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Jean Seberg

 
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Jean Seberg

Biography

The career of actress Jean Seberg began with seemingly unlimited promise: A small-town girl from the heartland of America, she created an overnight sensation when she was selected from a pool of 18,000 candidates for what seemed a certain future of fame and celebrity. The dream quickly became a nightmare, however, and both her career and her life spiralled out of control as she became a victim of unrealized expectations, exploitative films, and even her own ideals. Born November 13, 1938, in Marshalltown, IA, Seberg harbored acting dreams throughout her childhood, appearing in local productions of dramas like Our Town and Picnic. She was just 17 when director Otto Preminger selected her from a national talent search to star as Joan of Arc in his 1957 production of Saint Joan, but when reviews of the film as well as her performance were uniformly negative, it appeared that her career was already over. In an act of defiance, Preminger then cast Seberg again -- as another French girl, no less -- in his next project, Bonjour Tristesse. Again, however, her future looked grim, and this time even Preminger gave up on her, passing her contract on to Columbia, where they cast her in 1959's The Mouse That Roared for lack of a better project.

Seberg was already written off by Hollywood when French filmmaker Jean-Luc Godard, previously known as a critic for the influential journal Cahiers du Cinema, requested her to co-star with Jean-Paul Belmondo in his feature debut À Bout de Souffle. By sheer coincidence, she was already in Paris at the time, having just married attorney Francois Moreuil, and Columbia loaned her out for practically nothing. As a pixieish American romancing a French thug, Seberg delivered an impressive performance in what was to quickly emerge as one of the seminal films of the postwar era. Suddenly she was a hot property, and Columbia quickly ordered her to return to the U.S. to appear in the anti-drug drama Let No Man Write My Epitaph. Hollywood simply had no idea how to use Seberg, but in Europe she was much sought after. She next appeared in La Recreation, and in 1961 Philippe de Broca cast her in his L'Amant de Cinq Jours (aka Five Day Lover). She also appeared in another Godard project, but the mercurial director lost interest and never even began editing the completed footage.

Upon returning to America, Seberg closed out her Columbia contract with Robert Rossen's underrated 1964 drama Lilith, then reunited with Belmondo for Echappement Libre. She continued moving back and forth from American films to French productions, starring in Mervyn LeRoy's 1966 drama Moment to Moment and Irvin Kershner's A Fine Madness before crossing the Atlantic to appear in Claude Chabrol's La Ligne De Demarcation and Jacques Bernard's Estouffade a la Caraibe. For her second husband, writer/director Romain Gary, Seberg also starred in 1968's Les Oiseaux Vont Mourir au Perou. She remained a major star in Europe, but back home there was little interest in her work, despite a plum role in 1969's Paint Your Wagon. In fact, she gained greater notoriety for her high-profile involvement in the civil rights movement, especially her controversial support of the Black Panthers, which even aroused the ire of the FBI. Ultimately, J. Edgar Hoover planted a fallacious story in Newsweek that the father of Seberg's unborn child was a member of the Black Panther Party; the pregnancy resulted in a premature birth, and the baby girl lived for less than two days before dying on August 25, 1970.

Though plagued by personal problems, Seberg, who had most recently appeared in Airport, continued working, first in the 1971 Italian production Questa Specie d'Amore, then reuniting with Gary (whom she'd already divorced) in his 1972 thriller Kill. A year later she appeared in L'Attentat (aka The French Conspiracy), then married Dennis Berry, the son of the expatriate American filmmaker John Berry. On May 1, 1973, tragedy struck again when Hakim Jamal, a black activist to whom Seberg had previously been linked, was brutally murdered. As the decade progressed, she acted with greater infrequency, co-starring with Kirk Douglas in the 1974 television movie Mousey before returning to Europe to appear in a few other pictures not released to the foreign market. Die Wildente (aka Wild Duck), from 1976, was her last picture. Seberg was scheduled to appear in La Legion Saute sur Kolwezi, a project from Georges de Beauregard -- the producer of À Bout de Souffle -- but before filming began, she was found dead on September 8, 1979. Filmmaker Mark Rappaport's "fictional documentary" From the Journals of Jean Seberg premiered in 1995. ~ Jason Ankeny, Rovi
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Jean Seberg

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Jean Seberg
Born Jean Dorothy Seberg
November 13, 1938(1938-11-13)
Marshalltown, Iowa, U.S.
Died August 30, 1979(1979-08-30) (aged 40)
Paris, France
Occupation Actress
Years active 1957–79
Spouse François Moreuil (1958-60)
Romain Gary (1962-70; 1 child)
Dennis Charles Berry (1972-1979; separated; her death)
Partner Ahmed Hasni (1978-79)

Jean Dorothy Seberg[1] (November 13, 1938 – August 30, 1979) was an American actress. She starred in 37 films in Hollywood and in France, including Breathless (1960), the musical Paint Your Wagon (1969) and the disaster film Airport (1970).

