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Joe Henderson

 
Artist: Joe Henderson
  • Born: April 24, 1937, Lima, OH
  • Died: June 30, 2001, San Francisco, CA
  • Active: '60s, '70s, '80s, '90s
  • Genres: Jazz
  • Instrument: Sax (Tenor)
  • Representative Albums: "Lush Life: The Music of Billy Strayhorn," "Page One," "The State of the Tenor, Vols. 1 & 2"
  • Representative Songs: "Blue Bossa," "Isotope," "Mode for Joe"

Biography

Joe Henderson is proof that jazz can sell without watering down the music; it just takes creative marketing. Although his sound and style were virtually unchanged from the mid-'60s, Joe Henderson's signing with Verve in 1992 was treated as a major news event by the label (even though he had already recorded many memorable sessions for other companies). His Verve recordings had easy-to-market themes (tributes to Billy Strayhorn, Miles Davis, and Antonio Carlos Jobim) and, as a result, he became a national celebrity and a constant poll winner while still sounding the same as when he was in obscurity in the 1970s.

The general feeling is that it couldn't have happened to a more deserving jazz musician. After studying at Kentucky State College and Wayne State University, Joe Henderson played locally in Detroit before spending time in the military (1960-1962). He played briefly with Jack McDuff and then gained recognition for his work with Kenny Dorham (1962-1963), a veteran bop trumpeter who championed him and helped Henderson get signed to Blue Note. Henderson appeared on many Blue Note sessions both as a leader and as a sideman, spent 1964-1966 with Horace Silver's Quintet, and during 1969-1970 was in Herbie Hancock's band. From the start, he had a very distinctive sound and style which, although influenced a bit by both Sonny Rollins and John Coltrane, also contained a lot of brand new phrases and ideas. Henderson had long been able to improvise in both inside and outside settings, from hard bop to freeform. In the 1970s, he recorded frequently for Milestone and lived in San Francisco, but was somewhat taken for granted. The second half of the 1980s found him continuing his freelancing and teaching while recording for Blue Note, but it was when he hooked up with Verve that he suddenly became famous. Virtually all of his recordings are currently in print on CD, including a massive collection of his neglected (but generally rewarding) Milestone dates. On June 30, 2001, Joe Henderson passed away due to heart failure after a long battle with emphysema. ~ Scott Yanow, All Music Guide
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Discography: Joe Henderson
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Definitive Joe Henderson

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Porgy and Bess

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Porgy and Bess

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Our Thing

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Inner Urge

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Inner Urge

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State of the Tenor, Vols. 1 & 2

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Joe Henderson Meets Kankawa Jazz Time II: Blue Bossa Live 1987

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Power to the People

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Power to the People

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Actor: Joe Henderson
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  • Born: 1937 in San Francisco, California
  • Died: Jun 30, 2001
  • Occupation: Actor
  • Active: '50s-'90s
  • Major Genres: Music, Western
  • Career Highlights: Jazz Boat
  • First Major Screen Credit: Jazz Boat (1960)

Biography

Inspirational, four-time Grammy-winner Joe Henderson influenced scores of jazz musicians with his smooth tenor saxophone tunes that would be recorded by a wide range of jazz musicians.

Born in Lima, OH, Henderson moved to Detroit in the late '50s to study music at Wayne State University, later moving to New York and recording on Blue Note, Milestone, and Verve labels. After working with such diverse acts as Miles Davis and Blood, Sweat & Tears through the 1960s, Henderson relocated to San Francisco in the mid-'70s and gained popularity on the West Coast as well.

In June of 2001, Henderson died in San Francisco of heart failure following a struggle with emphysema. He was 64. ~ Jason Buchanan, All Movie Guide
Wikipedia: Joe Henderson
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Joe Henderson

Joe Henderson with Neil Swainson
Background information
Born April 24, 1937(1937-04-24)
Origin Lima, Ohio, U.S.
Died June 30, 2001 (aged 64)
Genres Soul-jazz
Mainstream jazz
Hard bop
Post-bop
Jazz fusion
Years active 1960 – 1997
Labels Milestone
Verve
Associated acts Blood, Sweat & Tears
Notable instruments
tenor saxophone

Joe Henderson (April 24, 1937 - June 30, 2001) was an American jazz tenor saxophonist. Born in Lima, Ohio, he studied music at Kentucky State College and Wayne State University before playing in Detroit at the beginning of his career.

