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Joe Tex

 
Artist: Joe Tex
See Joe Tex Lyrics
  • Born: August 08, 1933, Rogers, TX
  • Died: August 13, 1982, Navasota, TX
  • Active: '50s, '60s, '70s, '80s
  • Genres: Rhythm & Blues
  • Instrument: Vocals
  • Representative Albums: "25 All Time Greatest Hits," "Golden Classics," "The Very Best of Joe Tex"
  • Representative Songs: "I Gotcha," "Show Me," "Skinny Legs and All"

Biography

Joe Tex made the first Southern soul record that also hit on the pop charts ("Hold What You've Got," in 1965, made number five in Billboard). His raspy-voiced, jackleg preacher style also laid some of the most important parts of rap's foundation. He is, arguably, the most underrated of all the '60s soul performers associated with Atlantic Records, although his records were more likely than those of most soul stars to become crossover hits.

Tex was born Joseph Arrington in Rogers, TX, in 1933, and displayed his vocal talent quickly, first in gospel, then in R&B. By 1954, he'd won a local talent contest and come to New York, where he recorded a variety of derivative (and endlessly repackaged) singles for King, some as a ballad singer, some as a Little Richard-style rocker.

Tex's career didn't take off until he began his association with Nashville song publisher Buddy Killen, after Tex wrote James Brown's 1961 song "Baby You're Right." In 1965, Killen took him to Muscle Shoals, not yet a fashionable recording center, and they came up with "Hold What You've Got," which is about as close to a straight R&B ballad as Tex ever came. It was followed by a herd more, most of which made the R&B charts, a few cracking the pop Top 40.

Tex made his mark by preaching over tough hard soul tracks, clowning at some points, swooping into a croon at others. He was perhaps the most rustic and back-country of the soul stars, a role he played to the hilt by using turns of phrase that might have been heard on any ghetto street corner, "One Monkey Don't Stop No Show" the prototype. In 1966, his "I Believe I'm Gonna Make It," an imaginary letter home from Vietnam, became the first big hit directly associated with that war. His biggest hit was "Skinny Legs and All," from a 1967 live album, his rapping pure hokum over deeply funky riffs. "Skinny Legs" might have served as a template for all the raucous, ribald hip-hop hits of pop's future.

After "Skinny Legs," Tex had nothing but minor hits for five years until "I Gotcha" took off, a grittier twist on the funk that was becoming disco. He was too down-home for the slickness of the disco era, or so it would have seemed, yet in 1977, he adapted a dance craze, the Bump, and came up with the hilarious "Ain't Gonna Bump No More (With No Big Fat Woman)," his last Top Ten R&B hit, which also crossed over to number 12 on the pop chart.

In the early '70s, Tex converted to Islam and in 1972 changed his offstage name to Joseph Hazziez. He spent much of the time after "Ain't Gonna Bump" on his Texas farm, although he did join together with Wilson Pickett, Ben E. King, and Don Covay for a reformed version of the Soul Clan in 1980. He died of a heart attack in 1982, only 49 years old. Killen, King, Covay, Pickett, and the great songwriter Percy Mayfield served as pallbearers. ~ Dave Marsh, All Music Guide
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Discography: Joe Tex
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Hold on to What You've Got/The New Boss

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Love You Save/I've Got to Do a Little Bit Better

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12 Hits: Five Star Collection

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Ain't Gonna Bump No More

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Show Me: The Hits...& More

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Buying a Book [Bonus Tracks]

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Back 2 Back

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Very Best of Joe Tex [Rhino]

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Very Best of Joe Tex [Rhino]

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Joe Tex

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Wikipedia: Joe Tex
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Joe Tex (born Joseph Arrington Jr. and later known as Yusuf Hazziez following religious conversion 8 August 193313 August 1982), was an American Southern soul singer-songwriter, most popular during the 1960s and 1970s. His style of speaking over music, which he called 'rap', made him a predecessor of the modern style of music.

Contents

Career

Joe Tex made the first Southern soul record that also hit on the pop charts ("Hold What You've Got," in 1965, made number five in Billboard). His raspy-voiced, jackleg preacher style also laid some of the most important parts of rap's foundation. He is, arguably, the most underrated of all the '60s soul performers associated with Atlantic Records, although his records were more likely than those of most soul stars to become crossover hits.
Dave Marsh, Biography of Joe Tex; www.allmusic.com.
As an artist, Tex was down-home though not accommodating. Perhaps due to his often maverick and off-putting behavior, his legacy is oddly sandwiched in between Screamin' Jay Hawkins and Garnet Mimms. That's a strange predicament for one of the best-selling acts of the '60s and '70s.
Jason Elias, Review of Joe Tex Greatest Hits!!! (2000; 7-N/Buddah); www.allmusic.com.

Tex was born in Baytown, Texas.[1] He was subsequently raised in the Central Texas town of Rogers. His professional career as a singer began onstage at the Apollo. He won first place in a 1954 talent contest and duly secured a record deal. Although his early releases on King Records, Ace and the Anna Records labels were considered by some to be derivative and generally disappointing in sales, Tex meanwhile honed his songwriting talent. James Brown's cover version of "Baby You're Right" (1962) became a U.S. number 2 hit, after which Tex was signed to Dial Records.

