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See his collected prose, ed. A. Wright (1982).
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See his collected prose, ed. A. Wright (1982).
American poet who won a Pulitzer Prize for his Collected Poems (1971).
| 1957 | The Green Wall. Wright's first collection, selected by W. H. Auden as part of the Yale Series of Younger Poets, shows the influence of Robert Frost and Edwin Arlington Robinson as well as his characteristic fascination with outcast figures, including mental patients, prostitutes, and lesbians. One of the major works is "A Poem About George Doty in the Death House." Wright was born in Ohio, a Kenyon College graduate who received his Ph.D. from the University of Washington, and taught at the University of Minnesota, Macalester College, and Hunter College. |
| 1959 | Saint Judas. Wright's second collection deals with various kinds of human suffering in poems such as "In Shame and Humiliation," "Old Man Drunk," and "At the Executed Murderer's Grave." Compared to those in his first volume, the poems are less formally structured and far more pessimistic. |
| 1971 | Collected Poems. The book contains most of Wright's first collection, The Green Wall (1957), and all of his next ones, Saint Judas (1959), The Branch Will Not Break (1963), and Shall We Gather at the River? (1968), along with translations and previously unpublished works. The volume wins the Pulitzer Prize and establishes Wright's reputation. |
| 1973 | Two Citizens. Wright's collection of verse written between 1970 and 1973 is, in the poet's words, "an expression of my patriotism, of my love and discovery of my native place." |
| 1977 | To a Blossoming Pear Tree. The final volume published in Wright's lifetime includes the frequently anthologized poems "With the Shell of a Hermit Crab" and "Beautiful Ohio." |
James Skelly Wright served as a federal district judge in Louisiana from 1949 to 1962 and a federal court of appeals judge in Washington, D.C., from 1962 to 1987. Wright distinguished himself as a district judge in the 1950s when he forced the desegregation of the New Orleans, Louisiana, public schools and the city's public transportation system. Wright continued this course on the federal appeals court, when he ordered sweeping changes in the discriminatory policies of the District of Columbia's school system.
Wright was born on January 14, 1911, in New Orleans. He graduated from Loyola University in New Orleans in 1931 and earned a law degree from Loyola Law School in 1934. Unable to find legal work in the Great Depression, Wright taught high school and lectured in history at Loyola until 1937, when he became an assistant U.S. attorney in New Orleans. During World War II he served in the U.S. Coast Guard as the legal aide to an admiral at the U.S. Embassy in London.
After the war, Wright briefly practiced law in Washington, D.C., before moving back to New Orleans. In 1948 President Harry S. Truman named him U.S. attorney in New Orleans, and a year later, appointed him a judge on the federal district court in New Orleans.
Wright's thirteen years on the district bench were controversial. In the wake of the Supreme Court's decision in Brown v. Board of Education of Topeka, Kansas, 347 U.S. 483, 74 S. Ct. 686, 98 L. Ed. 873 (1954), which outlawed state-sponsored racial segregation of public schools, Wright granted the NAACP's request to desegregate the New Orleans public schools. His decision in Bush v. Orleans Parish School Bd., 138 F.Supp. 337 (1956), was met with resistance by virtually every public official in Louisiana. By the time Wright assumed the appellate bench in 1962, he had issued forty-one rulings and had injunctions in force against the governor, the attorney general, the superintendent of education, the state police, the national guard, all district attorneys, all sheriffs, all mayors, all police chiefs, and the state legislature.
In 1962 President John F. Kennedy wished to appoint Wright to the U.S. Court of Appeals for the Fifth Circuit, which is based in New Orleans. Vehement opposition from Southern senators dissuaded Kennedy from going forward with the nomination. Instead, he appointed Wright to the U.S. Court of Appeals for the District of Columbia.
As an appellate judge, Wright continued his career of judicial activism. He took major steps toward eliminating discrimination against poor African Americans in the district's public schools. To this end, he ordered sweeping changes in the schools. In Hobson v. Hansen, 269 F. Supp. 401 (D.D.C. 1967), he eliminated the "tracking" system, which attempted to place schoolchildren according to mental ability in hopes of stimulating smart children and helping slower ones. However, this system often resulted in placement along racial lines, with most African Americans being placed in lower tracks, and whites being placed in upper tracks. In other cases Wright broadened the concept of illegal discrimination to include "de facto" discrimination (where segregation exists mainly because of social and economic patterns).
Wright also issued rulings that advanced consumer protection. He ruled in favor of the rights of slum tenants to withhold rent for dilapidated and rat-infested dwellings (Jarvins v. First National Realty Corp., 428 F.2d 1071 [D.C. Cir. 1970]), and provided remedies for poor consumers who had signed "unconscionable" contracts, which contained excessive rates of interest and threatened them with repossession of goods if they failed to make payments. (Williams v. Walker-Thomas Furniture Co., 350 F.2d 445 [D.C. Cir. 1965]).
