(born Feb. 10, 1893, New York, N.Y., U.S.died Jan. 29, 1980, Santa Monica, Calif.) U.S. comedian. By age 16 he was playing piano in nightclubs in New York City's Bowery. In the 1920s the team of Durante, Lou Clayton, and Eddie Jackson starred in vaudeville and nightclubs; they appeared on Broadway in Florenz Ziegfeld's Show Girl (1929). Durante made his film debut in Roadhouse Nights (1930) and over the next 30 years brightened many films and musicals with his gravelly voice, malapropisms, and warmhearted buffoonery. Nicknamed Schnozzola for his large nose, he is remembered for ending his many radio and television programs with the line Goodnight, Mrs. Calabash, wherever you are.

For more information on Jimmy Durante, visit Britannica.com.

Jimmy Durante

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Oxford Companion to American Theatre:

[James Francis] Jimmy Durante

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Durante, [James Francis] Jimmy (1893–1980), comedian. Famed for his prominent nose which he called his “schnozzola,” his raspy voice, his fractured English, and his stiff‐kneed strut, the comic began his career in 1910 as a honky‐tonk pianist at Diamond Tony's Saloon in Coney Island. Sometime between 1919 and 1923 he formed a trio with Lou Clayton and Eddie Jackson. Their “nut” act won instant popularity, and they were invited to play Loew's State in 1926. A year later they played the Palace. From the start Durante was the center of attraction, so when the team appeared in Show Girl (1929) and The New Yorkers (1930) he was assigned important roles while his partners played bit parts. The act was disbanded in 1931, although it was frequently reunited for special appearances. Durante then appeared in Strike Me Pink (1933), Jumbo (1935), Red, Hot and Blue! (1936), Stars in Your Eyes (1939), and Keep Off the Grass (1940). At a time when much humor was increasingly biting, his humor remained sunny and he himself the butt of his sharpest digs: “There are a million good lookin' guys, but I'm a novelty.” In a typical rough and tumble antic, he sang “Wood” in The New Yorkers while cluttering the stage with every conceivable wooden object. Another favorite routine was his wild dismantling of a piano. In later years he was popular in nightclubs and films, as well as on radio and television.

(də-răn') pronunciation, Jimmy 1893-1980.

American comedian remembered for his hoarse voice, ample nose, and time-worn hat. He appeared in a number of films and Broadway shows, including Red, Hot, and Blue (1936).


Quotes By:

Jimmy Durante

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Quotes:

"Be awfully nice to them going up, because you're gonna meet them all coming down."

AMG AllMovie Guide:

Jimmy Durante

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Biography

Known to friends, family and fans as "The Schnozzola" because of his Cyrano-sized nose, American entertainer Jimmy Durante was the youngest child of an immigrant Italian barber. Fed up with his schooling by the second grade, Durante dedicated himself to becoming a piano player, performing in the usual dives, beer halls and public events. He organized a ragtime band, playing for such spots as the Coney Island College Inn and Harlem's Alamo Club. He secured two long-lasting relationships in 1921 when he married Maud Jeanne Olson and formed a professional partnership with dancer Eddie Jackson; two years later Durante and Jackson combined with another dancer, Lou Jackson, to form one of the best-known roughhouse teams of the 1920s. Clayton, Jackson and Durante opened their own speakeasy, the Club Durant (they couldn't afford the "E" on the sign), which quickly became the "in" spot for show-business celebrities and the bane of Prohibition agents. Durante was clearly the star of the proceedings, adopting his lifelong stage character of an aggressive, pugnacious singer, yelling "Stop the music" at the slightest provocation and behaving as though he had to finish his song before the authorities hauled him away for having the nerve to perform. Durante's trio went uptown in the Ziegfeld musical Show Girl in 1929, the same year that Durante made his screen debut in Roadhouse Nights.