Although early releases showed promise, it was not until 1965 that Tex prospered, guided by Nashville, Tennessee record producer, Buddy Killen. Recorded at the FAME studio in Muscle Shoals, Alabama and distributed by Atlantic on Killen's Dial record label, "Hold What You've Got" was a U.S. #5 pop hit. Others followed, namely "A Woman Can Change A Man", and "The Love You Save (May Be Your Own)" which were both slow ballads. But a change in tempo also brought hits such as "S.Y.S.L.J.F.M. (The Letter Song)" (1966), and "Show Me" (1967). Tex's recording career was distinguished by his extensive single releases. For example, in 1965 alone, Tex released seven singles, followed by six in 1966 and five in 1967. He had released over thirty singles prior to the release of his first album, in 1965.[2]

Meanwhile the singles "Skinny Legs And All" (U.S. #10) and "Men Are Getting Scarce" also became major hits for Tex, but the singer seemed unsure of his future direction. His last major hit of that time was "I Gotcha" in 1972, and it was then he decided to retire.

A convert to the Muslim faith since 1966, he changed his name to Yusuf Hazziez, and toured as a spiritual lecturer. He has one daughter, Eartha Doucet, and four sons, Joseph Arrington III, Ramadan Hazziez, Jwaade Hazziez and Joseph Hazziez.

He returned to music in 1975, and two years later enjoyed a massive comeback hit with "Ain't Gonna Bump No More (With No Big Fat Woman)", which reached U.S. #12. By the 1980s he had withdrawn again from full-time performing. He devoted himself to Islam, his Texas ranch and the Houston Oilers American Football team.

Joe Tex died at his home in Navasota, Texas, following a heart attack, just five days after his 49th birthday.

Rivalry with James Brown

It has been said that a feud between Tex and James Brown began after James Brown allegedly began fooling around with a woman Tex was dating, as well as the report that James Brown took his dance moves especially the microphone trick. Similarities do exist in their dance moves (Joe Tex [1] and James Brown [2]). He then wrote a song called "You Keep Her." They shared a few more shows together until Tex mocked James Brown's act of throwing a cape over his shoulder and screamed "please - get me out of this cape" James Brown later fired a gun at a nightclub belonging to Tex.[3]

Covered by Other Artists

Several other artists have covered Tex's work, including the rock band Phish who performed "You Better Believe It Baby" on July 26, 1998 at the Starplex Amphitheater in Dallas, TX and again on August 2, 1998 at Deer Creek Music Center in Noblesville, IN.

Achievements

"Hold What You've Got" spent 11 weeks on the Billboard Hot 100 and sold a million copies by 1966.[1] "Skinny Legs And All" was Tex's second million seller spending 15 weeks in the charts. He was awarded a gold disc by the Recording Industry Association of America (RIAA) in January 1968.[4] "I Gotcha" also penned by Tex and released in January 1972, went to #2 for two weeks, and stayed for 20 weeks in the listings. The RIAA gold disc award was made on 22 March 1972. It went on to sell over two million copies by August that year.[5]

Selected Discography

For a more complete discography, see Joe Tex discography.

Albums

  • 1965 Hold On To What You've Got (Dial Records, distributed by Atlantic Records) - US Pop #124, US R&B #2
  • 1965 The New Boss (Dial/Atlantic) - US #142, US R&B #3
  • 1966 Show Me (Dial/Atlantic)
  • 1966 The Love You Save (Dial/Atlantic) - US #108
  • 1966 I've Got to Do a Little Better (Dial/Atlantic)
  • 1967 The Best of Joe Tex (Dial/Atlantic)[6]
  • 1968 Live And Lively (Dial/Atlantic) - US #84
  • 1968 Soul Country (Dial/Atlantic) - US #154
  • 1969 Buying A Book (Dial/Atlantic) - US #190
  • 1969 Happy Soul (Dial/Atlantic)
  • 1969 You Better Get It (Dial/Atlantic)
  • 1970 With Strings And Things (Dial/Atlantic)
  • 1972 I Gotcha (Dial) - US # 17
  • 1972 Spill the Beans (Dial)
  • 1977 Bumps & Bruises (Epic) - US #108
  • 1978 Rub Down (Epic)

Singles

  • 1965 "I Want To (Do Everything For You)" R&B #1
  • 1965 "Hold What You've Got" U.S. #5
  • 1966 "A Sweet Woman Like You" R&B #1
  • 1966 "The Love You Save (May Be Your Own)"
  • 1966 "S.Y.S.L.J.F.M.(The Letter Song)"
  • 1966 "I Believe I'm Gonna Make It"
  • 1966 "I've Got To Do A Little Bit Better"
  • 1966 "Papa Was, Too"
  • 1967 "Show Me"
  • 1967 "Skinny Legs And All"
  • 1972 "I Gotcha" R&B #1, U.S. #2
  • 1976 "Have you ever"
  • 1977 "Ain't Gonna Bump No More (With No Big Fat Woman)" U.S. #12, UK #2
  • 1979 "Loose Caboose"

References

  1. ^ a b Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. pp. 183. ISBN 0-214-20512-6. 
  2. ^ See Joe Tex Discography.
  3. ^ "Worst Band Feuds: No. 3". Spinner. September 14, 2007. http://www.spinner.com/2007/09/14/worst-band-feuds-no-3/. 
  4. ^ Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. pp. 231. ISBN 0-214-20512-6. 
  5. ^ Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. pp. 322. ISBN 0-214-20512-6. 
  6. ^ "No filler, no fat. Can't argue with this one, as it has all of his hits up to then. No B-sides, no album cuts. However, Atlantic should have put together a "Vol. 2," because his biggest hit of the sixties was right around the corner." James Porter et al., Joe Tex Album Guide, 2003; www.roctober.com.
Other References

External links


 
 
Learn More
Billboard Top R&B Hits: 1966 (1989 Album by Various Artists)
Joe Tex Greatest Hits [Curb] (1967 Album by Joe Tex)
The Best of Joe Tex [Gusto] (2008 Album by Joe Tex)

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