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James William Guercio

 
Artist: James William Guercio

Worked With:

Daniel Seraphine, Walter Parazaider, James Pankow, Lee Loughnane, Terry Kath, Roy Halee, Peter Cetera, Carl Wilson, Robert Lamm
  • Genres: Rock
  • Instrument: Producer, Bass, Guitar

Biography

James William Guercio has produced hits for the Buckinghams, Chicago, and Blood, Sweat and Tears. Born in Chicago in 1945, uercio, as a teenaged guitarist, shared the stage with Mitch Ryder. During his college years, he studied classical composition. After relocating to Los Angeles, he broke into the city's highly competitive session scene, playing on various records. Becoming a songwriter, he wrote Chad & Jeremy's 1966 Top 30 pop hit "Distant Shores." Guercio became a staff producer in the L.A. division of Columbia Records, a division of CBS Records. He had three 1967 pop hits with the Buckinghams who were from his native Chicago: "Don't You Care," which peaked at number six, "Hey Baby (They're Playing Our Song)," and "Susan." Listening to these early sides, one can hear Guercio beginning to shape a brassy "downtown" horn sound that would characterize later hits by Chicago and Blood, Sweat and Tears.

An old college friend from his hometown, Walt Parazaider, invited Guercio to come hear his new band, the Big Thing. Impressed, he offered to become the band's manager and producer. The band accepted, and in summer 1968, Guercio flew them out to Los Angeles, rented them a house, and gave them an allowance of $75 a week. He also changed the band's name to the Chicago Transit Authority and lined up gigs for the band in area clubs where they became a popular attraction. While attending a barbecue party, Guercio was asked by Jim Morrison's girlfriend to change her flat tire. While in the middle of doing that, Blood, Sweat and Tears manager Bennett Glotzer asked him to produce the band's next Columbia album. Guercio said he was in the middle of recording an album for Chicago. Glotzer said if he would produce his band's next LP he would help him get a deal with Columbia Records. Guercio agreed and made the grueling L.A. to New York commute while recording what became the band's self-titled number one pop album which spawned the hits "Spinning Wheel" and "You've Made Me So Very Happy."

Guercio gave a tape of the Chicago Transit Authority to CBS Records president Clive Davis who offered a recording contract. The band's debut LP, The Chicago Transit Authority, was recorded in 15 days during January-February 1969 and issued in April of that year. The LP spawned two Top Ten pop hits: "Does Anybody Really Know What Time It Is" and "Beginnings."

In January 1970, Guercio shortened the name to Chicago. Meeting resistance at radio stations for Chicago II, Guercio and Davis decided to creatively edit the LP's six-plus minute tracks, shortening them down to a more radio-friendly length of three minutes. The single versions of "Make Me Smile" and "25 or 6 to 4" made it into the Top Ten pop charts. Chicago 3 went to number two in winter 1971, sparking gold and platinum sales of the band's three previous albums. It also was the beginning of a streak of five number one platinum and double-platinum pop albums: Chicago V ("Saturday in the Park"), Chicago VI ("Feeling Stronger Every Day," "Just You 'N' Me"), Chicago VII ("(I've Been)Searchin' So Long," "Call on Me"), Chicago VIII ("Old Days"), and a greatest hits set Chicago IX.

At the peak of their success, animosity began to develop between uercio and the band, stemming from the band's disapproval of the pop tone of their music (they wanted to be more experimental), their grueling tour schedule, and they wanted a bigger share of the royalties. In an attempt to resolve the situation, Guercio shared a percentage of his royalties. Tensions swelled to the point that Guercio and Chicago parted ways in October 1977. Guercio went on to build Caribou Studios, a popular, successful recording studio in Colorado's Rocky Mountains. ~ Ed Hogan, All Music Guide
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Wikipedia: James William Guercio
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James William Guercio
Born 1945
Chicago, Illinois U.S.
Occupation Music producer
Songwriter
Movie producer

James William Guercio (born in 1945 in Chicago, Illinois) is an American music producer, musician and songwriter (occasionally credited as Jim Guercio), and is probably best known for his work as the producer of Chicago's early albums as well as early recordings of The Buckinghams and Blood Sweat & Tears. He also has worked briefly in the motion picture industry as a producer and director.

