featured a number of widely circulated demos, outtakes, and alternate mixes from the Raw Power sessions.)

During his hospital stay, another old friend came to visit him: David Bowie, whose career was still in high gear. Bowie offered to take Pop on the road with him during his tour in support of Station to Station, and the pair got along so well that they both moved to Berlin in late 1976, during which time Bowie helped Pop secure a solo record deal with RCA. Bowie had become interested in European electronic rock (Kraftwerk, Can, etc.) and later admitted that he used Pop as a musical guinea pig on such releases as The Idiot and Lust for Life (both issued in 1977 and produced/co-written by Bowie). Both albums sold better than the singer's previous efforts with the Stooges (particularly in the U.K., where Pop was looked upon as an icon by the burgeoning punk rock movement) as Bowie joined Pop on his world tour as a keyboardist. Shortly thereafter, a surprisingly muddy sounding live album was culled from Pop's most recent tour, titled TV Eye (1977 Live). It was also around this time that Pop severed his ties with Bowie and struck out on his own.

Signing on with another new label, Arista, Pop reunited once more with James Williamson for 1979's New Values, an album that touched off a string of releases that were largely inconsistent and musically confused (it appeared as though Pop was trying to reinvent himself as a new waver): 1980's Soldier, 1981's Party, and 1982's Zombie Birdhouse. Also in 1982, Pop penned his autobiography, I Need More, a fascinating book of rock & roll excess that chronicled his early years straight up to the then-present day. Despite the flurry of activity, Pop began succumbing to his vices once again and stepped out of the spotlight for a long stretch to sort his life out, during which time Bowie scored a massive hit with a remake of the Pop/Bowie nugget "China Girl" (recorded earlier on Pop's The Idiot). It wasn't until 1986 that Pop resurfaced, signing with a new contract A&M and issuing the Bowie-produced Blah Blah Blah, which featured his first U.S. hit single (albeit a moderate one), a cover of "Real Wild Child." 1988's Instinct saw Pop try his hand at hard rock/heavy metal, joined by ex-Sex Pistols guitarist Steve Jones, but it wasn't until 1990's Brick by Brick (his first album for Virgin Records) that Pop fully regained his musical strength and focus, resulting in his first U.S. gold-certified album and Top 20 hit single, "Candy," a surprisingly tuneful duet with the B-52's' Kate Pierson.

Just as in the mid-'70s when Pop was looked up to by a slew of up-and-coming punk bands, history repeated itself in the early '90s with the emergence of such Stooges disciples from Seattle (Nirvana, Mudhoney, Soundgarden, etc.). Around the same time, a wide variety of bands covered Pop and/or Stooges tracks -- Slayer, Duran Duran, Guns N' Roses, R.E.M., and Tom Jones -- while Pop issued another fine solo set, 1993's American Caesar. Although Pop attempted to re-create the Stooges' sound and approach on his 1996 solo album Naughty Little Doggie, it wasn't as critically or commercially successful as his previous couple of releases. But the same year, Pop enjoyed another hit when the nearly 20-year-old title track from Lust for Life was used prominently on the hit movie soundtrack Trainspotting. Throughout the decade, Pop also tried his hand at acting in movies, scoring bit parts in such flicks as Cry-Baby, Dead Man, and The Crow II: City of Angels, plus a recurring role on the TV show The Adventures of Pete & Pete. Although he wasn't involved in it, the 1998 movie Velvet Goldmine was allegedly based on Bowie and Pop's relationship in the early '70s (Ewan McGregor's character, Curt Wild, was obviously patterned after Stooges-era Pop).

With just about every new rock band listing the Stooges as a major influence by the late '90s, Iggy began tentatively looking back to the band's legacy. He personally remixed a newly remastered version of Raw Power in 1997, after the long-lost original master tapes were rediscovered and Pop moved the album closer to his original vision of a total sonic onslaught. Also released around this time was another Pop/Stooges-related book, the must-read Please Kill Me: The Oral History of Punk, which recounted the Stooges' career in great detail (featuring interviews with all the band's surviving members). 1999 was a busy year for Pop as he was the subject of a VH1 Behind the Music episode, and a new solo album was issued, the laid-back Avenue B. But his more "refined" musical approach was strictly a detour, as proven by his next release, 2001's in-your-face rock fest Beat Em Up.

After abandoning a promised Stooges reunion in the late '90s, Iggy finally made good on his pledge in 2003, bringing Ron Asheton and Scott Asheton aboard to write and record four songs with him for his album Skull Ring, and taking the reconstituted Stooges on the road for a short but riotously received tour (with Mike Watt standing in for the late Dave Alexander on bass, and with the set dominated by tunes from The Stooges and Fun House). In 2004 Iggy appeared in Jim Jarmusch's Coffee and Cigarettes. After issuing the January 2005 effort Penetration, Pop released the retrospective A Million in Prizes: The Anthology, which spanned his entire career and included a 37-track CD, a previously unreleased live DVD, and a round of essays about Iggy's legacy that were penned by notables like Bowie and Lou Reed. Pop released another compilation, Where the Faces Shine, the following year.

