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- Artist: Frank Sinatra
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- Release Date: 1954 03 01-1955 03 04
- Total Time: 48:41
- Genre: Vocal Music
| Album Review: In the Wee Small Hours |
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| Wikipedia: In the Wee Small Hours |
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| In the Wee Small Hours | ||||
|---|---|---|---|---|
| Studio album by Frank Sinatra | ||||
| Released | 1955 | |||
| Recorded | March 1, 1954–March 4, 1955, KHJ Studios, Hollywood | |||
| Genre | Vocal Jazz, Classic pop | |||
| Length | 48:41 | |||
| Label | Capitol Records | |||
| Producer | Voyle Gilmore | |||
| Professional reviews | ||||
| Frank Sinatra chronology | ||||
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In the Wee Small Hours (original issue: Capitol W-581) is an album by Frank Sinatra with arrangements by Nelson Riddle, released in 1955. It is with this album that Sinatra perfected the concept album, fully realizing the ideas he had been grappling with in record presentation going all the way back to The Voice from 1946. It remains one of the most celebrated and enduring concept albums that Sinatra put out during the 1950s.
Contents |
The album was his first full 12-inch LP, and more importantly it contained a set of songs specifically recorded for the album, which had not always been true of his previous 10-inch records; further, albums at the time were generally randomly compiled collections of a performer's hits rather than deliberately sequenced and selected.[1] In the Wee Small Hours used only ballads, organized around a central mood of late-night isolation and aching lost love (supposedly due to his separation from Ava Gardner). The sequence is triggered by the morose opening title track, which had just been written, and then is followed up by a selection of pop standards, each effectively arranged in a restrained, mellow manner, either for a small ensemble or brooding strings (often highlighted by woodwinds or a celesta.) The album cover, now considered a classic, directly reinforced the overall theme, featuring a pensive Sinatra set against the backdrop of a deserted and eerie night-time streetscape.
In 2003, the album was ranked number 100 on Rolling Stone magazine's list of the 500 greatest albums of all time. The album is also the first album reviewed in the book 1001 Albums You Must Hear Before You Die by Robert Dimery. In 2007, Time Magazine selected it as one of The All-TIME 100 Albums[2]
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