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Jean-Pierre Gorin

 
Art Encyclopedia: (Albert) Jean Gorin

(b Saint-Emilion-de-Blain, Loire-Atlantique, 2 Dec 1899; d Niort, 29 March 1981). French painter and sculptor. He studied at the Acad?mie de la Grande Chaumi?re in Paris from 1914 to 1916 and at the Ecole des Beaux-Arts in Nantes from 1919 to 1922. Initially influenced by Matisse, van Gogh and C?zanne, he discovered Cubism in Paris in 1923 and was particularly impressed by Albert Gleizes's book Du Cubisme (Paris, 1921). After a brief flirtation with Purism, he continued to move towards abstraction, especially after encountering Mondrian's Neo-plasticism in 1926. Almost immediately, and permanently, he was converted to this aesthetic, creating works such as Composition No. 5 (1926; Paris, Pompidou). Gorin first exhibited his work in April 1928 at Lille with the group S.T.U.C.A. (Sciences, Techniques, Urbanisme, Confort, Art), alongside Mondrian, C?sar Domela and others, in a show organized by F?lix del Marle, founder of the review Vouloir.

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Jean-Pierre Gorin (born 1943, in Paris) is a French filmmaker and professor, best known for his work with Nouvelle Vague luminary Jean-Luc Godard during what is often referred to as Godard's "radical" period. Jean-Pierre Gorin was a student of Louis Althusser, of Michel Foucault and Jacques Lacan. He was a radical leftist well before meeting Godard in 1966. He helped make La Chinoise (1967) and Le Gai Savoir (1966). In 1968, Gorin and Godard founded the collective Dziga Vertov Group, and together produced a series of overtly political films including Vent d'est (1970), Tout va bien (1972), and Letter to Jane (1972). Gorin left France in the mid-1970s to accept a teaching position at the University of California, San Diego at the urging of the film-critic and painter Manny Farber. Gorin has remained on the faculty of Visual Arts at UCSD since 1975, where he teaches courses in film history and criticism to this day. He has also continued to make films - most notably a "Southern California trilogy" of essay films: Poto and Cabengo (1978), Routine Pleasures (1986), My Crasy Life (1991), and Letter to Peter (1992).

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