Iggy Pop maintained his profile during the subsequent years by appearing on an album by Praxis, performing several Madonna songs at the induction ceremony of the Rock and Roll Hall of Fame, and appearing in TV advertisements for the British insurance company Swiftcover. Back in Ann Arbor, however, Asheton suffered a fatal heart attack in early 2009, robbing Pop of his best friend and plunging the Stooges' career into instability. Nonetheless, Iggy released another solo record, Preliminaires, that May, taking his inspiration from jazz music and the work of French novelist Michel Houellebecq. ~ Greg Prato, All Music Guide
 
Discography: Iggy Pop
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Ultimate Live

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Where the Faces Shine

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Extended Versions

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Extended Versions

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Wild Animal

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Greatest Hits Live

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Avenue B

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Colour Collection

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Zombie Birdhouse [Bonus CD]

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Nude & Rude: The Best of Iggy Pop

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King Biscuit Flower Hour

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Artist Collection: Iggy Pop

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Soldier [Bonus Tracks]

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Skull Ring [Bonus Tracks]

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I Wanna Be Your Dog

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Nuggets

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Holiday Gift Pack

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Skull Ring

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Skull Ring [Clean]

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Where the Faces Shine, Vol. 2: The Official Live Experience

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Head On

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Platinum & Gold Collection

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Live

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Collections [Australia]

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Power & Freedom

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Pop at His Top

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We Are Not Talking About Commercial Shit!

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Naughty Little Doggie

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Your Pretty Face Is Going to Hell [Dynamic]

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Hippodrome - Paris 77

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Search & Destroy (The Detroit Studio Out-Takes)

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Search & Destroy (The Detroit Studio Out-Takes)

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Universal Masters Collection

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Your Pretty Face Is Going to Hell [Get Back/Original Masters]

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Back to the Noise: The Rise and Fall of the Stooges

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Wake Up Suckers

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Lust for Life: Live 1977

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Preliminaires

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Sister Midnight

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Sister Midnight

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Million in Prizes: The Anthology

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Million in Prizes: The Anthology [Clean]

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Live at the Avenue B

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Beat Em Up

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Live in NYC

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1977

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Classic Interviews

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Millennium Edition

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Penetration

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Original Punks

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Lust for Life [DVD]

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Iggy in Paris

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Pop Songs (Greatest Hits)

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Heritage Collection

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Live at the Ritz NYC (1986)

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Nights of the Iguana

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Live San Fran 1981

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Live San Fran 1981

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Avenue B [Japan Bonus Tracks]

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20th Century Masters - Millennium Collection: The Best of Iggy Pop

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Heroin Hates You

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Avenue B [Bonus CD]

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From the Front Row: Live

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Live in L.A. 73

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Kiss My Blood: Live in Paris

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Acoustics KO [DVD/CD]

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Complete A&M Recordings

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Best of Iggy Pop

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New Values [Bonus Tracks]

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Classic: The Universal Masters Collection

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Fire Engine

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Party [Bonus Tracks]

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Party [Bonus Tracks]

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Pop Music

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Live at the Channel, Boston MA 1988

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American Caesar

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Story of Iggy Pop

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Brick by Brick

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Brick by Brick

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Livin' on the Edge of the Night

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Passenger

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Instinct

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Conversation

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Blah Blah Blah

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Blah Blah Blah

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Live San Fran 1981 [DVD]

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Zombie Birdhouse

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Zombie Birdhouse

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Party

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Soldier

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New Values

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TV Eye (1977 Live)

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Idiot

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Lust for Life

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(I Got) Nothing

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Actor: Iggy Pop
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  • Born: Apr 21, 1947 in Muskegon, Michigan
  • Occupation: Actor
  • Active: '80s-2000s
  • Major Genres: Music, Drama
  • Career Highlights: Repo Man, Snow Day, Cry-Baby
  • First Major Screen Credit: Rock & Rule (1983)

Biography

Iggy Pop was a punk star long before expanding his credits to include the silver screen. In fact, his musical history dates back to his teenage years in Ypsilanti, MI, influenced by music from blues to rock. Pop performed as a drummer and then lead singer, and his group, the Stooges would become legendary in the history of punk rock. Also involved in collaborations with the likes of David Bowie and Kate Pierson, Pop's image in entertainment spread to cinema in the 1980s, and not just with his tunes gracing film soundtracks.

In the early '80s, Pop performed voices for the animated Rock & Rule, and composed the score for Repo Man. He played numerous bit parts in feature films, including Coffee and Cigarettes, Sid and Nancy, and Martin Scorsese's The Color of Money starring Tom Cruise and Paul Newman, all in 1986. In addition he played small parts in Cry-Baby and Hardware, also appearing as himself in documentaries like Red, Hot and Blue and Kiss My Blood in the very early '90s. He played the role of Sally Jenko in the 1995 Western, Dead Man, starring Johnny Depp, and appeared as Rat Face that same year in the indie film Tank Girl. In 1996, he played Curve in the sequel to The Crow, City of Angels.

Of course, his role as a musician intertwined with his career in the film industry. Aside from Repo Man, he composed for the dramatic French feature Va Mourire in 1995, and Johnny Depp's The Brave in 1997, which screened at Cannes, but was never released.

