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Jacques Émile Blanche

 
Art Encyclopedia: Jacques-Emile Blanche

(b Auteuil, Paris, 1 Jan 1861; d Paris, 20 Sept 1942). French painter and writer. His father, a fashionable nerve specialist, owned a clinic where many of Blanche's sitters had been patients. As a painter he had both talent and charm, and he enjoyed a great vogue in his day. His work lacks originality and was much influenced by such contemporaries as James Tissot and John Singer Sargent. The loose brushwork and subdued colouring of his portraits are also reminiscent of Edouard Manet and English 18th-century artists, especially Thomas Gainsborough. Except for a few lessons with Henri Gervex and Ferdinand Humbert (1842-1934), he had no formal training, and many of his paintings have deteriorated because of poor technique. He worked best on a small scale, and some of his less ambitious oils and small sketches (e.g. Head of a Young Girl, 1885; priv. col., see Post-Impressionism, exh. cat., London, RA, 1979-80, p. 46) are among his most appealing works. The few pastels he executed during the 1880s and 1890s are also of high quality, as exemplified by the dramatic portrait of the poet Georges de Porto-Riche (?1890-95; London, F.A. Soc.).

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Jacques-Émile Blanche (1861 – 1942) was a French painter born in Paris. He enjoyed an excellent cosmopolitan education, being brought up at Passy in a house once belonging to the Princesse de Lamballe, which still retained the atmosphere of 18th century elegance and refinement and influenced his taste and work. Although he received some instruction in painting from Henri Gervex, he may be regarded as self-taught. He acquired a great reputation as a portrait painter; his art is derived from French and English sources, refined, sometimes super-elegant, but full of character. Among his chief works are his portraits of his father, of Marcel Proust, of the poet Pierre Louÿs, the Thaulow family, Aubrey Beardsley and Yvette Guilbert.

He was the author of the unreliable Portraits of a life-time: the late Victorian era: the Edwardian pageant: 1870-1914 (London: J.M. Dent, 1937) but Walter Sickert said of him "he is liable to twist things he hears or doesn't into monstrous fibs" [1]

Notes

  1. ^ Wendy Baron, Miss Ethel Sands and her circle (London: Peter Owen, 1977) page 77.

This article incorporates text from the Encyclopædia Britannica, Eleventh Edition, a publication now in the public domain.


 
 

 

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