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John Tavener

 
Music Encyclopedia: John (Kenneth) Tavener

(b London, 28 Jan 1944). English composer.He studied with Berkeley and Lumsdaine at the RAM (1961-5). Most of his music is explicitly religious, influenced by late Stravinsky but containing strong, bold images from a variety of other sources; his biblical cantata The Whale (1966) enjoyed a vogue. An early leaning towards Catholic devotion reached a consummation in the Crucifixion meditation Ultimos ritos (1972) and the opera Thérèse (1979). In 1976 he converted to the Russian Orthodox faith, composing in a simpler, luminous style (Liturgy of St John Chrysostom for unaccompanied chorus, 1978; Protecting Veil for cello and orchestra, 1989).



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Columbia Encyclopedia: Sir John Kenneth Tavener
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Tavener, Sir John Kenneth (tăv'ənər, -nə), 1944-, English composer, b. London; studied Royal Academy of Music; widely considered Great Britain's most popular living classical composer. Since his early efforts in the 1960s his work has shown a consistent but evolving tonal or modal style and often a marked simplicity and spirituality. Tavener, who joined the Russian Orthodox Church in 1977, is known principally for his requiems, canticles, hymns, and liturgical cantatas, which he has called "icons with notes rather than colors." Largely slow-moving, intense, and accessible to a wide audience, his music has been influenced by various traditional styles including Indian ragas, Byzantine chants, Middle Eastern works, and Native American music. Tavener's compositions also have close ties to Eastern European minimalism and are part of a mystical strain that also marks the work of such composers as Arvo Pärt, Henryk Górecki, and Giya Kancheli.

Tavener first came to wide public attention with his composition The Whale (1968), which employs a collage of prerecorded tape, amplified percussion, and chorus. After a comparatively dry period in the 1970s, Tavener's work flourished during the 1980s and 90s, when he produced a broad range of compositions. Among his best-known works are Orthodox Vigil Service (1984), for chorus and handbells; The Protecting Veil, for cello, and Akathist of Thanksgiving, for soloists, chorus, strings, and timpini, (both: 1987); the operatic Mary of Egypt (1991); the choral Song for Athene (1993), played at the funeral of Princess Diana; and Total Eclipse (1999), a cantata scored for vocal soloists, boys' choir, baroque instruments, brass, Tibetan bowls, and timpani. The Veil of the Temple (2003) is a seven-hour musical vigil that draws on Christian traditions of the East and West and is performed by a large chorus, vocal soloists, organ, brass and percussion ensembles, Tibetan horn, temple bowls, and Indian harmonium. Tavener was knighted in 2000.

Bibliography

See his The Music of Silence-A Composer's Testament (2000); Glimpses of Paradise (documentary film dir. by G. Haydon, 1992); G. Haydon, John Tavener-Glimpses of Paradise (1995).

Wikipedia: John Tavener
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Sir John Tavener (born 28 January 1944) is a British composer, best known for such religious, minimal works as "The whale", and "Ikos". He began as prodigy;[1] he was described by the Guardian as "the musical discovery of the year", while the Times said he was "among the very best creative talents of his generation." Tavener was knighted in 2000 for his services to music.

Contents

Biography

Tavener was born on 28 January 1944 in Wembley, London, England, and claims to be a direct descendant of the 16th century composer John Taverner.[2] He was educated at Highgate School (where a fellow pupil was John Rutter) and at the Royal Academy of Music, where his tutors included Sir Lennox Berkeley. He first came to prominence in 1968 with his dramatic cantata The Whale, based on the Old Testament story of Jonah. It was premièred at the London Sinfonietta's début concert and later recorded by Apple Records. The following year he began teaching at Trinity College of Music, London. Other works released by Apple included his Celtic Requiem. In 1977, he joined the Russian Orthodox Church. Orthodox theology and Orthodox liturgical traditions became a major influence on his work. He was particularly drawn to its mysticism, studying and setting to music the writings of Church Fathers such as St John Chrysostom.

One of Tavener's most popular and frequently performed works is his short unaccompanied four-part choral setting of William Blake's The Lamb, written for his nephew, Simon, on his third birthday one afternoon in 1982. This simple, homophonic piece is usually performed as a Christmas carol. More important, however, were his explorations of Russian and Greek culture, as shown in "Akhmatova Requiem" and "Sixteen Haiku of Seferis". Later prominent works include The Akathist of Thanksgiving (1987, written in celebration of the millennium of the Russian Orthodox Church); The Protecting Veil (first performed by cellist Steven Isserlis and the London Symphony Orchestra at the 1989 Proms); and Song for Athene (1993, performed at the funeral of Diana, Princess of Wales in 1997). Following Diana's death he also composed and dedicated to her memory the piece Eternity's Sunrise, based on poetry by William Blake.