Contents

Early life

Jean Seberg was born in Marshalltown, Iowa, the daughter of Dorothy Arline (née Benson), a substitute teacher, and Edward Waldemar Seberg, a druggist.[2][3][4] Her family was Lutheran and of Swedish, English, and German ancestry.[4][5][6] Seberg studied at the University of Iowa[7][8].

Career

Seberg made her film debut in 1957 in the title role of Saint Joan, from the Shaw play, after being chosen from 18,000 hopefuls by director Otto Preminger in a $150,000 talent search. Her name was entered by a neighbor.[9] By the time she was cast, on October 21, 1956, her only acting experience had been a single season of summer stock performances.[10] The film was paired with a great deal of publicity about which Seberg commented that she was "embarrassed by all the attention".[9] Despite a big build-up, called in the press a "Pygmalion experiment", both the film and Seberg received poor notices.[11] On the failure, she later told the press:

"I have two memories of Saint Joan. The first was being burned at the stake in the picture. The second was being burned at the stake by the critics. The latter hurt more. I was scared like a rabbit and it showed on the screen. It was not a good experience at all. I started where most actresses end up."[12]

Preminger, though, had promised her a second chance,[11] and he cast Seberg in his next film Bonjour Tristesse the following year, which was filmed in France. Regarding his decision, Preminger told the press: "It's quite true that, if I had chosen Audrey Hepburn instead of Jean Seberg, it would have been less of a risk, but I prefer to take the risk. [..] I have faith in her. Sure, she still has things to learn about acting, but so did Kim Novak when she started."[11] Seberg again received atrocious reviews and the film nearly ended her career.[12] Her next role was in the 1959 comedy, The Mouse That Roared, starring Peter Sellers.

Deciding she had no luck in English-language films, Seberg moved to France, where she scored success as the free-love heroine of French New Wave films.[12] Most notably, she appeared as Patricia in Jean-Luc Godard's Breathless (original French title: À bout de souffle), in which she co-starred with Jean-Paul Belmondo. The film became an international success and critics praised Seberg's performance, François Truffaut even hailing her "the best actress in Europe."[13] Despite her achievements in this genre, Seberg did not identify with her characters or the film plots, saying that she was "making films in France about people [she's] not really interested in."[12] The critics did not agree with Seberg's absence of enthusiasm, and raved about her performances, inspiring Hollywood and Broadway to make her important offers.[12]

In 1961, Seberg took on the lead role in her then husband François Moreuil's debut film, La recréation. By that time, Seberg had been estranged from Moreuil, and she recollected that production was "pure hell" and that he "would scream at [her]."[12] After moving back to the United States, she starred opposite Warren Beatty in Lilith (1964), which prompted the critics to acknowledge Seberg as a serious actress.[13]

In 1969, she appeared in her first and only musical film, Paint Your Wagon, based on Lerner and Loewe's stage musical, and co-starring Lee Marvin and Clint Eastwood, but her singing voice was dubbed by Anita Gordon.[14] Seberg also starred in the disaster film Airport (1970) opposite Burt Lancaster and Dean Martin.

At the peak of her career, Seberg suddenly stopped acting in Hollywood films. Reportedly, she was not pleased with the roles she had been offered, some of which, she noted, bordered on pornography.[15] Conversely, she was not offered any great Hollywood roles, regardless of their size.[15] Some have said she was blacklisted due to an infamous FBI smear campaign revolving around issues in her personal life.[15] Others have dismissed that any blacklist occurred. Seberg was willing to work in a Paramount production whose screenplay she had been sent but the film was never made.[15]

Seberg was François Truffaut's first choice for the central role of Julie in Day for Night but, after several fruitless attempts to contact her, Truffaut gave up and cast British actress Jacqueline Bisset instead. Her state of mind may have been responsible for this missed opportunity in 1973.[16] Her last US film appearance was in the TV movie Mousey (1974). Seberg remained busy during the 1970s, but only in European films.

Seberg later appeared in Bianchi cavalli d'Agosto (White Horses of Summer) (1975), Le Grand Délire (Die Große Ekstase) (1975, with husband Dennis Berry) and Die Wildente (1976, based on Ibsen's The Wild Duck[17]).

