Best Known As: Felix Ungar in the movie The Odd Couple
Name at birth: John Uhler Lemmon III
A two-time Oscar winner, Jack Lemmon often played struggling underdogs like the neurotic Felix Ungar in the 1968 movie The Odd Couple. Lemmon attended Harvard and turned to acting after serving in the Navy. He appeared in dozens of high-profile films over 50 years, including the Billy Wilder comedies Some Like It Hot (1959, with Marilyn Monroe and Tony Curtis), The Apartment (1960, with Shirley MacLaine) and Irma La Douce (1963, also with MacLaine). He has also proved himself in dramas, including The Days of Wine and Roses (1962), Missing (1982), and Glengarry Glen Ross (1992, with Alec Baldwin). Lemmon won a best supporting actor Oscar as the scheming Ensign Pulver in Mister Roberts (1955, his best-known role until Felix Unger), and won the best actor award for the 1973 drama Save the Tiger. In The Odd Couple he teamed up with Walter Matthau, his collaborator on many other projects, including The Fortune Cookie (1966), Grumpy Old Men (1993) and Out to Sea (1997).
Lemmon produced the 1967 Paul Newman film Cool Hand Luke... He played many times in the annual pro-am golf tournament at Pebble Beach, often paired with pro Peter Jacobsen; Lemmon's futile attempts to make the tournament cut became a good-natured annual story... On the Odd Couple TV series, Felix and Oscar were played by Tony Randall and Jack Klugman; in the original Broadway show they were played by Matthau and Art Carney... In 1998, actor Ving Rhames handed his own Golden Globe for acting to Lemmon, in what became a famous awards-ceremony moment.
Lemmon, Jack (1925–2001), actor. The much‐lauded film star, equally adept in both comedies and dramas, worked in the New York theatre as a struggling actor then returned years later as a star. He was born in Boston and educated at prep school and at Harvard before joining the Navy, making his Manhattan stage bow in 1953 and his film debut the next year. Lemmon gave superb stage performances as the charming PR man Scotty Templeton in Tribute (1978) and the family patriarch James Tyrone in A Long Day's Journey Into Night (1986).
For more than four decades, whether working in comedy or tragedy, actor Jack Lemmon (1925-2001) epitomized the joys and travails of Americans in the latter half of the 20th century. Noted as one of the most versatile U.S. film actors of his generation, Lemmon gave numerous memorable performances in theater, film, and television, greatly influencing a later generation of actors.
Actor Jack Lemmon was born in the Boston suburb of Newton, Massachusetts, on February 8, 1925 - legend has it that he was actually born in the hospital elevator. The son of a successful businessman, Lemmon grew up under the expectation that he would follow his father into the bakery business. He was educated at Andover Academy and by the time he graduated from Harvard University he was thoroughly bitten by the acting bug, having acted in summer stock and in some of Harvard's Hasty Pudding productions. In a 1990 interview in the Independent Mark Steyn quoted Lemmon's account of how he broke the news of his aspiration to be an actor to his father after graduating from Harvard University in 1947: "'Pop, can you lend me 300 bucks so I can go to New York and see if I can get in the theatre?' He said, 'Eugh - acting. Do you really love it?' I said I did, and he said, 'Okay, good. Because when the day comes that I don't find romance in a loaf of bread, I'll quit.' Boy, that came in handy during the terrible dry periods. Then I remembered, well, I do love it, like he loved what he did." Lemmon's initial show business job in New York involved playing piano in the Old Knickerbocker Music Hall on Second Avenue as an accompanist to the silent films of Charlie Chaplin and Buster Keaton. He also performed in skits there and tended bar, among other tasks. During his early years in the business he continued doing summer stock.