It has been reported, particularly in the British press, that Tavener left Orthodox Christianity[3][4] to explore a number of other different religious traditions, including Hinduism and Islam, and became a follower of the mystic philosopher Frithjof Schuon. While he has in recent years incorporated elements of non-Western music into his compositions, Tavener remains an Orthodox Christian though his brother, Roger, tended towards Sufi.[5] In 2003 he composed the exceptionally large work The Veil of the Temple (which was premiered at the Temple Church, Fleet Street, London), based on texts from a number of religions. It is set for four choirs, several orchestras and soloists and lasts at least seven hours. The 2004 premier of his piece 'Prayer of the Heart' written for and performed by Björk, was featured on CD and incorporated as the soundtrack to Jake Lever's powerful installation 'Centre + Circumference' (2008, Wallspace, All Hallows on the Wall, City of London).

While Tavener's early music was influenced by Igor Stravinsky, often invoking the sound world of the Requiem Canticles and A Sermon, a Narrative and a Prayer, his recent music is more sparse, uses wide registral space and is usually diatonically tonal. Some commentators see a similarity with the works of Arvo Pärt, from their common religious tradition to the technical details of phrase lengths, diatonicism and colouristic percussion effects, though the similarities between their outputs are quite superficial. Olivier Messiaen has also been suggested as a strong influence on his earlier work.

Tavener has suffered from considerable problems with his health. He had a stroke in his thirties, heart surgery and a tumor removed in his forties,[6] and suffered two succesive heart attacks which have left him very frail and unable to work since December 2007.[7] He has Marfan syndrome.[8][9] His wife, Maryanna, broadcast a charity appeal on BBC Radio 4 in October 2008 on behalf of the Marfan Trust.[10]

Career highlights

Key works

  • The Whale (1966; soloists, speaker, SATB choir, children's choir, orchestra)
  • The Protecting Veil (1988; cello, strings)
  • Ikon of the Nativity (1991; SATB choir, a cappella)
  • Song for Athene (1993; SATB choir)
  • Lamentations and Praises (2001; 12 male voices, string quartet, flute, bass trombone, percussion)
  • The Veil of the Temple (2002; soprano, SATB choir, boys' choir, ensemble)
  • Schuon Lieder (2003; soprano, ensemble)
  • Laila (Amu) (2004; soprano, tenor, orchestra)
  • Lament for Jerusalem (2006; soprano, countertenor, SATB choir, orchestra)

Sound files

Year Song title Work Instrumentation
1968: "Section A"
John Tavener Section A.ogg Listen
In Alium Soprano, Strings, Tape
1985: "The Lamb"
John Tavener The Lamb.ogg Listen
The Lamb Chorus
1993: "Song for Athene"
John Tavener Song for Athene.ogg Listen
Song for Athene Chorus
1996: "Innocence"
John_Tavener_Innocence.ogg Listen
Innocence Chorus, bell

Selected recordings

References

  1. ^ Boyden, Matthew. "The rough guide to opera". Rough Guides, 2002. ISBN 1-8582-8749-9
  2. ^ David Mason. "Greene's biographical encyclopedia of composers". Doubleday, 1995. 31. ISBN 0-3851-4278-1
  3. ^ See p. 30 of Morrison, Richard (November 2004). "99 Names for God: John Tavener Turns his Back on Orthodoxy". BBC Music.  Tavener is quoted as saying, "It strikes me now that all religions are as senile as one another."
  4. ^ McCleery, David. "The Beautiful Names: John Tavener". bbc.co.uk. http://www.bbc.co.uk/orchestras/symphonyorchestra/performances/Tavener_biog.shtml. Retrieved 2007-06-22. 
  5. ^ White, Michael (2007-06-17). "Christian Composer, Inspired by Allah's 99 Names". The New York Times. http://www.nytimes.com/2007/06/17/arts/music/17whit.html?ex=1339646400&en=f75f55d704550bbd&ei=5124&partner=permalink&exprod=permalink. 
  6. ^ Liz Todd Prince Charles's favourite composer John Tavener in fight for life Daily Mail 09 March 2008
  7. ^ Michael White A rare meeting with Sir John Tavener, The Times May 1, 2009
  8. ^ BBC News 27 December 1999 - Music for a new milennium
  9. ^ The Independent 20 June 2004 - John Tavener: God be in my head
  10. ^ BBC Radio 4 Appeal - Marfan Trust

Further reading

External links



 
 

 

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Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
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