Pop could also be seen on television with credits to include roles in a 1995 episode of The Adventures of Pete and Pete, an episode of Star Trek: Deep Space Nine in 1998, as well as an episode of Behind the Music for VH1 centered around his career. ~ Sarah Sloboda, All Movie Guide
 
Wikipedia: Iggy Pop
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Iggy Pop
Iggy Pop performing at Pinkpop (1987)
Iggy Pop performing at Pinkpop (1987)
Background information
Birth name James Newell Osterberg, Jr.
Born April 21, 1947 (1947-04-21) (age 62)
Muskegon, Michigan, United States
Genre(s) Hard rock, protopunk, punk rock, garage rock, glam rock
Occupation(s) Singer-songwriter, musician, producer, actor
Instrument(s) Vocals, guitar, keyboards, drums
Years active 1963 - present
Label(s) Virgin, RCA, A&M, Arista, Elektra
Associated acts The Stooges, The Trolls, The Iguanas
Website www.iggypop.com

Iggy Pop (born James Newell Osterberg, Jr. on April 21, 1947) is an American rock singer, songwriter, and occasional actor.[1] Although he has had only limited mainstream success, Iggy Pop is considered an innovator of punk rock, garage rock, and other related styles.[1] He is sometimes referred to by the nicknames "the Godfather of Punk" and "the Rock Iguana", and is widely acknowledged as one of the most dynamic stage performers of all time.[1] Pop began calling himself Iggy after his first band in high school, The Iguanas.[2]

Iggy Pop was the lead singer of The Stooges, a late 1960s/early 1970s rock band who were influential in the development of the nascent hard rock and punk rock genres. The Stooges became infamous for their live performances, during which it was not uncommon for Pop (who traditionally performs bare-chested) to self-mutilate, verbally abuse the audience, expose himself and leap off the stage (thus being the first or among the first to stage dive).

Pop's popularity has ebbed and flowed throughout the course of his subsequent solo career. His best-known solo songs include "Lust for Life," "I'm Bored," "Real Wild Child," the Top 40 hit "Candy" (with vocalist Kate Pierson of The B-52's)[2] and "The Passenger". A film about Iggy Pop's life and career titled The Passenger was in development at one time, but is currently considered dead.[3] He currently fronts the advertising campaign for the UK-based online insurance company Swiftcover, in his trademark state of topless (being naked from the waist up).

Contents

Early life

Iggy Pop was born in Muskegon, Michigan, the son of Louella (née Christensen) and James Newell Osterberg, Sr., a former high school English teacher and baseball coach at Fordson High School in Dearborn, Michigan.[4] Osterberg was raised in a trailer park in Ypsilanti, Michigan.[5] He is of Irish and English descent on his father's side, and of Danish and Norwegian ancestry on his mother's.[citation needed] His father was adopted by a Swedish-American family, hence the family's surname (Österberg).[citation needed]

Music career

Early days: 1960 to 1967

Osterberg began his music career as a drummer in different high school bands in Ann Arbor, Michigan. One band was the Iguanas, from the name of which he adopted his future moniker Iggy. After exploring local blues-style bands such as the Prime Movers (with brothers Dan and Michael Erlewine), he eventually dropped out of the University of Michigan and moved to Chicago to learn more about blues. While in Chicago, he played drums in blues clubs, helped by Sam Lay (formerly of the Paul Butterfield Blues Band) who shared his connections with Iggy.[6] Inspired by Chicago blues as well as bands like The Sonics and The MC5, he formed the Psychedelic Stooges and began calling himself Iggy. The band was composed of Iggy on vocals, Ron Asheton on guitar, Asheton's brother Scott on drums, and Dave Alexander on bass.

The Stooges era: 1968 to 1975

The seeds of Iggy Pop's stage persona were sown when he saw The Doors perform in 1967 at the University of Michigan and was amazed by the stage antics and antagonism displayed by singer Jim Morrison.[5] Morrison's extreme behavior, while performing in a popular band, inspired the young Pop to push the boundaries of stage performance. Later, while inventing the stage-dive in Detroit,[5] rolling around in broken glass, exposing himself to the crowd, and vomiting on stage, among many other exploits, Iggy himself would inspire others.

In 1968, one year after their live debut, and now dubbed the Stooges, the band signed with Elektra Records, again following in the footsteps of The Doors, who were Elektra's biggest act at the time (reportedly, Pop called Moe Howard to see if it was alright to call his band "The Stooges", to which Howard responded by merely saying "I don't care what they call themselves, as long as they're not the Three Stooges!" and hung up the phone). The Stooges' first two albums The Stooges, (on which Iggy was credited, much to his displeasure,[citation needed] as "Iggy Stooge"), produced by John Cale; and Fun House, sold poorly. Shortly after the new members joined, the group disbanded because of Pop's growing heroin addiction.

Iggy Pop in Montreal 1973

In 1971, Iggy Pop and David Bowie met at Max's Kansas City, a nightclub and restaurant in New York City.[7] Pop's career received a boost from his relationship with Bowie when Bowie decided in 1973 to produce an album with Pop in England. With James Williamson signed on as guitarist, the search began for a rhythm section. However, since neither Pop nor Bowie was satisfied with any players in England, they decided to re-unite The Stooges. It would not be a true reunion insofar as Dave Alexander, who had succumbed to alcoholism, was unable to play on the record; he later died in 1975. Also, Ron Asheton grudgingly moved from guitar to bass to make way for Williamson to play guitar. The recording sessions produced the rock landmark Raw Power. After its release Scott Thurston was added to the band on keyboards/electric piano and Bowie continued his support, but Iggy's drug problem persisted. The Stooges' last show ended in a fight between the band and a group of bikers, documented on the album Metallic K.O.. Drug abuse stalled his career again for several years.

