Jimmie Noone
Apr 23, 1895 in New Orleans, Louisiana
Died:
Apr 19, 1944 in Los Angeles
- Alternative Name: Jimmy Noone
- Genre: Jazz
- Active: '20s, '30s, '40s
- Instrument: Clarinet
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| Jimmie Noone | |
|---|---|
| Background information | |
| Born | April 23 1895 |
| Origin | |
| Died | April 19 1944 (aged 48) Los Angeles, California |
| Genre(s) | Jazz, dixieland |
| Occupation(s) | Session musician |
| Instrument(s) | Clarinet |
| Years active | 1912 - 1944 |
| Associated acts |
Freddie Keppard, Buddy Petit Lorenzo Tio Kid Ory Papa Celestin |
Jimmie Noone (or Jimmy Noone; born April 23 1895 in Cut Off, Louisiana – died April 19 1944 in Los Angeles, California) was an American jazz clarinetist.
Noone started playing guitar in his home town; at the age of 15, he switched to the
clarinet and moved to New Orleans, where he
studied with Lorenzo Tio. By 1912, he was playing professionally with Freddie Keppard in Storyville, and played with Buddy Petit, Kid Ory, Papa
Celestin, the Eagle Band, and the Young Olympia Band, before joining the Original Creole
Orchestra in Chicago, Illinois in 1917. The following year, he
joined
In 1935, Noone moved New York City to start a band and a (short lived) club with Wellman Braud. He then returned to Chicago where he played at various clubs until 1943, when he moved to Los Angeles, California. Shortly after he joined Kid Ory's band, which was featured for a time on a radio program hosted by Orson Welles. Noone played a few broadcasts with the band, but died suddenly of a heart attack. The Ory band, with New Orleans-born clarinetist Wade Whaley, played a blues (titled "Blues for Jimmie" by Welles) in his honor on the radio, and the number eventually became a regular feature for the Ory band.
Noone is generally regarded as one of the greatest of the second generation of jazz clarinetists, along with Johnny Dodds and Sidney Bechet. Noone's playing is not as blues-tinged as Dodds nor as flamboyant as Bechet, but is perhaps more lyrical and sophisticated, and certainly makes more use of "sweet" flavoring. Noone was an important influence on later clarinetists such as Artie Shaw, Irving Fazola and Benny Goodman.
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