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Il Pirro e Demetrio, opera ("La forza della fedeltà")

 
Classical Work: Il Pirro e Demetrio, opera ("La forza della fedeltà")

Review

Pirro e Demetrio is a in three acts by Alessandro Scarlatti. It was premiered in January of 1694 at the Teatro Sa Bartolomeo and was one of the few Scarlatti operas to achieve international renown. Operas in those days were not usually given more than one or two runs. Like the movies today, new ones were produced frequently and they were shown in the city for which they had been produced. Pirro e Demetrio, on the other hand, was produced in Rome, Milan, Florence, Brunswick, and London. There is even an English translation extant of the Italian libretto.

The story is based around a love intrigue involving two couples, two sisters and two brothers who eventually end up paired off with one another. The libretto isn't very interesting, but the music is quite so. Most of the arias are in the aria form, and there are also some songs taken from dance pieces, such as the and the . Scarlatti included some strophic airs. The recitative is broken down somewhat in places, as passages take over and bring the declamation closer to song texture.

Some of the arias are modified to suit dramatic purposes. One such example is the aria "Veder parmi un ombra nera". Pirro begins his aria, but before he can even get through the A section of the form, he breaks down into recitative as he is interrupted. The B section consists of the recitative of some would be assassins, but as their designs are frustrated, he resumes his aria, repeating the now altered A section to complete the form.

Many of the melodic inflections that we consider standard in recitatives and arias were created by Scarlatti, and they begin to show up here in Pirro e Demetrio. To close pieces he often used the melodic inflection of a lowered second degree, creating a Neapolitan sixth chord in the harmony. The lowered third degree is used for expressive effect to introduce the minor modality to the ending. He introduces his arias with a beginning in which he repeats the first phrase of the aria. The initial statement of the phrase can be followed by an instrumental introduction after which the aria begins in earnest. The scene structures in Pirro e Demetrio are not standardized as they are in later works. There is quite a breadth of diversity of structure that lends interest overall to the opera.

~ All Music Guide

Albums with Excerpt Performances of the Work

Title Date
20 Gramophone All-Time Greats, Volume 5 1996
A Recital 2003
Airs d'Opéras
An Evening with Victoria de Los Angeles 1990
Arie Antiche 1990
Arie Antiche [Hybrid SACD] 2004
Arie e Canzoni del Barocco Italiano 1997
Bachianas Brasileiras No. 5 2005
Brava Berganza! A Birthday Tribute 2005
Cesare Valletti: New York Town Hall Recitals 1959 & 1960; The Art of Song 2008
Erna Berger: Liederabend 2002
Italian bel canto arias 1999
Lebendige Vergangenheit: Fedora Barbieri
Lebendige Vergangenheit: Lea Piltti
Mado Robin 2002
Music from Cranberry Isles 1991
Nicolai Gedda: Tenore
Pavarotti at Carnegie Hall 1988
Prima Voce: Schipa in Song 1995
Ses Plus Grands Rôles
Songs for Seven Centuries
The Fabulous Victoria De Los Angeles 1993
The Fabulous Victoria de Los Angeles: A Lifetime Achievement 2001
Tito Schipa
Tito Schipa Favourites 1999
Tito Schipa in Opera and Song (Box Set) 1995
Tito Schipa: Recital
Victoria de los Angeles Live at the Teatro Colón 2005
Victoria de los Angeles Performs Scarlatti, Handel, Schubert 2002
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