Though popular in personal appearances, Durante's overbearing performing style did not translate well to movies, especially when MGM teamed the megawatt Durante with stone-faced comedian Buster Keaton. Though Durante and Keaton liked each other, their comedy styles were not compatible. Durante had reached his peak in films by 1934, and was thereafter used only as a specialty or in supporting roles. On stage, however, Durante was still a proven audience favorite: he stopped the show with the moment in the 1935 Billy Rose stage musical Jumbo, wherein, while leading a live elephant away from his creditors, he was stopped by a cop. "What are you doing with that elephant?" demanded the cop. Durante looked askance and bellowed, "What elephant?" In hit after hit on Broadway, Durante was a metropolitan success, expanding his popularity nationwide with a radio program co-starring young comedian Garry Moore, which began in 1943, the year of Durante's first wife's death (she may or may not have been the "Mrs. Calabash" to whom he said goodnight at the end of each broadcast). Virtually out of films by the 1950s, Durante continued to thrive on TV and in nightclubs, finding solace in his private life with his 1960 marriage to Margie Little. By the mid-1960s, Durante was capable of fracturing a TV audience simply by mangling the words written for him on cue cards; a perennial of ABC's weekly Hollywood Palace, he took on a weekly series in his 76th year in a variety program co-starring the Lennon Sisters. Suffering several strokes in the 1970s, Durante decided to retire completely, though he occasionally showed up (in a wheelchair) for such celebrations as MGM's 50th anniversary. Few stars were as beloved as Durante, and even fewer were spoken of so highly and without any trace of jealousy or rancor after his death in 1980; perhaps this adulation was due in part to Durante's ending each performance by finding a telephone, dialing G-O-D, and saying "Thanks!" ~ Hal Erickson, Rovi
  • Genres: Vocal Music

Biography

If any performer can truly be said to have carved out his own comedic turf, made a huge success out of it lasting over several decades, while completely owning that piece of turf lock, stock, and barrel, then that performer would have to be Jimmy Durante. There never has been -- nor is there likely ever to be -- a stylistic school of Durante; the man and his character are of one piece and ingrained in the national consciousness to the extreme. Anyone foolish enough to start appropriating any part of his act would be immediately branded as a slavish imitator -- someone just merely "doing Durante" -- while always being doomed to comparison with the one and only real-deal "Schnozzola" and again, falling well short of the mark. On the surface, Durante's mega-success defied all commonly understood show business laws. No one with such a gravelly voice should have been able to put over a song as well as he did. No one as ugly as him should have made as much profitable hay as he did about being that ugly, and parlaying those looks into a movie career at that. No one wore rumpled suits and a beat-up fedora (covering what little hair he had left), smoked a cheap cigar, and mangled the English language with more charm and hilarity than he. No one won the hearts of his audience by simply being himself -- a comic Everyman from the poor side of town -- than did one Jimmy Durante. He didn't sing good, he didn't look good, and he had the audacity to keep bringing it up, he dressed like a bum, and couldn't say a complete sentence without screwing up some (or all) of the words. Not much of a show business résumé on the surface of it, but Durante's uncloneable charm gathered its main strength from being just that; an average guy who -- as one critic put it -- "acted like a heckler from an audience who had finally decided he could do a better job himself and, upsetting all conventional show business decorum, had snuck into the spotlight." There was not one subtle thing about Jimmy Durante; whether it was wrecking a piano and throwing the resultant debris at the audience, singing a song like "I Know Darn Well I Can Do Without Broadway (But Can Broadway Do Without Me?)," or doing a complete about face and providing a brief glimpse of the wistful side of his character, he tapped the deepest of emotions every single time and did it at full bore.

He was born James Francis Durante on February 10, 1893 into an Italian community on Manhattan's Lower East Side, just a stone's throw away from Chinatown. He showed an early propensity for the piano and this, indeed, is his least recognized talent. His parents had early aspirations for him to enter the classical field with his talent, but even the small child version of Durante was already carving his own path: "My perfesser tried to make me play "Poet and Peasant." I played "Maple Leaf," "Popularity," and "Wild Cherries." I couldn't do nuttin' else then, and I can't do nuttin' else today." Those who heard him in his pre-comedy days of working around Harlem clubs and Coney Island clip joints spoke in high praise of a white ragtime piano man who was the finest of his kind. Nobody of his skin color had a more African-American feel for the ivories as Ragtime Jimmy, his original stake moniker. His left hand was a law unto it itself, while his right could combine with it to make early 20th century ragtime achieve the status of American art. He was that good. As the singing waiters inside Diamond Tony's -- a typical Coney Island saloon -- went through their paces (one of them being a young Eddie Cantor), it was the 17-year-old Durante's job to collect all the small tips the waiters could kick his way. He had the reputation of being able to collect every bit of chump change that came rolling his way while never missing a beat; Cantor was the best nickel kicker at Coney Island.

By early 1916, Durante was working at the Club Alamo in Harlem and put together a sextet called "Jimmy Durante's Original Jazz Novelty Band." It was a noisy little combo to be sure, actually having to hold up signs when they played waltzes and fox trots so their ear-bludgeoned audience would know how to respond. It was during the run at the Alamo that one of the acts on the bill started referring to Durante as "The Schnozzola," what would become his most enduring nickname. The act was an immediate hit, working every speakeasy around New York. He still wasn't singing or talking or telling jokes in the act yet, just playing his piano in his more than energetic style.

