Career Highlights: Speed, Soldier of Orange, The Fourth Man
First Major Screen Credit: Paranoia (1967)
Biography
Dutch cameraman Jan de Bont built his career out of crafting the look of stylish action pieces and slick adventures; in the process, he became associated with some of the most profitable movies in Hollywood. He went to film school in Amsterdam during the '60s, making several shorts and documentaries. He shot Wat Zien Ik? in 1971 for director Paul Verhoeven (also from The Netherlands) and the two continued working together over the next two decades until Basic Instinct in 1992. In the early '80s, de Bont built his extensive cinematography resumé with horror movies (Cujo), dramas (I'm Dancing As Fast As I Can), and teen movies (All the Right Moves). He eventually developed a quick style that incorporated handheld cameras and constant movement. Perhaps the most prolific period of his career was in the mid-'80s, when he directed the photography for such large-scale adventures as Jewel of the Nile and The Clan of the Cave Bear. He then shot the flashy comedy Ruthless People before he made himself known for his work with the 1988 action classic Die Hard. It appeared as if de Bont's style was setting the standards for the look of action sagas, and he stayed with the genre with The Hunt for Red October and Lethal Weapon 3; but he also managed thrillers such as Flatliners and Shining Through. Making his directorial debut in 1994 with Speed, he maintained his flashy visual style but proved he could handle characters, as well. After directing the action-packed, but less-successful, Twister and Speed 2: Cruise Control, he moved on to producing with SLC Punk and The Haunting (which he also directed). The filmmaker continued producing with the sci-fi action flicks Minority Report and Equilibrium before returning to the director's chair for Lara Croft Tomb Raider: The Cradle of Life in 2003. ~ Andrea LeVasseur, All Movie Guide
De Bont was born, one of 17 children, to a Roman Catholic family in Eindhoven, Netherlands. His earliest work after studying at the Amsterdam Film Academy was with the Dutch avant garde director Adriaan Ditvoorst. De Bont was cinematographer/cameraman on many of Ditvoorst's early films including the prizewinning Ik Kom Wat Later Naar Madra (I'll Be In Madra Somewhat Later). He first came to fame in the Netherlands as the cinematographer for the 1973 movieTurkish Delight, directed by Paul Verhoeven, starring Rutger Hauer and Monique van de Ven. Since the early 1980s, he worked frequently in Hollywood.
Directing
De Bont made his directorial debut with Speed in 1994, which was a surprise hit. He followed this up with the even more successful Twister in 1996. His output since has had mixed commercial and critical success.
Personal life
He was married to Dutch actress Monique van de Ven from 1973 to 1988. Monique starred in the 1973 film Turkish Delight, for which De Bont did the cinematography. De Bont has two children from his second marriage with Trish Reeves, Alexander (who had a part in Speed 2) and Anneke.
De Bont began pre-production on an American Godzilla film for a summer 1996 release, but quit the film at the end of 1994 when Sony Pictures would not approve his budget request.