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Joe Cocker

 

Singer

Powerful, raw, and full of anguish, Joe Cocker's voice is perfectly suited to sing the blues, and it was by doing so that he became well known in the late 1960s and early 1970s. Personal and professional problems rivalling those described in any blues song have plagued him over the years, and at times it seemed that his career was finished. In recent years, however, Cocker has not only returned to music, he has expanded his range and established a presence as a romantic balladeer, as a definitive interpreter of several generations of rock music's best songwriters, and as a blues and rhythm-and-blues shouter.

Born into a working-class family, Cocker studied plumbing at a trade school and worked at that profession for several years before his musical efforts began to pay off. As a teen, he was heavily influenced by the music of Ray Charles, which led him to begin playing harmonica in a local group, The Cavaliers. When The Cavaliers reorganized and became Vance Arnold and The Avengers, Cocker was transformed into the lead vocalist. In this role, he made his first recording, a 1963 version of The Beatles' "I'll Cry Instead." Soon afterwards he was offered a solo contract with British Decca, but this venture led nowhere; before long, Cocker was back to plumbing.

In 1966 he resurfaced as the leader of The Grease Band, which included Chris Stainton on keyboards, Alan Spenner on bass, Henry McCullough on guitar, and Bruce Rowlands on drums. Producer Denny Cordell signed The Grease Band to the Regal Zenophone label. Their first single, "Marjorine," was a moderate success in the United Kingdom and gave Cocker's powerful voice its first notable exposure. The Grease Band followed "Marjorine" with a slow version of the Beatles' "With a Little Help from My Friends"; it went to number one in Britain, and became a hit in the United States and many other countries. An album of the same name was recorded, featuring the likes of Jimmy Page, Albert Lee, and Steve Winwood.

The Grease Band played the United States in 1969, winding up their tour with an appearance at the now-famous Woodstock music festival. Cocker met musician and songwriter Leon Russell at the festival, and the two became fast friends. Russell penned Cocker's next hit, "Delta Lady," and supervised the recording of the album Joe Cocker!. When The Grease Band dropped out as Cocker's backup band, Russell organized a 40-day tour of the United States for his friend. More than 20 musicians were involved, including the Delanie and Bonnie Band, Rita Coolidge, and various members of Derek and the Dominoes. The "Mad Dogs and Englishmen" tour was a huge success, leading to a live album that went gold, and a film that made Cocker's strange, spastic stage presence as familiar as his rasping voice. Russell was propelled to major star status as a result of "Mad Dogs and Englishmen." Ironically, the only major casualty of the tour was its star, Joe Cocker. By some accounts, he made only $800 from the entire event. Physically, mentally, and emotionally drained, he recorded one more song, "High Time We Went," before returning to England and retiring from performing.

By 1972 Cocker was attempting a comeback, but legal disputes, drinking, health problems, and a noticeable deterioration in his vocal prowess all plagued his efforts. He toured the United States and then Australia, where repeated arrests finally caused him to be deported. He jumped from one record company to another, and put himself in the hands of many different producers and writers, resulting in a catalog of recordings that is now considered wildly uneven. Despite all his difficulties, he persisted, and by 1975 he had climbed back into the top ten charts in the United States with the arresting ballad "You Are So Beautiful," written by Billy Preston. The rest of the decade was rocky, with albums such as Stingray and Luxury You Can Afford being largely overlooked, despite some good performances.

It wasn't until 1982 that Cocker had another significant hit. Again, it was a ballad—"Up Where We Belong," a duet with Jennifer Warnes—which gained wide exposure through its use in the popular film An Officer and a Gentleman. Thereafter, Cocker's managers seemed determined to change his image from that of a boozy bluesman into that of a gentle crooner. The change led to some moderately successful recordings, but proved puzzling and disappointing to some, such as the Stereo Review writer who complained about the "cautious and polite" renditions of "mild love songs, sung with only a trace of Cocker's famous rasp and guttural fury," that were found on the 1982 release Sheffield Steel. Other commentators were less critical, believing that a mellower style was an indication of Cocker's maturation. "A certain world-weary calm seems to have settled into his music," noted Ralph Novak in his People review of Civilized Man, "and it combines with the raggedy-edged blues that made him famous to produce a uniquely affecting sound."

