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(b Kuryłówka, 6 Nov 1860; d New York, 29 June 1941). Polish pianist, composer and statesman. He studied at the Warsaw Music Institute, in Berlin and with Leschetizky in Vienna, his career as a pianist beginning in 1888 with an exhausting concert schedule (Europe, North and South America, Australia, New Zealand, South Africa); as a performer he was noted for his individual treatment of rubato. Meanwhile he composed during the summers, producing the opera Manru (1892-1901), the Symphony op.24 and the Fantaisie polonaise op.19 for piano and orchestra, typical products of the late Romantic Polish national school; perhaps better known are his programmatic piano miniatures and the Piano Concerto (1888). Between 1910 and 1921 he was active on behalf of Poland, making speeches, assisting victims of oppression and eventually becoming prime minister (1919). He also supported young Polish composers and worked on a new Chopin edition. He received numerous musical and national honours including a state burial in Arlington National Cemetery.
| Biography: Ignace Jan Paderewski |
Ignace Jan Paderewski (1860-1941), Polish pianist, composer, and statesman, was one of the best-known musicians of his time, as well as a very influential statesman who helped create modern Poland after World War I.
Jan Paderewski was born in a rural section of Poland, where his father was an overseer for several large estates. Jan showed an interest in music at an early age and started to compose and to study piano with local teachers. His father sent Jan to Warsaw to enter the conservatory. His progress on the piano was not rapid, and his teacher advised him to study another instrument. He tried the flute, clarinet, bassoon, horn, and finally the trombone, which he played in the conservatory orchestra. The piano remained his chief interest, however.
After graduation Paderewski taught for a few years, then went to Berlin to continue his studies. Once again he was advised that his talent was insufficient to have a career, but undaunted, he went to Vienna to study with Theodor Leschetizky, the most famous teacher of the time. Here too he found little encouragement because the teacher felt that it was too late for the 24-year-old pianist to develop a dependable technique. Paderewski persisted and practiced prodigiously. Finally, his highly successful debut in Paris launched a career that made him for the next 50 years the best-known and best-paid pianist of all time.
Paderewski made his first American tour in 1891 and then returned regularly until the outbreak of World War I. He developed a tremendous following and amassed a fortune estimated at $10 million. His success was due in part to his personal magnetism. He was strikingly handsome, tall, and gracious, crowned with a mane of golden-reddish hair. His audiences felt, it was said, as though they were invited guests to an exclusive soiree. His grand scale of living also made him a glamorous figure. He traveled all over America in his private railway car; besides his piano, his entourage consisted of his piano tuner, secretary, valet, doctor, and chef, as well as his wife, her attendants, and dog. He maintained princely establishments in Switzerland and California, where he entertained continually and lavishly.
Paderewski's repertoire, consisting largely of familiar Beethoven sonatas and compositions by Chopin and Liszt, appealed to unsophisticated audiences as well as musicians. By many standards he was not a great pianist. His technique was limited, and his interpretations were more "poetical" and sentimental than stylistically valid, but this did not matter to his fervent followers.
Early in his career Paderewski wrote a minuet in pseudo-Mozart style. This composition became unbelievably popular. People who did not usually go to concerts went to hear him play it. A spontaneous sigh of recognition and pleasure always swept over the crowd when he started to play. He proved his competence as a composer in several large-scale works. Among these was an opera, Manru, successfully produced at the Metropolitan Opera in New York and also in Europe, as well as a symphony and a piano concerto. In these works his use of themes based on Polish folk music classifies him with the other nationalistic composers of the time.
During World War I Paderewski proved to be a Polish nationalist in a wider sense. Concerned with the plight of Polish victims of the war, he raised large sums of money for them through benefit concerts. He also skillfully united various Polish-American groups to work for the same end. Seeing the possibility of rejoining the parts of Poland divided between Germany, Austria, and Russia and making it a modern democracy, he gave up concertizing to implement this project. He became a friend of President Woodrow Wilson and convinced him of the importance of a strong Poland for the future peace of Europe. President Wilson included the idea in his famous Fourteen Points.
