
n.
A wave phenomenon sharing the physical nature of sound but with a range of frequencies below that of human hearing.
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American Heritage Dictionary:
in·fra·sound |

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McGraw-Hill Science & Technology Encyclopedia:
Infrasound |
Sound waves, particularly in the atmosphere, whose frequencies of pressure variation and of vibration are below the audible range, that is, lower than about 20 Hz. Earthquake and seismic waves are elastic waves which occur at infrasonic frequencies in the Earth's crust and in the oceans and seas. The physical laws of propagation in the atmosphere are essentially the same as for audible sound. The local speed of infrasound in air at ambient temperatures near 20°C (68°F) is about 340 m/s (1115 ft/s), the same as for audible sound.
At frequencies less than about 1.0 Hz, infrasound propagates through the atmosphere for distances of thousands of kilometers without substantial loss of energy. Sounds at these frequencies are almost always present at measurable intensities. Those of natural origin have many causes, including tomadoes, volcanic explosions, earthquakes, the aurora borealis, waves on the seas, large meteorites, and lightning discharges. When the wind blows, turbulent pressure fluctuations in the atmosphere occur at amplitudes up to tens of pascals, at infrasonic frequencies. People are unaware of these pressures via the sensation of hearing.
Sufficiently strong infrasound is “audible,” contrary to simple acoustic tradition. The threshold sound pressure level (the least intensity for audibility) is about 92 dB at 16 Hz, and increases 12 dB per octave to about 140 dB at 1.0 Hz. However, there is no sensation of tone. Listeners variously describe audible infrasound as pumping, popping effect, or chugging. For vibration at very low frequencies, motion sickness of people in boats must have been one of the earliest noticeable effects. The human body is particularly sensitive to vibrations and infrasound near 7 Hz, at which frequency there is an overall mechanical resonance of organs in the abdominal and chest cavities. See also Atmospheric acoustics; Sound.
McGraw-Hill Dictionary of Architecture & Construction:
infrasound |
Acoustic oscillations having a frequency below the low-frequency limit (approximately 16 Hz) of audible sound.
Wikipedia on Answers.com:
Infrasound |
Infrasound is sound that is lower in frequency than 20 Hz (Hertz) or cycles per second, the "normal" limit of human hearing. Hearing becomes gradually less sensitive as frequency decreases, so for humans to perceive infrasound, the sound pressure must be sufficiently high. The ear is the primary organ for sensing infrasound, but at higher levels it is possible to feel infrasound vibrations in various parts of the body.
The study of such sound waves is sometimes referred to as infrasonics, covering sounds beneath 20 Hz down to 0.001 Hz. This frequency range is utilized for monitoring earthquakes, charting rock and petroleum formations below the earth, and also in ballistocardiography and seismocardiography to study the mechanics of the heart. Infrasound is characterized by an ability to cover long distances and get around obstacles with little dissipation.
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Infrasound was used by the allies of World War I to locate artillery.[1] One of the pioneers in infrasonic research was French scientist Vladimir Gavreau, born in Russia as Vladimir Gavronsky.[2] His interest in infrasonic waves first came about in his lab during the 1960s, when he and his lab assistants experienced pain in the ear drums and shaking lab equipment, but no audible sound was picked up on his microphones. He concluded it was infrasound caused by a large fan and duct system and soon got to work preparing tests in the labs. One of his experiments was an infrasonic whistle, an oversized organ pipe.[3][4][5]
Infrasound sometimes results naturally from severe weather, surf,[6] lee waves, avalanches, earthquakes, volcanoes, bolides,[7] waterfalls, calving of icebergs, aurorae, lightning and upper-atmospheric lightning.[8] Nonlinear ocean wave interactions in ocean storms produce pervasive infrasound vibrations around 0.2 Hz, known as microbaroms.[9] Infrasound can also be generated by man-made processes such as sonic booms and explosions (both chemical and nuclear), by machinery such as diesel engines and older designs of down tower wind turbines and by specially designed mechanical transducers (industrial vibration tables) and large-scale subwoofer loudspeakers[10] such as rotary woofers. The Comprehensive Nuclear-Test-Ban Treaty Organization Preparatory Commission uses infrasound as one of its monitoring technologies (along with seismic, hydroacoustic, and atmospheric radionuclide monitoring).