For the remainder of the 1980s and into the present, Cocker's voice improved markedly from its low point in the mid-1970s, and he continued to exercise his greatest gift: that of reading meaning into others' words. "At his most inspired, Cocker is truly a masterful interpreter," stated High Fidelity writer Steven X. Rea, in a review of Sheffield Steel. "He has transformed material like the Beatles' cutesy-poo 'With a Little Help from My Friends' and the schmaltzy 'You Are So Beautiful' into ragged, soulful numbers of his own creation.… Few singers are as readily identifiable; fewer interpreters are as adept at making outside material sound like their own creation. It's good to hear Cocker in fine form again."

For the remainder of the 1980s, Cocker attempted to match the success he had realized during the first half of the decade. He covered Randy Newman's "You Can Leave Your Hat On," which appeared on the soundtrack of the sexually provocative 1986 Hollywood film 9 1/2 Weeks. His cover of "Unchain My Heart" from the 1987 album of the same name reestablished him as an admirable interpreter of grittier material. The gist of the album was to pay homage to Cocker's primary vocal influence, Ray Charles, and to a large extent, Cocker succeeded in harnessing his voice to the rhythm-and-blues chestnuts selected for the recording. He also scored a hit in 1990 with the song "When the Night Comes," a title co-written by Bryan Adams. After several releases that largely went unnoticed in the 1990s, including Have a Little Faith, which featured the title song written by John Hiatt, and the Don Was-produced Organic, Cocker returned to form with his 2004 release, Heart & Soul. The album, produced by CJ Vanston, includes covers of U2's "One," Jerry Lieber and Mike Stoller's "I (Who Have Nothing)," Marvin Gaye's "What's Going On," Paul McCartney's "Maybe I'm Amazed," John Lennon's "Jealous Guy," and REM's "Everybody Hurts."

Throughout a career blessed with soaring heights and cursed with debilitating lows, Cocker has continuously sought out material from the best songwriters in a wide variety of genres. His renditions of such songs as Traffic's "Feelin' Alright," the Lovin' Spoonful's "Darling, Be Home Soon," Randy Newman's "I Think It's Going to Rain Today," and the Allman Brothers' "Midnight Rider" are testimonials to a perfect marriage of songwriting craftsmanship and superb interpretive skills.

Selected discography
With a Little Help from My Friends, Regal Zenophone, 1969.
Joe Cocker, Regal Zenophone, 1969.
Mad Dogs & Englishmen, A&M, 1971.
Cocker Happy, Fly, 1971.
Something to Say, Cube, 1973.
I Can Stand a Little Rain, A&M, 1974.
Jamaica Say You Will, A&M, 1975.
Stingray, A&M, 1976.
Live in L.A., Cube, 1976.
Luxury You Can Afford, Asylum, 1978.
Platinum Collection, Dakota, 1981.
Joe Cocker, Dakota, 1982.
Space Captain, Cube, 1982.
Sheffield Steel, Island, 1982.
Civilized Man, Capitol, 1984.
Off the Record, Sierra, 1984.
Cocker, Capitol, 1986.
Unchain My Heart, Capitol, 1988.
Joe Cocker Live!, Capitol, 1990.
Night Calls, Capitol, 1992.
Have a Little Faith, Epic, 1994.
Organic, 550 Music, 1996.
Across from Midnight, CMC International, 1997.
No Ordinary World, Red Ink, 2000.
Respect Yourself, Red Ink, 2002.
Definitive Collection, Festival, 2002.
Heart & Soul, NewDoor, 2005.

Sources
Periodicals
Billboard, February 13, 1993; August 6, 1994; November 25, 1995.
Entertainment Weekly, February 4, 2005.
High Fidelity, September 1982.
People, June 14, 1984; May 19, 1986.
Rolling Stone, June 19, 1986.
Stereo Review, October 1982; September 1984.

