Jimmy Dorsey

For more information on Tommy Dorsey, visit Britannica.com.

As the leader of one of the most popular swing-erabands and a skilled saxophone jazz soloist, JimmyDorsey (1904-1957) became famous. With or without his equally well known brother Tommy, he wasin demand in nightclubs and in the motion picturebusiness.

Jimmy Dorsey was born in Shenandoah, Pennsylvania on February 29, 1904. Along with his younger brother Tommy, Dorsey appeared destined to become a musician. Not that his father's brass band was all that successful, since he had to work on the side to support his family. But the elder Dorsey, a miner and music teacher, wanted a better life for his sons, and he felt music was the way. Both boys studied music with a real passion, each beginning with a cornet. Before long they were allowed to play in their father's band and by the time he was 17 years old, Jimmy Dorsey was playing clarinet in the well-known Jean Goldkette band. His fellow band members included, among other famous early-day jazz greats, Bix Beiderbecke and Frankie Trumbauer. Dorsey, a smooth and superbly skilled clarinet and saxophone soloist, honed his skills with the Red Nichols band in the later 1920s. He also played with the popular band of Ted Lewis.

Feuding Brothers

The two brothers, Jimmy and Tommy, had a longstanding feud and each had a terrible temper. Their disagreements were legendary and created much gossip in the music business, explained trumpeter Max Kaminsky in his book Jazz Band: My Life in Jazz, "They had been brought up in a feisty Irish family where love was expressed with fists as much as kisses. Both Tommy and his brother Jimmy were natural born scrappers." But the brothers finally decided to join forces in 1933 by forming their own "Dorsey Brothers" band. They hired Ray McKinley to play drums, Glen Miller to play trombone, and singer Bob Crosby. The band was a solid success in the music business, and both Dorseys were doing well financially. But they couldn't get along with each other, and in 1935, after a terrible argument that caused Tommy to walk out, the Dorsey Brothers Band broke up.

Kaminsky said in his book, "When they had their own Dorsey Brothers orchestra they fought around the clock. Tommy would kick off the beat. Jimmy would growl, 'Always the same corny tempo!' Tommy would snarl, 'Oh yeah! And you always play those same corny notes!' Jimmy would leap up, snatch Tommy's trombone and bend it in two. Tommy would seize Jimmy's sax and smash it on the floor, and the fight was on."

Neither of the Dorsey brothers had a great influence on the jazz music of the day, and their influence on Swing was yet to come, but they were noted for their fine ensemble work and even more so for their outstanding musical arrangements. Together or apart, they were often at the top of the hit parade, and at one time or another they worked with all of the top soloists of the day. During the times when they played separately, with their own bands, one might be at the top of the biggest hit list on one month, then the other the next month. Each drew an enthusiastic crowd wherever they went.

Dorsey always favored the Selmer saxophone, and so the company produced a very special "Dorsey model." This saxophone was produced between the 26,000 and 27,500 serial number range, and became very valuable as a collector's item. The horn was elaborately engraved, and some collectors even had the Jimmy Dorsey name in the engraving. Jimmy was the brother most committed to jazz. He loved fast music and blaring brass while his younger brother, Tommy, preferred slow, easy music.

Success in the 1940s

After the 1935 breakup of their popular band, Jimmy Dorsey took the remaining musicians and formed his own band. Though recognition took longer than he had hoped it would, Dorsey kept playing. In the 1940s he achieved success with his hit songs sung by Helen O'Connell ("Green Eyes" and "Tangerine") and Bob Eberle ("Amapola"). He continued to feature both popular singers, as his band traveled around the country, giving nightly performances.

First Family of Music

The Dorsey brothers were the first family of music. Each brother continued a fascination with Dixieland music, and Jimmy incorporated the sound into his popular orchestra. Each Dorsey band had a famous singer, Bob Crosby with Jimmy and Frank Sinatra with Tommy. Jimmy Dorsey's band featured Ray McKinley on drums, while his brother had Buddy Rich.

Jimmy Dorsey was a natural leader, enabling him to unite a group of potentially volatile musicians into a smooth group. He was also a virtuoso performer on reed instruments. He specialized in speed on his clarinet or saxophone, in cramming many perfect notes into a very short span of time. Some examples of this type of music were "One O'clock Jump" and "John Silver." Fingers flying over the keys, rocking to the sound of the music, his orchestra backing him perfectly, Dorsey would play precisely, without a miss or a flaw. Big band followers always cheered his virtuosity.

