Jew's harp

Jew's harp

A modern Jew's harp

A metal Jew's harp (demir-khomus) from Tuva

The Jew's harp, jaw harp, mouth harp, or Ozark harp is thought to be one of the oldest musical instruments in the world ^[1]; a musician apparently playing it can be seen in a Chinese drawing from the 3rd century BC ^[2]. Despite its common English name, and the sometimes used Jew's trump, it has no particular connection with Judaism. This instrument is native to Asia and used in all tribes of Turkish people in Asia. Mostly called as temir komuz, agiz komuzu or gubuz.

The instrument is known in many different cultures by many different names. As with the parallel example "jew's ear" for the jelly fungus Auricularia auricula-judae, the common English name "Jew's harp" is controversial and is avoided by many speakers, giving rise to various alternative terms. Another name used to identify the instrument, especially in scholarly literature, is the older English trump, while guimbarde, derived from the French word for the instrument, can be found in unabridged dictionaries and is featured in recent revival efforts.

The instrument is a lamellophone, which is in the category of plucked idiophones: it consists of a flexible metal or bamboo tongue or reed attached to a frame. On the other hand, the jew's harp belongs to the aerophones, together with the wind instruments and the instruments of the accordion type: In this class of instruments the sound is generated by a vibrating air column (flutes etc.) or by a stream of air stimulated to sound by a reed (harmonica, accordion, jew's harp). The tongue/reed is placed in the performer's mouth and plucked with the finger to produce a note. The frame is held firmly against the performer's parted front teeth, using the jaw (thus "jaw harp") and mouth as a resonator, greatly increasing the volume of the instrument. The teeth must be parted sufficiently for the reed to vibrate freely ,and the fleshy parts of the mouth should not come into contact with the reed to prevent damping of the vibrations. The note thus produced is constant in pitch, though by changing the shape of his or her mouth and the amount of air contained in it the performer can cause different overtones to sound and thus create melodies. The volume of the note can be varied by breathing in and out. A helpful practice is to shape your vocal cords as if to say "ear of corn" repeatedly, until you learn how to further vary the pitch.

Since trances are facilitated by droning sounds,^[3] the Jew's harp has been associated with magic and has been a common instrument in shamanic rituals.^[4]

Etymology

There are many theories for the origin of the name Jew's harp, one being that it may derive from its popularity amongst Eurasian steppe-peoples like the Khazars, perhaps being introduced to Europe from that direction^{[citation needed]}. Another explanation proposed is that it is a corruption of "jaw harp", while a less likely explanation espoused by some is that its name comes from "juice harp" from the amount of saliva produced when played by amateurs. Both of these explanations lack historical backing, as both the "jaw" and the "juice" variants appeared only in the late 19th and 20th centuries. It has also been suggested that the name derives from the French "Jeu-trompe" meaning "toy-trumpet".^[5].

The Oxford English Dictionary calls theories that the name is a corruption of "jaws" or "jeu" "baseless and inept" and goes on to say, "More or less satisfactory reasons may be conjectured: e.g. that the instrument was actually made, sold, or sent to England by Jews, or supposed to be so; or that it was attributed to them, as a good commercial name, suggesting the trumps and harps mentioned in the Bible."^[6]

Many names of the instrument, in English or other languages, refer to other musical instruments, cordophones, membranophones, or aerophones largely included.

Use

In traditional music

The Jew's harp is an integral element in the music of Tuva. Known as the khomuz, the instrument is used to play the same overtone melodies used in the khoomei, sygyt, and kargyraa styles of overtone singing. The instrument is also a traditional part of Alpine musical styles, from Hungary to France. The earliest trouve in Europe is a bronze-harp dating 5th to 7th century.

In Norwegian traditional music

The Mouth harp (or munnharpe) is also strong in Norwegian traditional music. It is more melody based than rhythm/effects. The overtone is not pitched with the shape of the mouth but further back in the throat by using an opening and closing technique. With this technique the Norwegian players can play almost all the traditional fiddle/hardanger fiddle tunes in major scales. The oldest archeologigal mouth harp discoveries in Norway date back to around 1200. The reason why older instruments haven't been found could be because the Norwegian Mouth harp, unlike other places around the world (except some discoveries in the Benelux countries), is made in a way that makes it possible to replace the reed if it were to be broken. That is probably why people didn't throw them away for us to find them centuries later. The instrument haven't been mass produced in any large scale in Norway either and it was never considered as a toy.

