Schlegel, Johann Elias (Meißen, 1719-49, Sorø, Denmark), brother of J. A. Schlegel and uncle of A. W. and F. Schlegel, was at Schulpforta (see Fürstenschulen) with Klopstock, and then went up to Leipzig University, where he became an adherent of J. C. Gottsched, contributing to Die deutsche Schaubühne and Beyträge zur critischen Historie der deutschen Sprache, Poesie und Beredsamkeit. In 1743 he became secretary to the Saxon Minister in Copenhagen and in 1748 a professor at the noblemen's school (Ritterakademie) at Sorø. While in Denmark he contributed to the Bremer Beiträge.
In his short life Schlegel was extremely active both as the author of plays and as a critic, writing at least fourteen plays, including eight tragedies in the French classical manner favoured by Gottsched, and six comedies, which, if they are more independent, still recall the French pattern. Schlegel's principal tragedies are Canut (1746), in which the king is conceived as a benevolent despot, Hekuba (1736), after Euripides, later revised as Die Trojanerinnen, and the patriotic Hermann (1743). The outstanding comedies are Der Geheimnisvolle (1747), Der Triumph der guten Frauen (1746), and Die stumme Schönheit (1747). They were praised by Lessing in Die Hamburgische Dramaturgie, where he describes the last as ‘unstreitig unser bestes komisches Original’ (13. Stück). An edition by G. M. Schulz appeared in Lustspiele der Aufklärung in einem Akt in 1986.
Schlegel is more notable for his critical and theoretical work. His