His theme music was "Contrasts," and some of his greatest hits included "Amapola (My Pretty Little Poppy)," "In a Little Spanish Town," "Fools Rush In," "Tangerine," "I Got Rhythm," "Perfidia," and "Green Eyes." The Jimmy Dorsey band was immensely popular in the wartime film "Three Jills in a Jeep," made in 1944. The year before this film, Jimmy Dorsey and his orchestra appeared with Red Skelton and Eleanor Powell in a film called "I Dood It!" The film contained some of the best comedy routines in motion pictures. Dorsey's band introduced the modern jazz standard "Star Eyes," and the topical, "So Long, Sarah Jane" in the film. The picture also featured Dorsey in his famous "One O'clock Jump" signature song.

In 1944, Dorsey and his band appeared in a operetta with Marilyn Maxwell. Unfortunately, two Dorsey classics ("What Does It Take?" and "I Know It's Wrong") were cut from the final print of the film. Dorsey's band continued to flourish throughout the 1940s while other big bands faded into obscurity.

The Dorseys are Reunited

In February 1953, with years of successful music behind them, the Dorsey brothers decided to reunite. This may have occurred because of the release of a somewhat fictionalized 1947 motion picture documentary called The Fabulous Dorseys, in which both musicians appeared as themselves. Their music received praise from the critics. Though each had made other films, it was their orchestras that attracted the most attention. The connection with Hollywood continued. They could even make march music swing, and often played "The National Emblem March" in swing-style. The combined Dorsey band continued the popularity of each musician. The brothers also seemed to be able to get along better than before.

The Tommy Dorsey Orchestra, featuring co-leader Jimmy Dorsey, was signed to do the band work for Jackie Gleason's "Stage Show" on television. Gleason's was the only bandstand show on TV in the mid-1950s. The Dorsey orchestra, therefore, received tremendous exposure and regained all of its old popularity among band lovers.

But the good times were drawing to a close. Tommy Dorsey died in November 1956, at the age of 51. Jimmy took over the leadership of the band and continued giving performances. The Dorsey band's memorable 1957 recording of "So Rare" became the last big hit from any major orchestra in the country. Ill health forced Dorsey to retire soon after the recording was made, although he lived to see the tremendous popularity of this great tune. Dorsey's own death came only six months after his brother, on June 12, 1957 in New York City.

Dorsey's music has retained its popularity long after the end of the big band era and his death. Remastered and digitized, it is available on tape or compact disk, and has remained in demand by music lovers throughout the world.

Further Reading

Compton's Interactive Encyclopedia

Jimmy Dorsey, http://www.redhotjazz.com/jimmy.html

E! Online-Fact Sheet-Jimmy Dorsey. http://www.eonline.com/Facts/People/0,12,4603,00.html

Tommy and Jimmy Dorsey, http://rhino.com/features/liners/75283lin.html

See Jimmy Dorsey Lyrics

• Born: February 29, 1904, Shenandoah, PA
• Died: June 12, 1957, New York, NY
• Active: '20s, '30s, '40s, '50s
• Genres: Jazz
• Instrument: Sax (Alto), Clarinet, Leader
• Representative Albums: "Contrasts," "Wartime V-Disc Sessions," "Live at the Edgewater"
• Representative Songs: "So Rare," "Tangerine," "Green Eyes"