Legend has it that Durante was a shy man, unwilling to draw attention to himself because of the merciless teasing he had taken as a child about his looks. The majority of this taunting primarily focused itself on the size of his nose, which became even larger after a pack of schoolyard bullies broke it and it mended incorrectly. It was his friend Eddie Cantor who encouraged him to stand up while playing and start throwing insults at his drummer to break up the act. As first he demurred ("I couldn't do that, I'd be afraid people would laugh at me"), but very soon found that the sound of laughter from an audience wasn't such a bad thing after all. The die was cast. The act was certainly getting noticed, but Durante certainly wasn't getting rich from his success. After pulling down a mere $100 a week at the Club Nightingale, he was convinced by a waiter at the club -- friend Frank Nolan -- that with his own club, he could become a millionaire in no time flat. Durante found a loft above a used-car dealership in downtown Manhattan and started looking for partners. Nolan was aboard and so was singing waiter Eddie Jackson and his song-and-dance partner Harry Harris. The four men started one of the most notorious and legendary speakeasies of the Prohibition era, the Club Durant, its odd spelling -- so legend has it -- the simple result of the partners running out of money for the extra "e" on the neon sign.

Despite Durante's notable local following, the club was not an immediate hit. But one of the regular clients was Lou Clayton, pretty big stuff in vaudeville circles as a soft-shoe dancer. Clayton saw potential in the venture, especially as a springboard for showcasing the largely unused comedic talent of Durante. Buying out Harris' share and joining forces with Clayton and Durante on-stage, the three men came up with an act that made the audience packed into the tiny club feel like they were in the middle of a very violent cartoon or all three acts of a three-ring circus. As noted critic John Fisher pointed out, "The extraordinary gusto of their comic performance, as it bounced from one to the other with Jimmy storming backwards and forth, always the center of attention, set a standard for improvised cabaret humor that has never been surpassed. It would be inaccurate to say that they pulled out all the stops, but only for the simple reason that in their crazy world the stops were inexhaustible." The team of "Clayton, Jackson, and Durante" would form a friendship of immense loyalty that lasted long after they stopped performing together as a unit, indeed,' til death did they part.

The shows became legendary, the tiny club became the hot ticket in town, and their star-studded audience on any given night could include writers like Damon Runyon, Ed Sullivan, and Walter Winchell, Broadway stars like George Jessel, Al Jolson, and regular George M. Cohan, to notorious gangsters such as Waxey Gordon and Legs Diamond. Once the cops padlocked the place in the late '20s, the trio immediately found work elsewhere, making successful forays on Broadway and the night club circuit of the period. When Hollywood came calling, the offer was for Durante alone. He soon started working solo in a no less frenzied manner, with Clayton staying on as his manager and Jackson hanging around as one of one of many "vice presidents," still contributing material to the stage act.

His MGM movie contract found him initially teamed with fading silent star Buster Keaton. Although it was reported that the two men didn't enjoy working together -- each feeling the other one was impeding their own personal styles -- they made a number of fine films together, including 1932's Speak Easily. It was Durante's appearance two years later in Palooka that introduced the song that would soon become his enduring theme, "Inka Dinka Doo." His other film credits include Hollywood Party, Roadhouse Nights, Student Tour, George White's Scandals, Cuban Love Song, Music for Millions, It Happened in Brooklyn, and The Milkman. The Durante schnozzola also made several cameo "appearances" in assorted Walt Disney and Warner Brothers cartoons of the period, truly becoming a national star, an instantly recognizable comedic icon.

By the late '40s, he was on radio with his own show, sometimes working with partners as varied as Alan Young and Garry Moore. But he truly hit his (second? third? fourth?) stride when television became the new dominant medium. Recreating Club Durant with Eddie Jackson for television brought Durante to a whole new audience who had never seen him work in a night club setting and proved to be enormously successful. Even though it was a variety show in the traditional sense (bringing on guest stars like Bing Crosby, Al Jolson, Eddie Cantor, Sophie Tucker, etc.), Durante's manic energy combined with his established character made for an hour of TV unlike any other. Many of the old songs and routines were recycled for this new audience, but the biggest change in Durante's act came with the show's closing. Instead of his trademark head-waggling, fedora-shaking "hot cha cha" set-closing walk-off, the new TV ending was a far more somber affair. A night with Durante ended with him walking into successive spotlights -- each one further away than the other til he disappeared -- turning to both the studio and the unseen television audience and delivering the immortal line, "Goodnight, Mrs. Calabash, wherever you are." Durante could do outrageous slapstick and tug at an audience's heartstrings with equally consummate ease. The '60s saw him busy as ever with more TV projects and a great deal of night club work. Although his character stayed the same, his twilight years imbued it with an old man wistfulness that made him even more lovable. At the age of 70, his recordings of old standards, issued by Warner Bros as September Song, became an unexpected Top 40 album hit in 1963. He made his final film that same year as Smiler Grogan in Stanley Kramer's It's a Mad, Mad, Mad World, where his cameo deathbed statement had him literally kick the bucket.