Throughout his years on the bench, Wright espoused what he once described as a jurisprudence of "goodness," which he said was inspired by the work of Supreme Court Chief Justice Earl Warren. In this jurisprudence, what was "fair" was often more important than what had been held in previous cases.
Wright retired in 1987. He died on August 6, 1988, in Washington, D.C.
James Arlington Wright (December 13, 1927 – March 25, 1980) was a Pulitzer Prize-winning American poet.
Wright first emerged on the literary scene in 1956 with The Green Wall, a collection of formalist verse that was awarded the prestigious Yale Younger Poets Prize. But by the early 1960's, Wright, increasingly influenced by the Spanish language surrealists, had dropped fixed meters. His transformation achieved its maximum expression with the publication of the seminal The Branch Will Not Break (1963), which positioned Wright as curious counterpoint to the Beats and New York schools, which predominated on the American coasts.
This transformation had not come by accident, as Wright had been working for years with his friend Robert Bly, collaborating on the translation of world poets in the influential magazine The Fifties (later The Sixties). Such influences fertilized Wright's unique perspective and helped put the Midwest back on the poetic map.
Wright had discovered a terse, imagistic, free verse of clarity, and power. During the next ten years Wright would go on to pen some of the most beloved and frequently anthologized masterpieces of the century, such as "A Blessing," "Autumn Begins in Martin's Ferry, Ohio," and "I Am a Sioux Indian Brave, He Said to Me in Minneapolis."
Technically, Wright was an innovator, especially in the use of his titles, first lines, and last lines, which he used to great dramatic effect in defense of the lives of the disenfranchised. He is equally well known for his tender depictions of the bleak landscapes of the post-industrial American Midwest. Since his death, Wright has developed a cult following, transforming him into a seminal writer of ever increasing influence. Each year, hundreds of writers gather to pay tribute at the James Wright Poetry Festival in Martin's Ferry.
Wright's son Franz Wright is also a poet. Together they are the only parent/child pair to have won a Pulitzer Prize in the same category (Poetry).
Wright was born in Martins Ferry, Ohio, approximately 50 miles southwest of Pittsburgh, Pennsylvania. It is one of many steel-producing towns along the heavily industrialized Upper Ohio River Valley as it borders West Virginia and Pennsylvania. He was born in 1927, two years before the American stock market crash of 1929 to a father who worked in the Hazel-Atlas Glass factory and a mother who worked in laundry. He graduated from high school in 1946. Wright then joined the army and was stationed in Japan during the American occupation of that country.
Wright later attended Kenyon College, from which he graduated cum laude in 1951, after which he received a Fulbright Fellowship and travelled to Vienna, Austria. In 1954 he went to the University of Washington where he studied with poets Theodore Roethke and Stanley Kunitz. That year, when he was still a graduate student, W. H. Auden selected Wright's manuscript for publication in the Yale Younger Poets Series. In 1957, when his book of poems, The Green Wall, was published, he joined the faculty of the University of Minnesota where his colleagues were Allen Tate and John Berryman. In 1959, he earned a PhD from the University of Washington with a dissertation on Charles Dickens and his second collection, Saint Judas, was published in the Wesleyan University Press series. During this period, Wright contributed poetry and book reviews to major publications like the Sewannee Review and regularly published in virtually every important journal, from The New Yorker to the New Orleans Poetry Review. Nonetheless, the University of Minnesota did not believe he had the qualifications to become a tenured professor, and Wright had to relocate to nearby Macalester College.
Wright married his high school sweetheart Liberty Kardules, who was a nurse in Texas. The couple had two sons, Franz and Marshall. Wright left his wife in 1959, and they divorced in 1962. In 1966, he took a job at Hunter College in New York where he met Edith Ann Runk, the "Annie" of many of his poems. They were married shortly after his move to New York at the Riverside Church in April of 1967. Annie was very good for Wright and helped him tone down his drinking. They spent a number of summers in Italy and Paris.
Wright died on March 25, 1980 shortly after being diagnosed with cancer of the tongue. His funeral was held at the same Riverside Church where he had married Annie.
Wright's early poetry is relatively conventional in form and meter, especially compared with his later, looser poetry. His work with translations of German and South American poets, as well as the influence of Robert Bly, had considerable influence on his own poems; this is most evident in Shall We Gather at the River, which departs radically from the formal style of Wright's previous book, Saint Judas.
His poetry often deals with the disenfranchised, or the outsider, American; yet it is also often inward probing. Wright suffered from depression and bipolar mood disorders and also battled alcoholism his entire life. He experienced several nervous breakdowns, was hospitalized, and was subjected to electroshock therapy. His dark moods and focus on emotional suffering were part of his life and often the focus of his poetry, although given the emotional turmoil he experienced personally, his poems are often remarkably optimistic in expressing a faith in life and human transcendence. His seminal 1963 volume The Branch Will Not Break is one example of his belief in the human spirit.
His 1972 Collected Poems was awarded the Pulitzer Prize. In addition to his other awards, Wright received a grant from the Rockefeller Foundation.
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