Personal life

Seberg married François Moreuil, a French movie director who directed her in La récréation, in 1958; they divorced in 1960. According to Seberg, the marriage was a "violent" one, and she complained that she "got married for all the wrong reasons."[12] On living in France for a period of time, Seberg said in an interview:

"I'm enjoying it to the fullest extent. I've been tremendously lucky to have gone through this experience at an age where I can still learn. That doesn't mean that I will stay here. I'm in Paris because my work has been here. I'm not an expatriate. I will go where the work is. The French life has its drawbacks. One of them is the formality. The system seems to be based on saving the maximum of yourself for those nearest you. Perhaps that is better than the other extreme in Hollywood, where people give so much of themselves in public life that they have nothing left over for their families. Still, it is hard for an American to get used to. Often I will get excited over a luncheon table only to have the hostess say discreetly that coffee will be served in the other room. [..] I miss that casualness and friendliness of Americans, the kind that makes people smile. I also miss blue jeans, milk shakes, thick steaks and supermarkets."[12]

In 1962, she married French novelist and diplomat Romain Gary, who was 24 years her senior. Their only child together, a son, was named Diego. During her marriage to Gary, Seberg lived in Paris, Greece, Southern France and Majorca, but remained an American citizen throughout.[18]

During the late 1960s, Seberg used her high-profile image to privately voice support for the NAACP and supported Native American school groups such as the Mesquaki Bucks at the Tama settlement near her home town of Marshalltown, for whom she purchased $500 worth of basketball uniforms. She also supported the Black Panther Party.[19]

After Richard Nixon's resignation from the presidency, the United States Senate Select Committee to Study Governmental Operations with Respect to Intelligence Activities, a U.S. Senate committee chaired by Senator Frank Church (D-ID) and usually referred to as the Church Committee, revealed that the FBI used illegally obtained information about Jean Seberg to concoct an article it planted in Newsweek magazine that defamed the actress, who was then seven months pregnant with her second child.[20]

The FBI's goal was to "cause her embarrassment and serve to cheapen her image with the public".[21]

Accordingly to some authors and researchers, the FBI's actions against Jean Seberg resulted in her suicide. Her death led fifteen months later to the suicide of her husband Romain Gary, although his suicide note denied any connection between their two suicides.[22]

The story planted by the FBI in Newsweek magazine was related to allegations that Seberg had an affair with Clint Eastwood while filming Paint Your Wagon.[23] and that in 1970, Seberg had an affair with a college student named Carlos Navarra, which resulted in her pregnancy with her daughter. It was when she was seven months pregnant that the FBI created the false story[24] that the child she was carrying was not fathered by her husband Romain Gary, but by a member of the Black Panther Party, Raymond Hewitt.[25] The story was also reported by gossip columnist Joyce Haber of the Los Angeles Times,[26] and Newsweek magazine.[27] During her pregnancy, Seberg claimed that her husband Gary was the father. She gave birth to a girl named Nina on August 23, 1970 in Geneva, but the infant died two days later.[28] She held an open casket funeral in her hometown to allow the curious to see the infant's color.[29]

In 1972, she married film director Dennis Berry.

David Richards, author of the book Played Out: The Jean Seberg Story,[30] presents a different version of Jean's problems, describing them as having compounded after a relationship she had in 1979 with an Algerian named Ahmed Hasni. Richards affirms that Jean had "a form of marriage" to Ahmed Hasni through a ceremony on May 31, 1979 that had no legal force because she was still married to Berry.[31] As per Richards, in July, Hasni persuaded her to sell her second apartment on the Rue du Bac, and he kept the proceeds (reportedly 11 million francs in cash), announcing that he would use the money to open a Barcelona restaurant.[32] The couple departed for Spain but she was soon back in Paris alone, and went into hiding from Hasni, who she said had grievously abused her.[33] Charles Champlin, film and arts critic for the Los Angeles Times, wrote in 1979 a piece entitled "Jean Seberg: A Hollywood tragedy", where he affirms that in her later life, Seberg dealt with clinical depression, something he asserts was not revealed until after her death.[13]

Death

Grave of Jean Seberg

In August 1979, she went missing and was found dead eleven days later in the back seat of her car, which was parked close to her Paris apartment in the 16th arrondissement. The police report stated that she had taken a massive overdose of barbiturates[25] and alcohol (8g per liter). A suicide note ("Forgive me. I can no longer live with my nerves.") was found in her hand, and "probable suicide" was ultimately ruled the official cause of death by the French coroner. However, it is often questioned how she could have operated a car with that amount of alcohol in her body, and without the corrective lenses she needed for driving.[34] One year later, her former husband Romain Gary committed suicide.[25]