Durante's increasing frail condition worsened through the rest of the '60s. In 1970, he had a stroke which confined him to a wheelchair and relegated his performing days to old film clips and scrapbooks. His circle of friends and old cronies stayed with him to the end, regardless, until his heart ceased on January 20, 1980. If any comedian could truly be called a one of a kind, then Jimmy Durante deserves that accolade, and much, much more. ~ Cub Koda, Rovi
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Jimmy Durante

from the Broadway to Hollywood trailer (1933)
Born James Francis Durante
February 10, 1893(1893-02-10)
Brooklyn, New York, U.S.
Died January 29, 1980(1980-01-29) (aged 86)
Santa Monica, California, U.S.
Other names The Schnoz
The Great Schnozzola
Occupation Actor, comedian, singer, pianist
Years active 1920–1980
Spouse Jeanne Olsen (1921–1943)
Margie Little (1960–1980)
Signature

James Francis "Jimmy" Durante (February 10, 1893 – January 29, 1980) was an American singer, pianist, comedian and actor. His distinctive clipped gravelly speech, comic language butchery, jazz-influenced songs, and large nose helped make him one of America's most familiar and popular personalities of the 1920s through the 1970s. His jokes about his nose included referring to it as a "Schnozzola", and the word became his nickname.

Contents

Early life

Childhood

Durante was born on the Lower East Side of New York City. He was the youngest of four children born to Bartolomeo Durante and his mail-order bride Rosa, both of whom were immigrants from Salerno, Italy. Bartolomeo was a barber, and his wife Rosa was the sister of a woman who lived in the same boarding house.[1][2] Jimmy Durante served as an altar boy at Saint Malachy's Roman Catholic Church, known as the Actor's Chapel.[3]

Early career

Durante dropped out of school in eighth grade to become a full-time ragtime pianist. He first played with his cousin, whose name was also "Jimmy Durante." It was a family act, but he was too professional for his cousin. He continued working the city's piano bar circuit and earned the nickname "Ragtime Jimmy," before he joined one of the first recognizable jazz bands in New York, the Original New Orleans Jazz Band. Durante was the only member not from New Orleans. His routine of breaking into a song to deliver a joke, with band or orchestra chord punctuation after each line, became a Durante trademark. In 1920, the group was renamed Jimmy Durante's Jazz Band.

Stardom

Durante became a vaudeville star and radio personality by the mid-1920s, with a trio called Clayton, Jackson and Durante. Lou Clayton and Eddie Jackson, Durante's closest friends, often reunited professionally. Jackson and Durante appeared in the Cole Porter musical The New Yorkers, which opened on Broadway on December 8, 1930. Earlier that same year, the team had appeared in the movie Roadhouse Nights, ostensibly based on Dashiell Hammett's novel Red Harvest.

By 1934, he had a major record hit with his own novelty composition, "Inka Dinka Doo," the lyrics of which were written by Ben Ryan[4] to music that Durante himself composed. It became his theme song for the rest of his life. A year later, Durante starred on Broadway in the Billy Rose stage musical Jumbo, in which a police officer stopped him while leading a live elephant and asked him, "What are you doing with that elephant?" Durante's reply, "What elephant?", was a regular show-stopper. Durante also appeared on Broadway in Show Girl (1929), Strike Me Pink (1934) and Red, Hot and Blue (1936).

He began appearing in motion pictures in a comedy series pairing him with silent film legend Buster Keaton and continuing with The Wet Parade (1932), Broadway to Hollywood (1933), The Man Who Came to Dinner (1942, playing "Banjo", a character based on Harpo Marx), Ziegfeld Follies (1946), Billy Rose's Jumbo (1962, based on the 1935 musical) and It's a Mad, Mad, Mad, Mad World (1963).

Radio

Durante on The Jumbo Fire Chief Program, 1935.

On September 10, 1933, Durante appeared on Eddie Cantor's The Chase and Sanborn Hour, continuing until November 12 of that year. When Cantor departed, Durante took over the NBC show as its star from April 22 to September 30, 1934, moving on to The Jumbo Fire Chief Program (1935–36).