Online
Joe Cocker Official Website, http://www.cocker.com (May 28, 2005).
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Biography

After starting out as an unsuccessful pop singer (working under the name Vance Arnold), Joe Cocker found his niche singing rock and soul in the pubs of England with his superb backing group, the Grease Band. He hit number one in the U.K. in November 1968 with his version of the Beatles' "A Little Help from My Friends." His career really took off after he sang that song at the Woodstock festival in August 1969. A second British hit came with a version of Leon Russell's "Delta Lady" in the fall of 1969 (by then, Russell was Cocker's musical director) and both of his albums, With a Little Help from My Friends (April 1969) and Joe Cocker! (November 1969), went gold in America. In 1970, his cover of the Box Tops hit "The Letter" became his first U.S. Top Ten. Cocker's first peak of success came when Russell organized the "Mad Dogs & Englishmen" tour of 1970, featuring Cocker and over 40 others and resulting in a third gold album and a concert film. Subsequent efforts were less popular, and problems with alcohol (both on- and off-stage) reduced Cocker's once-powerful voice to a croaking rasp. But he returned to the U.S. Top Ten with the romantic ballad "You Are So Beautiful" in 1975 and topped the charts in a duet with Jennifer Warnes on "Up Where We Belong," the theme from the 1982 film An Officer and a Gentleman. He still charted during the '90s, albeit with less frequency than he did in the '70s and '80s, and has also continued to work throughout the new millennium. Across from Midnight arrived in 1997, followed by No Ordinary World two years later. Respect Yourself appeared in 2002, and the covers album Heart & Soul followed in 2004. The European release Hymn for My Soul, which features cover versions of songs by Stevie Wonder, George Harrison, Bob Dylan, and John Fogerty, was issued on Parlophone in 2007. His complete Live at Woodstock performance was released on CD in 2009. In 2010, Hard Knocks -- his first studio album in three years -- was released in Europe. ~ Cub Koda & William Ruhlmann, Rovi
Wikipedia on Answers.com:

Joe Cocker

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Joe Cocker

Joe Cocker in 2008
Background information
Birth name John Robert Cocker
Also known as Vance Arnold, "The Sheffield Soul Shouter"
Born 20 May 1944 (1944-05-20) (age 67)
Sheffield, England
Genres Blues, rock, blues-rock, blue-eyed soul
Occupations Musician, songwriter, actor
Instruments Vocals, harmonica, guitar, drums
Years active 1960–present
Labels Regal Zonophone
A&M
Capitol
EMI
Decca
Associated acts The Grease Band
Website www.cocker.com
www.columbia.de/joecocker/

John Robert "Joe" Cocker, OBE (born 20 May 1944) is an English rock and blues singer, who came to popularity in the 1960s, and is most known for his gritty voice, his idiosyncratic arm movements while performing, and his cover versions of popular songs, particularly those of The Beatles. He is the recipient of several awards, including a 1983 Grammy Award for his #1 hit "Up Where We Belong", a duet he performed with Jennifer Warnes. He was ranked #97 on Rolling Stone's 100 greatest singers list.[1]

Contents

Biography

Early life

Cocker was born on 20 May 1944 at 38 Tasker Road, Crookes, Sheffield, England. He is the youngest son of a civil servant, Harold Cocker, and Madge Cocker. According to different family stories, Cocker received his nickname of Joe either from playing a childhood game called "Cowboy Joe" or from a neighbourhood window cleaner named Joe. Cocker's main musical influences growing up were Ray Charles and Lonnie Donegan. Cocker's first experience singing in public was at age 12 when his elder brother Victor invited him on stage to sing during a gig of his skiffle group. In 1960, along with three friends, Cocker formed his first group, the Cavaliers. For the group's first performance at a youth club, they were required to pay the price of admission before entering. The Cavaliers eventually broke up after a year and Cocker left school to become an apprentice gasfitter while he pursued a career in music.[2]

Early career (1961–1966)