Bowie and Berlin: 1976 to 1978

After the second breakup of the Stooges, Iggy Pop made some recordings with James Williamson, but these were not released until 1977 (as Kill City, credited jointly to Iggy Pop and Williamson). Iggy was unable to control his drug use and checked himself into a mental institution to try to clean up. Bowie was one of his few visitors there, and he continued to support his friend and collaborator. It was also rumored that Bowie would smuggle in cocaine to give to Pop.[8] In 1976, Bowie took him along as his companion on the Station to Station tour. This was Iggy Pop's first exposure to large-scale professional touring and he was impressed, particularly with Bowie's work rate.

Bowie and Iggy Pop relocated to West Berlin to wean themselves off their addictions. Iggy Pop signed with RCA and Bowie helped write and produce The Idiot and Lust for Life during 1977. Pop's two most acclaimed albums as a solo artist, the latter with another team of brothers, Hunt and Tony Sales. Among songs they wrote together were China Girl, Tonight, and Sister Midnight, all of which Bowie performed on his own albums later on (the last being recorded with different lyrics as Red Money on the album Lodger). Bowie also played keyboards in Pop's live performances, some of which are featured on the album TV Eye in 1978. In return, Pop contributed backing vocals on Bowie's Low.

The Arista albums: 1979 to 1981

Iggy Pop had grown dissatisfied with RCA, later admitting that he had made TV Eye as a quick way of fulfilling his three-album RCA contract. He moved to Arista Records, under whose banner he released New Values in 1979. This album was something of a Stooges reunion, with James Williamson producing and latter-day Stooge Scott Thurston playing guitar and keyboards. Not surprisingly, the album's style harked back to the guitar sound of the Stooges. Although highly regarded by many Iggy fans (some preferring it to the Bowie collaborations), New Values was not a popular success, despite some strong material including I'm Bored and Five Foot One.

Iggy Pop, Cardiff, 1979

The album was moderately successful in Australia and New Zealand, however, and this led to Iggy Pop's first visit there to promote it. While in Melbourne, he made a memorable appearance on the Australian Broadcasting Corporation's nationwide pop show Countdown. During his anarchic performance of I'm Bored, Pop made no attempt to conceal the fact that he was lip-synching, and he even tried to grab the teenage girls in the audience. He was also interviewed by host Ian "Molly" Meldrum, an exchange which was frequently punctuated by the singer jumping up and down on his chair and making loud exclamations of "G'day mate" in a mock Australian accent. His Countdown appearance is generally considered one of the highlights of the show's history and it cemented his popularity with Australian punk fans; since then he has often toured there. While visiting New Zealand, Iggy Pop recorded a music video for I'm Bored , and at a record company function where he appeared to slap a woman and throw wine over a photographer.[9] While in Australia, Iggy Pop was also the guest on a live late-night commercial TV interview show on the Ten Network. It is not known whether a recording of this interview exists, but the famous Countdown appearance has often been re-screened in Australia.

During the recording of Soldier (1980), Iggy Pop and Williamson quarrelled over production (the latter apparently wanted a big, Phil Spector-type sound) and Williamson was fired. Bowie appeared on the song Play it Safe, performing backing vocals with the group Simple Minds. The album and its follow-up Party (1981) were both commercial failures, and Iggy Pop was dropped from Arista. His drug habit varied in intensity, but persisted.

The 1980s

The 1982 album Zombie Birdhouse on Chris Stein's Animal label, with Stein himself producing, was no improvement on his Arista works, but again, in 1983, Iggy Pop's fortunes changed when David Bowie recorded a cover of the song China Girl. The song had originally appeared on The Idiot, and was a major hit on Bowie's blockbuster Let's Dance album. As co-writer of the song, Pop received substantial royalties. On Tonight in 1984, Bowie recorded two more of their co-written songs, this time from the Lust for Life album, Tonight and Neighborhood Threat, assuring Iggy Pop financial security, at least for the short term. The support of his friend enabled Pop to resolve problems with the IRS and permitted him to take a three-year break during which he overcame his heroin addiction, took acting classes, and got married.

Additionally, Iggy Pop contributed the title song to the 1984 film Repo Man (with Steve Jones, previously of the Sex Pistols, on guitar) as well as an instrumental called Repo Man Theme that was played during the opening credits.

In 1985, Pop recorded some demos with Jones. He played these demos to Bowie, who was sufficiently impressed to offer to produce an album for Pop: 1986's New Wave-influenced Blah Blah Blah, featuring the single Real Wild Child, a cover of Wild One (Real Wild Child), originally made popular by Australian rock 'n' roll pioneer Johnny O'Keefe in 1959. The single was a Top 10 hit in the UK and was successful around the world, especially in Australia, where for the last twenty years it has been used as the theme music for the ABC's late-night music video show Rage. It remains Pop's solitary brush with major commercial success. Blah Blah Blah was Pop's highest-charting album in the U.S. since The Idiot in 1977, peaking at #75 on the Billboard Top 200 albums chart.

