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Johann Georg Albrechtsberger

 
Music Encyclopedia: Johann Georg Albrechtsberger

(b Klosterneuburg, 3 Feb 1736; d Vienna, 7 March 1809). Austrian composer, teacher, theorist and organist. He served as organist in provincial localities including Melk Abbey (1759-65), then settled in Vienna, and from 1772 held posts at the Carmelite church and in the court orchestra. In 1791 he became assistant to the Kapellmeister at St Stephen's Cathedral, Leopold Hofmann, succeeding him in 1793. His prolific output (over 600 works) includes oratorios, church music and many instrumental works, of which the earliest (mainly divertimentos) are the most modern and original. His music of 1772 onwards reflects his growing interest in fugues: these appear in chamber works for various combinations (many entitled ‘sonata’) as well as in sacred vocal works. Though widely famous as an organist, Albrechtsberger was even more influential as a teacher and theorist. His pupils included Beethoven (1794-5), and his composition treatise Gründliche Anweisung zur Composition (1790) was especially popular.



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Columbia Encyclopedia: Johann Georg Albrechtsberger
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Albrechtsberger, Johann Georg ('hän gā'ôrk äl'brĕkhtsbĕr'gər), 1736-1809, Austrian musical theorist, teacher, and composer. He became (1772) court organist in Vienna and later was chief organist, conductor, and choirmaster of St. Stephen's Cathedral, Vienna. He composed more than 240 works and wrote important books on counterpoint and figured bass. Considered the best teacher of composition in Vienna in his time, he taught Beethoven.
Artist: Johann Georg Albrechtsberger
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  • Period: Classical (1750-1819)
  • Country: Germany
  • Born: February 03, 1736 in Klosterneuburg, Austria
  • Died: March 07, 1809 in Vienna, Austria
  • Genres: Chamber Music

Biography

Albrechtsberger is a rare example of an immensely prolific composer and celebrated performer who whose work as an inspired teacher overshadowed his own musical accomplishments. This was a time of transition the Baroque style to the Classical world of Mozart, Haydn and Beethoven. Essentially, Albrechtsberger is more esteemed for the standards he set than for his large (over 600 works) oeuvre. According to Haydn, Albrechtsberger was the best composition teacher in Vienna; he was a friend of Mozart, and Beethoven studied with him from 1794 to 1795.

From the age of seven, Albrechtsberger was a choirboy with the Augustinians in Klosterneuburg, where he studied organ and composition. In 1765, he settled in Vienna and, after a series of posts as organist, became Assistant Kapellmeister at St. Stephen's Cathedral in 1791, On Mozart's recommendation he was made kapellmeister in 1793.

From 1772 onwards, Albrechtsberger composed 284 church works, 278 keyboard works (mainly organ) and over 240 for other instrumental combinations. The instrumental compositions, both sacred and secular, helped build a bridge between earlier polyphonic and later styles. The vocal works, including oratorios, are developed in original ways from Baroque church sonatas.

Albrechtsberger's influence as a teacher extended to the great Austrian composers of his time. His ideas were presented in his famous Treatise on Composition (1790), a clearly written and accessible work in which he formulated eighteenth-century theory. His arrangements of the works of many important composers, from Palestrina to Mozart, link, so to speak, the Renaissance with Classicism. ~ Roy Brewer, All Music Guide
Wikipedia: Johann Georg Albrechtsberger
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Johann Georg Albrechtsberger portrait by Leopold Kupelwieser

Johann Georg Albrechtsberger (3 February 17367 March 1809) was an Austrian musician who was born at Klosterneuburg, near Vienna.

He originally studied music at Melk Abbey and philosophy at a Benedictine seminary in Vienna and became one of the most learned and skillful contrapuntists of his age. After being employed as organist at Raab in 1755 and Maria Taferl in 1757, he was appointed Thurnermeister back at Melk Abbey. In 1772 he was appointed organist to the court of Vienna, and in 1792 Kapellmeister of St. Stephen's Cathedral.

His fame as a theorist attracted to him in the Austrian capital a large number of pupils, some of whom afterwards became eminent musicians. Among these were Johann Nepomuk Hummel, Ignaz Moscheles, Josef Weigl (1766-1846), Ludwig-Wilhelm Tepper de Ferguson (1768-after 1824), and Ludwig van Beethoven. Beethoven had arrived in Vienna in 1792 to study with Haydn but quickly became infuriated when his work was not being given attention or corrected. Haydn recommended his friend Albrechtsberger, with whom Beethoven then studied harmony and counterpoint. On completion of his studies, the young student noted, "Patience, diligence, persistence, and sincerity will lead to success," which reflects upon Albrechtsberger's own compositional philosophies.

Albrechtsberger died in Vienna; his grave is in St. Marx cemetery.

His published compositions consist of preludes, fugues and sonatas for the piano and organ, string quartets, etc.; but the greater proportion of his works, vocal and instrumental, exists only in manuscript. They are in the library of the Vienna Gesellschaft der Musikfreunde.

Around 1765, Albrechtsberger wrote at least seven concerti for Jew's harp and strings (three survive in the Hungarian National Library in Budapest). They are pleasant, well written works in the galant style.

Probably the most valuable service he rendered to music was in his theoretical works. In 1790 he published at Leipzig a treatise on composition, of which a third edition appeared in 1821. A collection of his writings on harmony, in three volumes, was published under the care of his pupil Ignaz von Seyfried (1776-1841) in 1826. An English version of this was published by Novello in 1855. His compositional style derives from Johann Joseph Fux's counterpoint, who was Kapellmeister at St. Stephen's Cathedral 1713-1741, a position that Albrechtsberger would hold 52 years later.

One of his most notable works is his concerto for Alto Trombone and Orchestra in B Major. As the trombone has few works dating back to the classical period, his concerto is often highlighted by the trombone community.

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Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
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