Born: Sep 18, 1914 in Great Yarmouth, Norfolk, England
Died: Apr 22, 2009
Occupation: Cinematographer, Director, Writer, Actor
Active: '30s-'80s
Major Genres: Drama, Adventure
Career Highlights: The Red Shoes, A Matter of Life and Death, The Four Feathers
First Major Screen Credit: The Last Days of Pompeii (1935)
Biography
A movie child star at age four, Briton Jack Cardiff acted opposite such visiting American talent as Will Rogers, Adolphe Menjou and Dorothy Gish. Outgrowing his cuteness at 14, Cardiff determined to stay in the film business, and to that end secured a lower-rung job as tea boy at Elstree's British International Studios. He was listed as "fourth assistant director" on the 1929 version of The Informer, though his responsibilities were more of the "gopher" variety. Fascinated with the mechanics of cinematography, Cardiff was camera operator on the first Technicolor film ever made in England, Wings of the Morning (1937). He continued turning out first-rate color and black-and-white camerawork for the Rank Organisation into the 1940s; his finest work in the three-strip Technicolor process can be seen in the indescribably gorgeous Powell/Pressburger productions Black Narcissus (1948) and The Red Shoes (1948). After serving as director of photography for such well-received 1950s films as John Huston's The African Queen (1951) and Joseph L. Mankiewicz' The Barefoot Contessa (1954), Cardiff felt himself sufficiently experienced to begin a directing career. Beginning modestly with Intent to Kill (1958), Cardiff directed such laudable efforts as Sons and Lovers (1960), The Lion (1963) and Dark of the Sun (1968); he also had the dubious honor of filming the first (and last) "Smell-o-vision" epic, Scent of Mystery. At age 55, Cardiff retired to Switzerland, but was coerced back to filmmaking by Kirk Douglas to direct Douglas' Scalawag (1972). Jack Cardiff retired for keeps after 1976's Ride a Wild Pony. He died in 2009 at the age of 94. ~ Hal Erickson, All Movie Guide
His career spanned the development of cinema, from silent film, through early experiments in Technicolor to filmmaking in the 21st century. He was best known for his influential colour cinematography for directors such as Powell, Huston and Hitchcock.
In 2000 he was awarded an OBE and in 2001 he was awarded an Honorary Oscar for his contribution to the cinema.
Cardiff was born in Great Yarmouth, Norfolk, and his parents were music hall entertainers. He worked as an actor from an early age, both in the music hall and in a number of silent films: My Son, My Son (1918), Billy's Rose (1922), The Loves of Mary, Queen of Scots (1923) and Tiptoes (1927). At 15 he began working as a camera assistant, clapper boy and production runner for British International Pictures, including Hitchcock's The Skin Game (1931).
Cinematography
In 1935, Cardiff graduated to camera operator and occasional cinematographer, working mostly for London Films. He was the first to shoot a film in Britain in Technicolor: Wings of the Morning (1937). When the war began he worked as a cinematographer on public information films.