Also in 1985, the movie Rock & Rule was released featuring performances by Iggy Pop and Lou Reed for the character Mok. Pop's song in the film was Pain & Suffering from the final sequence of the film.[10]

In 1987, Pop appeared (along with Bootsy Collins) on a mostly instrumental album, Neo Geo, by Japanese composer Ryuichi Sakamoto. The music video for Risky, written and directed by Meiert Avis, won the first ever MTV Breakthrough Video Award. The groundbreaking video explores transhumanist philosopher FM-2030's ideas of Nostalgia for the Future in the form of an imagined love affair between a robot and one of Man Ray's models in Paris in the late 1930s. Additional inspiration was drawn from Jean Baudrillard, Edvard Munch's 1894 painting Puberty, and Roland Barthes Death of the Author. The surrealist black-and-white video uses stop motion, light painting, and other retro in-camera effects techniques. Meiert Avis shot Sakamoto while at work on the score for The Last Emperor in London. Sakamoto also appears in the video painting words and messages to an open shutter camera. Iggy Pop, who performs the vocals on Risky, chose not to appear in the video, allowing his performance space to be occupied by the surrealist era robot.

Pop's follow-up to Blah Blah Blah, Instinct (1988), was a turnaround in musical direction. Its stripped-back, guitar-based sound leaned further towards the sound of the Stooges than any of his solo albums to date. His record label, which had most likely been expecting another Blah Blah Blah, dropped him. Nevertheless, the King Biscuit radio show recording of the Instinct tour (featuring guitarist Andy McCoy and Alvin Gibbs on bass) reaching Boston on July 19, 1988, remains one of punk-rock's most enduring live albums.

The 1990s

In 1990, Pop recorded Brick by Brick, produced by Don Was, with members of Guns N' Roses and The B-52's as guests, as well as backup vocals by many local Hollywood groups, two of whom (Whitey Kirst and Craig Pike) would create his band to tour and perform on his Kiss My Blood video (1991), directed by world-famous director Tim Pope and filmed at the Olympia in Paris. The video attracted much controversy, as it featured much footage of Pop performing with his penis exposed to the audience. The album was his first Gold-certified album in the U.S. (denoting sales of over 500,000 copies) and featured his first Top 40 U.S. hit, Candy, a duet with B-52s singer Kate Pierson.

Also in 1990, Pop starred in the controversial opera The Manson Family by composer John Moran, released on Point Music/Phillip Classics, where he sang the role of prosecutor Vincent Bugliosi. That year he was also involved in the Red Hot + Blue project, singing a version of Well Did You Evah! in a duet with Deborah Harry.

In 1991, Pop and Kirst contributed the song Why Was I Born (Freddy's Dead) to the soundtrack of the film Freddy's Dead: The Final Nightmare. The song also plays over the end credits of the film, with a compilation of clips from the A Nightmare on Elm Street series running alongside the end credits.

In 1992, he collaborated with Goran Bregović on the soundtrack for the movie Arizona Dream by Emir Kusturica. Pop sang four of the songs: In the Deathcar, TV Screen, Get the Money, and This is a Film. Also in 1992, he collaborated with the New York City band White Zombie. He recorded spoken word vocals on the intro and outro of the song Black Sunshine as well as playing the character of a writer in the video shot for the song. He is singled out for special thanks in the liner notes of the band's album La Sexorcisto: Devil Music, Vol. 1.

In 1993, Pop released American Caesar, including two successful singles, Wild America and Beside You. The following year Pop contributed to Buckethead's album Giant Robot, including the songs Buckethead's Toy Store and Post Office Buddy. He appears also on the Les Rita Mitsouko album Système D where he sings the duet My Love is Bad with Catherine Ringer.

In 1995, Pop again found mainstream fame when his 1977 song Lust for Life was featured in the film Trainspotting. A new video was recorded for the song, with clips from the film and studio footage of Iggy dancing with one of its stars, Ewan McGregor. An Iggy Pop concert also served as a plot point in the film. The song has also been used in TV commercials for Royal Caribbean Cruise Lines (with many music critics denouncing the usage of the song to promote peppy cruises) and as the theme music to The Jim Rome Show, a nationally-syndicated American sports talk show.

Also in 1995, Pop released Naughty Little Doggie, with Whitey Kirst returning on guitar, and the single I Wanna Live. In 1997, he remixed Raw Power to give it a rougher, more hard-edged sound; fans had complained for years that Bowie's official rescue effort mix was muddy and lacking in bass. Pop testified in the reissue's liner notes that on the new mix, "everything's still in the red". He co-produced his 1999 album Avenue B with Don Was, releasing the single Corruption. Pop produced 2001's Beat 'Em Up, which gave birth to The Trolls, releasing the single Football featuring Trolls alumni Whitey Kirst and brother Alex.

In the early to middle 1990s, Pop would make several guest appearances on the Nickelodeon show The Adventures of Pete and Pete. He played James Mecklenberg, Nona Mecklenberg's father.

Recent career

Iggy Pop at the Sziget Festival in Budapest, 2006

Pop supplied vocals for the 1999 Death in Vegas UK Top-10 single Aisha. The same year he appeared on Hashisheen, The End Of Law, a collaborative effort by Bill Laswell, reading on the tracks The Western Lands and A Quick Trip to Alamut. He also sang on the tracks Rolodex Propaganda and Enfilade by At the Drive-In in 2000.

