John Gay

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John Gay, oil painting by William Aikman; in the Scottish National Portrait Gallery, Edinburgh. (credit: Courtesy of the Scottish National Portrait Gallery, Edinburgh)

(born , June 30, 1685, Barnstaple, Devon, Eng. — died Dec. 4, 1732, London) British poet and dramatist. From an ancient but impoverished Devonshire family, Gay was apprenticed to a silk mercer in London but was released early. He soon cofounded the journal The British Apollo. His poetry collections included Rural Sports (1713) and Trivia (1716). He is best known for the ballad opera The Beggar's Opera (1728), which ran for 62 performances (the longest run to that date). The play, with music by John C. Pepusch (1667 – 1752), was a cynical tale of thieves and highwaymen intended to mirror the moral degradation of society; its success made it a landmark in music-theatre history. It was adapted by Bertolt Brecht and Kurt Weill as The Threepenny Opera (1928). Gay was buried in Westminster Abbey.

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(b Barnstaple, bap. 16 Sept 1685; d London, 4 Dec 1732). English poet and dramatist. His The Beggar's Opera (1729, London), put together from popular tunes, was the first important ballad opera; its music and subject matter made it an instant theatrical success. Bass parts for the tunes and an overture were added by Pepusch. Gay's second ballad opera, Polly, was banned; his third, Achilles (1733, London), was unsuccessful. He wrote at least part of the libretto for Handel's Acis and Galatea (1718).

The English playwright and poet John Gay (1685-1732) is best known for "The Beggar's Opera," a skillful blend of literary, political, social, and musical satire.

John Gay was born on June 30, 1685, in Barnstaple, Devonshire. Orphaned at age 10, he was sent to the local grammar school until, aged about 17, he was apprenticed to a silk dealer in London. Possibly because of illness, he was released from this apprenticeship in 1706 and returned to Barnstaple. In 1708 he became Aaron Hill's secretary, helping especially with Hill's question-and-answer periodical paper, the British Apollo. That year Gay published his first poem, Wine; his first published prose, The Present State of Wit, a critical account of all the current journals, appeared in 1711.

Gay was domestic steward in the household of the Duchess of Monmouth from 1712 to 1714. Something between a secretary and a wit in residence, Gay gained financial security and freedom to write without loss of independence. As a result, 1713 was a most productive year for him, with the publication of six poems, at least two essays, and a play. The play, The Wife of Bath, was a failure; one poem, The Fan, was popular enough to establish a poetic fad.

The Shepherd's Week (1714) is a set of six pastorals in which English rural life is realistically portrayed. Gay's literary burlesque The What D'ye Call It (1715) was moderately successful. His wonderful three-book poem Trivia: or, theArt of Walking the Streets of London, published by subscription in 1716 to much acclaim and to the financial relief of the unemployed Gay, was deservedly praised for its originality, humor, and vivid accuracy.

Another play, Three Hours after Marriage, was produced in 1716 without great success. The next few years were marked by the successful publication of his collection Poems (1720), the libretto for G. F. Handel's Acis and Galatea (1722), and a tragedy, The Captives (1724). Gay's Fables (1727) was long popular with both adults and children.

The Beggar's Opera opened on Jan. 29, 1728, and ran for 62 nights - an unprecedented number - in its first season. This ballad opera, with music by John Pepusch, is a satirical picture of life among London's pickpockets, prostitutes, and highwaymen. Though the sequel, Polly (1729), also with music by Pepusch, was banned from performance, its publication brought Gay £ 1,000. Plagued by ill health, he died on Dec. 4, 1732.

Further Reading

Henry Lee, ed., Gay's Chair (1820), contains some spurious early poems but a genuine memoir by Gay's nephew, Joseph Buller. William E. Schultz, Gay's Beggar's Opera: Its Content, History, and Influence (1923), is the definitive study of that work. The fullest biography is William H. Irving, John Gay, Favorite of the Wits (1962). Patricia M. Spack John Gay (1965), is a convenient and reliable critical study, and Sven Armens, John Gay, Social Critic (1966), has the emphasis its title suggests.

Additional Sources

Melville, Lewis, Life and letters of John Gay (1685-1732), author of "The beggar's opera,", Norwood, Pa.: Norwood Editions, 1975.

Melville, Lewis, Life and letters of John Gay (1685-1732), author of "The beggar's opera", Philadelphia: R. West, 1977.

Nokes, David, John Gay, a profession of friendship, Oxford; New York: Oxford University Press, 1995.

Gay, John (1685-1732). One of the leading members of the remarkable group of authors in the early 18th cent., Gay was on close terms with Pope, Swift, and Arbuthnot. Of Devon dissenting stock, he moved to London, soon abandoned the silk trade, and established himself as a minor poet. His enormous success, The Beggar's Opera, was produced at Lincoln's Inn Fields by John Rich in 1728 and was said to have ‘made Gay rich and Rich gay’.

Quotes:

"There is no dependence that can be sure but a dependence upon one's self."

"Can you support the expense of a husband, hussy, in gaming, drinking and whoring? Have you money enough to carry on the daily quarrels of man and wife about who shall squander most?"

"Fools may our scorn, not envy, raise. For envy is a kind of praise."

"We only part to meet again."

"O Polly, you might have toyed and kissed, by keeping men off, you keep them on."

"An open foe may prove a curse, but a pretended friend is worse."

See more famous quotes by John Gay