In classical music

Around 1765, Beethoven's teacher Johann Georg Albrechtsberger composed at least seven concerti for Jew's harp, mandora, and strings (three survive in a library in Budapest). They are pleasant, well written works in the galant style, interpreting melodies of contemporary Austrian folk songs.

The American composer Charles Ives's Holidays Symphony features a brief solo for Jew's harp in the first movement ('Washington's Birthday').

In Indian classical music

In South Indian Classical Music, the instrument is often used for percussion accompaniment. Satyajit Ray has used a taniyaavartanam that uses this and other percussion instruments in his movie Gopi Gayen Bhaga Bayen.

In World Music

The Jews harp is frequently to be found in the repertoire of music played by alternative or world music bands. Sandy Miller of the UK-based Brazilian samba/funk band Tempo Novo, plays a Jew's harp solo in the piece Canto de Ossanha.^[7]

In popular music

The Jew's harp has been used on occasion in rock and pop music. It is also used occasionally in folk, country and bluegrass music. It was brought to the attention of the masses when used during the intro of the song "Join Together" when played by Roger Daltrey of The Who. It also featured in the intro of Bon Jovi's "Blaze of Glory" from the album Young Guns II, and throughout the Red Hot Chili Peppers song "Give It Away". Lungfish singer, Daniel Higgs released the album Magic Alphabet in 2003 composed of 17 solo Jew's harp pieces. Joe Walsh's "Life's Been Good" has a jew's harp solo that is often mistaken for a synthesizer.

In heavy metal

This section does not cite any references or sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2009)

While almost non-existent in heavy metal, some more folk oriented metal acts have used the Jew's harp in recordings, such as Moonsorrow, Finntroll, Korpiklaani, Trollech, and Bathory (in the song Foreverdark Woods from the album Nordland I), mostly for interludes or ambient sounds. Black Sabbath also used the instrument in the song "Sleeping Village".

In other media

The Jew's harp has been used in several films and movies. In Harper Lee's novel To Kill A Mockingbird, the character Atticus Finch is said to be skilled at the Jew's Harp.

Snoopy frequently plays the Jew's harp in the animated Peanuts cartoons.

Many of Ennio Morricone's film scores (especially A Fistful of Dollars) contains the Jew's Harp. ^[8]

Names of specific Jew's harps around the world

	Jew's Harp performance "London Bridge" played on a Jew's Harp.
Problems listening to this file? See media help.