For New Year's Eve 1997, Iggy was the headliner for the annual Australian three-day concert the Falls Festival. He gave one of the most memorable performances in the history of the festival. A member of the audience got to do the countdown for the new year with Pop as part of a competition to guess Pop's new year's resolution. (It was "To do nothing and make a lot of money!")

Pop's 2003 album Skull Ring featured collaborators Sum 41, Green Day, Peaches, and The Trolls, as well as Ron and Scott Asheton, reuniting the three surviving founding members of The Stooges for the first time since 1974. Pop made a guest appearance on Peaches's song Kick It as well as the video. Also in 2003, his first full-length biography was published. Gimme Danger - The Story of Iggy Pop was written by Joe Ambrose; Pop did not collaborate on the biography or publicly endorse it. Having enjoyed working with the Ashetons on Skull Ring, Pop reformed The Stooges with bassist Mike Watt (formerly of the Minutemen) filling in for Dave Alexander, and Fun House saxophonist Steve MacKay rejoining the lineup. They have toured regularly since 2004. That year, Pop opened Madonna's Reinvention World Tour in Dublin.

Iggy Pop at Beale Street Music Festival, Memphis in May 2007.

In 2005 Pop appeared, along with Madonna, Little Richard, Bootsy Collins, and The Roots' Questlove, in an American TV commercial for the Motorola ROKR phone. In early 2006, Iggy and the Stooges played in Australia and New Zealand for the Big Day Out. They also began work on a new album, The Weirdness, which was recorded by Steve Albini and released in March 2007. In August 2006 Iggy and the Stooges performed at the Lowlands pop festival in the Netherlands, Hodokvas in Slovakia and in the Sziget festival in Budapest.

Author Paul Trynka completed a biography of Iggy Pop (with his blessing) called Open Up and Bleed, published in early 2007. More recently, Iggy and the Stooges played at Bam Margera's wedding and Pop appeared on the single "Punkrocker" with the Teddybears in a Cadillac television commercial. Pop was also the voice of Lil' Rummy on the Comedy Central cartoon Lil' Bush and confirmed that he has done voices for American Dad and Grand Theft Auto IV,[11] which also included The Stooges song I Wanna Be Your Dog (though the game's manual credited Iggy Pop as the artist). Iggy and The Stooges played the Glastonbury Festival in June 2007. Their set included material from the 2007 album The Weirdness and classics such as No Fun and I Wanna Be Your Dog. Pop also caused controversy in June 2007 when he was interviewed on the BBC's coverage of the Glastonbury Festival. He used the phrase "paki shop", prompting three complaints and an apology from the BBC.[12]

Pop guested on Profanation (Preparation for a Coming Darkness), the new album by the Bill Laswell-helmed group Praxis, which was released on January 1, 2008.[13] On March 10, 2008 Pop appeared at Madonna's induction into the Rock and Roll Hall of Fame at the Waldorf Astoria Hotel in New York. Together with The Stooges he sang raucous versions of two Madonna hits Burning Up and Ray of Light. Before leaving the stage he looked directly at Madonna, quoting "You make me feel shiny and new, like a virgin, touched for the very first time.", from Madonna's hit song Like A Virgin. According to guitarist Ron Asheton, Madonna asked The Stooges to perform in her place, as a protest to the Rock and Roll Hall of Fame for not inducting The Stooges despite six appearances on the nomination ballot.[14] Pop also sang on the No Fun cover by Asian Dub Foundation on their 2008 album Punkara.

He fronts (from January 2009) a £25 million TV ad campaign for Swiftcover, using the strapline "Get a Life".[15]

On January 6, 2009, original Stooges guitarist, and Iggy's self-described best friend Ron Asheton, was found dead from an apparent heart attack. He was 60 years old.

Pop's new solo album, Préliminaires, was released on June 2, 2009. Inspired by a novel by French author Michel Houellebecq (born Michel Thomas) called La Possibilité d'une île (2005; Trans. as The Possibility of an Island by Gavin Bowd, 2006), Iggy was approached to provide the soundtrack for a documentary film on Michel and his attempts to make a film from his novel. Iggy's favourite character from Michel's novel is a little white dog named Fox. Iggy describes this new release as a "quieter album with some jazz overtones", the first single off the album, "King of the Dogs", bearing a sound strongly influenced by New Orleans jazz musicians such as Louis Armstrong and Jelly Roll Morton. Iggy also admits that it's his response to being "sick of listening to idiot thugs with guitars banging out crappy music". The album will be available on legal download sites, CD, and a Deluxe Boxset is available at only 6000 units worldwide. This boxset contains the Préliminaires album, a collector "Les Feuilles Mortes" b/w "King Of The Dogs" 7 inch, the cover of which is Iggy's portrait by Marjane Satrapi, and a 38 page booklet of drawings also by Marjane Satrapi.

Film career

Pop has had a limited career as an actor. He has appeared in sixteen movies, including Sid and Nancy (a nonspeaking cameo role), The Color of Money, Hardware (voice only), The Crow: City of Angels, The Rugrats Movie, Snow Day, Coffee and Cigarettes (opposite Tom Waits, in the third segment of the film, "Somewhere in California"), Cry-Baby, Dead Man, Tank Girl and Atolladero, a Spanish science fiction Western. Pop also sings the main theme for Atolladero, he is the voice of The Beast From Another Dimension in the cult animated film Rock & Rule and also sings its song, "Pain and Suffering".