He teamed with Garry Moore for The Durante-Moore Show in 1943. Durante's comic chemistry with the young, brushcut Moore brought Durante an even larger audience. "Dat's my boy dat said dat!" became an instant catchphrase. The duo became one of the nation's favorites for the rest of the decade, including a well-reviewed Armed Forces Radio Network command performance with Frank Sinatra that remains a favorite of radio collectors today. Moore left in mid-1947, and the program returned October 1, 1947 as The Jimmy Durante Show. Durante worked in radio for three years after Moore's 1947 departure, including a reunion of Clayton, Jackson and Durante on his April 21, 1948 broadcast.

Television

Durante made his television debut on November 1, 1950, though he kept a presence in radio as one of the frequent guests on Tallulah Bankhead's two-year, NBC comedy-variety show, The Big Show. Durante was one of the cast on the show's premiere November 5, 1950. The rest of the cast included humorist Fred Allen, singers Mindy Carson and Frankie Laine, stage musical performer Ethel Merman, actors Jose Ferrer and Paul Lukas, and comic-singer Danny Thomas (about to become a major television star in his own right). A highlight of the show was Durante and Thomas, whose own nose rivaled Durante's, in a routine in which Durante accused Thomas of stealing his nose. "Stay outta dis, No-Nose!" Durante barked at Bankhead to a big laugh.

Durante as host of The Hollywood Palace, 1964.

From 1950-51, Durante was one of four alternating hosts on NBC's comedy-variety series, "4 Star Revue." He alternated Wednesdays with Danny Thomas (now a headliner), Jack Carson, and Ed Wynn.

Beginning in the early 1950s, Durante teamed with sidekick Sonny King, a collaboration that would continue until Durante's death. Jimmy could be seen regularly in Las Vegas after Sunday Mass outside of the Guardian Angel Cathedral standing next to the priest and greeting the people as they left Mass.

On August 4, 1955, The Jimmy Durante Show on NBC was the venue of the final performance by the famous Brazilian singer Carmen Miranda. Miranda fell to her knees while dancing with Durante, who instinctively told the band, "STOP--da music!" He helped Miranda up to her feet as she laughed, "I'm all out of breath!" "Dat's OK, honey, I'll take yer lines," Durante replied. Miranda laughed again and quickly pulled herself together and finished the show. However, the next morning, August 5, Miranda died at home from heart failure.

Durante also appeared on NBC's Club Oasis, another comedy/variety show broadcast in the 1957-1958 season, alternating first with The Polly Bergen Show.

Marriages

Durante's radio show was bracketed with two trademarks: "Inka Dinka Doo" as his opening theme, and the invariable signoff that became another familiar national catchphrase: "Good night, Mrs. Calabash, wherever you are." For years Durante preferred to keep the mystery alive.

One theory was that it referred to the owner of a restaurant in Calabash, North Carolina, where Durante and his troupe had stopped to eat. He was so taken by the food, the service, and the chitchat he told the owner that he would make her famous. Since he did not know her name, he referred to her as "Mrs. Calabash".[5]

Another idea was that it was a personal salute to his deceased first wife, Jeanne (Olsen) Durante, who died in 1943. "Calabash" might be a mangle of Calabasas, the California city where they made their home during the last years of her life.

At a National Press Club meeting in 1966 (broadcast on NBC's Monitor program), Durante finally revealed that it was indeed a tribute to his wife. While driving across the country, they stopped in a small town called Calabash, which name she had loved. "Mrs. Calabash" became his pet name for her, and he signed off his radio program with "Good night, Mrs. Calabash." He added "wherever you are" after the first year.[6]

Durante's first wife was the former Jean (Jeanne) Olson, whom he married on June 19, 1921. She was born in Ohio on August 31, 1896. She died on Valentine's Day in 1943, after a lingering heart ailment of about two years. She was 46 years old when she died, although different newspaper accounts of her death suggest she was 45 or perhaps 52.[7] Her death was not immediately expected, as Jimmy was touring in New York at the time and returned to Los Angeles right away to complete funeral arrangements.