Made Break into New Medium of Television
In late 1949 Lemmon appeared in a television series, That Wonderful Guy, along with Cynthia Stone, whom he later married. The series was canceled after 17 weeks, but Lemmon soon landed a job as master of ceremonies on a talent show named Toni Twin Time, where he received mixed reviews as an MC. When the show was canceled he and Stone found work on an improvisation show called TheAd Libbers. After that show was canceled Lemmon and Stone were paired once again, this time in a continuing 15-minute segment in which they played a young married couple. For the two, art mirrored life, as they had married on May 7, 1952. In 1952 Lemmon and Stone were cast in yet another situation comedy, Heaven for Betsy, which was panned by the critics.
By the early 1950s Lemmon, who now worked regularly in television, landed a part in the Broadway revival of Room Service, a hit play from the 1930s. Lemmon's Broadway debut was not so fortunate; this time around. Room Service closed after 18 performances, leaving Lemmon undaunted by the show's generally poor reviews. For one thing, he received valuable experience and exposure; for another, Hollywood literally beckoned him. He signed a seven-year nonexclusive contract with Columbia Pictures that required him to do two films a year, with a studio option for a third. Unfortunately, as his career moved forward his marriage with Stone steadily declined.
Lemmon's first film for Columbia was It Should Happen to You, which starred Academy Award-winner Judy Holliday and was directed by George Cukor. In it Lemmon plays a struggling documentary filmmaker. The film was successful and Lemmon caught the attention of the critics. In his second film, Phfft, he was again paired with Holliday. By this time he had reconciled with Stone, and the couple now relocated to California. In 1954 their son Christopher was born. Lemmon next had a small role in My Sister Eileen, but it was his fourth film that marked his entrance into the Hollywood pantheon.
First Academy Award
Lemmon's real breakthrough in movies came when legendary director John Ford literally handed him the role of Ensign Pulver in the film Mister Roberts. Based on the successful play, the film starred veteran actors Henry Fonda, James Cagney, William Powell, and Ward Bond, but it was Lemmon's performance as the laundry and morale officer Pulver that truly shone. This performance earned Lemmon an Academy Award for best supporting actor in 1955 and proved to the film world that he was a talent to be reckoned with. Unfortunately his increasing work schedule and his growing fame as a result of Mister Roberts took their toll on Lemmon's marriage. Soon after receiving the best supporting actor award, he received a divorce summons from his wife.
During the late 1950s Lemmon continued working in television as well as film and became friends with comedian Ernie Kovacs, a comic genius until his 1962 death in an automobile accident. The two worked together on two films, Operation Mad Ball and It Happened to Jane, the latter co-starring Doris Day. Lemmon's friendship with Kovacs was so close that in his Lemmon, biographer Don Widener quoted director Richard Quine as noting: "If Ernie had lived, the Lemmon-Matthau team might well have been Lemmon-Kovacs. They reminded me of a sophisticated Laurel and Hardy."
In 1959 Lemmon was paired with Tony Curtis in Some Like It Hot. Under the brilliant direction of Billy Wilder Lemmon gave one of the greatest performances of his career opposite Marilyn Monroe by playing Jerry/Daphne, a Depression-era musician on the run from Chicago gangsters who hides out in an all-female band touring Florida. The next year Lemmon starred in The Apartment, also directed by Wilder. Lemmon's performance as C. C. Baxter, an up-and-coming corporate man who allows his superiors to use his apartment for liaisons, is perhaps his truest personification of the "everyman" for which he was best known.
Three things happened in 1962 that altered Lemmon's life and career. Kovacs died in an automobile accident, thus ending a flourishing professional partnership and close friendship; in August Lemmon married actress Felicia Farr, with whom he would have a daughter, Courtney, in 1966; and he starred with Lee Remick in the independent film, Days of Wine and Roses. As good as Lemmon's film work had been up to that time - he had won an additional two Academy Award nominations for his performances in Some Like It Hot and The Apartment - Lemmon stunned critics and audiences alike with his performance as the alcoholic Joe Clay in Days of Wine and Roses. The breakout performance earned him his fourth Academy Award nomination.
