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James Clarence Mangan

 
Irish Literature Companion: James Clarence Mangan

Mangan, James Clarence (1803-1849), poet and translator. Born in Dublin, he was educated in Saul's Court before working as a copy-clerk. In the 1820s he was publishing in local almanacs. In the early 1830s he contributed to the Dublin Penny Journal. During 1833 he met George Petrie, John O'Donovan and Eugene O'Curry, scholars who were to supply him with versions of Irish poems on which he based his translations. Petrie employed him in the Ordnance Survey Office, 1833-9. His prose contributions to Dublin journals mix autobiographical fantasy, psychological self-scrutiny, and free-wheeling speculation. His wide reading ranged from contemporary German, French, and Spanish authors to Persian, Hungarian, and Icelandic poetry of all periods. From 1835 he regularly contributed to the Dublin University Magazine an ‘Anthologia Germanica’, comprising translations of modern German Poetry. A gloomy and introverted figure, he played the part of a poet in outlandish clothes, including a voluminous cloak, green spectacles, and pointed hat. In early life Mangan had been jilted, and he remained unmarried. In spite of his heavy abuse of alcohol he worked strenuously, and produced a large quantity of verse variously signed and initialled, or unsigned, or under pseudonyms such as ‘The Man in the Cloak’. In 1837 he began for the Dublin University Magazine a series of Oriental translations entitled ‘Literae Orientales’, being versions of Persian, Turkish, and Arabic poems. In 1846 he wrote some of his finest poems and translations, spurred into creative activity by the worsening conditions in the country during the Famine. Contributions to The Nation for that year included ‘Siberia’, ‘Dark Rosaleen’, and ‘Sarsfield’. In 1847 he began in the Dublin University Magazine an Anthologia Hibernica, and started to work on translations of the Jacobite poetry of Munster with John O'Daly, posthumously published as The Poets and Poetry of Munster (1849). Mangan composed about this time an Autobiography which gives a lurid and unreliable account of his early years. In the last year of his life he wrote for The Irishman a series of sketches of Charles Maturin, Maria Edgeworth, Gerald Griffin, and others. Mangan was hospitalized on several occasions after May 1848, and fell victim in June 1849 to the cholera epidemic of the Famine years. He was taken to the Meath Hospital, where he died.

Bibliography

Ellen Shannon-Mangan, Mangan: A Biography (1996) and Jacques Chuto et al. (ed.), Collected Poems, 4 vols (1996-2000), and Collected Prose (2000).

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Columbia Encyclopedia: James Clarence Mangan
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Mangan, James Clarence (măng'gən), 1803-49, Irish poet. He spent most of his life as a clerk, eventually slipping into alcoholism and opium addiction. His reputation rests on his English renderings of Gaelic poems, such as the excellent "Dark Rosaleen."

Bibliography

See study by J. Joyce (1930).

Wikipedia: James Clarence Mangan
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James Clarence Mangan, born James Mangan (1 May 1803, Dublin - 20 June 1849) was an Irish poet.

Memorial bust of Mangan in St. Stephen's Green, sculpted by Oliver Sheppard.

Contents

Early life

Mangan was the son of a former hedge school teacher who took over a grocery business and eventually became bankrupt.

Born in Dublin, he was educated at a Jesuit school where he learned the rudiments of Latin, Spanish, French, and Italian. He attended three different schools until the age of fifteen. Obliged to find a job in order to support his family, he became a lawyer's clerk, and was later an employee of the Ordnance Survey and an assistant in the Library of Trinity College, Dublin.

Literary career

Mangan began submitting verses to various Dublin publications, the first being published in 1818. From 1820 onwards he adopted the middle name Clarence. In 1830 he began producing translations from German, a language he had taught himself.Of interest are his translations of Goethe. From 1834 his contributions began appearing in the Dublin University Magazine. His translations from the German were generally free interpretations rather than strict transliterations. In 1840 he began producing translations from Turkish, Persian, Arabic, and Irish.

Although his early poetry was often apolitical, after the Great Famine he began writing poems with a strong nationalist bent, including influential works such as My Dark Rosaleen or Róisín Dubh and A Vision of Connaught in the Thirteenth Century.

Grave of James Clarence Mangan, Glasnevin, Dublin.

Mangan was a lonely and difficult man who suffered from mood swings, depression and irrational fears, and became a heavy drinker. His appearance was eccentric, and later in life he was often seen wearing a long cloak, green spectacles and a blond wig. In 1849, weakened by poverty, alcoholism and malnutrition, he succumbed to cholera, aged 46, and was buried in Glasnevin Cemetery.

James Joyce wrote a significant essay on Mangan, and also used his name in his works, e.g. Araby in Dubliners. The significance, it is said, lies in part in Joyce's reluctance to acknowledge influence from the Irish literary tradition: he was otherwise chary of adopting any artistic predecessors.

He was addicted to opium and alcohol and was friends with fellow Irish Nationalists, Thomas Osborne Davis and John Mitchel. Mitchel even wrote a biography after Mangan's death.

His poems were published in The Nation (Irish newspaper), a Nationalist newspaper first published in October 1842. Yeats considered Mangan one of the best Irish poets, along with Thomas Osborne Davis and Samuel Ferguson, claiming, "To the soul of Clarence Mangan was tied the burning ribbon of Genius."

His most famous poems include Dark Rosaleen, Siberia, Nameless One, A Vision of Connaught in the Thirteenth Century, The Funerals, To the Ruins of Donegal Castle, Pleasant Prospects for the Land-eaters and Woman of Three Cows. He also wrote a brief autobiography on the advice of his friend, Father C. P. Meehan, which ends cutoff mid-sentence. He must have been writing in the last months of his life since he mentions his narrative poem of the Italian Gasparo Bandollo which was published in the Dublin University Magazine in May 1849. A sensationally discovered continuation of the autobiography appeared in the Dublin journal Metre in 2001, but was later discovered to be a fake.

Among the contemporary Irish writers he has influenced are Thomas Kinsella, Michael Smith, James McCabe (author of the hoax autobiography) and David Wheatley, author of a sonnet sequence on Mangan. He is also cited by the song writer Shane MacGowan as an inspiration, both for his work and his lifestyle.

Private papers of Mangan are held in the National Library of Ireland, the Royal Irish Academy, and the archives of Trinity College, Dublin.

Bibliography

James Clarence Mangan: Selected Writings ISBN 978-1900621922

References

External links


 
 

 

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Irish Literature Companion. The Concise Oxford Companion to Irish Literature. Copyright © 1996, 2000, 2003 by Oxford University Press. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "James Clarence Mangan" Read more