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Joffrey Ballet

 
Dictionary of Dance: Joffrey Ballet

US ballet company founded in New York but now based in Chicago. It grew out of the Robert Joffrey Ballet Concert, which first performed at the New York YM-YWHA in 1954. A chamber ensemble, it drew its dancers from the American Ballet Center, which was directed by Joffrey and Gerald Arpino. In 1956 the company started to tour, initially as Robert Joffrey Theatre Ballet. In 1960 it became the Robert Joffrey Ballet. At that time the repertoire featured ballets by Joffrey and Arpino; its mandate was to be specifically American. The commissioning policy was adventurous: the modern choreographer Alvin Ailey was invited to make a work for the company, a rare example of a ballet company turning to the world of modern dance. Ten years later the Joffrey was to invite Twyla Tharp to make her first work for a ballet company; the resulting commission, Deuce Coupe, was one of the biggest hits in its history. Rebekah Harkness was an important early benefactor, and among the developments she made possible was extensive foreign touring, including the company's first trip to the Soviet Union in 1963. But in 1964 she and Joffrey fell out, and most of the repertoire and the dancers (not to mention sets and costumes) were taken into the newly founded Harkness Ballet. Joffrey started all over again, building up a new company which made its debut in 1965 as the Robert Joffrey Ballet. Following a successful season at the New York City Center in 1966 it was invited to become the theatre's resident ballet company with Joffrey as artistic director and Arpino as chief choreographer. The 1960s and 1970s were a golden era for the company. Arpino's 1970 rock ballet Trinity was a big hit; while Joffrey revolutionized US dance history by his 1967 revival of Kurt Jooss's The Green Table, followed by revivals of Ashton's Façade, Cranko's Pineapple Poll, Fokine's Petrushka, and Massine's Le Tricorne, Le Beau Danube, and Parade. In 1973 Tharp made her second work, As Time Goes By, for the Joffrey. The company continued as City Center Joffrey Ballet until 1977. From 1977 it performed as the Joffrey Ballet, with a second home established in Los Angeles from 1982. In the 1980s ballets by Forsythe, Kylián, Kudelka, Morris, and Dean entered the repertoire. In 1987 Joffrey's most important piece of dance archaeology took place when he directed a revival of Nijinsky's 1913 ballet Le Sacre du printemps, reconstructed by Millicent Hodson and Kenneth Archer. Following Joffrey's death in 1988 Arpino took over. In 1990 he resigned after a disagreement with the board, taking his and Joffrey's ballets with him. The company quickly found it could not continue without Arpino and he was invited back. Although he brought new choreographers into the company, Arpino did not abandon Joffrey's historical acquisitions: in 1992 he took a revival of Massine's Les Présages into the repertoire. Also in 1992, with his eye firmly on the box office, Arpino commissioned four choreographers, Laura Dean, Charles Moulton, Margot Sappington, and Peter Pucci, to make a new populist work for the company. The resulting ballet, Billboards, set to music by the rock star Prince, earned the company millions but the sight of its dancers gyrating wildly in bikinis generated much damaging criticism. In 1995 the Joffrey, which had been dogged by financial crisis, left its New York home and relocated to Chicago. In 2003 Robert Altman's film The Company used the Joffrey for a behind-the-scenes look at a fictional ballet company.

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Columbia Encyclopedia: Joffrey Ballet
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Joffrey Ballet, one of the major American dance companies. It was founded in New York City in 1956 by the dancer-choreographer Robert Joffrey. From 1956 to 1964 it made yearly tours of the United States. The company was dissolved in 1964 and then revived in 1965 by Joffrey, Alex Ewing, and Gerald Arpino. In 1966 it became affiliated with the New York City Center as the City Center Joffrey Ballet. Extremely popular, the company toured worldwide. Robert Joffrey died in 1988 and, after severe financial crises in New York, the company reorganized and under Arpino's direction made its permanent home in Chicago in 1995. Ashley Wheater succeeded Arpino as artistic director in 2007. The company's modern repertory has featured the work of outstanding choreographers, including George Balanchine, Antony Tudor, and Alvin Ailey, as well as of less established figures.

Bibliography

See S. Anawalt, The Joffrey Ballet (1996).