Over the next few years Lemmon returned to light comedy, with many of the roles shoring up his Everyman persona. He also acted in such high-farce films as The Great Race, until the mid-1960s when his career took another fateful turn. In 1966 he was teamed up for the first time with Walter Matthau in The Fortune Cookie, a Wilder-directed comedy about a photographer who, at the instigation of an unscrupulous lawyer, fakes the seriousness of an injury in order to defraud an insurance company. Two years later Lemmon and Matthau were cast as Felix and Oscar in The Odd Couple, their best-known film together. The two enjoyed a 34-year friendship until Matthau's death in 2000, working together on 11 films, most of which were produced in the 1990s.
Earned Second Academy Award
In the 1970s the middle-aged Lemmon took on greater challenges, promoting his recognizable Everyman persona even as he discarded the youthful innocence that he had up to then played as counterpoint. In 1971 he tried his hand at directing and the result was Kotch, starring Matthau and with a cameo appearance by Lemmon. In 1973 came the role that brought Lemmon his second Academy Award, this time for best actor. As Harry Stoner in Save the Tiger, he played a businessman suffering through a mid-life crisis who must now weigh his ethics against his struggling business. Lemmon returned to television work in 1976, in a remake of The Entertainer reprising the role of second-rate entertainer Archie Rice formerly performed by Sir Laurence Olivier. While some criticized Lemmon for remaking the film, it was Olivier himself who had suggested he take on the part. Lemmon also starred in one of the decade's better disaster movies, Airport '77. He closed out the decade with another stunning performance, as the tormented but scrupulous Jack Godell in the controversial film The China Syndrome. The performance earned Lemmon his sixth Academy Award nomination, a Golden Globe nomination, a BAFTA (the British film award), the best actor award at the Cannes Film Festival, and a David (Italian film award) for best foreign actor, the last which he shared with fellow actor Dustin Hoffman.
The 1980s saw no letdown in the quality of Lemmon's work. He followed his turn in The China Syndrome with Tribute, in which he played the shallow agent Scotty Templeton, who discovers he is dying. The performance earned him another Academy Award nomination. as well as consideration for a Golden Globe Award. In 1982 Lemmon turned in yet another stunning performance in Missing, directed by controversial filmaker Costa-Gavras. In the film Lemmon plays a father whose son has gone missing as a result of the CIA-sponsored 1973 coup that overthrew Chilean President Salvador Allende. The film sparked lawsuits and official rebuttals but nevertheless became a turning point in the American public's perception of the coup. For his performance Lemmon received his eighth and final Academy Award nomination. He was also nominated for a BAFTA Award and a Golden Globe Award and received the award for best actor at the Cannes Film Festival.
During the 1980s Lemmon became increasingly involved in television work. He appeared in tributes to Frank Capra, Billy Wilder, Harold Lloyd, and even himself, but more important were the dramatic roles he took on. During the decade he appeared in the television films Long Day's Journey into Night (1987) and The Murder of Mary Phagan (1988). Yet Lemmon's film career was far from over. During the 1990s he appeared in Robert Altman's The Player (1992) and Short Cuts (1993) and also did a noteworthy job in David Mamet's Glengarry Glen Ross, (1992) which Roger Ebert, writing in the Chicago Sun-Times, described as Lemmon's "version of Death of a Salesman."
Lemmon was remarkably busy during the 1990s. At the beginning of the decade he appeared in yet another political drama, JFK, and also starred in a number of comedies, particularly reviving his partnership with Matthau. The pair made five movies together during the decade, including Grumpy Old Men, Grumpier Old Men, and The Odd Couple II, all of which enjoyed fair commercial success but mixed critical reviews. Lemmon's television work included remakes of 12 Angry Men and Inherit the Wind, both of which earned him Emmy and Golden Globe nominations. He won the Golden Globe for his performance as Henry Drummond, the Clarence Darrow-like defense attorney in the latter. Lemmon's last important role came in the 1999 television film Tuesdays with Morrie, for which he won an Emmy award. He died from cancer on June 27, 2001.
Books
Widener, Don, Lemmon, Macmillan, 1975.
