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Jimmy Bryant

 
Artist: Jimmy Bryant

Similar Artists:

James Burton & Ralph Mooney, Les Paul, Joe Maphis

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Whit Smith

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  • Born: March 05, 1925, Moultrie, GA
  • Died: September 22, 1980, Georgia
  • Active: '40s, '50s, '60s, '70s, '80s
  • Genres: Country
  • Instrumental Country, Traditional Country, Country Boogie Instrument: Guitar
  • Representative Albums: "Guitar Take-Off," "Frettin' Fingers: The Lightning Guitar of Jimmy Bryant," "Two Guitars Country Style"
  • Representative Songs: "The Night Rider," "China Boy," "Frettin' Fingers"

Biography

With steel guitar wizard Speedy West, guitarist Jimmy Bryant formed half of the hottest country guitar duo of the 1950s. With lightning speed and a jazz-fueled taste for improvisation and adventure, Bryant's boogies, polkas, and Western swing -- recorded with West and as a solo artist -- remain among the most exciting instrumental country recordings of all time. Bryant also waxed major contributions to the early recordings of singers like Tennessee Ernie Ford, Merrill Moore, Kay Starr, Billy May, and Ella Mae Morse, and has influenced country guitarists like Buck Owens, James Burton, and Albert Lee. While he enjoyed a career that spanned several decades, it was his sessions with Capitol Records in the early '50s that allowed him his fullest freedom to strut his stuff. Bryant was a prodigy on the fiddle while growing up in Georgia and Florida. He only took up guitar when he got wounded while serving in the Army in 1945, mastering the instrument quickly during his recuperation. In the late 1940s he moved to Los Angeles, hooking up in jam sessions with West, the first pedal steel guitarist in country music. Bryant soon joined a group of musicians, also including West, that played on Cliffie Stone's Hometown Jamboree radio show, and the West connection also helped him land session work at Capitol Records (though he'd previously done a bit of work for Modern Records). It was only natural that he and West began to record under their own names for Capitol too, while continuing to back other's acts in the studio. During this time Bryant was also one of the first musicians of note to play the electric Telecaster, a model that's become legendary and hugely influential in the sound of the electric guitar throughout popular music. Bryant became harder to work with by the mid-1950s, in part because of his heavy drinking, and he did his last Capitol recordings with West in late 1956. He'd never be as active in the studio again, and most fans regard his 1950s Capitol output as his best by far. But he did continue to play live and in the studio, doing quite a bit of obscure recordings in the 1960s in Hollywood and Nashville, mostly for the Imperial label. (A lot of his post-West material finally found wide circulation in 2003 with Sundazed's three-CD box set Frettin' Fingers: The Lightning Guitar of Jimmy Bryant, which was about evenly divided between the West and post-West eras). He only did a little recording after the 1960s, dying of cancer in September 1980 back in his native Georgia. ~ Richie Unterberger, All Music Guide
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Jimmy Bryant (March 5, 1925 – September 22, 1980) was a prominent American session guitarist. He was billed as "The Fastest Guitar in the Country".

Biography

Ivy J. Bryant, Jr. was born in Moultrie, Georgia, the oldest of 12 children. During the Great Depression he played the fiddle on street corners to help the family buy food, pushed to do so by his father.

After being wounded in World War II, he began working seriously on his guitar playing, influenced heavily by Django Reinhardt. After the war, he returned to Moultrie then moved to Los Angeles county where he worked in Western films and played music in bars around L.A.'s Skid Row, where he met pioneering pedal steel guitarist Speedy West. West, who joined Cliffie Stone's popular Hometown Jamboree local radio and TV show, suggested Bryant be hired when the show's original guitarist departed. That gave Bryant access to Capitol Records since Stone was a Capitol artist and talent scout.

In 1950 Tex Williams heard Bryant's dizzying jazz/country style and used him on his recording of "Wild Card". In addition, Bryant and West played on the Tennessee Ernie Ford-Kay Starr hit "I'll Never Be Free", leading to both men being signed to Capitol as instrumentalists. Bryant and West became a team, able to play off each other and intuitively create brilliant instrumental synergy. That led to extensive work as session musicians in addition to making their own records. Their playing on the early 50s Tennessee Ernie boogie records remains as phenomenal as their own recordings for Capitol. He was also one of the early country musicians to use Leo Fender's new electric guitar, known today as the Telecaster.

Bryant was a difficult musician to work with. By 1955 he left Hometown Jamboree (retaining his friendship with West) and after various clashes with his Capitol producer Ken Nelson, the label dropped him in 1956. He continued working in Los Angeles and in the early 1960s he and his trio made an appearance in the Coleman Francis film The Skydivers.

During the 1960s he shifted into music production. Waylon Jennings made a hit of his song "The Only Daddy That'll Walk the Line". He can also be heard playing fiddle on the Monkees' "Sweet Young Thing". In the early 1970s Bryant ran a recording studio in Las Vegas, but finally relocated to Georgia before settling in Nashville in 1975, the same year he reunited with Speedy West for a reunion album produced by Nashville steel guitarist Pete Drake. Bryant played in Nashville bars and did some recording work but his personality did not mesh well with Nashville's highly political music and recording industry. In 1978, in declining health, Bryant learned that his heavy smoking had resulted in lung cancer. He died in Moultrie in September 1980 at the age of 55.

Bryant claimed that jazz guitarist Barney Kessel once said, "Jimmy Bryant is the fastest and the cleanest, and has more technique than any other."

External links


 
 
Learn More
Guitar Player Presents Legends of Guitar: Country, Vol. 1 (1990 Album by Various Artists)
Speedy West (Country Artist, '50s, '60s)
Please, Mr. Santa Claus (1991 Album by Evan Johns & His H-Bombs)

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