Biography

Jimmy Dorsey was both an accomplished reed player, specializing in alto saxophone and clarinet, and one of the top bandleaders of the swing era. In the early and late periods of his career, he co-led bands with his younger brother Tommy; in between, he scored a series of Latin-tinged hits that established his orchestra as one of the most successful recording and performing units of the early '40s. And despite some lean years in the late '40s and the first half of the '50s, he managed to score a major pop hit during the final weeks of his life. The first son of Thomas Francis Dorsey, Sr., a music teacher and marching band director, and Theresa Langton Dorsey, Dorsey received early music instruction from his father; by the age of seven, he was playing cornet in his father's band. Switching to trumpet, he made his professional debut at nine when he appeared with J. Carson McGee's King Trumpeters in New York in September 1913. But two years later, he had switched to reed instruments, alternating on alto saxophone and clarinet. Less than two years younger, his brother Tommy had taken up horn instruments, sometimes playing trumpet but mainly trombone, and the brothers formed Dorsey's Novelty Six in 1920. As Dorsey's Wild Canaries, they played an extended engagement at a Baltimore amusement park and made their radio debut (in the process becoming one of the very earliest jazz bands to be heard on the airwaves). Dorsey then left to join the Scranton Sirens. Around September 1924, he moved to New York and joined the California Ramblers, switching to the Jean Goldkette Orchestra in 1925 -- where he worked alongside the likes of Bix Beiderbecke, Joe Venuti, Eddie Lang, and Frankie Trumbauer -- and then to Paul Whiteman's orchestra in 1926. His younger brother followed him into each of these bands. Eventually the brothers settled in New York, where they worked as session musicians, appearing on records, on radio, and in the pit bands of Broadway musicals. Beginning in 1927, they began organizing studio-only ensembles dubbed the Dorsey Brothers Orchestra for recordings on OKeh Records, and they first reached the charts in June 1928 with "Coquette" (vocal by Bill Dutton). Their first Top Ten placing came in the spring of 1929 with "Let's Do It (Let's Fall in Love)" (vocal by Bing Crosby). The Dorseys organized a permanent touring band in April 1934 and later signed to the newly formed Decca Records. They reached the Top Ten in the fall with "What a Diff'rence a Day Made" (vocal by Bob Crosby) and in the winter of 1935 with "I Believe in Miracles" (vocal by Crosby), "Tiny Little Fingerprints" (vocal by Kay Weber), and "Night Wind" (vocal by Crosby). "Lullaby of Broadway" (vocal by Crosby) hit number one in May. Their rise was helped along by their manager, Francis "Cork" O'Keefe, who was one of the prime movers and shakers in the big-band field of the early '30s. By this time, the Dorseys were bidding fair to break out from the pack in the burgeoning field of swing music -- and they were poised to do just that when O'Keefe booked them into the Glen Island Casino, one of the top big-band venues on the East Coast, complete with a radio hookup from CBS. The brothers had worked together for years at that point, and while their work was frequently dazzling, there were personal tensions that were never far from the surface; the older, more introverted Jimmy was less volatile, while Tommy was more assertive and aggressive. Each knew how to push the requisite buttons in order to needle one another. They'd gotten into squabbles before -- instrument-damaging battles backstage -- but on the night of May 30, 1935, on the holiday then known as Decoration Day (now Memorial Day), as the band tried to start "I'll Never Say 'Never Again' Again," they got into an dispute over the tempo and Tommy left the bandstand in mid-performance and walked out on his brother and the band. Jimmy was left with the band as it was, and several recordings were still in the pipeline. Ironically, "Chasing Shadows" (vocal by Bob Eberly) hit number one in June, while "Every Little Movement" entered the charts in July and reached the Top Ten. Despite his brother's departure, Jimmy Dorsey at first continued to record as the Dorsey Brothers Orchestra, and he scored two Top Ten hits in the fall of 1935, "You Are My Lucky Star" and "I've Got a Feelin' You're Foolin'." (These and all other Dorsey hits unless otherwise noted featured Bob Eberly on vocals.) By the end of the year, however, with Tommy Dorsey having launched his own band, Jimmy Dorsey changed his group's billing to Jimmy Dorsey & His Orchestra, scoring his first chart entry under that name with "You Let Me Down" in December. The same month, Dorsey signed on to provide the musical accompaniment for host Bing Crosby on the weekly radio series Kraft Music Hall, remaining with the show until July 1937. By squabbling, the Dorseys had lost crucial momentum in their careers; while they sorted themselves out, Benny Goodman emerged and claimed the title of "the King of Swing." Tommy Dorsey quickly put together a highly commercial outfit and gave Goodman serious competition. Jimmy Dorsey was not as successful at first, though he topped the charts in June 1936 with "Is It True What They Say About Dixie?" It was only after he left the Crosby radio show and began appearing extensively on his own that he started to figure among the more popular bands. In 1938, he scored seven Top Ten hits, culminating in "Change Partners," which hit number one in October. He had six Top Ten hits in 1939 and three in 1940, including the chart-topper "The Breeze and I," which was a key hit, since it began a series of adaptations of Spanish songs arranged by Tutti Camerata. Even as he began to find commercial success, his younger brother was burning up the airwaves with his more commercial brand of big-band music, its appeal spearheaded by the presence of a young singer named Frank Sinatra. Jimmy Dorsey's career really took off in 1941 when he scored 12 Top Ten hits. "I Hear a Rhapsody" reached number one in April, followed