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Ikue Mori

 
Artist: Ikue Mori

Similar Artists:

Korekyojinn, David Watson, David Shea

Worked With:

Allan Tucker, Kazunori Sugiyama, Anthony Coleman

Formal Connection With:

  • Born: 1953, Tokyo, Japan
  • Active: '70s, '80s, '90s, 2000s
  • Genres: Avant-Garde
  • Instrument: Drum Machine, Drums, Composer
  • Representative Albums: "One Hundred Aspects of the Moon," "Hex Kitchen," "Labyrinth"

Biography

Ikue Mori has been a key member of the downtown music scene since moving to New York from Tokyo in 1977. She began her career playing drums for the seminal "no wave" group DNA, which she formed with guitarist Arto Lindsay and keyboardist Tim Wright. After the short-lived but highly influential group broke up in 1982, Mori began improvising live and recording with experimental musicians like Fred Frith, Tom Cora and, most notably, John Zorn. By 1985, Mori had completely abandoned the standard drum set in favor of her own unique drum machine/sampler set-up. Her signature instrument evolved into a highly customized arrangement of three self-programmed drum machines which she could trigger simultaneously to perform live, as well as for use recording.

In 1990, Mori received an NEA grant to work with filmmaker Abigail Child, which marked the beginning of several soundtrack projects for the musician. Throughout the 90s, Mori played and recorded with countless musicians, including projects/albums Death Praxis with vocalist Tenko, Painted Desert with guitarists Marc Ribot and Robert Quine and Death Ambient with guitarist Frith and bassist Kato Hideki. Mori's career-defining compositions on Hex Kitchen (1995) incorporate impressive performances by several of Mori's most frequent collaborators, including electric harp player Zeena Parkins, vocalist Catherine Jauniaux and trombonist Jim Staley. In 1996, Mori released her first solo drum machines album, Garden, followed by B/Side (1998), a collection of tracks originally recorded for Child's films. Mori continued to work with a myriad of performers in the avant-garde and electronic scenes in the late 1990s, including collaborations with gifted trumpeter Dave Douglas, Mr. Bungle vocalist Mike Patton, Sonic Youth's Kim Gordon, free jazz bassist William Parker and extensive work with composer/saxophonist John Zorn. Mori had several performance highlights in 1999, including an appearance on stage with Sonic Youth, a debut performance of new compositions with DJ Olive in New York City and an improvised duo with Chicago electronic music Jim O'Rourke. Ikue Mori is one of the most respected musicians in the downtown scene, renowned for her abilities as an accomplished composer and improviser and as one of the foremost electronic music innovators. ~ Matthew Carlin, All Music Guide
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Ikue Mori (もりいくえ Mori Ikue?) (b. 17 Dec 1953, Tokyo, Japan), also known as Ikue Ile, is a drummer, composer, and graphic designer.

Contents

Biography

She often records on Tzadik, as well as designing the covers for many of their albums. Mori has played on many projects led by composer John Zorn.

Mori was born and raised in Japan. She says she had little interest in music before hearing punk rock. In 1977, she went to New York City, initially for a visit, but she fell into the music scene, and has remained in New York since.

Her first musical experience was as the drummer for seminal no wave band DNA, which also featured East Village hero, Arto Lindsay. Though she had little prior musical experience (and had never played drums), Mori quickly developed a distinctive style: One critic describes her as "a tight, tireless master of shifting asymmetrical rhythm"[2], while Lester Bangs wrote that she "cuts Sunny Murray in my book" (Bangs, 303) His comment is no small praise, as Murray is widely considered a major free jazz drummer.

After DNA disbanded, Mori became active in the New York experimental music scene. She abandoned her drum set, and began playing drum machines, which she sometimes modified to play various samples. Critic Adam Strohm writes that she "founded a new world for the instrument, taking it far beyond backing rhythms and robotic fills."[3] In recent years she has used a laptop as her primary instrument, but is still sometimes credited with "electronic percussion".

In 1995 she began collaborating with Japanese bass guitarist Kato Hideki (from Ground Zero), and together with experimental guitarist Fred Frith (from Henry Cow), they formed Death Ambient. The trio released three albums, Death Ambient (1995), Synaesthesia (1999) and Drunken Forest (2007).

In 2006 she was awarded a grant from the Foundation for Contemporary Arts Grants to Artists Award.

Beyond her solo recordings, she has recorded or performed with Dave Douglas, Butch Morris, Kim Gordon, and many others, including as Hemophiliac, a trio with Zorn and singer Mike Patton , as well as being a member of Zorn's Electric Masada. With Zeena Parkins she records & tours as duo project Phantom Orchard.

Mori has often drawn inspiration from visual arts: her most recent recording, Myrninerest, is inspired by outsider artist Madge Gill. Her 2000 release, One Hundred Aspects of the Moon was inspired by famed Japanese artist Yoshitoshi.

Mori has expressed admiration for Patti Smith, Television, Alfred Hitchcock, Bernard Herrmann, Les Baxter, Martin Denny, and Igor Stravinsky.[1]

Discography

  • 2007 BHIMA SWARGA
  • 2005 MYRNINEREST
  • 2001 LABYRINTH
  • 2000 ONE HUNDRED ASPECTS OF THE MOON
  • 1998 B/SIDE
  • 1996 GARDEN
  • 1993 HEX KITCHEN
  • 1989 PAINTED DESERT

References

  1. ^ Perfect Sound Forever [1]

External links


 
 
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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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