For more information on Jean-Louis Barrault, visit Britannica.com.
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For more information on Jean-Louis Barrault, visit Britannica.com.
| French Literature Companion: Jean-Louis Barrault |
Barrault, Jean-Louis (1910-94). French actor, manager, and director. A disciple of Dullin, Artaud, and Decroux, he emerged in the 1930s as an actor of outstanding expressive power. His productions are noted for their physical inventiveness. Stylistically eclectic, he enriched the vocabulary of the stage with mime and oriental techniques, developed a form of ‘total theatre’ best illustrated by his productions of Claudel, and did much to promote the emerging ‘New Theatre’ of writers such as Ionesco, Duras, and Vauthier in the 1950s. With his partner Madeleine Renaud, considered by many the leading actress of her time, he was a towering presence in French theatre for half a century.
[David Whitton]
| Columbia Encyclopedia: Jean-Louis Barrault |
Bibliography
See his autobiography Memories for Tomorrow (tr. 1974). His other writings include Reflections on the Theatre (tr. 1951) and The Theatre of Jean-Louis Barrault (tr. 1961).
| Actor: Jean-Louis Barrault |
| Filmography: Jean-Louis Barrault |
| Wikipedia: Jean-Louis Barrault |
| Jean-Louis Barrault | |
|---|---|
Jean-Louis Barrault, photographed by Carl Van Vechten, 1952. |
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| Born | 8 September 1910 Le Vésinet, Yvelines, Île-de-France, France |
| Died | 22 January 1994 (aged 83) Paris, France |
| Spouse(s) | Madeleine Renaud (1940-1994) |
Jean-Louis Barrault (8 September 1910, Le Vésinet, Yvelines – 22 January 1994) was a French actor, director and mime artist, training that served him well when he portrayed the 19th-century mime Jean-Gaspard Deburau (Baptiste Debureau) in Marcel Carné's 1945 film Les Enfants du Paradis (Children of Paradise).
Jean-Louis Barrault studied with Charles Dullin in whose troop he acted from 1933 to 1935. At 25 years of age, he met and studied with the mime Étienne Decroux. From 1940 to 1946 he was a member of the Comédie-Française where he directed productions of Paul Claudel's Le Soulier de satin and Jean Racine's Phèdre, two plays that made his reputation.
Over his career, he acted in nearly 50 movies including Les beaux jours, Jenny, L'Or dans la Montagne and Sous les Yeux d'occident.[1]
In 1940, he married the actress Madeleine Renaud. They founded a number of theatres together and toured extensively, including in South America.
He was the uncle of actress Marie-Christine Barrault and sometime sponsor of Peter Brook. He died from a heart attack in Paris at the age of 83. Jean-Louis Barrault is buried with his wife Madeleine Renaud in the Passy Cemetery in Paris.
Jean-Louis Barrault, Reflections on the Theatre:
Perhaps the greatest display of his skill as a mime is in the 1959 made-for-TV movie directed by Jean Renoir, Le Testament du Docteur Cordelier[3] (The Testament of Doctor Cordelier, a.k.a. Experiment in Evil), based on Robert Louis Stevenson's novella, Strange Case of Dr Jekyll and Mr Hyde, in which Barrault, unaided by any additional make-up, editing or camera tricks, completely transforms himself, entirely on-screen, in an unbroken sequential shoot, from the noble Dr. Cordelier into the evil and wicked M. Opale.
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