Periodicals
Boston Globe, April 23, 1995.
Chicago Sun-Times, June 29, 2001.
Independent (London, England), February 21, 1990.
Los Angeles Times, December 9, 1996; January 24, 2000; June 30, 2001; September 11, 2001.
(born Feb. 8, 1925, Boston, Mass., U.S. — died June 27, 2001, Los Angeles, Calif.) U.S. actor. He attended Harvard University and acted in radio and television dramas before making his Broadway debut in 1953. He established his movie career in Mister Roberts (1955, Academy Award) and became noted for his character portrayals, often playing excitable, baffled individuals in movies such as Some Like It Hot (1959), The Apartment (1960), The Odd Couple (1968), and The Out-of-Towners (1970). His many other films include Save the Tiger (1973, Academy Award), The China Syndrome (1979), Missing (1982), and Glengarry Glen Ross (1992). He received an Emmy Award for his portrayal of a dying college professor in the television film Tuesdays with Morrie (1999).
Lemmon, Jack (John Uhler Lemmon 3d), 1925-2001, American actor, b. Newton, Mass., grad. Harvard (1947). He became famous in roles ranging from sardonic comedy to compelling drama, ultimately achieving the status of a kind of modern American Everyman, often hapless yet persevering. A talented piano player, he worked as a musician and acted in late 1940s and early 50s radio, television, and stage productions. He soon moved on to Hollywood, making his first film in 1954 and attracting wide attention as the likably brash Ensign Pulver in Mister Roberts (1955; Academy Award). His other early comedies include Billy Wilder's Some Like It Hot (1950) and The Apartment (1960). In 1962, Lemmon starred as an anguished alcoholic in his first movie drama, the harrowing Days of Wine and Roses. During his career, Lemmon appeared in more than 60 movies, among them The Odd Couple (1968) and its sequel (1998), Save the Tiger (1973; Academy Award), The China Syndrome (1979), Tribute (1980), Missing (1982), JFK (1991), Glengarry Glen Ross (1992), and Grumpy Old Men (1993) and its sequel (1995). He also continued to act on stage and television, e.g., in Long Day's Journey into Night (1986-87) and the Emmy-winning Tuesdays with Morrie (1999).
Bibliography
See biographies by M. Freedland (1985) and D. Widener (rev. ed. 2000); J. Baltake, Jack Lemmon: His Films and Career (rev. ed. 1986).
"If you think it's hard to meet new people, try picking up the wrong golf ball."
"Nobody deserves this much money -- certainly not an actor."
"It's hard enough to write a good drama, it's much harder to write a good comedy, and it's hardest of all to write a drama with comedy. Which is what life is."
Representative Albums: "A Twist of Lemmon," "Sings and Plays Music from "Some Like It Hot"," "Piano Selections from "Irma La Douce""
Biography
Best-known as an Academy Award-winning actor, Jack Lemmon also issued several recordings over the years. Born John Uhler Lemmon III on February 8, 1925, in Newton, MA, it wasn't until he attended Harvard University that Lemmon began taking acting seriously and joined the school's drama club. After serving in the Navy, Lemmon worked in a beer hall playing piano before eventually landing spots on Broadway, radio, TV, and by the mid-'50s, movies (alternating between comedies and dramas). It didn't take long for the public to recognize Lemmon's acting talents; he won an Academy Award in 1955 for Best Supporting Actor for his work in the movie Mister Roberts and earned further nominations as Best Leading Actor in the late '50s/early '60s (1959's Some Like It Hot, 1960's The Apartment, 1962's Days of Wine and Roses). It was also around this time that Lemmon began issuing albums, including such titles as Twist of Lemmon and Sings and Plays Music From Some Like It Hot in the late '50s, as well as Piano Selections From Irma La Douce and E.B. White's Here Is New York in the early '60s.