Music industry accomplishments

Guercio moved to Los Angeles in the mid-1960s and began working as a session musician and songwriter. He played on several recordings, wrote Chad and Jeremy's 1966 Top 30 pop hit "Distant Shores," and is listed as a "contributor" to Frank Zappa's 1966 debut album Freak Out!. Hired by Columbia Records as a staff producer, Guercio began working with The Buckinghams and helped them create four Top 10 records in 1967: "Don't You Care," "Mercy, Mercy, Mercy," "Hey Baby (They're Playing Our Song)," and "Susan."

During his college years in Chicago, Guercio had become friends with a saxophonist named Walter Parazaider. Parazaider invited Guercio to hear his new band, "The Big Thing," and Guercio was impressed enough to offer to manage and produce them. He relocated the band to Los Angeles in 1968, convinced them to change their name to "The Chicago Transit Authority," and arranged for them to appear in local clubs where they quickly became popular. While recording their first album for CBS/Columbia, Guercio was also approached about producing a second album for Blood, Sweat & Tears. Both of these highly-successful albums were released in 1969, and Blood, Sweat & Tears won Guercio an Album of the Year Grammy Award.

In 1970, threatened with legal action by the "real" Chicago Transit Authority, Guercio shortened the band's name to Chicago and worked with them on a second album, Chicago II. Both this album and the original The Chicago Transit Authority featured long recordings which were moderately popular on FM stations, but when Guercio edited several tracks down to a radio-friendly 3-minute length -- including single versions of "Make Me Smile," "25 or 6 to 4," and "Beginnings" -- Chicago became a huge commercial success. Guercio would ultimately produce a total of eleven albums for the band (including five straight number 1 pop albums, starting with Chicago V) and 17 Top 25 singles. The Chicago X album yielded the band's first number 1 single, "If You Leave Me Now," which also earned two Grammy Awards (best pop performance for the band, and best arrangement for Guercio). However, Guercio and the band members found themselves increasingly at odds over creative decisions, tour schedules, and finances, and they parted ways soon after completing Chicago XI in late 1977.

Guercio's attention was not only on the big-time artists. In 1969 he encountered street poet and musician Moondog, going on to produce two albums with the eccentric character; on the second he performed vocals with Moondog and the artist's daughter. Guercio produced the Firesign Theatre's single "Station Break," which was released in March of 1969 (and later appeared on the Forward Into The Past anthology), and in April 1970, Guercio produced the "Shoes for Industry" segment of their classic LP Don't Crush That Dwarf, Hand Me the Pliers. In addition, both Dwarf and Firesign's earlier How Can You Be in Two Places at Once When You're Not Anywhere at All were labelled with "Poseidon Productions: A Division of James William Guercio Enterprises Inc."

Other accomplishments

Guercio became interested in motion picture production, and he was given the opportunity to produce and direct the 1973 film Electra Glide in Blue; he also wrote and produced the film's musical soundtrack. The film starred Robert Blake and featured Peter Cetera and other members of Chicago in bit parts. Although the film was well received by critics and has subsequently become a cult classic, it saw only modest commercial success. Guercio produced one other Robert Blake film, Second-Hand Hearts, which was released in 1981.

Guercio was the founder of Caribou Ranch, a popular recording studio in Colorado's Rocky Mountains. The first true radio hit recorded at Caribou was Joe Walsh's "Rocky Mountain Way". In addition to Chicago (starting with Chicago VI), the studio has been used by numerous other artists: Elton John (for his Caribou album as well as Captain Fantastic and Rock of the Westies), Billy Joel, Rod Stewart, Carole King, Stephen Stills, Waylon Jennings , Amy Grant and Supertramp. Unfortunately, the studio complex was shut down and never used again after a March 1985 fire destroyed the control room and caused about $3 million in damage.

After the split-up with Chicago and the Caribou Ranch fire, Guercio became disenchanted with the recording industry and shifted gears, pursuing a successful career in large-scale cattle ranching, property development, and oil and gas exploration, drilling and production, particularly coalbed methane wells. In the late 1980s, Guercio purchased the Country Music Television (CMT) channel. In one of his more well-publicized transactions, in the early 1990s he sold CMT to media tycoon Ed Gaylord and Westinghouse Broadcasting.

External links


 
 
Learn More
Distant Shores (1966 Album by Chad & Jeremy)
Distant Shores [Bonus Tracks] (2000 Album by Chad & Jeremy)
The Buckinghams Greatest Hits (1969 Album by The Buckinghams)

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