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imagination

  (ĭ-măj'ə-nā'shən) pronunciation
n.
    1. The formation of a mental image of something that is neither perceived as real nor present to the senses.
    2. The mental image so formed.
    3. The ability or tendency to form such images.
  1. The ability to confront and deal with reality by using the creative power of the mind; resourcefulness: handled the problems with great imagination.
  2. A traditional or widely held belief or opinion.
  3. Archaic.
    1. An unrealistic idea or notion; a fancy.
    2. A plan or scheme.
imaginational i·mag'i·na'tion·al adj.

SYNONYMS  imagination, fancy, fantasy. These nouns refer to the power of the mind to form images, especially of what is not present to the senses. Imagination is the most broadly applicable: “In the world of words, the imagination is one of the forces of nature” (Wallace Stevens). Fancy especially suggests mental invention that is whimsical, capricious, or playful and that is characteristically well removed from reality: “All power of fancy over reason is a degree of insanity” (Samuel Johnson). Fantasy is applied principally to elaborate or extravagant fancy as a product of the imagination given free rein: “The poet is in command of his fantasy, while it is exactly the mark of the neurotic that he is possessed by his fantasy” (Lionel Trilling).


 
 
Thesaurus: imagination

noun

    The power of the mind to form images: fancy, fantasy, imaginativeness. See real/imaginary, thoughts.

 
Antonyms: imagination

n

Definition: power to create in one's mind
Antonyms: being, entity, existence, material, reality, substance, truth


 
Literary Dictionary: imagination

imagination, the mind's capacity to generate images of objects, states, or actions that have not been felt or experienced by the senses. In the discussion of psychology and art prior to Romanticism, imagination was usually synonymous with fancy, and commonly opposed to the faculty of reason, either as complementary to it or as contrary to it. S. T. Coleridge's famous distinction between fancy and imagination in his Biographia Literaria (1817) emphasized the imagination's vitally creative power of dissolving and uniting images into new forms, and of reconciling opposed qualities into a new unity. This freely creative and transforming power of the imagination was a central principle of Romanticism.

 

Most directly, the faculty of reviving or especially creating images in the mind's eye. But more generally, the ability to create and rehearse possible situations, to combine knowledge in unusual ways, or to invent thought experiments. Coleridge was the first aesthetic theorist to distinguish the possibility of disciplined, creative use of the imagination, as opposed to the idle play of fancy. Imagination is involved in any flexible rehearsal of different approaches to a problem and is wrongly thought of as opposed to reason. It also bears an interesting relation to the process of deciding whether a projected scenario is genuinely possible. We seem able to imagine ourselves having been Napoleon, and unable to imagine space being spherical, yet further reflection may lead us to think that the first supposition is impossible and the second entirely possible.

 
Devil's Dictionary: imagination
A cynical view of the world by Ambrose Bierce


n.

A warehouse of facts, with poet and liar in joint ownership.


 
Word Tutor: imagination
pronunciation

IN BRIEF: n. - The forming of a mental picture of something that is not perceived as real and is not present to the senses; The ability to deal resourcefully with unusual problems; The ability to form mental pictures of things or events.

pronunciation Imagination is more important than knowledge. — Albert Einstein

 
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Quotes About: Imagination

Quotes:

"The Chinese pianist Liu Chi Kung was imprisoned for seven years during the Cultural Revolution, during which time he had no access to a piano. When he returned to giving concerts again after he was released, his playing was better than ever. Asked how this was possible since he had not practice for seven years, he replied: I did practice, every day. I rehearsed every piece I had ever played, note by note, in my mind." - Bernie Zilbergeld

"First have being in your mind. Make real in your mind then bring that being into reality. The genius is he who sees what is not yet and causes it to come to be." - Peter Nivio Zarlenga

"An idea is salvation by imagination." - Frank Lloyd Wright

"What you see is what you get." - Flip Wilson

"Imagination is a quality given a man to compensate him for what he is not, and a sense of humor was provided to console him for what he is." - Oscar Wilde

"Imagination and fiction make up more than three quarters of our life." - Simone Weil

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Wikipedia: imagination


Imagination is the ability to form mental images. It helps providing meaning to experience and understanding to knowledge; it is a fundamental facility through which people make sense of the world,[1][2][3] and it also plays a key role in the learning process.[1][4] A basic training for imagination is the listening to storytelling (narrative),[1][5] in which the exactness of the chosen words is the fundamental factor to 'evoke worlds'.[6]

It is accepted as the innate ability and process to invent partial or complete personal realms within the mind from elements derived from sense perceptions of the shared world.[citation needed] The term is technically used in psychology for the process of reviving in the mind percepts of objects formerly given in sense perception. Since this use of the term conflicts with that of ordinary language, some psychologists have preferred to describe this process as "imaging" or "imagery" or to speak of it as "reproductive" as opposed to "productive" or "constructive" imagination. Imagined images are seen with the "mind's eye".