In 1968, Lemmon gave perhaps his best-known performance in a movie as the neurotic neatnic Felix Unger in The Odd Couple, while further Academy Award nominations came in (1979's The China Syndrome, 1980's Tribute, and 1982's Missing), in addition to winning a Best Leading Actor Academy Award for 1972's Save the Tiger and a pair of Best Leading Actor Cannes Film Festival Awards for The China Syndrome and Missing. The early '90s saw Lemmon issue his first musical albums in nearly two decades, with 1990's Piano & Vocals and 1991's Peter and the Wolf (the latter of which had Lemmon team up with the Prague Festival Orchestra). Lemmon continued to act regularly until the late '90s when he was diagnosed with cancer; he eventually succumbed to the illness on June 27, 2001, in Los Angeles, CA, at the age of 76. A 2-in-1 CD that included both Twist of Lemmon and Sings and Plays Music From Some Like It Hot was issued a week after his passing. ~ Greg Prato, All Music Guide
Career Highlights: The Apartment, Some Like It Hot, Missing
First Major Screen Credit: It Should Happen to You (1954)
Biography
A private school-educated everyman who could play outrageous comedy and wrenching tragedy, Jack Lemmon burst onto the movie scene as a 1950s Columbia contract player and remained a beloved star until his death in 2001. Whether through humor or pathos, he excelled at illuminating the struggles of average men against a callous world; as director Billy Wilder once noted, "There was a little bit of genius in everything he did."
Born in 1925, the son of a Boston doughnut company executive, Lemmon was educated at Phillips Andover Academy and taught himself to play piano as a teen. A budding thespian by the time he entered Harvard, he was elected president of the famed Hasty Pudding Club. After his college career was briefly interrupted by a stint in the Navy at the end of World War II, Lemmon graduated from Harvard and headed to New York to pursue acting. Supporting himself by playing piano in a bar and for silent movies, he soon began to land acting jobs in radio, theater, and TV. By the early '50s, Lemmon had appeared in hundreds of live TV roles, including in the dramatic series Kraft Television Theater and Robert Montgomery Presents, as well as co-starring with first wife, Cynthia Stone, in two short-lived sitcoms.
After Lemmon landed a major role in the 1953 Broadway revival of Room Service, a talent scout for Columbia Pictures convinced the actor to try Hollywood instead. Defying Columbia chief Harry Cohn's demand that he change his last name lest the critics take advantage of it in negative reviews, Lemmon quickly made a positive impression in his first film, the Judy Holliday comic hit It Should Happen to You (1954). Essaying such roles as one of the suitors in the musical My Sister Eileen (1955) and a beatnik warlock in Bell, Book and Candle (1958), Lemmon became a reliably nimble comic presence at Columbia. A loan out to Warner Bros. for the smash Mister Roberts (1955), however, truly began to reveal his ability. Drawing on his Navy memories to play the wily Ensign Pulver, Lemmon held his own opposite heavyweights Henry Fonda and James Cagney and won a Best Supporting Actor Oscar for his fourth film.
A free-agent star by the end of the 1950s, he began one of his two most auspicious creative collaborations when writer/director Billy Wilder tapped him to play one of the cross-dressing musicians in the gender-tweaking comic classic Some Like It Hot (1959). As enthusiastically female bull fiddler Daphne to Tony Curtis' preening Lothario sax player Josephine, Lemmon danced a sidesplitting tango with millionaire suitor Joe E. Brown and delivered a sublime speechless reaction to Brown's nonchalant acceptance of his manhood. Fresh off a Best Actor nomination for Hot, he then gave an image-defining performance in Wilder's multiple-Oscar winner The Apartment (1960). As ambitious New York office drone C.C. Baxter, who climbs the corporate ladder by loaning his small one-bedroom to his philandering bosses, Lemmon was both the likeable cynic and beleaguered romantic, perfectly embodying Wilder's sardonic view of a venal world. Though he lost the Best Actor Oscar to Burt Lancaster, Lemmon's turn as the put-upon quotidian schnook pervaded the rest of his career.
