It's impossible to hear Jaco Pastorious' debut album today as it sounded when it was first released in 1976. The opening track -- his transcription for fretless electric bass of the bebop standard "Donna Lee" -- was a manifesto of virtuosity; the next track, the funk-soul celebration "Come On, Come Over" was a poke in the eye to jazz snobs and a love letter to the R&B greats of the previous decade (two of whom, Sam & Dave, sing on that track); "Continuum" was a spacey, chorus-drenched look forward to the years he was about to spend playing with Weather Report. The program continues like that for three-quarters of an hour, each track heading off in a different direction -- each one a masterpiece that would have been a proud achievement for any musician. What made Jaco so exceptional was that he was responsible for all of them, and this was his debut album. Beyond his phenomenal bass technique and his surprisingly mature compositional chops (he was 24 when this album was released), there was the breathtaking audacity of his arrangements: "Okonkole Y Trompa" is scored for electric bass, French horn, and percussion, and "Speak Like a Child," which Pastorious composed in collaboration with pianist Herbie Hancock, features a string arrangement by Pastorious that merits serious attention in its own right. For a man with this sort of kaleidoscopic creativity to remain sane was perhaps too much to ask; his gradual descent into madness and eventual tragic death are now a familiar story, one which makes the bright promise of this glorious debut album all the more bittersweet. (This remastered reissue adds two tracks to the original program: alternate takes of "(Used to Be a) Cha Cha" and "6/4 Jam"). ~ Rick Anderson, All Music Guide
Sam & Dave (Vocals), Bob Belden (Producer), Paul Bley (Piano (Electric)), Paul Bley (Producer), Paul Bley (Performer), Michael Brecker (Horn), Michael Brecker (Sax (Tenor)), Richard Davis (Double Bass), Herbie Hancock (Piano), Herbie Hancock (Keyboards), Herbie Hancock (Piano (Electric)), Herbie Hancock (Clavinet), Herbie Hancock (Liner Notes), Herbie Hancock (Fender Rhodes), Hubert Laws (Flute), Hubert Laws (Piccolo), Hubert Laws (Wind), Pat Metheny (Guitar (Electric)), Pat Metheny (Performer), Pat Metheny (Liner Notes), Jaco Pastorius (Bass), Jaco Pastorius (Bass (Electric)), Jaco Pastorius (Main Performer), Jaco Pastorius (String Arrangements), David Sanborn (Saxophone), David Sanborn (Sax (Alto)), Wayne Shorter (Saxophone), Wayne Shorter (Sax (Soprano)), Howard Johnson (Saxophone), Howard Johnson (Sax (Baritone)), Lenny White (Drums), Al Brown (Viola), David Nadien (Violin), David Nadien (Concert Master), Don Alias (Percussion), Don Alias (Bongos), Don Alias (Conductor), Don Alias (Conga), Don Alias (Bells), Don Alias, Don Alias (Iya), Don Alias (Okonkolo), Don Alias (Afuche), Peter Graves (Trombone), Peter Graves (Trombone (Bass)), Julien Barber (Viola), Arnold Black (Violin), Randy Brecker (Trumpet), Randy Brecker (Horn), Selwart Clarke (Viola), Stewart Clarke (Viola), Bobby Colomby (Producer), Harry Cykman (Violin), Alex Darou (Keyboards), Bruce Ditmas (Drums), Bruce Ditmas (Performer), Bob Economou (Drums), Paul Gershman (Violin), Mike Gibbs (Conductor), Harry Lookofsky (Violin), Harold Kohon (Violin), Beverly Lauridsen (Cello), Beverly Lauridsen (Celli), Ed Lee (Design), Joseph Malin (Violin), Charles McCracken (Cello), Charles McCracken (Celli), Homer Mensch (Bass), Homer Mensch (Double Bass), Narada Michael Walden (Drums), Othello Molineaux (Percussion), Othello Molineaux (Drums (Steel)), Kermit Moore (Cello), Samuel Moore (Vocals), Max Pollikoff (Violin), Don Puluse (Engineer), Matthew Raimondi (Violin), Alan Shulman (Cello), Ron Tooley (Trumpet), The Manny Vardi Strings (Viola), Leroy Williams (Percussion), Leroy Williams (Drums (Steel)), David Palmer (Engineer), Jan Rathburn (Engineer), Alex Darqui (Fender Rhodes), John Jackson (Production Assistant), David Prater (Vocals), Don Hunstein (Photography), Seth Rothstein (Project Director), Howard Fritzson (Art Direction), Vic Anesini (Remastering), Ted Brosnan (Engineer), Ted Brosnan (Assistant Engineer), Sandy Speiser (Photography), Randall Martin (Design), Ted Hammond (Engineer), Ted Hammond (Assistant Engineer), Peter Gordon (Horn), Peter Gordon (French Horn), Anthony Maggioro (Design), Lily Lew (Packaging Manager)
This self-titled album was Pastorius' solo debut and
was originally released in 1976. The disc begins with a cover version of Miles Davis' "Donna
Lee" and includes eight other tracks. The album is a popular choice among fans of jazz.
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