He has been featured in five television series, including Tales from the Crypt, The Adventures of Pete & Pete, where he played Nona's dad in the second and third season, and Star Trek: Deep Space Nine, in which he played Yelgrun in "The Magnificent Ferengi" episode. With The Stooges, he was also featured in an episode of MTV's Bam's Unholy Union as the main band performing at Bam's wedding. Additionally, a portion of the music video for Iggy's Butt Town was featured on an episode of Beavis and Butthead.

Pop has been profiled in four rockumentaries and has had songs on eighteen soundtracks, including Crocodile Dundee 2, Trainspotting, Pretty Woman, Lock, Stock and Two Smoking Barrels, Haggard, Arizona Dream,the main theme of Repo Man and Kurt Cobain About a son, 2006.

In the movie Velvet Goldmine, Ewan McGregor portrays Curt Wilde, a character loosely based on Iggy Pop. McGregor performs Pop's songs "TV Eye" and "Gimme Danger" in the film.

In the movie Control, Pop's song The Idiot is used when Joy Division frontman Ian Curtis hangs himself in his Maccelsfield home.

Pop voices Lil' Rummy on the Comedy Central show Lil' Bush.

Iggy Pop played himself as the DJ of the fictional rock station Liberty Rock Radio 97.7 in the video game Grand Theft Auto IV.

Pop provided the voice for a character in the English language version of the 2007 animated film Persepolis.

Iggy makes an appearance in the 2008 feature documentary by Nik Sheehan about Brion Gysin and the Dreamachine entitled 'FLicKeR'.

In 2008, Iggy's music will be featured in a movie adaption of Irvine Welsh's best-selling novel Ecstasy: Three Tales of Chemical Romance.

In January 2009, Iggy was signed up as the face of Swiftcover, the UK-based online insurance company.[16] The advert was the banned by the Advertising Standards Authority on 28 April 2009 for being misleading – it implied that Iggy Pop himself had an insurance policy with Swiftcover when at the time the company did not insure musicians. [17]

Iggy Pop also featured as a voice talent in the 2004 ATARI video game DRIV3R, which was produced by Reflections Interactive.

Future biopic

The Passenger is an upcoming movie biopic about Pop's early career with the Stooges. The film will be directed by Nick Gomez. It will start shooting within the next six months and is expected in theatres sometime during the summer of 2009. The movie's budget is in the $6 million to $8 million range. Elijah Wood will play Pop.[18][19]

Wood revealed during an interview that he is "scared to death" of doing it, because he is a huge fan of Pop and he doesn't want to be the "person responsible for screwing that up". He also said the movie will chronicle The Stooges era, for the most part.[20]

Pop liked the script but refused to take part in the film. He said:

The script ain't chopped liver... It was a work of art. But subjectively, I don't want to be involved in any way. A producer and the writer sent me a very decent letter, and asked me to write back if I didn't want them to do it... I don't feel negative about it at all.

Pop also called Wood "a very poised and talented actor".[21]

Classical scholarship

Pop is published in an established journal of classical scholarship and may be the only popular musician able to claim that distinction.[citation needed] His brief article Caesar Lives[22] appears in the second volume of Classics Ireland (1995). The article considers the applicability of Edward Gibbon's Decline and Fall of the Roman Empire to the modern world. Pop also relates how reading Gibbon while on tour in the Southern United States inspired him to a spontaneous soliloquy he called "Caesar".

Influence

Pop earned a place in punk rock history by popularizing many of the stage routines that are now commonplace among musicians: he was among the first to stage dive and crowd walk. Moreover, early in his career, he was known to cut himself on stage. Although Pop has never recorded a Top 10 album or best-selling single, his impact on rock music is widely acknowledged.

The song Punk Rock on the album Come on Die Young by Mogwai pays tribute to Iggy Pop, as it samples a speech that Pop gave on punk rock from an interview on the CBC on 11 March 1977. During that interview, Peter Gzowski asked Iggy to clarify music labeled as punk rock. Pop, dubbed "the Godfather of Punk", sat upright in his chair and first attacked, then reappropriated, the use of "punk", ending his speech (or tirade) in indignant repose.

I'll tell you about punk rock: punk rock is a word used by dilettantes and, uh... and, uh... heartless manipulators, about music... that takes up the energies, and the bodies, and the hearts and the souls and the time and the minds, of young men, who give what they have to it, and give everything they have to it. And it's a... it's a term that's based on contempt; it's a term that's based on fashion, style, elitism, satanism, and, everything that's rotten about rock 'n' roll.'I don't know Johnny Rotten... but I'm sure, I'm sure he puts as much blood and sweat into what he does as Sigmund Freud did.
You see, what, what sounds to you like a big load of trashy old noise... is in fact... the brilliant music of a genius... myself. And that music is so powerful, that it's quite beyond my control. And, ah... when I'm in the grips of it, I don't feel pleasure and I don't feel pain, either physically or emotionally. Do you understand what I'm talking about? Have you ever, have you ever felt like that? When you just, when you just, you couldn't feel anything, and you didn't want to either. You know, like that? Do you understand what I'm saying, sir?