Determined to prove that he could play serious roles as well as comic, Lemmon campaigned to play Lee Remick's alcoholic husband in Blake Edwards' film adaptation of the teleplay Days of Wine and Roses (1962). Revealing the darker side of middle-class desperation, Lemmon earned still more critical kudos and another Oscar nomination. Despite this triumph, he returned to comedy, re-teaming with Wilder and The Apartment co-star Shirley MacLaine in Irma la Douce (1963). Though the love story between a Parisian prostitute and a cop-turned-lover in disguise was a lesser effort, Irma la Douce became a major hit for the trio. Continuing to display his skill at offsetting his characters' unseemly behavior with his innate, ordinary-guy affability, Lemmon's mid-'60s comic roles included a lascivious landlord in Under the Yum Yum Tree (1963) and a homicidal husband in How to Murder Your Wife (1965).
Lemmon began his second legendary creative partnership when Wilder cast Walter Matthau opposite him in The Fortune Cookie (1966), a razor sharp comedy featuring Lemmon as a not-so-injured cameraman and Matthau as a slimy lawyer. The duo's popularity was cemented when they re-teamed for the hit film version of Neil Simon's The Odd Couple (1968). Despite his genuine pathos as suicidal, anal-retentive divorcé Felix Unger, Lemmon still managed to evoke great hilarity with Felix's (improvised) moose call technique for clearing his sinuses, becoming a superbly neurotic foil to Matthau's very casual Oscar Madison. Matthau subsequently starred in Kotch (1971), Lemmon's sole directorial effort, and Lemmon appeared in scion Charles Matthau's The Grass Harp (1995). Lemmon and Matthau also fittingly co-starred in Wilder's final film, Buddy Buddy (1981).
After starring as a beset tourist in The Out-of-Towners (1970) and as an uptight millionaire bewitched by Italy in Wilder's underrated Avanti! (1972), Lemmon took minimal salary in order to play a disillusioned middle-aged businessman in the drama Save the Tiger (1973). Though the film did little business, Lemmon finally won the Best Actor Oscar that had eluded him for over a decade and moved easily between comedy and drama from then on. As in The Odd Couple, he marshaled both humor and gloom for his portrayal of an unemployed, despondent gray flannel suit executive in Neil Simon's The Prisoner of Second Avenue (1972). His reunion with Wilder and Matthau for another screen version of the fast-talking newspaperman comedy The Front Page (1974), however, was strictly for laughs.
Working less frequently in films in the mid-'70s (but still making the de rigeur disaster flick with Airport '77 [1977]), Lemmon managed to retain his status as one of the best actors in the business with his passionate turn as a conscience-stricken nuclear power plant executive in the prescient drama The China Syndrome (1979). Along with the Best Actor prize at the Cannes Film Festival, Lemmon also earned an Oscar nomination for Syndrome. He received another Oscar nod when he reprised his 1978 Tony-nominated performance as a dying press agent in the film version of Tribute (1980).
Despite his status as one of the Hollywood greats, Lemmon continued to push himself as an actor throughout the 1980s and 1990s. As an anguished father who seeks the truth about his son's disappearance in Constantin Costa-Gavras' politically charged drama Missing (1982), he revealed another facet of middle-class disenchantment and repeated his Cannes win and Oscar nomination diptych. In 1986, Lemmon returned to Broadway in the challenging role of wretched patriarch James Tyrone in Eugene O'Neill's Long Day's Journey Into Night. Though critics began voicing their doubts after such films as Dad (1989), Lemmon offset his affection for sentiment in the early '90s with vivid performances as a slightly seedy character in JFK (1991), a fading, high-strung real estate agent in David Mamet's harsh Glengarry Glen Ross (1992), and a truant father in Robert Altman's Short Cuts (1993).