One hypothesis for the evolution of human imagination is that it allowed conscious beings to solve problems (and hence increase an individual's fitness) by use of mental simulation.

Description

The common use of the term is for the process of forming in the mind new images which have not been previously experienced, or at least only partially or in different combinations. Some typical examples follow:

Imagination in this sense, not being limited to the acquisition of exact knowledge by the requirements of practical necessity, is, up to a certain point, free from objective restraints. The ability to imagine one's self in another person's place is very important to social relations and understanding. (Some psychiatrists suspect this is beyond the grasp of a sociopath. All they know is the gratification of personal pleasure).

In various spheres, however, even imagination is in practice limited: thus a man whose imaginations do violence to the elementary laws of thought, or to the necessary principles of practical possibility, or to the reasonable probabilities of a given case is regarded as insane.

The same limitations beset imagination in the field of scientific hypothesis. Progress in scientific research is due largely to provisional explanations which are constructed by imagination, but such hypotheses must be framed in relation to previously ascertained facts and in accordance with the principles of the particular science.

Imagination is an experimental partition of the mind used to create theories and ideas based on functions. Taking objects from real perceptions, the imagination uses complex IF-functions to create new or revised ideas. This part of the mind is vital to developing better and easier ways to accomplish old and new tasks. These experimented ideas can be safely conducted inside a virtual world and then, if the idea is probable, and the function is true, the idea can be actualized in reality. Imagination is the key to new development of the mind and can be shared with others, progressing collectively.

Imagination vs. belief

Imagination differs fundamentally from belief because the subject understands that what is personally invented by the mind does not necessarily impact the course of action taken in the apparently shared world while beliefs are part of what one holds as truths about both the shared and personal worlds. The play of imagination, apart from the obvious limitations (e.g. of avoiding explicit self-contradiction), is conditioned only by the general trend of the mind at a given moment. Belief, on the other hand, is immediately related to practical activity: it is perfectly possible to imagine oneself a millionaire, but unless one believes it one does not, therefore, act as such. Belief endeavours to conform to the subjects experienced conditions or faith in the possibility of those conditions; whereas imagination as such is specifically free. The dividing line between imagination and belief varies widely in different stages of technological development. Thus someone from a primitive culture who is ill frames an ideal reconstruction of the causes of his illness, and attributes it to the hostile magic of an enemy based on faith and tradition rather than science. In ignorance of the science of pathology the subject is satisfied with this explanation, and actually believes in it, sometimes to the point of death, due to what is known as the nocebo effect.

It follows that the learned distinction between imagination and belief depends in practice on religion, tradition, and culture.

Imagination as a reality

The world as experienced is actually an interpretation of data apparently arriving from the senses, as such it is perceived as real by contrast to most thoughts and imaginings. This difference is only one of degree and can be altered by several historic causes, namely changes to brain chemistry, hypnosis or other altered states of consciousness, meditation, many hallucinogenic drugs, and electricity applied directly to specific parts of the brain. The difference between imagined and perceived real can be so imperceptible as to cause acute states of psychosis. Many mental illnesses can be attributed to this inability to distinguish between the sensed and the internally created worlds. Some cultures and traditions even view the apparently shared world as an illusion of the mind as with the Buddhist maya or go to the opposite extreme and accept the imagined and dreamed realms as of equal validity to the apparently shared world as the Australian Aborigines do with their concept of dreamtime.

Imagination, because of having freedom from external limitations, can often become a source of real pleasure and unnecessary pain. A person of vivid imagination often suffers acutely from the imagined perils besetting friends, relatives, or even strangers such as celebrities. Also crippling fear can be seen as taking an imagined painful future too seriously.

Imagination can also produce some symptoms of real illnesses. In some cases, they can seem so "real" that specific physical manifestations occur such as rashes and bruises appearing on the skin, as though imagination had passed into belief or the events imagined were actually in progress. See, for example, psychosomatic illness and folie a deux.