In 1961, under the stage name Vance Arnold, Cocker continued his career with a new group, Vance Arnold and the Avengers.[3] The name was a combination of Vince Everett, Elvis Presley's character in Jailhouse Rock, (which Cocker misheard as Vance) and country singer Eddy Arnold.[4] The group mostly played in the pubs of Sheffield,[3] performing covers of Chuck Berry and Ray Charles songs. In 1963, they booked their first significant gig when they supported The Rolling Stones at Sheffield City Hall. In 1964, Cocker signed a recording contract as a solo act with Decca and released his first single, a cover of the Beatles' "I'll Cry Instead" (with Jimmy Page playing backup guitar). Despite extensive promotion from Decca lauding his youth and working class roots, the record was a flop and his recording contract with Decca lapsed at the end of 1964.[5] After Cocker recorded the single, he dropped his stage name and formed a new group, Joe Cocker's Big Blues. There is only one known recording of Joe Cocker's and Big Blues on an EP given out by Sheffield College during Rag Week and called Rag Goes Mad at the Mojo. It contained a cover of Curtis Mayfield's "I've Been Trying" and a track of "Saved".[citation needed]

The Grease Band (1966–1969)

In 1966, after a year-long hiatus from music, Cocker teamed up with Chris Stainton, whom he had met several years before, to form the Grease Band.[3] The Grease Band was named after Cocker read an interview with jazz musician Jimmy Smith, where Smith described another musician as "having a lot of grease". Like the Avengers, Cocker's group mostly played in pubs in and around Sheffield. The Grease Band came to the attention of Denny Cordell, the producer of Procol Harum, the Moody Blues and Georgie Fame. Cocker recorded the single "Marjorine" without the Grease Band for Cordell in a London studio. He then moved to London with Chris Stainton, and the Grease Band was dissolved. Cordell set Cocker up with a residency at the Marquee Club in London, and a "new" Grease Band was formed with Stainton and keyboardist Tommy Eyre.[6]

After minor success in the US with the single "Marjorine", Cocker entered the big time with a groundbreaking rearrangement of "With a Little Help from My Friends", another Beatles cover, which was later used as the opening theme for The Wonder Years. The recording features lead guitar from Jimmy Page, drumming by BJ Wilson, backing vocals from Sue and Sunny, and Tommy Eyre on organ. The single made the Top Ten on the British charts, remaining there for thirteen weeks and eventually reaching number one, on 9 November 1968.[7] It also reached number 68 on the US charts.[8]

The new touring line-up of Cocker's Grease Band featured Henry McCullough on lead guitar, who would go on to briefly play with McCartney's Wings. After touring the UK with the Who in autumn 1968[9] and Gene Pitney and Marmalade in early Winter 1969, the Grease Band embarked on their first tour of the US in spring 1969. Cocker's album With A Little Help from my Friends was released soon after their arrival and made number 35 on the American charts, eventually going gold.[10]

Joe Cocker at Woodstock (1969)

During his US tour, Cocker played at several large festivals, including the Newport Rock Festival and the Denver Pop Festival. In August, Denny Cordell heard about the planned concert in Woodstock, New York and convinced organiser Artie Kornfeld to book Cocker and the Grease Band for the Woodstock Festival. The group had to be flown into the festival by helicopter due to the large crowds. They performed several songs, including "Delta Lady", "Something's Comin' On", "Let's Go Get Stoned", "I Shall Be Released", and "With a Little Help from My Friends". Cocker would later say that the experience was "like an eclipse... it was a very special day."[11]

Directly after Woodstock, Cocker released his second album, Joe Cocker!. Impressed by his cover of "With A Little Help From my Friends", Paul McCartney and George Harrison allowed Cocker to use their songs "She Came in Through the Bathroom Window" and "Something" for the album.[12] Recorded during a break in touring in the spring and summer, the album reached number 11 on the US charts and garnered a second UK hit with the Leon Russell song, "Delta Lady".

Throughout 1969 he was featured on variety TV shows like The Ed Sullivan Show and This Is Tom Jones. Onstage, he exhibited an idiosyncratic physical intensity, flailing his arms and playing air guitar, occasionally giving superfluous cues to his band.[citation needed] At the end of the year Cocker was unwilling to embark on another US tour, so he dissolved the Grease Band.