Whales, elephants,[11] hippopotamuses,[12] rhinoceros,[13][14] giraffes,[15] okapi,[16] and alligators are known to use infrasound to communicate over distances—up to hundreds of miles in the case of whales. In particular, the Sumatran Rhinoceros has been shown to produce sounds with frequencies as low as 3 Hz which have similarities with the song of the humpback whale.[14] The roar of the tiger contains infrasound of 18 Hz and lower,[17] and the purr of felines is reported to cover a range of 20 to 50 Hz.[18][19][20] It has also been suggested that migrating birds use naturally generated infrasound, from sources such as turbulent airflow over mountain ranges, as a navigational aid.[21] Elephants, in particular, produce infrasound waves that travel through solid ground and are sensed by other herds using their feet, although they may be separated by hundreds of kilometres.
Animals have been known to perceive the infrasonic waves going through the earth by natural disasters and can use these as an early warning. A recent example of this is the 2004 Indian Ocean earthquake and tsunami. Animals were reported to flee the area hours before the actual tsunami hit the shores of Asia.[22][23] It is not known for sure if this is the exact reason, as some have suggested that it was the influence of electromagnetic waves, and not of infrasonic waves, that prompted these animals to flee.[24]
Infrasound may also be used for long-distance communication in African elephants.[25] These calls range from 15–35 Hz and can be as loud as 117 dB, allowing communication for many kilometres, with a possible maximum range of around 10 km (6 mi).[26] These calls may be used to coordinate the movement of herds and allow male elephants to find mates.
Twenty Hz is considered the normal low frequency limit of human hearing. When pure sine waves are reproduced under ideal conditions and at very high volume, a human listener will be able to identify tones as low as 12 Hz.[27] Below 10 Hz it is possible to perceive the single cycles of the sound, along with a sensation of pressure at the eardrums.
The dynamic range of the auditory system decreases with decreasing frequency. This compression can be seen in the equal-loudness-level contours, and it implies that a slight increase in level can change the perceived loudness from barely audible to loud. Combined with the natural spread in thresholds within a population, it may have the effect that a very low frequency sound which is inaudible to some people may be loud to others.
One study has suggested that infrasound may cause feelings of awe or fear in humans. It was also suggested that since it is not consciously perceived, it can make people feel vaguely that supernatural events are taking place.[28]
The infrasound and low-frequency noise produced by some wind turbines is believed by some[who?] to cause "wind-turbine syndrome" (headaches, dizziness, nausea)[citation needed] in humans and other animals close[clarification needed] to the turbines, although there are "mixed opinions on whether wind turbines emit infrasound and if the amount is any more than that emitted by diesel engines or waves crashing on the beach."[29]
On May 31, 2003, a team of UK researchers held a mass experiment where they exposed some 700 people to music laced with soft 17 Hz sine waves played at a level described as "near the edge of hearing", produced by an extra-long-stroke subwoofer mounted two-thirds of the way from the end of a seven-meter-long plastic sewer pipe. The experimental concert (entitled Infrasonic) took place in the Purcell Room over the course of two performances, each consisting of four musical pieces. Two of the pieces in each concert had 17 Hz tones played underneath. In the second concert, the pieces that were to carry a 17 Hz undertone were swapped so that test results would not focus on any specific musical piece. The participants were not told which pieces included the low-level 17 Hz near-infrasonic tone. The presence of the tone resulted in a significant number (22%) of respondents reporting anxiety, uneasiness, extreme sorrow, nervous feelings of revulsion or fear, chills down the spine and feelings of pressure on the chest.[30][31] In presenting the evidence to British Association for the Advancement of Science, Professor Richard Wiseman said, "These results suggest that low frequency sound can cause people to have unusual experiences even though they cannot consciously detect infrasound. Some scientists have suggested that this level of sound may be present at some allegedly haunted sites and so cause people to have odd sensations that they attribute to a ghost—our findings support these ideas."[28]
Research by Vic Tandy, a lecturer at Coventry University, suggested that an infrasonic signal of 19 Hz might be responsible for some ghost sightings. Tandy was working late one night alone in a supposedly haunted laboratory at Warwick, when he felt very anxious and could detect a grey blob out of the corner of his eye. When Tandy turned to face the grey blob, there was nothing.
The following day, Tandy was working on his fencing foil, with the handle held in a vise. Although there was nothing touching it, the blade started to vibrate wildly. Further investigation led Tandy to discover that the extractor fan in the lab was emitting a frequency of 18.98 Hz, very close to the resonant frequency of the eye given as 18 Hz by NASA.[32] This was why Tandy had seen a ghostly figure—it was an optical illusion caused by his eyeballs resonating. The room was exactly half a wavelength in length, and the desk was in the centre, thus causing a standing wave which caused the vibration of the foil.[33]
Tandy investigated this phenomenon further and wrote a paper entitled The Ghost in the Machine.[34] Tandy carried out a number of investigations at various sites believed to be haunted, including the basement of the Tourist Information Bureau next to Coventry Cathedral[35][36] and Edinburgh Castle.[37][38]
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