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Jan Steen

 
Britannica Concise Encyclopedia: Jan Havickszoon Steen

(born c. 1626, Leiden, Neth. — died Feb. 3, 1679, Leiden) Dutch painter. A brewer's son, he was enrolled at the University of Leiden in 1646 and in 1648 became a founding member of the Leiden painters' guild. One of the greatest Dutch genre painters, he is known for his humour and ability to capture subtle facial expressions, especially of children. His figures, which became larger and more individually characterized in his later works, were often shown playing cards or skittles, or carousing in inns and taverns. His paintings show great technical skill, particularly with colour. His late paintings, which anticipated the Rococo style, became increasingly elegant and somewhat less energetic.

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Art Encyclopedia: Jan (Havicksz.) Steen
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(b Leiden, 1626; d Leiden, early 1679). Dutch painter. He is best known for his genre scenes depicting busy interiors, often with a strongly moralizing theme and frequently illustrating Dutch sayings. These cheerful and disorderly scenes themselves gave rise to the Dutch expression 'a Jan Steen household'. His work, in which his goal seems to have been to combine narrative, instruction and entertainment, revives the moralizing tradition of earlier Dutch genre painters. Yet his inquisitive mind provoked him continuously to explore new styles and themes, an attitude probably stimulated by his frequent moves between Dutch cities. Steen was a prolific artist (although the quality of his work varies greatly), and, as well as his many genre pieces, he executed biblical and mythological subjects and a few portraits; he particularly excelled in the depiction of children. At the end of his life he produced paintings that foreshadow the Rococo idylls of 18th-century artists.

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Columbia Encyclopedia: Jan Steen
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Steen, Jan (yän stān), 1626-79, Dutch genre painter, b. Leiden. He studied in Utrecht and in Haarlem under Van Ostade and Van Goyen, whose daughter he married. His huge production of paintings, numbering nearly 900, reveal the influence of most of the major Dutch masters except Rembrandt, but retain a distinct and individual style. His painting offers a composite picture of the social life of his day, often tending toward the humorous or moralistic. His favorite themes were scenes of revelry and feasting. He was a superb draftsman and portraitist, and, despite his love of the incidental, he handled his large groups of figures effectively and spontaneously. Among his many notable works are The Feast of St. Nicolas and The Prince's Birthday (Rijks Mus.); The Menagerie and The Painter's Family (The Hague); and Skittle Players (National Gall., London). The Metropolitan and Brooklyn museums and the Art Institute of Chicago have examples of his work.
Dictionary: Steen   (stān) pronunciation, Jan
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1626?-1679.

Dutch genre painter known for his humorous and moralistic depictions of domestic life and revelry, including Village Wedding (1635) and Flemish Feast in an Inn (1674).


Wikipedia: Jan Steen
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Jan Steen

Selfportrait of Jan Steen (1670)
Birth name Jan Havickszoon Steen
Born 1626
Leiden, Holland, Dutch Republic
Died 1679
Leiden, Holland, Dutch Republic
Nationality Dutch
Field Painting
Training Nicolaes Knupfer
Movement Dutch Golden Age painting

Jan Havickszoon Steen (c. 1626 – buried February 3, 1679) was a Dutch genre painter of the 17th century (also known as the Dutch Golden Age). Psychological insight, sense of humour and abundance of colour are marks of his trade.

Contents

Life

Steen was born in Leiden, where his well-to-do, Catholic family were brewers and ran the tavern The Red Halbert for two generations. Like his even more famous contemporary Rembrandt van Rijn Jan Steen attended the Latin school and became a student in Leiden. He received his painterly education from Nicolaes Knupfer (1603–1660), a German painter of historical and figurative scenes in Utrecht. Influences of Knupfer can be found in Steen's use of composition and colour. Another source of inspiration were Adriaen van Ostade and Isaac van Ostade, painters of rural scenes, who lived in Haarlem. Whether Steen actually studied with Ostade is not known.

The merry family

In 1648 Jan Steen and Gabriel Metsu founded the painters' Guild of Saint Luke at Leiden. Soon after he became an assistant to the renowned landscape painter Jan van Goyen and moved into his house on the Bierkade in The Hague. On Oct 3, 1649 he married van Goyen's daughter Margriet, with whom he would have eight children. Steen worked with his father-in-law until 1654, when he moved to Delft, where he ran brewery De Roscam (The Curry Comb) (or De Slang (The Snake)) without much success. After the explosion in Delft in 1654 the art market was depressed, but Steen painted his famous A Burgomaster of Delft and his daughter.[1] It does not seem to be clear is this painting should be called a portrait or a genre work.

Steen lived in Warmond, just north of Leiden, from 1656 till 1660 and in Haarlem from 1660 till 1670 and in both periods he was especially productive. In 1670, after the death of his wife in 1669 and his father in 1670, Steen moved back to Leiden, where he stayed the rest of his life. When the art market collapsed in 1672, called the Year of Disaster, Steen opened a tavern. In April 1673 he married Maria van Egmont, who gave him another child. In 1674 he became president of the Sint Lucas Guild. Frans van Mieris became one of his drinking companions. He died in Leiden in 1679 and was interred in a family grave in the Pieterskerk.

Children teaching a cat to dance

Works

Daily life was Jan Steen's main pictorial theme. Many of the genre scenes he portrayed, like in The Feast of Saint Nicholas, are lively to the point of chaos and lustfulness, even so much that a Jan Steen household, meaning a messy scene, became a Dutch proverb (een huishouden van Jan Steen). Subtle hints in his paintings seem to suggest that Steen meant to warn the viewer rather than invite him to copy this behaviour. Many of Steen's paintings bear references to old Dutch proverbs or literature. He often used members of his family as models. Jan Steen painted also quite a few self-portraits, in which he showed no tendency of vanity.

Steen did not shy from other themes: he painted historical, mythological and religious scenes, portraits, still lifes and natural scenes. His portraits of children are famous. He is also well known for his mastery of light and attention to detail, most notably in persian rugs, who look quite worn and other textiles.

Steen was prolific, producing about 800 paintings, of which roughly 350 survive. His work was valued much by contemporaries and as a result he was reasonably well paid for his work. He did not have many students, only Richard Brakenburg is recorded, [2] but his work proved a source of inspiration for many painters.

Sources

  1. ^ http://www.rijksmuseum.nl/steen?lang=en
  2. ^ Liedtke, W. (2007) Dutch Paintings in the Metropolitan Museum of Art, p. 836.

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