Mad Dogs and Englishmen (1969–1971)

Cocker in 1970.

Despite Cocker's reluctance to venture out on the road again, an American tour had already been booked so he had to quickly form a new band in order to fulfil his contractual obligations. It proved to be a large group of more than 30 musicians, including pianist and bandleader Leon Russell, three drummers, and backing vocalists Rita Coolidge and Claudia Lennear. The new band was christened "Mad Dogs and Englishmen" by Denny Cordell after the Noël Coward song of the same name. His music at this time evolved into a more bluesy type of rock, often compared to that of The Rolling Stones. During the ensuing Mad Dogs and Englishmen tour (later described by drummer Jim Keltner as "a big, wild party"),[13] Cocker toured 48 cities, recorded a live album, and received very positive reviews from Time and Life for his performances. However, the pace of the tour was exhausting. Russell and Cocker had personal problems and Cocker became depressed and began drinking excessively as the tour wound down in May 1970. Meanwhile, he enjoyed several chart entries in the US with "Cry Me a River" and "Feelin' Alright" by Dave Mason. His cover of the Box Tops' hit "The Letter", which appeared on the live album and film, Mad Dogs and Englishmen, became his first US Top Ten hit. After spending several months in Los Angeles, Cocker returned home to Sheffield where his family became increasingly concerned with his deteriorating physical and mental health.[14] In the summer of 1971 the A&M Records single release appeared in the US of "High Time We Went". This became a hit, reaching number 22 on the US Billboard Hot 100 chart, but was not issued on an album until November 1972 on the Joe Cocker album.

On the road (1972–1982)

In early 1972, after nearly two years away from music, Cocker went on tour with a group that Chris Stainton had formed. He opened with a performance in Madison Square Garden which was attended by about 20,000 people. After touring the US, he embarked on a European tour where he played to large audiences in Milan and Germany. He then returned to the US for another tour in autumn 1972. During these tours the group cut the songs that would be part of his newest album, Joe Cocker. A mixture of live songs and studio recordings, the album peaked at number 30 on the US charts.[15]

Cocker performing in the late 1970s

In October 1972, when Cocker toured Australia, he and six members of his entourage were arrested in Adelaide by police for possession of marijuana. The next day in Melbourne, assault charges were laid after a brawl at the Commodore Chateau Hotel,[16] and Cocker was given 48 hours to leave the country by the Australian Federal Police. This caused huge public outcry in Australia, as Cocker was a high-profile overseas artist and had a strong support base, especially amongst the baby boomers who were coming of age and able to vote for the first time. It sparked hefty debate about the use and legalisation of marijuana in Australia and gained Cocker the nickname of "the Mad Dog".[17] Shortly after the Australian tour, Stainton retired from his music career to establish his own recording studio. After his friend's departure and estrangement from longtime producer Denny Cordell, Cocker sank into depression and began using heroin. In June 1973 he kicked the habit, but continued to drink heavily.[18]

At the end of 1973, Cocker returned to the studio to record a new album, I Can Stand A Little Rain. The album, released in August 1974, was number 11 on the US charts and one single, a cover of Billy Preston's You Are So Beautiful, reached the number 5 slot.[19] Despite positive reviews for the album, Cocker struggled with live performances, largely due to his problems with alcohol. In January 1975, he released a second album that had been recorded at the same time as I Can Stand a Little Rain, Jamaica Say You Will. To promote his new album, Cocker embarked on another tour of Australia, made possible by the country's new Labor government. In late 1975, he contributed vocals on a number of the tracks on Bo Diddley's The 20th Anniversary of Rock 'n' Roll all-star album. He also recorded a new album in a Kingston, Jamaica studio, Stingray. However, record sales were disappointing; the album reached only number 70 on the US charts.[20]