• Afghanistan - chang
• Argentina - torompe
• Austria - Maultrommel (lit. "mouth drum")
• Belarus - varghan (варган, East of Belarus), vurghan (вурган, Center of Belarus), varghanisma (варганізма, Center of Belarus), drimba (дрымба, south of Belarus), drumla (друмла, West of Belarus)
• Bosnia - drombulja
• Brazil - berimboca, harpa de boca, berimbau de boca
• Bulgaria - drumboy (дръмбой or драмбой)
• Canada - jew's harp
  • Québec - bombarde or trompe or guimbarde or ruine-babines
• Chile - trompe
• China - kǒu xián (口弦, lit. "mouth string")
• Costa Rica - arpa de hocico
• Croatia - drombulja
  • Kajkavian - brunda (lit. "the grumbling one")
• Czech Republic - brumle
• Denmark - jødeharpe (lit. "Jew harp")
• Esperanto - buŝharpo (lit. mouth harp)
• Estonia - parmupill (lit. "horse-fly instrument")
• Finland - munniharppu
• France - guimbarde
  • Corsica - riberbula
• Germany - Maultrommel (lit. "mouth drum")
• Hawaii - ʻukeke
• Hungary - doromb
• Iceland - gyðingaharpa (kjálkaharpa)
• India
  • Andhra Pradesh - morsing
  • Assam - gogona
  • Karnataka - morsing
  • Kerala - mukhar-shanq (lit. "mouth conch")
  • Rajasthan - morchang
  • Tamil Nadu - mugar-sing
• Indonesia
  • Balinese - genggong
  • Butonese - ore-ore mbondu or ore Ngkale
  • Kailinese - yori
  • Munanese - karinta
  • Toraja - karombi
• Iran - zanboorak (زنبورك)
• Ireland - trumpa; tromb (Gaelic)
• Israel - nevel pe (נבל פה, lit. "mouth harp")
• Italy - scacciapensieri ("thought dispeller")
  • Sardinia - trunfa or trumba
  • Sicily - marranzanu
• Japan
  • Japanese - koukin (口琴, lit. "mouth harp")
  • Ainu - mukkuri (ムックリ)
• Kazakhstan - shang-kobuz
• Kyrgyzstan - temir-komuz (lit. "iron komuz"), ooz-komuz (lit. "mouth komuz")
• Laos
  • Hmong - rab ncas (also in Vietnam, Thailand, and China)
• Latvia - vargāns
• Lithuania - dambrelis
• Mongolia - khel khuur (хэл хуур, lit. "tongue fiddle").
• Malaysia
  • Dusun - bungkau
• Nepal - Murchunga
• Netherlands - mondharp (lit. "mouth harp")
• Norway - munnharpe (lit. "mouth harp")
• Pakistan
  • Sindh "Chang"
• Philippines
  • Maguindanao - kubing
  • Maranao - kobing
  • Palawan - aroding
  • Tagbanua - aru-ding
  • Tingguian - kolibau
  • Yakan - kulaing
• Poland - drumla
• Portugal - berimbau
• Romania - drâmbă
• Russia - vargan (варган)
  • Bashkiria - kubyz (кубыз)
  • Tuva - khomus, homus, komus, xomus (хомус)
  • Yakutia (Republic of Sakha) - khomus (хомус)
• Slovakia - drumbľa
• Serbia - drombulja (дромбуља)
• Slovenia - dromlja
• South Africa
  • Afrikaans - trompie
• Spain - guimbarda or birimbao or arpa de boca
  • Asturias - trompa
  • Euskal Herria (Basque country) - musugitarra (lit. "kiss guitar")
• Sweden - mungiga (lit. "mouth fiddle")
• Switzerland
  • Swiss German - muul trummle
• Taiwan
  • Amis - datok or tivtiv
  • Atayal - lubu
  • Bunun - honghong
• Thailand - jong nong (จ้องหน่อง; term used in central Thailand); or huen (หืน; term used in northeast Thailand)
• Turkmenistan - gopuz (гопуз or гапыз)
• United Kingdom
  • Scotland - tromb (Gaelic)
  • Wales - sturmant
• Ukraine - drymba (дримба)
• Uzbekistan - chankovuz or Chang-kobuz (Чанковуз or Чанг-кобуз)
• Vietnam - đàn môi

See also

• Morsing - A kind of Jew's Harp from India.
• Music of Central Asia
• Music of Sicily