Still going strong several years after winning the American Film Institute's life achievement award in 1988, Lemmon proved that older actors could still draw crowds when he co-starred with Matthau as warring neighbors in the hit comedy Grumpy Old Men (1993) and the imaginatively titled sequel Grumpier Old Men (1995). The two concluded their decades-long, perennially appealing odd couple act with Out to Sea (1997) and The Odd Couple II (1998). Along with gathering such lifetime laurels as the Kennedy Center Honors and the Screen Actors' Guild trophy, Lemmon also continued to win nominations and awards for his work in such TV dramas as the 1997 version of 12 Angry Men (inspiring Golden Globe rival Ving Rhames to famously surrender his prize to Lemmon) and Inherit the Wind (1999). Though he provided narration for Robert Redford's golf fable The Legend of Bagger Vance (2000), Lemmon's Emmy-worthy turn as a serenely wise dying professor in Tuesdays With Morrie proved to be his final major role and an appropriate end to his stellar career.
One year after longtime friend Matthau passed away in July 2000, Lemmon succumbed to cancer on June 27, 2001. He was survived by his second wife, Felicia Farr (whom he married in 1962), and his two children. ~ Lucia Bozzola, All Movie Guide
Lemmon was born in an elevator at Newton-Wellesley Hospital in Newton, Massachusetts, a suburb of Boston. He was the son of Mildred Burgess LaRue (née Noel) and John Uhler Lemmon, Jr., who was the president of a doughnut company.[1][2] Lemmon attended John Ward Elementary School in Newton. He later revealed that he knew he wanted to be an actor from the age of eight. Lemmon attended Phillips Academy (Class of 1943) and Harvard University (Class of 1947) where he lived in Adams House and was an active member of several Drama Clubs - becoming president of the Hasty Pudding Club - as well as a member of the Delphic Club for Gentleman, a final club at Harvard. After Harvard, Lemmon joined the Navy, receiving V-12 training and serving as an ensign. On being discharged, he took up acting professionally, working on radio, television and Broadway. He studied acting under Uta Hagen. He also became enthused with the piano and learned to play it on his own. He could also play the harmonica and the bass fiddle.
He became a favorite actor of directorBilly Wilder, starring in his films Some Like It Hot, The Apartment, Irma la Douce, The Fortune Cookie, Avanti!, The Front Page and Buddy Buddy. Wilder felt Lemmon had a natural tendency toward overacting that had to be tempered; the Wilder biography Nobody's Perfect quotes the director as saying, "Lemmon, I would describe him as a ham, a fine ham, and with ham you have to trim a little fat". The biography also quotes Jack Lemmon as saying, "I am particularly susceptible to the parts I play... If my character was having a nervous breakdown, I started to have one".
Lemmon recorded an album in 1958 while filming Some Like It Hot with Marilyn Monroe. Twelve jazz tracks were created for Lemmon and another twelve were added. Lemmon played the piano and recorded his own versions of Monroe's trademark songs, I Wanna Be Loved By You and I'm Through With Love, for the album which was released in 1959 as A Twist of Lemmon/Some Like It Hot.
Days of Wine and Roses (1962) was one of his favorite roles. He portrayed Joe Clay, a young, fun-loving alcoholic businessman. In that film, Lemmon delivered the line, "My name is Joe Clay ... I'm an alcoholic." Three and a half decades later, he admitted on the television program, Inside the Actors Studio, that he was not acting when he delivered that line, that he really was a recovering alcoholic at the end of his life.
Lemmon's production company JML produced Cool Hand Luke in 1967. Paul Newman was grateful to Lemmon for his support and offered him the role later made famous by Robert Redford in Butch Cassidy and the Sundance Kid but Lemmon turned it down. He did not like riding horses and he also felt he'd already played too many aspects of the Sundance Kid's character before. [3]
Lemmon often appeared in films partnered with Walter Matthau. They became a beloved duo in cinema history. Among their pairings was as Felix Unger (Lemmon) and Oscar Madison (Matthau) in 1968's The Odd Couple. They also starred together in The Fortune Cookie (for which Matthau won an Oscar for Best Supporting Actor), The Front Page and Buddy Buddy. In 1971, Lemmon directed Matthau in the comedy Kotch. It was the only movie that Lemmon ever directed and Matthau was nominated for the Best Actor Oscar for his performance.