Seberg was interred in the Cimetière du Montparnasse, Paris, France.[35]

Legacy

In 1995, a documentary of her life was made by Mark Rappaport, titled From the Journals of Jean Seberg. Mary Beth Hurt played Seberg in a voice-over. Appropriately, Hurt was also born in Marshalltown, Iowa, in 1948, attended the same high school as Seberg, and Seberg had been her babysitter. A musical, Jean Seberg, by librettist Julian Barry, composer Marvin Hamlisch, and lyricist Christopher Adler, based on Seberg's life, was presented in 1983 at the National Theatre in London.

Mexican author and diplomat Carlos Fuentes mirrored their short-termed alleged love story in his 1994 novel Diana o La Cazadora Solitaria (Diana, or The Solitary Hunter).

The short 2000 film Je t'aime John Wayne is a tribute parody of Breathless, with Camilla Rutherford playing Seberg's role.

In 2004, the French author Alain Absire published Jean S., a fictionalised biography. Seberg's son, Alexandre Diego Gary, brought a lawsuit unsuccessfully attempting to stop publication.

In 1991, Jodie Foster, a fan of her performance in Breathless, purchased the film rights to the David Richards' biography about Seberg, Played Out: The Jean Seberg Story.[36] She was going to produce and star in the film. The project was cancelled two years later.

In 2011, filming began in New York City on a biopic tentatively titled, 'Jean', starring artist and heiress Daphne Guinness as Jean Seberg.

Filmography

  • Saint Joan (1957)
  • Bonjour tristesse (1958)
  • The Mouse That Roared (1959)
  • Breathless (A bout de souffle) (1959)
  • Let No Man Write My Epitaph (1960)
  • Les Grandes Personnes (Time Out for Love) (1961)
  • La récréation (Playtime / Love Play) (1961, with husband François Moreuil)
  • L'Amant de cinq jours (1961)
  • Congo Vivo (1962)
  • In the French Style (1962)
  • Les Plus Belles Escroqueries du Monde (The World's Greatest Swindles) (1964)[37]
  • Lilith (1964)
  • The Beautiful Swindlers (1964)
  • Échappement libre (Backfire) (1964)
  • Moment to Moment (1965)
  • Un Milliard dans un Billard (Diamonds are Brittle) (1965)
  • A Fine Madness (1966)
  • La Ligne de démarcation or Line of Demarcation (1966)
  • Estouffade à la Caraïbe (Gold Robbers) (1967)
  • La route de Corinthe (The Road to Corinth, also released as Who's Got the Black Box?) (1967)
  • Birds in Peru (1968, with husband Romain Gary)
  • Pendulum (1969)
  • Paint Your Wagon (1969)
  • Ondata di Calore (Dead of Summer) (1970)
  • Airport (1970)
  • Macho Callahan (1970)
  • Kill! (1972)
  • Questa Specie d'Amore (This Kind of Love) (1972)
  • L'attentat (The French Conspiracy) (1972)
  • Camorra (1972)
  • The Corruption of Chris Miller (1973)
  • Mousey (or Cat & Mouse) (1974)
  • Les Hautes solitudes (1974)
  • Ballad for the Kid (1974) (also contributed to script, direction, editing)
  • White Horses of Summer (1975)
  • Le Grand Délire (Die Große Ekstase) (1975, with husband Dennis Berry)
  • The Wild Duck (1976)
  • La Légion saute sur Kolwezi (1980 - scenes shot before her suicide were never shown)

Bibliography

  • McGee, Garry (2008). Jean Seberg — Breathless. Albany, GA: BearManor Media. ISBN 1-59393-127-1. 
  • Munn, Michael (1992). Clint Eastwood: Hollywood's Loner. London: Robson Books. ISBN 086051790x. 
  • Richards, David (1981). Played Out: The Jean Seberg Story. Random House. ISBN 0-394-51132-8. 

