The middle of the three Heath Brothers, Jimmy Heath has a distinctive sound on tenor, is a fluid player on soprano and flute, and a very talented arranger/composer whose originals include "C.T.A." and "Gingerbread Boy." He was originally an altoist, playing with Howard McGhee during 1947-1948 and the Dizzy Gillespie big band (1949-1950). Called "Little Bird" because of the similarity in his playing to Charlie Parker, Heath switched to tenor in the early '50s. Although out of action for a few years due to "personal problems," Heath wrote for Chet Baker and Art Blakey during 1956-1957. Back in action in 1959, he worked with Miles Davis briefly that year, in addition to Kenny Dorham and Gil Evans, and started a string of impressive recordings for Riverside. In the 1960s, Heath frequently teamed up with Milt Jackson and Art Farmer, and he also worked as an educator and a freelance arranger. During 1975-1982, Jimmy Heath teamed up with brothers Percy and Tootie in the Heath Brothers, and since then has remained active as a saxophonist and writer. In addition to his earlier Riverside dates, Jimmy Heath has recorded as a leader for Cobblestone, Muse, Xanadu, Landmark, and Verve. ~ Scott Yanow, All Music Guide
Jimmy originally played alto saxophone but after the influence of Charlie Parker on his work for Howard McGhee and Dizzy Gillespie in the late 1940s, he earned the nickname "Little Bird" (Parker's nickname was Bird) and he switched to tenor sax. [1]
In the 1980s, he joined the faculty of the Aaron Copland School of Music at Queens College in the City University of New York. With the rank of Professor, he led the creation of the Jazz Program at Queens College and attracted many outstanding musicians, such as Donald Byrd to the campus. He also served on the Board of the Louis Armstrong Archives on campus and the restoration and management of the Louis and Lucille Armstrong Residence in Corona, Queens. Mr. Heath continued his association with the College until recently. In 2004, he was awarded an honorary Doctorate in Human Letters.[2]
He frequently performs master classes in New York City and teaches his love for the saxophone.
He is the father of R&B songwriter/musician James Mtume.