by "High on a Windy Hill" the same month. Another key hit was Dorsey's third consecutive chart-topper, "Amapola," with alternate verses sung by Bob Eberly and Helen O'Connell, which hit number one in March and was the most popular record of the year. Before 1941 was over, Dorsey had returned to number one with "My Sister and I," "Green Eyes" (another duet between Eberly and O'Connell), "Maria Elena," and "Blue Champagne," and he ranked second only to Glenn Miller as the most successful recording artist of the year. Hollywood took an interest in him, and he made his film debut in Lady, Be Good in September 1941. The recording ban called by the American Federation of Musicians in August 1942 cut down on Dorsey's recording opportunities, but he still managed to score six Top Ten hits during the year, among them "Tangerine," another Latin-tinged number with duet vocals by Eberly and O'Connell, which was featured in his second film, The Fleet's In, released in March. Overall, he ranked as the fourth biggest recording artist of the year behind Miller, Harry James, and Kay Kyser. The year 1943 was more of a struggle, but Decca settled with the union a year ahead of its rivals, Columbia and RCA Victor, and so its artists, Dorsey among them, were able to dominate the charts in 1944. Dorsey scored five Top Ten hits, among them the chart-topper "Besame Mucho" (vocals by Eberly and Kitty Kallen), ranking as the third most successful recording artist of the year behind Decca labelmates Bing Crosby and the Andrews Sisters. Amid that string of vocal hits, it's easy to forget that the Jimmy Dorsey Band was also a serious jazz outfit, whose members liked to stretch out when they could and just play, and leave the vocalists on the sidelines. The instrumental "Contrasts," which dated from 1932, was his signature tune and a perfectly respectable jazz piece, and they also saw some success with the lighthearted pop-jazz piece "John Silver," and stretched the envelope with a surprisingly modern electric guitar sound (among other attributes) on "Sorghum Switch" in 1942. One of the difficulties modern collectors have in understanding Jimmy Dorsey's range is that hardly any of his instrumentals have ever seen reissue on LP or, more recently, on CD; the emphasis of the reissues on Dorsey's pop hits gives a somewhat inaccurate portrayal of what kind of a band it was, or the level of virtuosity he commanded on the alto sax or the clarinet (on which he was rated in the same league with Benny Goodman and Artie Shaw). Additionally, unlike his brother and many of the other older white jazzmen (and most bandleaders) of the period, Jimmy Dorsey remained just as musically adventurous in the 1940s as he had been in the 1920s and 1930s. He was not only able but willing to incorporate elements of bebop into his work, and his singles of the early '40s were some of the bolder commercial swing sides of the period. He was also unusual as one of the more personally popular bandleaders of the period, among his fellow musicians. In contrast to his younger brother, who had an aggressive streak that intruded on his management style (and caused him to turn on Sinatra when the latter initially announced he was going solo), and to such notable big egos as Glenn Miller and Benny Goodman, Jimmy Dorsey was relatively introspective and retiring, and didn't impose his personality on the players who worked for him. By temperament, he was more a virtuoso musician than a leader, but his band was good enough and his skills in the latter category were sufficient to carry them in one form or another for more than 15 years. The Jimmy Dorsey Band went into a commercial decline from 1945 on, though there were two Top Ten hits in 1945 and one in 1946. By 1947, Dorsey had moved to MGM Records. In May 1947, he participated in a largely fictionalized film biography of himself and his brother, The Fabulous Dorseys, which was notable not just for the work of Jimmy and Tommy but also a musical cameo by Art Tatum. He scored a Top Ten hit with "Ballerina" (vocal by Bob Carroll) in January 1948 and continued to reach the charts for another couple of years, having moved to Columbia Records by 1950, where he cut some moderately successful (and totally enjoyable) Dixieland-style sides, which also led to the recording of his first LP. But he was forced to disband his orchestra, and in 1953 he accepted an offer from his brother to join the Tommy Dorsey Orchestra as a featured player. Soon, the band was being billed as the Dorsey Brothers Orchestra. From 1954 to 1956, the brothers hosted Stage Show, a live television series. Elvis Presley made his national TV debut on the show in January 1956. Dorsey was diagnosed with throat cancer in 1956. In November 1956, his brother died suddenly, and he took over the band briefly until he was hospitalized in March 1957. His last recording session for Fraternity Records had included "So Rare" (vocals by the Arthur Malvin Singers), which peaked in the Top Five the week of his death at age 53. Jimmy Dorsey earned a place as a major jazz instrumentalist in the '20s. He backed into bandleading in the '30s, but by the early '40s had built one of the more successful orchestras of the big-band era, with a distinctive style. His hits on Decca (now controlled by the Universal Music Group) are augmented by recordings for Columbia and many small labels, with many of his airchecks also available. ~ William Ruhlmann & Bruce Eder, All Music Guide

Giants of the Big Band Era: Jimmy Dorsey Buy this CD	Stop Look and Listen: The Less Familiar Dorsey Buy this CD	1938-1939 in Hi-Fi Broadcasts Buy this CD	Swing Back with Jimmy Dorsey Buy this CD	Don't Be That Way: 1935-1940 Buy this CD
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• Born: Feb 29, 1904
• Died: Jun 12, 1957
• Occupation: Actor
• Active: '40s-'50s, '80s-'90s
• Major Genres: Music, Comedy

Biography

A saxophonist and orchestra leader who appeared in several films, Jimmy Dorsey is the brother of musician Tommy Dorsey. ~ All Movie Guide

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