In 1976, Cocker performed "Feelin' Alright" on Saturday Night Live. John Belushi joined him on stage doing his famous impersonation of Cocker's stage movements. At the time, Cocker was $800,000 in debt to A&M Records and struggling with alcoholism. Several months later, he met producer Michael Lang, who agreed to manage him on the condition that he stay sober. With a new band, Cocker embarked on a tour of New Zealand, Australia, and South America. He then recorded a new album with session work by Steve Gadd and Chuck Rainey, and a new, young bassist from Scotland, Rob Hartley. Hartley also toured briefly with Cocker's friends in 1977. In the autumn of 1978, he went on a North American tour promoting his album, Luxury You Can Afford. Despite this effort, it received mixed reviews and only sold around 300,000 copies.[21]

In 1979, Cocker joined the "Woodstock in Europe" tour, which featured musicians like Arlo Guthrie and Richie Havens who had played at the 1969 Woodstock Festival. He also performed in New York's Central Park to an audience of 20,000 people. The concert was recorded and released as the live album, Live in New York.[22] He also toured Europe and appeared on the German television recording amphitheatre, Rockpalast, the first of many performances on the show. In 1982, Cocker recorded a song with jazz group the Crusaders on their album Standing Tall. The song was nominated for a Grammy Award and Cocker performed it with the Crusaders at the awards ceremony. Cocker then released a new reggae-influenced album, Sheffield Steel, recorded with the Compass Point All Stars, produced by Chris Blackwell and Alex Sadkin.

Later career (1982–present)

Cocker performing in Hallandale, Florida in 2003

In 1982, at the behest of producer Stewart Levine, Cocker recorded the duet "Up Where We Belong" with Jennifer Warnes for the soundtrack of the 1982 film An Officer and a Gentleman. The song was an international hit, reaching number 1 on the Billboard Hot 100, and winning a Grammy Award for Best Pop Performance by a Duo. The duet also won an Academy Award for Best Original Song, and Cocker and Warnes performed the song at the awards ceremony. Several days later, he was invited to perform "You Are So Beautiful" with Ray Charles in a television tribute to the musician. He then joined singer Ronnie Lane's 1983 tour to raise money for the London-based organisation Action for Research into Multiple Sclerosis, in particular because Lane was beginning to suffer from the degenerative disease. Musicians such as Pete Townshend, Eric Clapton, Jimmy Page, Jeff Beck and Chris Stainton also participated in the tour which included a performance at Madison Square Garden. While on another tour that year, Cocker was arrested by Austrian police after refusing to perform because of inadequate sound equipment. The charges were eventually dropped and Cocker was released.[23] Shortly after the incident, he released his ninth studio album, Civilized Man. His next album Cocker was dedicated to his mother, Madge, who died when he was recording in the studio. A track from the album, "You Can Leave Your Hat On" was featured in the 1986 film 9½ Weeks. The album eventually went Platinum on the European charts.[24] His 1987 album Unchain My Heart was nominated for a Grammy Award, although it did not win. One Night of Sin was also a commercial success, surpassing Unchain My Heart in sales.

Throughout the 1980s, Cocker continued to tour around the world, playing to large audiences in Europe, Australia and the United States. In 1988, he performed at London's Royal Albert Hall and appeared on The Tonight Show.[25] He also performed for President George H. W. Bush at an inauguration concert in February 1989. In 1992, his version of Bryan Adams' "Feels Like Forever" made the UK Top 40.[26]

Cocker performed the opening set at Woodstock '94 as one of the few alumni who played at the original Woodstock Festival in 1969.

In 2007, Cocker appeared playing minor characters in the film Across the Universe, as the lead singer on another Beatles hit, "Come Together".[27] Cocker was awarded an OBE in the Queen's 2007 Birthday Honours list for services to music.[28] To celebrate receiving his award in mid December 2007, Cocker played two concerts in London and in his home town of Sheffield.

Cocker performing in 2007

In April and May 2009, Cocker conducted a North American tour in support of his album Hymn for My Soul.

On 26 May 2010, Cocker joined Season 9's American Idol Lee DeWyze and first runner-up Crystal Bowersox, for a version of "With a Little Help From My Friends".