Returning to Poland as soon as the war was over, Paderewski was greeted as a national hero. He was elected president and represented Poland at the Paris Peace Conference, where he successfully convinced the other statesmen that a united Poland was necessary. He attended the signing of the Treaty of Versailles and the opening sessions of the League of Nations. In all, he distinguished himself as a diplomat. He proved to be a masterful orator in French and English, as well as in Polish and German.
His mission accomplished, Paderewski resigned from political activities in 1921 and resumed his concertizing. Everywhere he went he was honored. When he played in Washington, D.C., for instance, he was a houseguest of President Herbert Hoover. When in Rome he always visited the pope, who was a personal friend. He continued to play until 1939, and only his death in New York in 1941 stopped his work for Poland.
Further Reading
The Paderewski Memoirs (1938) covers only the early years of Paderewski's career. A full study is Charlotte Kellogg, Paderewski (1956). Interesting insights are in Aniela Strakacz, Paderewski as I Knew Him: From the Diary of Aniela Strakacz (1949), covering his life from 1918 to his death. See also the chapter on Paderewski in Harold C. Schonberg, The Great Pianists (1963).
Additional Sources
Drozdowski, Marian Marek, Ignacy Jan Paderewski: a political biography, Warsaw: Interpress, 1981, 1979.
Landau, Rom, Ignace Paderewski, musician and statesman, New York: AMS Press, 1976.
Paderewski, Ignace Jan, The Paderewski memoirs, New York: Da Capo Press, 1980, 1938.
Phillips, Charles Joseph MacConaghy, Paderewski, the story of a modern immortal, New York: Da Capo Press, 1978, c1933.
Zamoyski, Adam, Paderewski, New York: Atheneum, 1982.
| Spotlight: Ignace Jan Paderewski |

From our Archives: Today's Highlights, November 6, 2005
| Columbia Encyclopedia: Ignace Jan Paderewski |
Bibliography
See his memoirs, ed. by M. Lawton (1938); biographies by A. Gronowicz (1943), Charles Phillips (1934, repr. 1978), and M. Drozdowski (1983).
| Quotes By: Ignacy (Jan) Paderewski |
Quotes:
"If I miss one day of practice, I notice it. If I miss two days, the critics notice it. If I miss three days, the audience notices it."
| Artist: Ignace Jan Paderewski |
| Wikipedia: Ignacy Jan Paderewski |
| Ignacy Jan Paderewski | |
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| In office 16 January – 9 December 1919 |
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| President | Józef Piłsudski (Chief of State) |
| Preceded by | Jędrzej Moraczewski |
| Succeeded by | Leopold Skulski |
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Interim Minister of Foreign Affairs
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| In office 16 January – 9 December 1919 |
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| President | Józef Piłsudski (Chief of State) |
| Prime Minister | Himself |
| Preceded by | Leon Wasilewski |
| Succeeded by | Władysław Wróblewski |
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| Born | 18 November 1860 Kuryłówka, then Russian Empire, now Ukraine |
| Died | 29 June 1941 (aged 80) New York City, New York |
| Political party | Independent |
| Spouse(s) | Antonina Korsakówna Helena Górska |
| Profession | Pianist, diplomat |
Ignacy Jan Paderewski GBE (18 November 1860 – 29 June 1941) was a Polish pianist, composer, diplomat, politician, and the third Prime Minister of the Republic of Poland. He is sometimes referred to by the German version of his name Ignaz Paderewski.
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Ignacy Jan Paderewski was born in the village of Kuryłówka in the province of Podolia, then in the Russian Empire (now Ukraine). His father was an administrator of large estates. His mother, Poliksena (née Nowicka), died several months after Paderewski was born, and he was brought up by his distant relatives.