Wikipedia: Joffrey Ballet
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The Joffrey Ballet is a dance company founded in 1956. From 1995 to 2004, the company was known as The Joffrey Ballet of Chicago. It is considered one of the foremost ballet companies in the world[1]. The company regularly performs classical ballets such as Romeo & Juliet and The Nutcracker, while balancing those classics with pioneering modern dance pieces. Many prolific choreographers have worked with the Joffrey including Paul Taylor, Twyla Tharp, George Balanchine, and founders Gerald Arpino and Robert Joffrey.

Contents

History

In 1956, a time during which most touring companies performed only reduced versions of ballet classics, Robert Joffrey and Gerald Arpino formed a unique six-dancer ensemble that toured the country in a station wagon pulling a U-Haul trailer, performing original ballets that were created by Robert Joffrey. While Joffrey stayed in New York City to teach ballet classes and earn money to pay the dancers' salaries, Gerald Arpino led the troupe across America's heartland. The ensemble's first performance in a major city occurred in Chicago in 1957. The Joffrey Ballet originally settled down in New York City, originally named the Robert Joffrey Theatre Ballet. In 1962, modern choreographer Alvin Ailey was invited to make a work for the company. Rebekah Harkness was an important early benefactor and she made international touring possible (Soviet Union, 1963). But in 1964 she and Joffrey parted ways.

Joffrey started again, building up a new company that made its debut in 1965 as the Joffrey Ballet. Following a successful season at the New York City Center in 1966, it was invited to become City Center's resident ballet company with Robert Joffrey as artistic director and Arpino as chief choreographer. The 1960s and 1970s were a golden era for the company. Arpino's 1970 rock ballet Trinity was a big hit; Joffrey revived Kurt Jooss's The Green Table in 1967, followed by revivals of Ashton's Façade, Cranko's Pineapple Poll, Fokine's Petrushka (with Rudolf Nureyev), and Massine's Le Tricorne, Le Beau Danube and Parade. In 1973, Robert Joffrey asked Twyla Tharp to create her first commissioned ballet, Deuce Coupe. The company continued as City Center Joffrey Ballet until 1977. From 1977, it performed as the Joffrey Ballet, with a second home established in Los Angeles from (1982-1992). In 1995, the company left New York City and returned to Chicago to establish a permanent residence.[2] The first several years in Chicago were financially arduous for the company, causing it to nearly shut its doors more than once; however, recent years have seen a significant revitalization as the performances have attracted larger and younger audiences. In 2005, the Joffrey Ballet celebrated its 10th anniversary in Chicago[3] and in 2007 concluded a very well-received two-season-long 50th anniversary celebration, a milestone few American ballet companies have enjoyed.

The Joffrey today

Currently, the company boasts 42 dancers and performs its regular October-May season at the Auditorium Theatre of Roosevelt University in Chicago, as well as several domestic and international tours throughout the year. Its repertoire consists of both classical and contemporary pieces, as well as annual December performances of The Nutcracker, presented in conjunction with the Chicago Sinfonietta.

On July 1, 2007, Gerald Arpino, co-founder, resident choreographer, and artistic director of the Joffrey Ballet, retired from day-to-day operations after 50 years with the company, taking the title artistic director emeritus, which he held until his death on October 29, 2008. In October 2007, Ashley Wheater, assistant artistic director and ballet master for San Francisco Ballet, and former Joffrey dancer, became only the third person to ever serve as artistic director of the Joffrey Ballet when he was named as Gerald Arpino’s replacement.[4]

The Joffrey Ballet appeared in the major motion picture Save the Last Dance (2001), when the two protagonists of the story saw the company perform Sea Shadow and Les Présages in Chicago. It was also the subject of Robert Altman's penultimate film, The Company (2003). This movie stars Malcolm McDowell as the ballet company's artistic director, a character based on Gerald Arpino, and is composed of stories gathered from the actual dancers, choreographers, and office staff of the Joffrey Ballet. Most of the roles are played by real-life company members.

In August 2008, the Joffrey Ballet moved into its first permanent home, the Joffrey Tower [1] at 10 East Randolph Street in downtown Chicago. The Joffrey Academy of Dance is the official school of the Joffrey Ballet and is located in the Joffrey Tower. The school officially opened in January 2009.

References

  • Anawalt, Sasha. (January 19, 1998). The Joffrey Ballet: Robert Joffrey and the Making of an American Dance Company. Chicago: University Of Chicago Press; Paperback Edition. ISBN 978-0226017556

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Dictionary of Dance. The Oxford Dictionary of Dance. Copyright © 2000, 2004 by Oxford University Press. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Joffrey Ballet" Read more