He sang the vocals on Little Wing for the Carlos Santana album, Guitar Heaven: The Greatest Guitar Classics of All Time, released on 21 September 2010. In the fall of 2010, Cocker toured Europe promoting his studio album Hard Knocks.

On 26 October 2010 Cocker visited Armenia for first time with his new Hard Knocks tour.

Cocker returned to Australia in 2008 and again in 2011, the latter of which featured George Thorogood and the Destroyers as an opening act.[29]

Cocker is recording a new album, which probably will be released in 2012.

Personal life

In 1963, Cocker began dating Eileen Webster, also a resident of Sheffield. The couple dated intermittently for the next thirteen years, separating permanently in 1976. In 1978, Cocker moved onto a ranch owned by Jane Fonda in Santa Barbara, California, United States. Pam Baker, a local summer camp director and fan of Cocker's music convinced the actress to rent the house to Cocker. Baker began dating Cocker and they eventually married on 11 October 1987.[30] The couple reside on the Mad Dog Ranch in Crawford, Colorado, United States.

Cocker is not related to fellow Sheffield-born musician Jarvis Cocker, despite this being a rumour (particularly in Australia, where Jarvis' father Mac Cocker was a radio DJ who allowed listeners to believe he was Joe Cocker's brother).[31][32]

Discography

For a comprehensive list of recordings see Joe Cocker discography.

Studio albums

Notes

  1. ^ [1]
  2. ^ Bean, 6–9
  3. ^ a b c "The Story-Part One:On the runway to fame". cocker.com. Archived from the original on 30 July 2008. http://web.archive.org/web/20080730171247/http://www.cocker.com/Story1.html. Retrieved 10 December 2008. 
  4. ^ Bean, 16
  5. ^ Bean, 28
  6. ^ Bean, 43–45
  7. ^ Bean, 48–49
  8. ^ Bean, 54
  9. ^ Neill, Andrew; Kent, Matt (2005). Anyway Anyhow Anywhere. Sterling Publishing Company, Inc.. p. 146. ISBN 1402728387. http://books.google.com/books?id=e1a1C_somjIC&printsec=frontcover. 
  10. ^ Bean, 54–55
  11. ^ Bean, 58–60
  12. ^ Bean, 61
  13. ^ Bean, 70
  14. ^ Bean, 79
  15. ^ Bean, 96
  16. ^ "Joe Cocker". Prescott Courier. 15 October 1972. http://news.google.com/newspapers?id=MfgKAAAAIBAJ&sjid=UlADAAAAIBAJ&pg=5586,5519884&dq=joe+cocker+commodore+chateau. Retrieved 27 December 2008. 
  17. ^ Bean, 101
  18. ^ Bean, 110
  19. ^ Bean, 112–14
  20. ^ Bean, 122
  21. ^ Bean, 140
  22. ^ Bean, 143
  23. ^ Bean, 160
  24. ^ Bean, 167
  25. ^ Bean, 178
  26. ^ Bean, 189
  27. ^ Hartlaub, Peter (14 September 2007). "'Across the Universe' recycles songs, offers great visuals". San Francisco Chronicle. http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2007/09/14/DDG3RVRFR.DTL&type=movies. Retrieved 27 December 2008. 
  28. ^ "Rushdie and Eavis lead honours". BBC News. 16 July 2007. http://news.bbc.co.uk/1/hi/entertainment/6758183.stm. Retrieved 27 December 2008. 
  29. ^ Gill, Michael (19 February 2011). "Cocker Quietly Rocks Perth". In My Community. http://www.inmycommunity.com.au/going-out/gig-guide/Cocker-quietly-rocks-Perth/7584180/. Retrieved 21 February 2011. 
  30. ^ Bean, 171
  31. ^ Paris match
  32. ^ Soundtrack of my life: Jarvis Cocker

References

Further reading

External links


 
 
Related topics:
Joe Cocker: Live from Tokyo (1983 Music Film)
Musicourt (1984 Music Film)
I Can Stand a Little Rain (1974 Album by Joe Cocker)

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