n.
- A black pigment made from lampblack mixed with a binding agent and molded into cakes or sticks.
- A liquid ink made from this pigment. Also called Chinese ink.
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| Notes on Drama: Indian Ink |
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Tom Stoppard 1994
Tom Stoppard is a leading British playwright of the twentieth century. His two-act play Indian Ink(1994) is based on his earlier radio play In the Native State and was first performed in London in 1995.
Indian Ink takes place in two different locations and time periods: India in 1930, during the struggle for national independence from British colonial rule, and England in the mid-1980s. The action shifts back and forth between these two settings without major set changes or clearly indicated transitions. The action in India concerns Flora Crewe, a British poetess, whose portrait is being painted by an amateur Indian artist. The action in England concerns the efforts of a scholar of Flora Crewe’s work to gather information for a biography. Flora’s surviving younger sister, Mrs. Swan, is visited first by this English scholar, and then by the son of the Indian artist. The central enigma is the question of whether or not the Indian artist painted a nude portrait of Flora, and whether or not the two had an “erotic relationship.”
This play is concerned primarily with the historical and cultural struggles in India to gain independence from British Imperial rule. Indian and English characters discuss their differing perspectives on the history and meaning of British colonization of India. The play addresses themes of Empire, cultural imperialism, and nationalism.
| WordNet: India ink |
The noun has one meaning:
Meaning #1:
a black liquid ink used for printing or writing or drawing
Synonym: drawing ink
| Wikipedia: India ink |
India ink (or Indian ink in British English), or less commonly called Chinese ink since it may have been first developed in either India or China, is a simple black ink once widely used for writing and printing, and now more commonly used for drawing, especially when inking comics and comic strips. Indian ink tends to clog fountain pens if not used for long time; it then becomes necessary to use water to unclog it. An exception to this is Pelikan Fount India, which does not contain shellac, the substance which causes clogging.
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Indian ink has been in use in India since at least the 4th century BC, where it was called masi (Tamil: மசி), an admixture of several substances.[1] Indian documents written in Kharosthi with this ink have been unearthed in as far as Xinjiang, China.[2] The practice of writing with ink and a sharp pointed needle was common practice since antiquity in South India.[3] Several ancient Jain sutras in India were also compiled in ink.[4] In India, the carbon black from which India ink is formulated was obtained indigenously by burning bones, tar, pitch, and other substances.[5]
Mark Gottsegen argues however that India ink was first invented in China, although he attributes the source of the carbon pigment used in the ink to India.[6] He states that the traditional Chinese method of making the ink was to grind a mixture of hide glue, carbon black, lampblack, and bone black pigment with a pestle and mortar before pouring it into a ceramic dish where it could dry.[6] In order to use the dry mixture, a wet brush would be applied until it reliquified.[6] Joseph A. Smith also argues that India ink was first invented in China, but used lampblack, carbon black, and bone black that originated in India.[7] Michael and Mary Woods assert that the process of making India ink was known in China as far back as the middle of the 3rd millennium BC, during Neolithic China.[8] However studies by E-tu Zen Sun and Shiou-chuan Sun show that India ink was first used in China by Wei Dan (also known as Wei Zhongjiang) of the Cao Wei state (220–265 AD).[9]
The Chinese had used India ink derived from pine soot prior to the 11th century AD, when the polymath official Shen Kuo (1031–1095) of the mid Song Dynasty became troubled by deforestation (due to the demands of charcoal for the iron industry) and desired making ink from a source other than pine soot. He believed that petroleum (which the Chinese called 'rock oil') was produced inexhaustibly within the earth and so decided to make an ink from the soot of burning petroleum, which the later pharmacologist Li Shizhen (1518–1593) wrote was as lustrous as lacquer and was superior to pine soot ink.[10][11][12][13]
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