References

Notes

Bibliography

• Alekseev, Ivan, and E. I. [i.e. Egor Innokent'evich] Okoneshnikov (1988). Iskusstvo igry na iakutskom khomuse. IAkutsk: Akademiia nauk SSSR, Sibirskoe otd-nie, IAkutskii filial, In-t iazyka, lit-ry i istorii.
• Bakx, Phons (1992). De gedachtenverdrijver: de historie van de mondharp. Hadewijch wereldmuziek. Antwerpen: Hadewijch. ISBN 9052401632.
• Boone, Hubert, and René de Maeyer (1986). De Mondtrom. Volksmuziekinstrumenten in Belgie en in Nederland. Brussel: La Renaissance du Livre.
• Crane, Frederick (1982). "Jew's (jaw's? jeu? jeugd? gewgaw? juice?) harp." In: Vierundzwanzigsteljahrschrift der Internationalen Maultrommelvirtuosengenossenschaft, vol. 1 (1982). With: "The Jew's Harp in Colonial America," by Brian L. Mihura.
• Crane, Frederick (2003). A History of the Trump in Pictures: Europe and America. A special supplement to Vierundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft. Mount Pleasant, Iowa: [Frederick Crane].[1]
• Dournon-Taurelle, Geneviève, and John Wright (1978). Les Guimbardes du Musée de l'homme. Preface by Gilbert Rouget. Published by the Muséum national d'histoire naturelle and l'Institut d'ethnologie.
• Emsheimer, Ernst (1941). "Uber das Vorkommen und die Anwendungsart der Maultrommel in Sibirien und Zentralasien." Ethnos (Stockholm), nos 3-4 (1941).
• Emsheimer, Ernst (1964). "Maultrommeln in Sibierien und Zentralasien." In Studia ethnomusicologica eurasiatica (Stockholm: Musikhistoriska museet, pp. 13–27).
• Fox, Leonard (1984). The Jew's Harp: A Comprehensive Anthology. Selected, edited, and translated by Leonard Fox. Charleston, South Carolina: L. Fox.
• Fox, Leonard (1988). The Jew's Harp: A Comprehensive Anthology. Selected, edited, and translated by Leonard Fox. Lewisburg: Bucknell University Press; London: Associated University Presses. ISBN 0838751164.
• Gallmann, Matthew S. (1977). The Jews Harp: A Select List of References With Library of Congress Call Numbers. Washington, D.C.: Library of Congress, Archive of Folk Song.
• Gotovtsev, Innokenty. New Technologies for Yakut Khomus. Yakutsk.[2]
• Kolltveit, Gjermund (2006). Jew's Harps in European Archaeology. BAR International series, 1500. Oxford, England: Archaeopress. ISBN 1841719315.
• Plate, Regina (1992). Kulturgeschichte der Maultrommel. Orpheus-Schriftenreihe zu Grundfragen der Musik, Bd. 64. Bonn: Verlag für Systematische Musikwissenschaft. ISBN 3922626645.
• Shishigin, S. S. (1994). Igraite na khomuse. Mezhdunarodnyi tsentr khomusnoi (vargannoi) muzyki. Pokrovsk : S.S. Shishigin/Ministerstvo kul'tury Respubliki Sakha (IAkutiia). ISBN 5851570121.
• Shishigin, Spiridon. Kulakovsky and Khomus. Yakutia.[3]
• Smeck, Roy (1974). Mel Bay's Fun With the Jaws Harp.[4]
• Yuan, Bingchang, and Jizeng Mao (1986). Zhongguo Shao Shu Min Zu Yue Qi Zhi. Beijing : Xin Shi Jie Chu Ban She: Xin Hua Shu Dian Beijing Fa Xing Suo Fa Xing. ISBN 7800050173.

External links

Wikimedia Commons has media related to: Jew's harp

• The Yakut jew's harper
• Largest collection of Jew's Harps around the world! (Dan Moi presents Jew's Harps, Jew's Harp Accessories, -Music and -Literature!)
• Jew's Harps from Europe and All Around the World
• Hawaiian Jew's Harp The 'Ukeke, Indigenous Hawaiian string instrument played with the mouth, sound clips.
• Jew's harps from different regions of Russia - Yakutia (Sakha), Altai, Tyva (Tuva), Bashkiria. Rare jew's harps.
• The jews harp (marranzano/scacciapensieri) in "The Future Sound Of Sicily" by Gigi D'Amico
• The Jew's Harp Guild
• How to play the jew's harp (instructions with sound examples and remarks on the functioning of jew's harps)
• Jew's Harp on Antropodium.NL (features pictures and reviews on Jew's harps from all over the world)
• A page on guimbardes from Pat Missin's free reed instrument website
• French guimbarde site by Sam C=' In French : general info about jawharps, photo gallery with MP3 and tutorial about making bamboo jawharps
• Jew's Harp from India Home of a Jew's harp (morsing) player from India, also the pioneer of articulating HexaMorse!
• Aspiration - Wang Li's site Information and many pictures of rare Jew's harps, especially from China
• Jew's harp at everything2
• Brief synopsis of the ncas guimbard as used in Hmong culture
• Origins of the Jew's Harp. A popular synopsis of the archaeological findings of Jew's harps combined with an extensive illustrated survey of the world distribution of different types.
• Jewsharper Jews harp history, news and tutorials from Michael Wright, of Oxfordshire, UK
• Boing! A blog full of information, photos, videos and music samples featuring the Jew's harp
• Demir-xomus (Tuvan Jew's Harp) Demos, photos, folktale, and text

Video

• Video Demonstration Of Jew's Harp
• A quick tutorial to Jew's Harp