It has also been proposed the the whole of human cognition is based upon imagination. That is, nothing that we perceive is purely observation but all is a morph between sense and imagination.

Imagination preceding reality

When two existing perceptions are combined within the mind the resultant third perception referred to as its synthesis and on occasion a fourth called the antithesis, which at that point only exists as part of the imagination, can often become the inspiration for a new invention or technique[citation needed].

Notes

  1. ^ a b c Norman 2000 pp.1-2
  2. ^ Brian Sutton-Smith 1988, p. 22
  3. ^ Archibald MacLeish 1970, p.887
  4. ^ Kieran Egan 1992, pp.50
  5. ^ Northrup Frye 1963, p. 49)
  6. ^ As noted by Giovanni Pascoli

References

  • Egan, Kieran (1992). Imagination in Teaching and Learning. Chicago: University of Chicago Press.
  • Frye, N. (1963). The Educated Imagination. Toronto: Canadian Broadcasting Corporation.
  • Norman, Ron (2000) Cultivating Imagination in Adult Education Proceedings of the 41st Annual Adult Education Research.
  • Sutton-Smith, Brian. (1988). In Search of the Imagination. In K. Egan and D. Nadaner (Eds.), Imagination and Education. New York, Teachers College Press.

A philosopher for whom imagination is a central concept is John Sallis. See in particular:

  • John Sallis, Force of Imagination: The Sense of the Elemental (2000)
  • John Sallis, Spacings—Of Reason and Imagination. In Texts of Kant, Fichte, Hegel (1987)

See also


 
Translations: Translations for: Imagination

Dansk (Danish)
n. - fantasi, indbildning, forestilling

idioms:

  • capture one's imagination    fange ens opmærksomhed
  • stretch one's imagination    med fantasiens hjælp, med lidt god vilje

Nederlands (Dutch)
fantasie, verbeel- ding (skracht) tot de verbeelding spreken stof tot nadenken geven

Français (French)
n. - imagination

idioms:

  • capture one's imagination    captiver l'imagination de qn
  • stretch one's imagination    faire un effort d'imagination

Deutsch (German)
n. - Phantasie

idioms:

  • capture one's imagination    jmds. Interesse fesseln
  • stretch one's imagination    viel Phantasie aufbringen

Ελληνική (Greek)
n. - φαντασία

idioms:

  • capture one's imagination    εξάπτω τη φαντασία
  • stretch one's imagination    βάζω τη φαντασία μου να δουλέψει

Italiano (Italian)
immaginazione

idioms:

  • capture one's imagination    catturare l'immaginazione di
  • stretch one's imagination    forzare la fantasia

Português (Portuguese)
n. - imaginação (f)

idioms:

  • capture one's imagination    atrair o interesse
  • stretch one's imagination    forçar a imaginação

Русский (Russian)
воображение

idioms:

  • capture one's imagination    пленить чье-то воображение
  • stretch one's imagination    заходить далеко в своем воображении

Español (Spanish)
n. - imaginación, fantasía, inventiva

idioms:

  • capture one's imagination    captar el interés de uno
  • stretch one's imagination    esforzar la imaginación

Svenska (Swedish)
n. - fantasi, inbillning

中文(简体) (Chinese (Simplified))
想像力, 空想, 创造力, 妄想

idioms:

  • capture one's imagination    使...为之神往
  • stretch one's imagination    发挥...想像力

中文(繁體) (Chinese (Traditional))
n. - 想像力, 空想, 創造力, 妄想

idioms:

  • capture one's imagination    使...為之神往
  • stretch one's imagination    發揮...想像力

한국어 (Korean)
n. - 상상, 마음, 상상의 산물

日本語 (Japanese)
n. - 想像, 想像力, 創作力, 心, 想像の所産, 空想

العربيه (Arabic)
‏(الاسم) تخيل, خيال يستحوذ على مخيلته يسرح بخياله بعيدا‏

עברית (Hebrew)
n. - ‮דמיון, כוח היצירה של המוח‬


 
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Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2007. Published by Houghton Mifflin Company. All rights reserved.  Read more
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Literary Dictionary. The Concise Oxford Dictionary of Literary Terms. Copyright © Chris Baldick 2001, 2004. All rights reserved.  Read more
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