Durante married his second wife, Margaret "Margie" Little, at St. Malachy's Catholic Church in New York City on December 14, 1960. As a teenager, with her gorgeous red hair and undeniable charm, Margie had been crowned Queen of the New Jersey State Fair. She attended New York University before being hired by the legendary Copacabana, in New York City. They met 16 years before their marriage when he was performing there and where she worked as a hatcheck girl. She was 41, he 67, when they married. The couple adopted a baby, Cecilia Alicia (nicknamed CeCe and now known as CeCe Durante-Bloum) on Christmas Day, 1961. CeCe became a champion horsewoman and then a horse trainer and horseback-riding instructor near San Diego, married a computer designer (Stephen), and has two sons and a daughter (Connor, Ryan and Maddie). Margaret died on June 7, 2009, at age 90.[8]

Charitable work

On August 15, 1958, for his charitable acts, Durante was awarded a huge 3 ft. high brass loving cup by the Al Bahr Shriners Temple. The inscription was: "JIMMY DURANTE THE WORLD'S MOST FAMOUS COMEDIAN A loving cup to you Jimmy, Its' larger than your nose, but smaller than your heart Happiness always, Al Bahr Temple August 15, 1958".

Jimmy's love for children continued through the Fraternal Order of Eagles children, who among many causes raise money for handicapped and abused. At Jimmy's first appearance at the Eagles International Convention in 1961, judge Bob Hansen inquired about his fee for performing. Jimmy replied, "do not even mention money judge or I'll have to mention a figure that'll make ya sorry ya brought it up" "What can we do then?" asked Hansen. "Help da kids," was Durante's reply. Jimmy performed for many years at Eagles conventions free of charge, not even accepting travel money. The Fraternal Order of Eagles in his honor changed the name of their Children's Fund to the Jimmy Durante Children's Fund, and in his memory have raised over 20 million dollars to help children . A reporter once remarked of Durante after an interview: "You could warm your hands on this one." One of the projects built using money from the Durante Fund was a heated therapy swimming pool at the Hughen School in Port Arthur, Texas. Completed in 1968, Durante named the pool the "Inka Dinka Doo Pool".

Politics

Durante was an active member of the Democratic Party. In 1933, he appeared in an advertisement shown in theaters supporting Franklin D. Roosevelt's New Deal programs and wrote a musical score entitled Give a Guy a Job to accompany it.[9]

Later years

Durante continued his film appearances through It's a Mad, Mad, Mad, Mad World and television appearances through the early 1970s. He narrated the Rankin-Bass animated Christmas special Frosty the Snowman (1969), re-run for many years since. The television work also included a series of commercial spots for Kellogg's Corn Flakes cereals in the mid 1960s, which introduced Durante's gravelly growl and narrow-eyed, large-nosed countenance to millions of children. "Dis is Jimmy Durante, in puy-son!" was his introduction to some of the Kellogg's spots. One of his last appearances was in a memorable television commercial for the 1973 Volkswagen Beetle, where he proclaimed that the new, roomier Beetle had "plenty of breathin' room... for da old schnozzola!"

In 1963, Durante recorded an album of pop standards, September Song. The album became a best-seller and provided Durante's re-introduction, to yet another generation, almost three decades later. From the Jimmy Durante's Way of Life album, came the gravelly interpretations of "As Time Goes By" which accompanied the opening credits of the romantic comedy hit, Sleepless in Seattle, while his version of "Make Someone Happy" launched the film's closing credits. Both are included on the film's best-selling soundtrack.

He wrote a foreword for a humorous book titled Cockeyed Americana, compiled by Dick Hyman. In the first paragraph of the "Foreword!", as Durante called it, he met Hyman and discussed the book and the contribution Hyman wanted Durante to make to it. Durante wrote, "Before I can say gaziggadeegasackeegazobbath, we're at his luxurious office." After reading the material Hyman had compiled for the book, Durante commented on it, "COLOSSAL, GIGANTIC, MAGNANIMOUS, and last but not first, AURORA BOREALIS. [Capitalization Durante's.] Four little words that make a sentence--and a sentence that will eventually get me six months."

Aside from "Dat's my boy dat said dat!", "Dat's moral turpentine!" and "It's a catastastroke!" (for "catastrophe",) Durante sent such catchphrases as "Everybody wants ta get inta the act!", "Umbriago!", "Ha-cha-cha-chaaaaaaa!", "I got a million of 'em" and "Surrounded by assassins!" into the vernacular.