From his early childhood, Paderewski was interested in music. Initially he took piano lessons with a private tutor. At the age of 12, in 1872, he went to Warsaw and was admitted to the Warsaw Conservatorium. After graduating in 1878, he was asked to become a tutor of piano classes at his alma mater, which he accepted. In 1880 Paderewski married Antonina Korsakówna, and soon afterwards, their first child was born. The following year, they discovered that the son was handicapped; soon afterward, Antonina died. Paderewski decided to devote himself to music, and in 1881 he went to Berlin to study music composition with Friedrich Kiel[1] and Heinrich Urban. In 1884 he moved to Vienna, where he was a pupil of Theodor Leschetizky. It was in Vienna that he made his musical debut in 1887. He soon gained great popularity and his subsequent appearances (in Paris in 1889, and in London in 1890) were major successes. His brilliant playing created a furore which reached to almost extravagant lengths of admiration; and his triumphs were repeated in the United States in 1891. His name at once became synonymous with the highest level of piano virtuosity.
In 1899 he married Baroness de Rosen.
He was also a substantial composer, including many pieces for piano. In 1901 his sole opera Manru received the world premiere at Dresden, then it had American premiere in 1902 at the Metropolitan Opera and to this day remains the only Polish opera by a Polish composer ever performed there.
Paderewski, his second wife, entourage, parrot and Erard piano travelled to Auckland, New Zealand from Sydney, Australia aboard the steamer Zealandia on 28 August 1904 [2]. He travelled to Wellington by train and gave a concert there on 12 September. [3].
He was also active in pursuing various philanthropic causes. In 1910 he funded the erection of the Battle of Grunwald Monument in Kraków, in commemoration of the 500th anniversary of the event. In 1913, Paderewski settled in the United States.
On the eve of World War I, and at the height of his fame, Paderewski bought a 2,000-acre (8.1 km2) property, Rancho San Ignacio, near Paso Robles, in San Luis Obispo County, on the central coast of California. A decade later he planted Zinfandel vines on the California property. When the vines matured, the wine was made for him at the nearby York Mountain Winery, then, as now, one of the best-known wineries between Los Angeles and San Francisco. [4]
He was extremely popular internationally, to such an extent that the music hall duo "The Two Bobs" had a hit song in 1916, in music halls across Britain, with the song "When Paderewski plays".
During World War I, Paderewski became an active member of the Polish National Committee in Paris, which was soon accepted by the Entente as the representative of Poland. He became a spokesman of that organisation and soon also formed other social and political organisations, among them the Polish Relief Fund in London. It was then that he met the English composer Edward Elgar who used a theme from Paderewski's Fantasie Polonaise[5] in his work Polonia written for the Polish Relief Fund concert in London on 6 July 1916.
In April 1918, he met in New York City with leaders of the American Jewish Committee, including
At the end of the war, with the fate of the city of Poznań and the whole region of Greater Poland (Wielkopolska) still undecided, Paderewski visited Poznań. With his public speech on 27 December 1918, the Polish inhabitants of Poznań began a military uprising against Germany, called the Greater Poland Uprising.
In 1919, in the newly independent Poland, Paderewski became the Prime Minister and Minister of Foreign Affairs (January 1919-December 1919), and he thus represented Poland at the Paris Peace Conference. In the summer of that year, he signed the Treaty of Versailles, which restored the territories of Greater Poland and Pomerania around the City of Gdańsk to Poland. Although this fell short of what the Polish delegates had demanded, these territories provided the core of the restored Polish state.
After being abandoned by many of his political supporters, Paderewski handed Piłsudski a letter of resignation on 4 December 1919, whereupon he took on the role of Polish Ambassador to the League of Nations.
In 1922 he retired from politics and returned to his musical life. His first concert after a long break, held at Carnegie Hall, was a significant success. He also filled Madison Square Garden (20,000 seats) and toured the United States in a private railway car..[7]
Soon he moved to Morges in Switzerland. After Piłsudski's coup d'état in 1926, Paderewski became an active member of the opposition to Sanacja rule. In 1936 in his mansion a coalition of members of the opposition was signed; it was nicknamed the Front Morges after the name of the village.
By 1936, two years after the death of his wife, Paderewski consented to appear in a film presenting his talent and art on the screen. This proposal had come at a time when Paderewski did not wish to appear in public. However, the film project did proceed and the selected film script was rather an opportunity to feature Paderewski. The film Moonlight Sonata was filmed throughout 1936.
In November 1937 Paderewski agreed to take on one last pupil for piano. This musician was Witold Małcużyński, who had won second place at the International Frederick Chopin Piano Competition.