Pop's solo album The Idiot has been cited as a major influence on post-punk, electronic and industrial artists such as Joy Division and Nine Inch Nails. Mark E. Smith, Johnny Marr, Henry Rollins, Nick Cave and Jack White have all been quoted as saying that the Stooges' Fun House LP was "the greatest rock record ever made". Cave and The Birthday Party once did a 45-minute set of only Stooges songs back in the early 1980s under the name of The Cave Men. One of the most popular bands of former Yugoslavia, Azra, recorded a song entitled Iggy Pop on their first album, released in 1980. Bulgarian rock band D_2 also recorded a song called Iggy Pop on their third album, released in 2006. UK punk rock bands the She Devils and Die Pretty released a split single called Dance Like Iggy/Summertime in 1999.

R.E.M. referenced Iggy Pop in the song, I Took Your Name. Red Hot Chili Peppers referenced Iggy Pop in the song, Coffee Shop. Kurt Cobain many times declared himself a fan of The Stooges and mentioned them frequently in his Journals as an influence, naming Raw Power his favorite album. Industrial band Nine Inch Nails credits the track Night Clubbing as inspiration for the 1994 hit Closer (and in fact used a highly distorted sample of the song's drum intro). Kraftwerk mentions him (along with David Bowie) in their song "Trans-Europe Express".

James O'Barr, the author and artist of The Crow, used Iggy Pop as inspiration for the title character's physicality and anatomy. Iggy was originally approached for the part of Funboy in the 1994 film adaptation, but touring commitments intervened. He did, however, appear in the sequel, The Crow: City of Angels. The late actor Brandon Lee was said to have based his portrayal of Eric Draven in the first film on Iggy Pop.

The Murder City Devils self titled album (1997) contained the song "Broken Glass" in which Spencer Moody Sings about Iggy "sturttn' in those tight pants" and "..with no shirt at all..rollin' in that broken glass." Moody has also done the "crowd walk" at many concerts, as made famous by Iggy.

Discography

Albums

With The Stooges

With James Williamson

Solo

Studio

Live

Compilations

Notes

  1. ^ a b c AOL Music Biography. Accessed June 8, 2008
  2. ^ a b Rock On The Net: Iggy Pop
  3. ^ http://www.exclaim.ca/articles/generalarticlesynopsfullart.aspx?csid1=115&csid2=844&fid1=37583
  4. ^ Trynka (2007): pp.13-14
  5. ^ a b c Limping with the Stooges in Washington Heights - The Brooklyn Rail
  6. ^ "Weasel interviews Iggy Pop". WHFS, Bethesda, MD, USA. December, 1980. http://www.iggypop.org/iggyinterviews.html. Retrieved on 2009-01-14. 
  7. ^ "David Bowie and Iggy Pop Meet At Max's Kansas City". Max's Kansas City. 2008-09-17. http://www.maxskansascity.com/bowie/. Retrieved on 2008-09-17. 
  8. ^ http://www.nydailynews.com/gossip/2008/03/31/2008-03-31_david_bowie_and_iggy_pop_on_the_glam_in_.html
  9. ^ [1] The Dominion, July 16, 1979. "Iggy Pop sets tour scene" by Jane Clifton
  10. ^ Scott, Casey. "Rock & Rule". http://www.dvddrive-in.com/reviews/n-s/rockandrule83.htm. Retrieved on 2007-07-01. 
  11. ^ Iggy Pop on Lil' Bush and The Stooges
  12. ^ "BBC 'sorry' for Iggy racist word". BBC News. 2007-06-25. http://news.bbc.co.uk/2/hi/entertainment/6238680.stm. Retrieved on 2007-07-02.  )
  13. ^ [2] (in Japanese)
  14. ^ http://www.freep.com/apps/pbcs.dll/article?AID=/20080310/ENT04/80310062/&imw=Y Why the Stooges performed for Madonna
  15. ^ http://www.easier.com/view/Finance/Insurance/Car/article-224426.html
  16. ^ http://www.brandrepublic.com/News/871141/Iggy-Pop-fronts-Swiftcover-insurance-ad
  17. ^ http://news.bbc.co.uk/1/hi/entertainment/8023358.stm
  18. ^ Elijah Wood to Play Iggy Pop - ComingSoon.net
  19. ^ Wood to star as Iggy Pop - Entertainment News, Film News, Media - Variety
  20. ^ Sound and Vision Magazine - BackTalk: Elijah Wood
  21. ^ GIGWISE, Elijah Wood To Play Iggy Pop In Movie Biopic
  22. ^ http://www.ucd.ie/cai/classics-ireland/1995/Pop95.html

References

  • Trynka, Paul (2007). Iggy Pop: Open up and Bleed. London: Little, Brown Book Group. ISBN 1847440193. 
  • Logan, Nick; Woffinden, Bob (1977). The Illustrated Encyclopedia of Rock (First Edition). New York: Harmony Books. ISBN 0517528525. 

See also

External links


 
 
Learn More
Iggy Pop: Iggy in Paris (1977 Music Film)
Best of King Biscuit Live, Vol. 2 (1991 Album by Various Artists)
Lust for Life [Single] (1996 Album by Iggy Pop)

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