Albertson, Jack (1907–1981), character actor. The tall, thin performer was born in Malden, Massachusetts, and went into vaudeville as a song‐and‐dance man, also working as a burlesque comic. Albertson made his Broadway debut in 1940 in the revue Meet the People and went on to perform in other revues and in secondary roles in plays. Acting in movies from 1938 and much later as a star on television, he didn't find himself in a stage hit until the 1964 drama The Subject Was Roses, in which he portrayed the troubled father of a returning war vet. His other memorable Broadway part was the cranky old vaudevillian Willie Clark in The Sunshine Boys (1972).
Career Highlights: Willy Wonka and the Chocolate Factory, The Subject Was Roses, The Flim-Flam Man
First Major Screen Credit: Top Banana (1954)
Biography
On stage from his teens (as part of the "Dancing Verselle Sisters" troupe), Jack Albertson worked in almost any form of live entertainment you could name: vaudeville, burlesque, legitimate stage, even opera. For two years he was straight man to comedian Phil Silvers on the Minsky's Burlesque Circuit, carrying over this partnership in Silvers' hit Broadway musicals High Button Shoes (1947) and Top Banana (1953). Albertson began taking bit roles in films in 1938; among his many fleeting film parts was the postal worker who redirected all of Santa Claus' mail to the New York Courthouse in Miracle on 34th Street (1947). On television, Albertson was a frequent guest star on the Burns and Allen Show and had regular roles on The Thin Man (1957-59) and Ensign O'Toole (1963). He also co-starred with Sam Groom on the 1971 syndicated series Dr. Simon Locke--at least until angrily walking off the series due to its severe budget deficiencies. Albertson became an "overnight success" with his portrayal of Martin Sheen's taciturn father in the 1964 Broadway play The Subject Was Roses, which earned him a Tony Award; he repeated the role in the 1968 film version, winning an Oscar in the process. Albertson added a pair of Emmies to his shelf for his performance as crotchety garage owner Ed Brown on the TV sitcom Chico and the Man (1974-77), and for his guest appearance on a 1975 episode of the variety series Cher. Jack Albertson was the brother of character actress Mabel Albertson. ~ Hal Erickson, All Movie Guide
Albertson was born in Malden, Massachusetts, the son of Russian-born Jewish immigrants Flora Craft and Leopold Albertson.[2][3] His sister was actress Mabel Albertson. Albertson's mother, a stock actress, supported the family by working in a shoe factory.[2] Albertson dropped out of high school and traveled to New York City in an attempt to make it big in show business. He was too poor to get a room in a flophouse, so in the winter he would sleep on the IRTsubway for a nickel, and hide out when the transit workers would clear out the train at the end of the line. In the summer he would sleep in Central Park. Albertson's first real job in show business was with a vaudeville road troupe, the Dancing Verselle Sisters. He was considered a complete entertainer from the old school.
Albertson was a radio performer and for a time a regular on the Milton Berle show in the late 1940s.
Television
Television also saw much of Albertson's talent. He appeared in dozens of series, including recurring roles in Dean Jones's NBC series Ensign O'Toole from 1962-1963 and Jack Sheldon's short-lived Run, Buddy, Run on CBS in 1966. He starred in Chico and the Man, for which Albertson won an Emmy, making him one of the few entertainers to win the triple crown of visual entertainment (a Tony, an Oscar, and an Emmy). He guest starred in such series as NBC's Happy starring Ronnie Burns, the syndicated State Trooper starring Rod Cameron, ABC's Bus Stop, which aired in the 1961-1962 season and on CBS's Glynissitcom/drama combination, starring Glynis Johns and Keith Andes, which aired for thirteen weeks in the fall of 1963.
Personal life and death
He resided for years in West Hollywood, California. In 1978, he was diagnosed with colorectal cancer, but kept this information private so he could continue to act. He made two television movies, My Body, My Child (1982) and Grandpa, Will You Run With Me? (1982), which were released posthumously.