Jimmy and Margaret Durante's grave at Holy Cross Cemetery, Culver City, California

Durante retired from performing in 1972 after suffering a stroke that left him confined to a wheelchair. He died of pneumonia in Santa Monica, California, on January 29, 1980. He received Roman Catholic funeral rites four days later, with fellow entertainers including Desi Arnaz, Ernest Borgnine, Marty Allen, and Jack Carter in attendance, and was interred at Holy Cross Cemetery, Culver City.[10]

Animation

Jimmy Durante is known to most modern audiences as the character who narrated and sang the 1969 animated special Frosty the Snowman. He also performed the Ron Goodwin title song to the 1968 comedy-adventure Monte Carlo or Bust sung over the film's animated opening credits. There are numerous Durante depictions and allusions in animation. Pumbaa does a brief Durante impression while singing "Hakuna Matata" in The Lion King. A character in M-G-M cartoons, a bulldog named Spike, whose puppy son was always getting caught by accident in the middle of Tom and Jerry's activities, referenced Durante with a raspy voice and an affectionate "Dat's my boy!" In another Tom and Jerry episode, a starfish lands on Tom's head, giving him a big nose. He then proceeds with Durante's famous "Ha-cha-cha-cha" call. The 1943 Tex Avery cartoon "What's Buzzin' Buzzard" featured a vulture with a voice that sounded like Jimmy Durante. A Durante-like voice (originally by Doug Young) was also given to the father beagle, Doggie Daddy, in Hanna-Barbera's Augie Doggie and Doggie Daddy cartoons, Doggie Daddy invariably addressing the junior beagle with a Durante-like "Augie, my son, my son," and with frequent citations of, "That's my boy who said that!" In the 1933 Warner Bros. Looney Tunes short, Bosko's Picture Show, there is a scene where he is chased by Adolf Hitler with a meat cleaver.

Many 1940s Looney Tunes/Merrie Melodies cartoons had characters based on Durante. Two examples are A Gruesome Twosome, which features a cat based on Durante[11] and Baby Bottleneck, which in unedited versions opens with a Durante-like stork.[12] Book Revue shows the well-known (at that time) 1924 Edna Ferber novel So Big featuring a Durante caricature on the cover. The "so big" refers to his nose, and as a runaway criminal turns the corner by the book, Durante turns sideways using his nose to trip the criminal, allowing his capture. In Hollywood Daffy, Durante is directly depicted as himself, pronouncing his catch-phrase "Those are the conditions that prevail!". In The Mouse-Merized Cat, Babbit (a Bud Abbott mouse) is briefly hypnotized to imitate Jimmy Durante singing Lullaby of Broadway. One of Durante's common catch phrases, "I got a million of 'em!", was used as Bugs' final line in Stage Door Cartoon.

A Durante-like voice was also used for Marvel Comics superhero The Thing in the Hanna-Barbera cartoon Fred and Barney Meet the Thing. In a 1993 episode of The Simpsons titled "Lady Bouvier's Lover", after Grampa cries out, "Good night, Mrs. Bouvier, wherever you are," the Blue-haired lawyer announces himself in charge of Jimmy Durante's estate and therefore puts a halt to Abraham Simpson's "unauthorized imitation" of Durante. The voice and appearance of Crispy, the mascot for Crispy Critters cereal, was also based on Durante.[13] In Disney's House of Mouse, a character named Mortimer Mouse (voiced by Maurice LaMarche} was based on Durante, complete with the 'ha-cha-cha!'.

