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Iphigeneia in Tauris

Iphigeneia in Tauris (the Latin title, meaning ‘Iphigeneia among the Taurians’; Gk. Īphigeneia hē en Taurois), Greek tragedy by Euripides, produced probably a little before 412 BC. The play deals with that part of the legend of Iphigeneia which relates to her life in the land of the Tauri as the priestess of Artemis. The heroine is represented as a woman who has long brooded over her grievances, bitter against the Greeks who sought to murder her, but longing for home. The coming of Greeks to the Tauric Chersonese (Crimea) for the first time during her priesthood and the discovery that she is required to sacrifice her own brother arouse her natural affections. A plan of escape is devised. Thoās, king of the Tauri, is fooled; Iphigeneia, Orestes, and Pylades escape with the image of the goddess.

 
 
Wikipedia: Iphigeneia in Tauris
For the reworking of 'Iphigeneia in Tauris' by Goethe, see Iphigenia in Tauris (Goethe). For the operatic adaptation by Christoph Willibald Gluck, see Iphigénie en Tauride.


Iphigeneia in Tauris

Strutt_Iphigenia.jpg
Orestes and Pylades brought before Iphigenia by Joseph Strutt

Written by Euripides
Chorus Greek Slave Women
Characters Iphigeneia
Orestes
Pylades
King Thoas
Athena
herdsman
servant
Setting Tauris, a region of Scythia in the northern Black Sea

Iphigeneia in Tauris (in Greek: Iφιγένεια ἡ ἐν Ταύροις) is a drama by the playwright Euripides, written sometime between 414 BC and 412 BC. It bears much in common with another of Euripides' plays, Helen, and is often described as a romance, a melodrama, or an escape play.

Background

Years before, the young princess Iphigeneia narrowly avoided death by sacrifice at the hands of her father, Agamemnon (see plot of Iphigeneia at Aulis). At the last moment, the goddess Artemis (to whom the sacrifice was to be made) intervened and replaced Iphigeneia on the altar with a deer, saving the girl and sweeping her off to Tauris. She has been made a priestess at the temple of Artemis in Tauris, a position in which she has the gruesome task of ritually sacrificing foreigners who land on King Thoas' shores.

Iphigeneia hates her forced religious servitude in Tauris, and she is desperate to contact her family in Greece, inform them that she is still alive, thanks to the miraculous swap performed by Artemis, and return to her homeland, leaving the role of high priestess to someone else. Furthermore, she has had a prophetic dream about her younger brother Orestes and believes, based on it, that he is dead.

Meanwhile, Orestes has killed his mother Clytemnestra to avenge his father Agamemnon with assistance from his friend Pylades. He becomes haunted by the Erinyes for committing the crime, and goes through periodic fits of madness. He is told by Apollo to go to Athens to be brought to trial (portrayed in Eumenides by Aeschylus). The trial ends in his favor, however the Erinyes continue to haunt him. So Apollo sends him to steal a sacred statue of Artemis to bring back to Athens, and then he would be set free.

Plot

Contrary to Iphigeneia's dream, Orestes is alive and well and on his way to Tauris with Pylades to steal the sacred statue. They have no idea that Iphigeneia is there. Not surprisingly, they are captured by Taurian guards and brought to the temple to be killed, as is customary.

Iphigeneia and Orestes discover each other's identities, and together they devise a plan to escape. Iphigeneia tells King Thoas that the statue of Artemis has been spiritually polluted due to her brother's matricide. She advises Thoas to let the two foreigners cleanse the sacred idol in the sea to remove the dishonor she has brought upon it as its keeper. The three Greeks use this as an opportunity to escape on Orestes' and Pylades' ship, bringing the statue with them. Thoas vows to pursue and kill the three escapees, but he is stopped by the goddess Athena, who appears at the end to give instructions to the characters.

Translations

Euripides_close_up.jpg Plays by Euripides

 
 

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Classical Literature Companion. The Concise Oxford Companion to Classical Literature. Copyright © 1993, 2003 by Oxford University Press. All rights reserved.  Read more
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