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Johann Gottfried Walther

  • Born September 18, 1684 in Erfurt
  • Died March 23, 1748 in Weimar
  • Period: Baroque (1600-1749)
  • Country: Germany

Biography

Related to J.S. Bach, his almost exact contemporary, on his mother's side, Johann Gottfried Walther was an important German organist and composer. His first organ lessons were in Erfurt with Johann Bernhard Bach, and he quickly became an able child singer. When he was 18 he landed his first organ post, at Erfurt's Thomaskirche. After a flirtation with philosophy and law at the local university, Walther turned all his attention to music, becoming especially interested in music theory. He began touring Germany on a regular basis, and in his travels he met the important theorist Andreas Werckmeister, becoming one of his protégés, if usually by long distance. In 1707 he obtained his first and only "real" adult job, organist at Weimar's Stadkirche; there he remained for the rest of his life, another four decades. He also served as music teacher to Prince Johann Ernst in Weimar, to whom he would dedicate his 1708 treatise, Praecepta der musicalischen Composition. In 1721, he added the duty of heading the ducal orchestra.

J.S. Bach came to the ducal court in 1708, and the cousins struck up a close friendship, which benefited Walther artistically as much as, though perhaps not more than, his relationship with Werckmeister had. Walther was an omnivorous collector of information on music and theory, which led to the publication in 1732 of his Musicalisches Lexicon, Germany's first major music dictionary, incorporating entries on both biography and terminology. His career stalled out, though, and Walther never rose through the Weimar musical system, much to his bitter regret.

The Lexicon is Walther's greatest legacy, but he also left a solid body of compositions, mostly organ pieces (only one vocal work out of nearly 100 has survived). Most of the organ works are chorale-based: individual chorales, chorale partitas, and chorale fugues, most of them comparable in quality and brilliance of keyboard technique to Bach. Early in his career, Walther also produced the Praecepta der musicalischen Composition, a useful music-theory compendium cribbed from seventeenth century treatises; the second part is a valuable survey of German Baroque composition procedures. ~ James Reel, All Music Guide

 
 
Music Encyclopedia: Johann Gottfried Walther

(b Erfurt, 18 Sept 1684; d Weimar, 23 March 1748). German composerand lexicographer. He first worked as organist at St Thomas's, Erfurt. In 1703-7 he made a study tour, meeting musicians including the theorist Andreas Werckmeister; he then became organist of St Peter and St Paul, Weimar, and music teacher of Prince Johann Ernst. His cousin J.S. Bach, who worked at the court, 1708-17, became a close friend. Walther joined the court orchestra in 1721 but never reached a higher position. In 1732 he published his Musicalisches Lexicon, the first major music dictionary in German; it includes both musical terms and biographies of musicians, drawing on Walther's own theoretical treatise (1708) and many other works. As a composer he wrote some 90 sacred vocal works (now mostly lost), over 100 chorale preludes for organ and other instrumental and keyboard music. His chorale preludes are especially fine: they display most of the chorale variation techniques developed by German composers from Pachelbel to Bach but are nevertheless highly personal in style.



 
Wikipedia: Johann Gottfried Walther
Johann Gottfried Walther
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Johann Gottfried Walther

Johann Gottfried Walther (September 18, 1684March 23, 1748) was a German music theorist, organist, composer, and lexicographer of the Baroque era. Not only was his life almost exactly contemporaneous to that of Johann Sebastian Bach, he was the famous composer's cousin.

Walther was most famous as the compiler of the Musicalisches Lexicon (Leipzig, 1732), an enormous dictionary of music and musicians. Not only was it the first dictionary of musical terms written in the German language, it was the first to contain both terms and biographical information about composers and performers up to the early 18th century. In all, the Musicalisches Lexicon defines more than 3000 musical terms; Walther evidently drew on more than 250 separate sources in compiling it, including theoretical treatises of the early Baroque and Renaissance. The single most important source for the work was the writings of Johann Mattheson, who is referenced more than 200 times.

Some further information on Walther can be found in the book Musica Poetica by Dietrich Bartel. On page 22, Bartel quotes Walther's definition of musica poetica, or musical rhetoric, as:

"Musica Poetica or musical composition is a mathematical science through which an agreeable and correct harmony of the notes is brought to paper in order that it might later be sung or played, thereby appropriately moving the listeners to Godly devotion as well as to please and delight both mind and soul…. It is so called because the composer must not only understand language as does the poet in order not to violate the meter of the text but because he also writes poetry, namely a melody, thus deserving the title Melopoeta or Melopoeus." (22)

Walther was the music teacher of Duke Johann Ernst von Sachsen-Weimar. He wrote a handbook for the young Duke with the title Praecepta der musicalischen Composition, 1708. It remained handwritten until Peter Benary's edition (Leipzig, 1955). As an organ composer Walther became famous for his concerto transcriptions by contemporary Italian and German masters. He made 14 transcriptions from concertos of Albinoni, Gentili, Taglietti, Giuseppe Torelli, Vivaldi and Telemann. These works were the models for Bach to write his famous Vivaldi transcriptions. On the other hand Walther as a city organist of Weimar wrote exactly 132 organ preludes based on Lutheran choral melodies. Some free keyboard music also belongs to his legacy.

References

  • Bartel, Dietrich. Musica Poetica: Musical-Rhetorical Figures in German Baroque Music. Lincoln: University of Nebraska Press, 1997.
  • Walther, Johann Gottfried: Musicalisches Lexicon oder Musicalische Bibliothec [1732] - Neusatz des Textes und der Noten. Hrsg.: Friederike Ramm. Kassel: Baerenreiter, 2001.
  • Walther, Johann Gottfried: Briefe. Hrsg.: Klaus Beckmann und Hans-Joachim Schultze. Leipzig: VEB Deutscher Verlag für Musik, 1987.

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Artist. Copyright © 2008 All Media Guide, LLC. Content provided by All Music Guide ® , a trademark of All Media Guide, LLC. All rights reserved.  Read more
Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Johann Gottfried Walther" Read more

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