Jay Livingston

• Born: March 28, 1915, McDonald, PA
• Died: October 17, 2001, Los Angeles, CA
• Active: '40s, '50s, '60s, '70s, '80s, '90s
• Genres: Soundtrack
• Instrument: Vocals, Piano, Arranger

Biography

The post-war songwriter Jay Livingston earned three Academy Awards for Best Song during the 1940s and '50s in tandem with Ray Evans. Born in Pennsylvania, Livingston studied classical piano as a child and while at the University of Pennsylvania, studied composition and orchestration. He led a dance band on the side, where he met lyricist Ray Evans. After graduation in 1937, the pair moved to New York and found their first hit with "G'bye Now," written in 1941 for Ole Olsen and Chic Johnson's Hellzapoppin'. After spending several years in the U.S. Army, Livingston moved with Evans to Hollywood in 1944 and signed a contract with Paramount. In all, they wrote songs for 100 films in the ten years from 1946 to 1956, including the award-winning "Buttons and Bows" (from 1948's The Paleface), "Mona Lisa" (from 1951's Captain Carey of the U.S.A.), and "Que Sera Sera (Whatever Will Be, Will Be)" (from 1957's The Man Who Knew Too Much).

Livingston and Evans began freelancing for different studios during the '50s and concentrated more on complete scores -- The Lemon Drop Kid (which introduced the holiday classic "Silver Bells") and My Friend Irma, among others -- than isolated songs. In 1961, the duo composed the score for the Broadway musical Let It Ride! Both were inducted into the Songwriters Hall of Fame. ~ John Bush, All Music Guide

• Born: Mar 28, 1915 in McDonald, Pennsylvania
• Died: Oct 17, 2001 in Los Angeles, California
• Occupation: Actor
• Active: '40s-'60s
• Major Genres: Comedy, Drama
• Career Highlights: Sunset Boulevard, Ace in the Hole, The Heiress
• First Major Screen Credit: I Accuse My Parents (1945)

Biography

Composer/songwriter Jay Livingston was educated at the University of Pennsylvania, where he organized an orchestra and played in a touring band. One of his bandmates was another composer, Ray Evans, with whom Livingston later formed a profitable partnership. Livingston entered films at Paramount in 1939, earning an Academy Award nomination for his scoring of The Cat and the Canary. After a brief stay at Columbia, Livingston returned to Paramount in the company of his old friend Ray Evans. Livingston and Evans turned out songs and incidental music for such films as Golden Earrings (1947) Sorrowful Jones (1949), Fancy Pants (1950), and Here Comes the Groom (1952). Their biggest hit during this period was the theme song from 1946's To Each His Own. The team won Oscars for "Buttons and Bows" (from Bob Hope's The Paleface [1948]), "Mona Lisa" (from Captain Carey USA [1951]) and "Que Sera Sera" (from Hitchcock's The Man Who Knew Too Much). They were also nominated for "Silver Bells," written for the 1951 Bob Hope comedy The Lemon Drop Kid (1951), and for "Tammy," the theme song from the 1957 Debbie Reynolds film Tammy and the Bachelor. In 1949, Jay and Ray appeared onscreen in Sunset Boulevard, performing their own composition "The Paramount Don't Want Me Blues;" unfortunately, virtually the entire song was excised from the final release print, reducing the songwriters to atmosphere extras. The team switched their base of operations to TV in the late '50s, writing the theme music for programs as varied as Bonanza, Mister Ed and the Beetle Bailey cartoons; they also composed the original songs for the 1959 TV special No Man Can Take Me. On Broadway, Jay Livingston and Ray Evans were represented by two musical comedies, the best and most popular of which was 1958's Oh Captain, based on the Alec Guinness film The Captain's Paradise. ~ Hal Erickson, All Movie Guide

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