Cultural references

  • In The Unit (season 4) episode "Switchblade", when the team seems to be outgunned at an overseas embassy that is under siege, one of their shooters has been killed, and their escape aircraft has been incapacitated, Mack Gerhardt says, "Good night, Mrs. Calabash".
  • British comedian Eric Morecambe would occasionally break into an impression of Durante on the Morecambe and Wise Show while wearing a plastic cup on his nose, miming piano-playing and putting on a fake accent to say: "Sitting at my pianna the udder day ..."
  • Herry Monster from Sesame Street had a voice (and nose) modeled after Jimmy Durante.
  • A street on the east side of Las Vegas is named after Durante. A street in Del Mar, California, specifically located at the Del Mar Thoroughbred Club, is also named after him.
  • The voice of Apocalypse Lane character Cuddles the cat was said to be "a vulgar Jimmy Durante" by creator Jon Etheridge.
  • Martin Short uses a Jimmy Durante imitation in character as aging vaudevillian songsmith Irving Cohen. When this character was revived almost 20 years later for his one-man show, Martin Short: Fame Becomes Me, he amped up the Durante imitation to the point of using his catchphrase "Ha-cha-cha-chaaaaaaa!" as his exit line.
  • In the late 1960s, Jimmy Durante appeared in a commercial for Scotties tissue, claiming that he liked them because they were "3-sneezers".
  • A 2008 Acura MDX commercial uses Durante's "Make Someone Happy" throughout.
  • Crow, from Mystery Science Theater 3000, often imitated Jimmy Durante during movies or in sketches.
  • In The Powerpuff Girls Movie, there is a monkey that is named Ha-cha-cha-cha and has a big nose, which refers to Jimmy's quote ha-cha-cha-cha.
  • In the improvisational comedy show Whose Line Is It Anyway, Durante is often referred to in impressions, either as a character the player pretends to be, or as a visual gag (Such as in the game Props, in which a player would hold their prop to their face, imitating Durante's nose, and go "Ha-cha-cha-chaaaa!")
  • Cartoonist Drew Friedman created a one-page comic strip for Spy Magazine called "Jimmy Durante Boffs Young Starlets." The strip shows Durante with a bevy of young ladies to whom he exclaims, "And you goils thought my NOSE was big!"
  • The 1991 film City Slickers features Durante singing "Young At Heart" during scenes from the first day of the cattle drive.
  • The comic band The Blanks, also known as "Ted's Band" from the US comedy-drama Scrubs, released a song in their album Ride The Wave called "The Ballad of Jimmy Durante". The song tells the story of Jimmy's life, with mention of his "Schnozz", "Ha cha cha cha" and everybody wanting to get into the act.
  • In the musical 42nd Street, (set in the year 1933), the song "Gettin' Out of Town" features the phrase "hot-cha-cha-cha, hot-cha-cha-cha"—a possible reference to Durante.
  • Referenced in a Crispy Critters cereal commercial (1987). The commercials for the cereal featured a puppet named "Crispy" with pom-pom antennae and a furry yellow body. Crispy spoke and sang with a voice based on that of Jimmy Durante including the nonsense phrase "Ah-cha-cha-cha".
  • Glenn Beck parodies Jimmy Durante's "Mrs. Calabash" sign-off on his Television show replacing "Mrs. Calabash" with "Mrs. Dunn".
  • In the Cole Porter song You're The Top, in the Broadway show Anything Goes, Reno, while listing pairs of great things, rhymes the line "You're a rose, you're Inferno's Dante" with "You're the nose on the great Durante."
  • In the Sealab 2021 episode "Waking Quinn," Dr. Quinn hallucinates a gravelly-voiced sea lion named "Stinky Pete," who uses Durante's line "Ah-cha-cha-cha-chaaa!"

Filmography

Discography

  • 1959 At the Piano--In Person (album)
  • 1963 September Song
  • 1964 Hello Young Lovers
  • 1965 Jimmy Durante's Way of Life...
  • 1966 One of Those Songs
  • 1967 Songs for Sunday

References

  1. ^ Fowler, Gene Jr. Schnozzola: The Story of Jimmy Durante Viking Press, 1951
  2. ^ Bakish, David Jimmy Durante: His Show Business Career, with an Annotated Filmography and Discography McFarland & Co., 1994 ISBN 978-0-89950-968-6
  3. ^ Posted by Vincenzo (2009-10-24). "The Actors’ Chapel | SANCTE PATER". Sanctepater.blogspot.com. http://sanctepater.blogspot.com/2009/10/actors-chapel.html. Retrieved 2012-05-10. 
  4. ^ "Track Search: Inka Dinka Doo". AllMusic. http://www.allmusic.com/search/track/Inka+Dinka+Doo/order:default-asc. Retrieved 2012-05-10. 
  5. ^ Benoit, Tod (2003-05-06). Jimmy Durante. Black Dog & Leventhal Publishers. http://www.amazon.com/Buried-Fitting-Resting-Infamous-Noteworthy/dp/1579122876. 
  6. ^ NBC Monitor, January 25, 1975 (sound clip at 48:08) From the Monitor Tribute Pages
  7. ^ See California Death Records - Jeanne Durante
  8. ^ "Margaret "Margie" Durante Obituary: View Margaret Durante's Obituary by La Jolla Light". Legacy.com. http://www.legacy.com/obituaries/lajollalight/obituary.aspx?n=margaret-durante-margie&pid=131282332. Retrieved 2012-05-10. 
  9. ^ "Give a Man a Job - 1933". YouTube. 2009-01-30. http://www.youtube.com/watch?v=4jiUu8od_I8. Retrieved 2012-05-10. 
  10. ^ "Durante Family and Friends attend Funeral Rite," The New York Times, February 2, 1980, p. 13.
  11. ^ A Gruesome Twosome (1945)
  12. ^ Baby Bottleneck (1946)
  13. ^ X-Entertainment: Crispy Critters Cereal Tribute

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Mentioned in

As Time Goes By: The Best of Jimmy Durante (1993 Album by Jimmy Durante)
Sleepless in Seattle (1993 Album by Original Soundtrack)
Great Old Time Radio Stars (1995 Album by Various Artists)
Frosty the Snowman (1969 Children's/Family Film)