Contents

Biography

Early life

From a very large family with five sisters and nine brothers, Henderson was encouraged by his parents and an older brother James T. to study music. Early musical interests included drums, piano, saxophone and composition. He was particularly enamored of his brother's record collection. He listened to Lester Young, Flip Phillips, Stan Getz, Lee Konitz, Charlie Parker and Jazz at the Philharmonic recordings. By eighteen, Henderson was active on the Detroit jazz scene of the mid-'50s, playing in jam sessions with visiting New York stars. The diverse musical opportunities prompted Joe to learn flute and bass, as well as further developing his saxophone and compositional skills. By the time he arrived at Wayne State University, he had transcribed and memorized so many Lester Young solos that his professors believed he had perfect pitch. Classmates Yusef Lateef, Barry Harris and Donald Byrd undoubtedly provided additional inspiration.[1]

Early career

After a two year spell in the U.S. Army (1960-1962), Henderson moved to New York where trumpeter Kenny Dorham provided valuable guidance for him. Although Henderson's earliest recordings were marked by a strong hard-bop influence, his playing encompassed not only the bebop tradition, but R&B, Latin and avant-garde as well. He soon joined Horace Silver's band and provided a seminal solo on the jukebox hit "Song for My Father". After leaving Silver's band in 1966, Henderson resumed freelancing and also co-led a big band with Kenny Dorham. His arrangements for the band went unrecorded until the release of Joe Henderson Big Band (Verve) in 1996.

Blue Note

From 1963 to 1968 Joe appeared on nearly thirty albums for Blue Note, including five released under his name. The recordings ranged from relatively conservative hard-bop sessions to more avant-garde explorations. He played a prominent role in many landmark albums: most of Horace Silver's swinging and soulful Song For My Father, Herbie Hancock's dark and densely orchestrated The Prisoner, and Andrew Hill’s avant-garde albums Black Fire and Point of Departure. In 1967, there was a notable, but brief, association with Miles Davis's famous quintet featuring Herbie Hancock, Wayne Shorter, Ron Carter and Tony Williams. Although the band was never recorded, Henderson is reputed to have occasionally stolen the show. Henderson's adaptability and eclecticism would become even more apparent in the years to follow.

Milestone

Signing with Orrin Keepnews's fledgling Milestone label in 1967 marked a new phase in Henderson’s career. He co-led the Jazz Communicators with Freddie Hubbard from 1967-1968. Henderson was also featured on Hancock's Fat Albert Rotunda. It was during this time that Henderson began to experiment with increasingly avant-garde structures, jazz-funk fusion, studio overdubbing, and other electronic effects. Song and album titles like Power To the People, In Pursuit of Blackness, and Black Narcissus reflected his growing political awareness and social consciousness, although the last album was named after the Powell and Pressburger film of 1947.

After a brief association with Blood, Sweat & Tears in 1971, Henderson moved to San Francisco and added teaching to his résumé. He continued to record and perform as always, but seemed to be taken for granted by jazz audiences.

Later career and death

Though he occasionally worked with Echoes of an Era, the Griffith Park Band and Chick Corea, Joe remained primarily a leader throughout the 1980s. An accomplished and prolific composer, he began to focus more on reinterpreting standards and his own earlier compositions. Blue Note attempted to position Joe at the forefront of a resurgent jazz scene in 1986 with the release of the two-volume State of the Tenor. The album featured the most notable tenor trio since Sonny Rollins's in 1957 (including Ron Carter on bass and Al Foster on drums) and established his basic repertoire for the next seven or eight years, with "Ask Me Now" becoming a signature ballad feature.

It was only after the release of An Evening with Joe Henderson, a live trio set (featuring Charlie Haden and Al Foster) for the Italian independent label Red Records that Henderson underwent a major career change: Verve took notice of him and in the early 1990s signed him. That label's 'songbook' approach to recording him, coupled with a considerable marketing and publicity campaign, more successfully positioned Henderson at the forefront of the contemporary jazz scene. His 1992 comeback album Lush Life: The Music of Billy Strayhorn was a commercial and critical success and followed by tribute albums to Miles Davis, Antonio Carlos Jobim and a rendition of the George Gershwin opera Porgy and Bess.

On June 30, 2001, Joe Henderson passed away due to heart failure after a long battle with emphysema. [2]

Discography

As leader

artist rendering of Joe Henderson
Blue Note Records
Milestone Records
  • 1967: The Kicker
  • 1968: Tetragon
  • 1969: Power to the People
  • 1970: If You're Not Part of the Solution, You're Part of the Problem
  • 1971: In Pursuit of Blackness
  • 1971: Joe Henderson in Japan
  • 1972: Black is the Color
  • 1973: The Elements
  • 1973: Canyon Lady
  • 1973: Multiple
  • 1975: Black Miracle
  • 1975: Black Narcissus
Verve Records
Red Records
  • 1987: Evening with Joe Henderson - with Charlie Haden, Al Foster
  • 1991: The Standard Joe - with Rufus Reid, Al Foster
  • 2009: More from an Evening with Joe Henderson
Other labels

As sideman

References

  1. ^ Mel Martin Interview with Joe Henderson published in The Saxophone Journal, March/April 1991. Retrieved on 24 April 2007.
  2. ^ Scott Yanow, Allmusic Biography Retrieved on 25 June 2009.

External links


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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Actor. Copyright © 2009 All Media Guide, LLC. All rights reserved.  Read more
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