After the Polish Defensive War of 1939 Paderewski returned to public life. In 1940 he became the head of the Polish National Council, a Polish parliament in exile in London. The eighty-year-old artist also restarted his Polish Relief Fund and gave several concerts (most notably in the United States) to gather money for it. However, his mind was not what it had once been: scheduled again to play Madison Square Garden, he refused to appear, insisting that he had already played the concert, presumably remembering the concert he had played in the 1920s.[7]
In addition to his concert tours, Paderewski was a popular speaker who was renowned for his wit, and was often quoted. He was once introduced to a polo player with the words: "You are both leaders in your spheres, though the spheres are very different." "Not so very different," Paderewski replied. "You are a dear soul who plays polo, and I am a poor Pole who plays solo."
In another incident, Paderewski once recalled, "I established a certain standard of behaviour, that, during my playing, there must be no talking. When they began to talk, I would stop. I would say, 'I am sorry to interrupt your conversation. I deeply regret that I am obliged to disturb you, so I am going to stop for a while to allow you to continue talking.' You can imagine the effect it had..."
During one such tour in 1941, Paderewski was taken ill on 27 June. Nothing was discussed with his personal secretary or entourage. But at the initiative of Sylwin Strakacz, physicians were called in for consultation and diagnosed pneumonia. Despite increasing health and signs of recovery Paderewski died suddenly in New York, at 11:00 p.m. on 29 June. He was buried in Arlington National Cemetery, in Arlington Virginia, near Washington DC. In 1992, his body was brought to Warsaw and placed in St. John's Cathedral. His heart is encased in a bronze sculpture in the National Shrine of Our Lady of Czestochowa near Doylestown, Pennsylvania.[8]
The Polish Museum of America[9] in Chicago received a donation of the personal possessions of Ignacy Jan Paderewski following his death in June 1941. Both Ignacy Paderewski and his sister, Antonina Paderewska Wilkonska were enthusiastic supporters and generous sponsors of the Museum. Antonina, executor of Ignacy’s will, decided to donate these personal possessions to the Museum. In addition, the management of the Buckingham Hotel in New York City, where Ignacy spent the last months of his life, allowed Antonina to obtain the furnishings from the suite of rooms he had occupied. These furnishings were also donated to the Museum. With the assistance of Ignacy’s personal secretary, the furnishings and his personal mementos were arranged for public display in the room that had been the first display room of the Museum in 1937. This revised space was officially re-opened with a special dedication ceremony on 3 November 1941, the date that would have marked Paderewski's 81st birthday.
In 1948 the Ignacy Paderewski Foundation was established in New York City, on the initiative of the Polish community in New York with the goal of promoting Polish culture in the United States.[10]. Two other Polish-American organizations are also named in his honor and dedicated to promoting the legacy of the maestro: The Paderewski Association in Chicago as well as the Paderewski Music Society in Southern California.
Due to the unusual combination of the notable achievements of being a world class pianist and a successful politician, Paderewski has become a favourite example for philosophers, and is often discussed in relation to Saul Kripke's "A Puzzle about Belief" for having a name that denotes two distinct qualities, that of being a politician and that of being a pianist.
Nowadays there are streets and schools named after Paderewski in many major cities in Poland. There are also streets named after him in Perth Amboy, New Jersey, and Buffalo, New York. In addition, the Academy of Music in Poznań is named after him. Paderewski even has his own star on the famous Hollywood Walk of Fame in Los Angeles.
There have been numerous claims that the Paderewski Room at the Polish Museum of America is haunted by the ghost of Paderewski himself. The staff recounts a number of incidents related by a number of people, including the cleaning crew who have claimed to experience ghostly-related phenomena late at night. The Ghost Research Society was even brought in by the museum staff to investigate these claims.[11]
| Preceded by Jedrzej Moraczewski |
Prime Minister of Poland 1919 |
Succeeded by Leopold Skulski |
| Preceded by Leon Wasilewski |
Minister of Foreign Affairs 1919 |
Succeeded by Władysław Wróblewski |
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This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)
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