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Irving Fazola

 
Artist: Irving Fazola
  • Born: December 10, 1912, New Orleans, LA
  • Died: March 20, 1949, New Orleans, LA
  • Active: '30s, '40s
  • Genres: Jazz
  • Instrument: Clarinet
  • Representative Albums: "Faz: 1936-1945 Recordings," "New Orleans Express," "Mostly Faz: 1936-1946"

Biography

A great clarinetist, particularly skilled at counterpoint and playing the blues. Irving Fazola began to study C-melody sax and clarinet at 13, and performed in New Orleans with Candy Candido, Louis Prima, Sharkey Bonano, and Armand Hug before joining Ben Pollack in 1935. He went north with Pollack's orchestra in 1936. During the late '30s and '40s, Fazola returned periodically to New Orleans, while playing with a number of big bands. These included Augie Schellang, Gus Arnheim, Glenn Miller, Pollack, Bob Crosby, Jimmy McPartland, Tony Almerico, Claude Thornhill, Muggsy Spanier, Teddy Powell, and Horace Heidt. He resettled in New Orleans after 1943 due to poor health, ad played with various small groups as well as reuniting with Almerico and both Leon and Louis Prima. ~ Ron Wynn, All Music Guide
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Irving Fazola (10 December 191220 March 1949) was an American jazz clarinetist.

Biography

Fazola or Faz was born in New Orleans, Louisiana as Irving Henry Prestopnik. He got the nickname Fazola from his childhood skill at Solfege ("Fa-Sol-La"). He decided to use the nickname as his family name, and many fellow musicians were unaware that Fazola was not his birth name. Many people feel that he adopted the name "Fazola" from Louis Prima, when Faz toured with him. Prima would tell Faz that he was "Fazola" Italian for "Beans". That being Jazz talk for being cool.

Influenced early on by Leon Roppolo, who Fazola continued to idolize throughout his life, Fazola was playing professionally by age 15. In his home city of New Orleans he worked with such bandleaders as Candy Candido, Louis Prima, Sharkey Bonano, Armand Hug, and Ellis Stratakos.

When the touring Ben Pollack band came through New Orleans in 1935 Fazola joined the band and toured the country and played residencies in New York City and Chicago with them. After brief stints with Gus Arnheim, Glenn Miller and time back in New Orleans he joined the Bob Crosby band in 1938. His work with Crosby brought him national fame. He ranked first in the Down Beat polls of 1940 and 1941 as the top hot clarinetist, winning out over such other greats as Benny Goodman, Artie Shaw, and Edmond Hall.

It is clear, listening to Fazola's mature style in the late 1930's ("My Inspiration" with the Bob Crosby Orchestra, for instance), that his main influence by then was Jimmie Noone.

After leaving Crosby's band two years later he alternated between playing with various groups in New York, Chicago, and New Orleans (including a stint with George Brunies at the Famous Door) before returning to New Orleans for good in 1943. While some of his fellow musicians urged Fazola that greater fame and fortune awaited him in the big cities up north, Fazola said he was more comfortable in his home town with its wonderful food (which he ate in great quantities, becoming ever more obese).

In New Orleans he had a radio show on WWL, sometimes led his own band, and worked with bandleaders Tony Almerico and Louis Prima. His playing was a major influence on Pete Fountain. A young Pete Fountain sat in for Faz after he died. Pete Fountain has Faz's clarinet, but says that the odor of garlic that comes from the horn when it warms up makes it virtually impossible to play even after having been reconditioned by the factory.

Irving Fazola died of a heart attack in New Orleans.


 
 
Learn More
The 1930's: The Big Bands (1987 Album by Ben Pollack)
On the Air (1940 Album by Bob Crosby & His Orchestra)
Salutes the Great Clarinetists (1960 Album by Pete Fountain)

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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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