References

  1. ^ Jean Seberg - Films as actress:, Film as director:
  2. ^ "Jean Seberg Found Dead in Paris; Actress Was Missing for 10 Days; A Life of Personal Tragedy". The New York Times. September 9, 1979. http://select.nytimes.com/gst/abstract.html?res=F50E1EFA345C12728DDDA00894D1405B898BF1D3. Retrieved May 6, 2010. 
  3. ^ Gussow, Mel (November 30, 1980). "The Seberg Tragedy; Jean Seberg". The New York Times. http://select.nytimes.com/gst/abstract.html?res=F40A13FE3F5512728DDDA90B94D9415B8084F1D3. Retrieved May 6, 2010. 
  4. ^ a b http://www.genealogi.se/shf9731.htm
  5. ^ Millstein, Gilbert (April 7, 1957). "Evolution of a New Saint Joan; Jean Seberg, 18, unknown and barely tried, illustrates how a star is made, if not born". The New York Times. http://select.nytimes.com/gst/abstract.html?res=F60A17FD345A137A93C5A9178FD85F438585F9. Retrieved May 6, 2010. 
  6. ^ Alice Miller
  7. ^ "At the time I was due to audition for Preminger, I was enrolled to study dramatic art at the State University of Iowa, my eventual goal being stardom on Broadway, hopefully." Seberg in Films and Filming, p13, june 1974
  8. ^ http://www.indymedia.org.uk/en/2007/07/377068.html
  9. ^ a b "Seberg: Real-life Cinderella" by Peer J. Oppenheimer, The Palm Beach Post, April 28, 1957, p. 11
  10. ^ "'Saint Joan' Chosen", The Spokesman-Review, October 22, 1956, p. 1
  11. ^ a b c "Second Chance for Jean", The Age, October 8, 1957, p. 13
  12. ^ a b c d e f g h "Jean Seberg Failed As Saint On Screen, Scores Success In France As A Sinner" by Bob Thomas, The Blade, August 6, 1961, p. 2
  13. ^ a b c "Jean Seberg: A Hollywood tragedy" by Charles Champlin, The Modesto Bee, September 16, 1979, p. F-6
  14. ^ Tyler, Don (2008). Music of the Postwar Era. United States of America: Greenwood Press. p. 152. ISBN 978-0-313-34191-5. http://books.google.com/books?id=slHsWvLKB5sC&pg=PA152. Retrieved 2010-06-25. "Marvin and Eastwood sang, but Miss Seberg's vocals were dubbed by Anita Gordon." 
  15. ^ a b c d "The Jean Seberg Enigma: Interview With Garry Mcgee". Film Threat. http://www.filmthreat.com/interviews/1181/. Retrieved 17 July 2011. 
  16. ^ McGee, Garry (2008). Jean Seberg — Breathless. Albany, GA: BearManor Media. p. 238. ISBN 1-59393-127-1. 
  17. ^ IMDb
  18. ^ "What makes Jean Seberg Run?", Tri-City Herald, June 21, 1970, p. 8
  19. ^ Richards, David (1981). Played Out: The Jean Seberg Story. Random House. p. 204. ISBN 0-394-51132-8. 
  20. ^ Johnson, Chalmers (2004). The Sorrows of Empire. Metropolitan Books. p. 295. ISBN 0-8050-7004-4. 
  21. ^ Brodeur, Paul (1997). A Writer in the Cold War. Faber and Faber. pp. 159–65. ISBN 978-0571199075. 
  22. ^ Johnson, Chalmers (2004). The Sorrows of Empire. Metropolitan Books. p. 296. ISBN 0-8050-7004-4. 
  23. ^ McGee, p.166
  24. ^ Richards 234-8
  25. ^ a b c Munn, p. 90
  26. ^ Richards, p.239
  27. ^ Richards, p.247
  28. ^ Richards, p.253
  29. ^ Friedrich, Otto (1975). Going crazy: An inquiry into madness in our time. New York: Simon and Schuster. p. 230. ISBN 0671221744. 
  30. ^ Richards, David (1981). Played Out: The Jean Seberg Story. Random House. ISBN 0-394-51132-8. 
  31. ^ Richards, p.367
  32. ^ Richards, p.368
  33. ^ Richards, p.369
  34. ^ Richards, p.377
  35. ^ Jean Seberg at Find a Grave access 9/20/2010
  36. ^ "Flashes: September 20, 1991". Entertainment Weekly. September 20, 1991. http://www.ew.com/ew/article/0,,315555,00.html. Retrieved July 12, 2010. 
  37. ^ This episodic film was originally a collaboration of five directors. Despite being directed by Jean-Luc Godard and shot by Raoul Coutard, Seberg's 20-minute episode (Le Grand Escroc) was cut from the final release (McGee, p.110). It was resurrected and partly shown in From the Journals of Jean Seberg (1995)

External links


 
 
Related topics:
Le Grand Delire (1975 Comedy Film)
Un Milliard Dans Un Billard (1965 Comedy Film)
La Recreation (1960 Crime Film)

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