Additionally, Lemmon and Matthau had small parts in Oliver Stone's 1991 film, JFK (the only film in which both appeared without sharing screen time). In 1993, the duo teamed up again to star in Grumpy Old Men. The film was a surprise hit, earning the two actors a new generation of young fans. During the rest of the decade, they would go on to star together in Out to Sea, Grumpier Old Men and the widely panned The Odd Couple II.
At the 1998 Golden Globe Awards, he was nominated for "Best Actor in a Made for TV Movie" for his role in Twelve Angry Men losing to Ving Rhames. After accepting the award, Rhames asked Lemmon to come onstage and, in a move that stunned the audience, gave his award to him. (The Hollywood Foreign Press Association, which presents the Golden Globes, decided to have a second award made and sent to Rhames.).[citation needed]
He received the AFI Life Achievement Award in 1988.
Personal life
Lemmon was a much-liked Hollywood actor.[citation needed]Kevin Spacey recalled that Lemmon is remembered as always making time for other people. When already regarded as a legend, he met the teenage Spacey backstage after a theater performance and spoke to him about pursuing an acting career.[4] Spacey would later work with Lemmon in Dad (1989), the critically acclaimed film Glengarry Glen Ross (1992) and on stage in a revival of Long Day's Journey Into Night. Lemmon's performance also inspired Gil Gunderson, a character on The Simpsons that is modeled on Lemmon's.
Lemmon was married twice. His son Chris Lemmon (b. 1954), was his first child by his first wife, actress Cynthia Stone (b. February 26, 1926, Peoria, Illinois). His second wife was the actress Felicia Farr, with whom he had a daughter, Courtney, born in 1966.
Jack Lemmon died of colon cancer and metastatic cancer of the bladder[5] on June 27, 2001. He had been fighting the disease, very privately, for two years before his death.
Chris Lemmon made several TV shows and movies, including scenes together with his father in That's Life! and portraying him at a younger age in Dad. Chris wrote a book named A Twist of Lemmon: A Tribute to My Father.
He is interred at Westwood Village Memorial Park Cemetery in Westwood, California where he is buried next to his friend and co-star, Walter Matthau. In typical Jack Lemmon wit, his gravestone simply reads 'Jack Lemmon — in'. After Matthau's death in 2000, Lemmon appeared with friends and relatives of the actor on a Larry King Live show in tribute. A year later, many of the same people appeared on the show again to pay tribute to Lemmon.
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I won't quit until I get run over by a truck, a producer or a critic.
Failure seldom stops you. What stops you is the fear of failure.
If you think it's hard to meet new people, try picking up the wrong golf ball.
It's hard enough to write a good drama, it's much harder to write a good comedy, and it's hardest of all to write a drama with comedy. Which is what life is.
Nobody deserves this much money - certainly not an actor.
Stay humble. Always answer your phone - no matter who else is in the car.
[on Marilyn Monroe] Difficult? Yes. But she was a wonderful comedienne and she had a charisma like no one before or since.
[on Judy Holliday] She was intelligent and not at all like the dumb blonds she so often depicted. She didn't give a damn where the camera was placed, how she was made to look, or about being a star. She just played the scene—acted with, not at. She was also one of the nicest people I ever met.
[on Billy Wilder] I've had directors who were marvelous at breaking scenes down and handling people. But when you would string all the pearls together, they wouldn't make a beautiful necklace. But Billy is the kind of picture-maker who can make a beautiful string of pearls. He makes the kind of movies that are classics and last forever.
[on Walter Matthau] Walter is a helluva actor. The best I've ever worked with.
Bibliography
Lemmon, Chris (2006). A Twist of Lemmon: A Tribute to My Father. Chapel Hill, N.C.: Algonquin Books of Chapel Hill. ISBN9781565124806.
References
^ Lemmon stated (on Inside the Actors Studio) that he had an Ulster-Scots heritage.1
If you think it's hard to meet new people, try picking up the wrong golf ball.
